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St Ambrose, panel E of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze)
St Ambrose, panel E of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze)

BEN131527: St Ambrose, panel E of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze), Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

ID: BEN131527

St Ambrose, panel E of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze)

Ghiberti, Lorenzo (1378-1455)

The Bridge, Avignon (oil on canvasboard)
The Bridge, Avignon (oil on canvasboard)

PFA131610: The Bridge, Avignon (oil on canvasboard), Nicholson, William (1872-1949) / Bridgeman Images

ID: PFA131610

The Bridge, Avignon (oil on canvasboard)

Nicholson, William (1872-1949)

The Blue Towel, 1982-3 (oil on canvas laid over board)
The Blue Towel, 1982-3 (oil on canvas laid over board)

PFA131617: The Blue Towel, 1982-3 (oil on canvas laid over board), Uglow, Euan (1932-2000) / Bridgeman Images

ID: PFA131617

The Blue Towel, 1982-3 (oil on canvas laid over board)

Uglow, Euan (1932-2000)

Castle Rock (Flatholm Island), Bristol Channel, 1790 (oil on canvas)
Castle Rock (Flatholm Island), Bristol Channel, 1790 (oil on canvas)

PFA131661: Castle Rock (Flatholm Island), Bristol Channel, 1790 (oil on canvas), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

ID: PFA131661

Castle Rock (Flatholm Island), Bristol Channel, 1790 (oil on canvas)

Ibbetson, Julius Caesar (1759-1817)

The Young Falconer, 1835 (oil on panel)
The Young Falconer, 1835 (oil on panel)

PFA131675: The Young Falconer, 1835 (oil on panel), Hart, Solomon Alexander (1806-81) / Bridgeman Images

ID: PFA131675

The Young Falconer, 1835 (oil on panel)

Hart, Solomon Alexander (1806-81)

The Flight Out of Egypt (pencil, wash and brown ink)
The Flight Out of Egypt (pencil, wash and brown ink)

CEC131714: The Flight Out of Egypt (pencil, wash and brown ink), Spencer, Stanley (1891-1959) / Bridgeman Images

ID: CEC131714

The Flight Out of Egypt (pencil, wash and brown ink)

Spencer, Stanley (1891-1959)

Boats on the River at Suchow, China (w/c over black lead)
Boats on the River at Suchow, China (w/c over black lead)

CEC131719: Boats on the River at Suchow, China (w/c over black lead), Alexander, William (1767-1816) / Bridgeman Images

ID: CEC131719

Boats on the River at Suchow, China (w/c over black lead)

Alexander, William (1767-1816)

Sailors Writing Home, 1966 (w/c on paper)
Sailors Writing Home, 1966 (w/c on paper)

BAL131917: Sailors Writing Home, 1966 (w/c on paper), Nguyen Duc Tho (born 1930) / Bridgeman Images

ID: BAL131917

Sailors Writing Home, 1966 (w/c on paper)

Nguyen Duc Tho (born 1930)

American Anecdote: Shooting the Wolves, engraved by Matthew Dubourg (fl.1785-1820) and the artist, published by Edward Orme, 1813 (colour litho)
American Anecdote: Shooting the Wolves, engraved by Matthew Dubourg (fl.1785-1820) and the artist, published by Edward Orme, 1813 (colour litho)

STC134530: American Anecdote: Shooting the Wolves, engraved by Matthew Dubourg (fl.1785-1820) and the artist, published by Edward Orme, 1813 (colour litho), Howitt, Samuel (1756-1822) (after) / Bridgeman Images

ID: STC134530

American Anecdote: Shooting the Wolves, engraved by Matthew Dubourg (fl.1785-1820) and the artist, published by Edward Orme, 1813 (colour litho)

Howitt, Samuel (1756-1822) (after)

Detail from the Neptune Fountain, 1560-75 (photo) (see 134580-134586)
Detail from the Neptune Fountain, 1560-75 (photo) (see 134580-134586)

JFS134582: Detail from the Neptune Fountain, 1560-75 (photo) (see 134580-134586), Ammannati, Bartolomeo (1511-92) / Bridgeman Images

ID: JFS134582

Detail from the Neptune Fountain, 1560-75 (photo) (see 134580-134586)

Ammannati, Bartolomeo (1511-92)

View of Montefioralle, Tuscany, Italy (photo)
View of Montefioralle, Tuscany, Italy (photo)

JFS134892: View of Montefioralle, Tuscany, Italy (photo) / Bridgeman Images

ID: JFS134892

View of Montefioralle, Tuscany, Italy (photo)

A Missed Opportunity, 1923 (oil on canvas)
A Missed Opportunity, 1923 (oil on canvas)

PNY134935: A Missed Opportunity, 1923 (oil on canvas), Foster, William Harnden (c.1886-1941) / Bridgeman Images

ID: PNY134935

A Missed Opportunity, 1923 (oil on canvas)

Foster, William Harnden (c.1886-1941)

Portrait of the Composer Aleksandr Sergeyvich Dargomyzhsky (1813-69) (oil on canvas)
Portrait of the Composer Aleksandr Sergeyvich Dargomyzhsky (1813-69) (oil on canvas)

XAB134969: Portrait of the Composer Aleksandr Sergeyvich Dargomyzhsky (1813-69) (oil on canvas), Makovsky, Konstantin Egorovich (1839-1915) / Bridgeman Images

ID: XAB134969

Portrait of the Composer Aleksandr Sergeyvich Dargomyzhsky (1813-69) (oil on canvas)

Makovsky, Konstantin Egorovich (1839-1915)

Sketch for Glinka's Opera 'Zhizn' za Tsarya' (A Life for the Tsar), 1913 (gouache on paper)
Sketch for Glinka's Opera 'Zhizn' za Tsarya' (A Life for the Tsar), 1913 (gouache on paper)

XAB134983: Sketch for Glinka's Opera 'Zhizn' za Tsarya' (A Life for the Tsar), 1913 (gouache on paper), Tatlin, Vladimir Evgrafovich (1885-1953) / Bridgeman Images

ID: XAB134983

Sketch for Glinka's Opera 'Zhizn' za Tsarya' (A Life for the Tsar), 1913 (gouache on paper)

Tatlin, Vladimir Evgrafovich (1885-1953)

Samanid Bowl, East Persia or Transoxiana, 9th-10th century (slip painted earthenware) (see also 131960)
Samanid Bowl, East Persia or Transoxiana, 9th-10th century (slip painted earthenware) (see also 131960)

BON131959: Samanid Bowl, East Persia or Transoxiana, 9th-10th century (slip painted earthenware) (see also 131960) / Bridgeman Images

ID: BON131959

Samanid Bowl, East Persia or Transoxiana, 9th-10th century (slip painted earthenware) (see also 131960)

A Pair of Qajar Boxes, Persia, 19th century (lacquer papier mache)
A Pair of Qajar Boxes, Persia, 19th century (lacquer papier mache)

BON131979: A Pair of Qajar Boxes, Persia, 19th century (lacquer papier mache) / Bridgeman Images

ID: BON131979

A Pair of Qajar Boxes, Persia, 19th century (lacquer papier mache)

Elegant Connoisseurs (oil on canvas)
Elegant Connoisseurs (oil on canvas)

PFA131421: Elegant Connoisseurs (oil on canvas), Secola, A. (fl. c.1900) / Bridgeman Images

ID: PFA131421

Elegant Connoisseurs (oil on canvas)

Secola, A. (fl. c.1900)

Dangan Castle, County Meath, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Dangan Castle, County Meath, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131460: Dangan Castle, County Meath, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131460

Dangan Castle, County Meath, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

View of Bantry Bay from Sugarloaf Mountain, County Cork, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
View of Bantry Bay from Sugarloaf Mountain, County Cork, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131474: View of Bantry Bay from Sugarloaf Mountain, County Cork, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131474

View of Bantry Bay from Sugarloaf Mountain, County Cork, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Stereoscopic View of the Leaning Tower and the Duomo, published by Underwood and Underwood (sepia photo)
Stereoscopic View of the Leaning Tower and the Duomo, published by Underwood and Underwood (sepia photo)

TPG134228: Stereoscopic View of the Leaning Tower and the Duomo, published by Underwood and Underwood (sepia photo), Unknown photographer, (20th century) / Bridgeman Images

ID: TPG134228

Stereoscopic View of the Leaning Tower and the Duomo, published by Underwood and Underwood (sepia photo)

Unknown photographer, (20th century)

Watching a Sea Battle Through a Telescope, illustration from Book 1 Part 8 Chapter 18 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/53-1722), 1694 (engraving)
Watching a Sea Battle Through a Telescope, illustration from Book 1 Part 8 Chapter 18 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/53-1722), 1694 (engraving)

STC134236: Watching a Sea Battle Through a Telescope, illustration from Book 1 Part 8 Chapter 18 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/53-1722), 1694 (engraving), Lens, Bernard II (1659-1725) (after) / Bridgeman Images

ID: STC134236

Watching a Sea Battle Through a Telescope, illustration from Book 1 Part 8 Chapter 18 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/53-1722), 1694 (engraving)

Lens, Bernard II (1659-1725) (after)

Carved Face of a Buddha, 12th-13th century (photo)
Carved Face of a Buddha, 12th-13th century (photo)

PLS134289: Carved Face of a Buddha, 12th-13th century (photo) / Bridgeman Images

ID: PLS134289

Carved Face of a Buddha, 12th-13th century (photo)

The Pet Bird (oil on canvas)
The Pet Bird (oil on canvas)

PFA134418: The Pet Bird (oil on canvas), Dargelas, Andre Henri (1828-1906) / Bridgeman Images

ID: PFA134418

The Pet Bird (oil on canvas)

Dargelas, Andre Henri (1828-1906)

Prudence, panel H of the South Doors of the Baptistery of San Giovanni, 1336 (bronze)
Prudence, panel H of the South Doors of the Baptistery of San Giovanni, 1336 (bronze)

BEN130933: Prudence, panel H of the South Doors of the Baptistery of San Giovanni, 1336 (bronze), Pisano, Andrea (1270-1349) / Bridgeman Images

ID: BEN130933

Prudence, panel H of the South Doors of the Baptistery of San Giovanni, 1336 (bronze)

Pisano, Andrea (1270-1349)

The Flemish Smoker, engraved by Francois Bernard Lepicie (1698-1755), 1744 (engraving)
The Flemish Smoker, engraved by Francois Bernard Lepicie (1698-1755), 1744 (engraving)

XJF130994: The Flemish Smoker, engraved by Francois Bernard Lepicie (1698-1755), 1744 (engraving), Teniers, David the Younger (1610-90) (after) / Bridgeman Images

ID: XJF130994

The Flemish Smoker, engraved by Francois Bernard Lepicie (1698-1755), 1744 (engraving)

Teniers, David the Younger (1610-90) (after)

View of St. Mark's Square, Venice, engraved by F. Citerrio (coloured engraving)
View of St. Mark's Square, Venice, engraved by F. Citerrio (coloured engraving)

STC130084: View of St. Mark's Square, Venice, engraved by F. Citerrio (coloured engraving), Majocchi, P. (19th century) (after) / Bridgeman Images

ID: STC130084

View of St. Mark's Square, Venice, engraved by F. Citerrio (coloured engraving)

Majocchi, P. (19th century) (after)

Porch of the Duomo, c.1311 (photo)
Porch of the Duomo, c.1311 (photo)

BUN130179: Porch of the Duomo, c.1311 (photo) / Bridgeman Images

ID: BUN130179

Porch of the Duomo, c.1311 (photo)

Mandeh-Pahchu, a Young Mandan Indian, plate 24 from Volume 1 of 'Travels in the Interior of North America', engraved by J. Hurlimann, 1843 (aquatint)
Mandeh-Pahchu, a Young Mandan Indian, plate 24 from Volume 1 of 'Travels in the Interior of North America', engraved by J. Hurlimann, 1843 (aquatint)

STC101380: Mandeh-Pahchu, a Young Mandan Indian, plate 24 from Volume 1 of 'Travels in the Interior of North America', engraved by J. Hurlimann, 1843 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC101380

Mandeh-Pahchu, a Young Mandan Indian, plate 24 from Volume 1 of 'Travels in the Interior of North America', engraved by J. Hurlimann, 1843 (aquatint)

Bodmer, Karl (1809-93) (after)

Snags (sunken trees) on the Missouri, plate 6 from Volume 2 of 'Travels in the Interior of North America', engraved by Lucas Weber and J. Hurlimann, 1844 (aquatint)
Snags (sunken trees) on the Missouri, plate 6 from Volume 2 of 'Travels in the Interior of North America', engraved by Lucas Weber and J. Hurlimann, 1844 (aquatint)

STC101386: Snags (sunken trees) on the Missouri, plate 6 from Volume 2 of 'Travels in the Interior of North America', engraved by Lucas Weber and J. Hurlimann, 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC101386

Snags (sunken trees) on the Missouri, plate 6 from Volume 2 of 'Travels in the Interior of North America', engraved by Lucas Weber and J. Hurlimann, 1844 (aquatint)

Bodmer, Karl (1809-93) (after)

A three-masted Galleass under way by sail, oars shipped, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving)
A three-masted Galleass under way by sail, oars shipped, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving)

STC101443: A three-masted Galleass under way by sail, oars shipped, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving), Mortier, Pierre (Pieter) (1661-1711) / Bridgeman Images

ID: STC101443

A three-masted Galleass under way by sail, oars shipped, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving)

Mortier, Pierre (Pieter) (1661-1711)

Still Life with Fruit, 1860 (sepia photo)
Still Life with Fruit, 1860 (sepia photo)

STC101450: Still Life with Fruit, 1860 (sepia photo), Fenton, Roger (1819-69) / Bridgeman Images

ID: STC101450

Still Life with Fruit, 1860 (sepia photo)

Fenton, Roger (1819-69)

Carved column capital depicting a man and two beasts, from the crypt, c.1029 (stone)
Carved column capital depicting a man and two beasts, from the crypt, c.1029 (stone)

PWI101636: Carved column capital depicting a man and two beasts, from the crypt, c.1029 (stone) / Bridgeman Images

ID: PWI101636

Carved column capital depicting a man and two beasts, from the crypt, c.1029 (stone)

Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)
Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)

XJF105880: Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF105880

Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)

English School, (19th century)

King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving)
King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving)

XJF105884: King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving), Scottish School, (18th century) / Bridgeman Images

ID: XJF105884

King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving)

Scottish School, (18th century)

A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk)
A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk)

CH105930: A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk), Wang Guxiang (1501-1568) / Bridgeman Images

ID: CH105930

A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk)

Wang Guxiang (1501-1568)

The Sea Wall, 1927 (gouache over pencil)
The Sea Wall, 1927 (gouache over pencil)

PFA105969: The Sea Wall, 1927 (gouache over pencil), Jones, David Michael (1895-1974) / Bridgeman Images

ID: PFA105969

The Sea Wall, 1927 (gouache over pencil)

Jones, David Michael (1895-1974)


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