1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491551 Search Results

Modello (model) of the dome in mosaic for the atrium of the baptistere of St. Peter of Rome (approximately 1687) representing an Allegory of Baptema. Detail. Painting by Giovan Battista Gaulli dit il Baciccio (1639-1709), circa 1687. Rococo. Oil on wood. Dim: 56,8x135x107cm. Institute of Legal Studies, Aix en Provence.
Modello (model) of the dome in mosaic for the atrium of the baptistere of St. Peter of Rome (approximately 1687) representing an Allegory of Baptema. Detail. Painting by Giovan Battista Gaulli dit il Baciccio (1639-1709), circa 1687. Rococo. Oil on wood. Dim: 56,8x135x107cm. Institute of Legal Studies, Aix en Provence.

JEB4862134: Modello (model) of the dome in mosaic for the atrium of the baptistere of St. Peter of Rome (approximately 1687) representing an Allegory of Baptema. Detail. Painting by Giovan Battista Gaulli dit il Baciccio (1639-1709), circa 1687. Rococo. Oil on wood. Dim: 56,8x135x107cm. Institute of Legal Studies, Aix en Provence. / Bridgeman Images

ID: JEB4862134

Modello (model) of the dome in mosaic for the atrium of the baptistere of St. Peter of Rome (approximately 1687) representing an Allegory of Baptema. Detail. Painting by Giovan Battista Gaulli dit il Baciccio (1639-1709), circa 1687. Rococo. Oil on wood. Dim: 56,8x135x107cm. Institute of Legal Studies, Aix en Provence.

Cartoon: “” Gaite of a company of penitents after the visit of Della Sette Chiese which is usually made during the months of May in Rome”” Drawing by Francois Marius Granet (1775-1849). Watercolour on paper. Dim: 22,5x34cm. Musee Granet, Aix En Provence.
Cartoon: “” Gaite of a company of penitents after the visit of Della Sette Chiese which is usually made during the months of May in Rome”” Drawing by Francois Marius Granet (1775-1849). Watercolour on paper. Dim: 22,5x34cm. Musee Granet, Aix En Provence.

JEB4862206: Cartoon: “” Gaite of a company of penitents after the visit of Della Sette Chiese which is usually made during the months of May in Rome”” Drawing by Francois Marius Granet (1775-1849). Watercolour on paper. Dim: 22,5x34cm. Musee Granet, Aix En Provence. / Bridgeman Images

ID: JEB4862206

Cartoon: “” Gaite of a company of penitents after the visit of Della Sette Chiese which is usually made during the months of May in Rome”” Drawing by Francois Marius Granet (1775-1849). Watercolour on paper. Dim: 22,5x34cm. Musee Granet, Aix En Provence.

View of Draguignan from the Route de Castellanne. Anonymous engraving of the 19th century. Musee Arbaud, Aix en provence.
View of Draguignan from the Route de Castellanne. Anonymous engraving of the 19th century. Musee Arbaud, Aix en provence.

JEB4862463: View of Draguignan from the Route de Castellanne. Anonymous engraving of the 19th century. Musee Arbaud, Aix en provence. / Bridgeman Images

ID: JEB4862463

View of Draguignan from the Route de Castellanne. Anonymous engraving of the 19th century. Musee Arbaud, Aix en provence.

Illustration by Carlegle (1877-1937) for the Cover of The Laughter, 04/01/08 - Children's Joy - Game, Childhood, Christmas
Illustration by Carlegle (1877-1937) for the Cover of The Laughter, 04/01/08 - Children's Joy - Game, Childhood, Christmas

ICA4861803: Illustration by Carlegle (1877-1937) for the Cover of The Laughter, 04/01/08 - Children's Joy - Game, Childhood, Christmas / Bridgeman Images

ID: ICA4861803

Illustration by Carlegle (1877-1937) for the Cover of The Laughter, 04/01/08 - Children's Joy - Game, Childhood, Christmas

Car drawn by 4 horses, Roman Empire, Antiquite. 19th century coloring engraving.
Car drawn by 4 horses, Roman Empire, Antiquite. 19th century coloring engraving.

NWI4862178: Car drawn by 4 horses, Roman Empire, Antiquite. 19th century coloring engraving. / Bridgeman Images

ID: NWI4862178

Car drawn by 4 horses, Roman Empire, Antiquite. 19th century coloring engraving.

Religious temple built by the Jews: the Israeli prisoners building the ziggurat (or ziggurat) of the ancient Babylon (Etemenanki, which is supposed to be at the origin of the story of the Tower of Babel, was part of a complex called Esagil). Colourful engraving of the 19th century.
Religious temple built by the Jews: the Israeli prisoners building the ziggurat (or ziggurat) of the ancient Babylon (Etemenanki, which is supposed to be at the origin of the story of the Tower of Babel, was part of a complex called Esagil). Colourful engraving of the 19th century.

NWI4862268: Religious temple built by the Jews: the Israeli prisoners building the ziggurat (or ziggurat) of the ancient Babylon (Etemenanki, which is supposed to be at the origin of the story of the Tower of Babel, was part of a complex called Esagil). Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4862268

Religious temple built by the Jews: the Israeli prisoners building the ziggurat (or ziggurat) of the ancient Babylon (Etemenanki, which is supposed to be at the origin of the story of the Tower of Babel, was part of a complex called Esagil). Colourful engraving of the 19th century.

Middle East: shepherd carrying a lamb in his arms.
Middle East: shepherd carrying a lamb in his arms.

NWI4862437: Middle East: shepherd carrying a lamb in his arms. / Bridgeman Images

ID: NWI4862437

Middle East: shepherd carrying a lamb in his arms.

Civilization of Antiquity: Christians of the time of ancient Rome. Colour engraving of the 19th century.
Civilization of Antiquity: Christians of the time of ancient Rome. Colour engraving of the 19th century.

NWI4862626: Civilization of Antiquity: Christians of the time of ancient Rome. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4862626

Civilization of Antiquity: Christians of the time of ancient Rome. Colour engraving of the 19th century.

Civilization of antiquity: Greek king and soldiers dressed for war. Engraving of the 19th century.
Civilization of antiquity: Greek king and soldiers dressed for war. Engraving of the 19th century.

NWI4862668: Civilization of antiquity: Greek king and soldiers dressed for war. Engraving of the 19th century. / Bridgeman Images

ID: NWI4862668

Civilization of antiquity: Greek king and soldiers dressed for war. Engraving of the 19th century.

Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.
Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.

NWI4858736: Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858736

Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.

Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection
Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection

ELD4859216: Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection / Bridgeman Images

ID: ELD4859216

Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection

Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.
Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.

JEB4859251: Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence. / Bridgeman Images

ID: JEB4859251

Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.

Roman lictor bearing a beam symbol of his status. 19th century colour engraving.
Roman lictor bearing a beam symbol of his status. 19th century colour engraving.

NWI4859281: Roman lictor bearing a beam symbol of his status. 19th century colour engraving. / Bridgeman Images

ID: NWI4859281

Roman lictor bearing a beam symbol of his status. 19th century colour engraving.

Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.
Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.

NWI4859369: Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4859369

Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.

Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)
Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)

ICA4859452: Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962) / Bridgeman Images

ID: ICA4859452

Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)

Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.
Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.

NWI4859481: Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4859481

Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.

Camel caravan approaching Sidon (Saida or Saidoon) port of the Phenicians in the antiquite. Colourful engraving of the 19th century.
Camel caravan approaching Sidon (Saida or Saidoon) port of the Phenicians in the antiquite. Colourful engraving of the 19th century.

NWI4859713: Camel caravan approaching Sidon (Saida or Saidoon) port of the Phenicians in the antiquite. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4859713

Camel caravan approaching Sidon (Saida or Saidoon) port of the Phenicians in the antiquite. Colourful engraving of the 19th century.

The young princess of Poland Mary Leszczynska (1703-1768) learnt with her parents Stanislas I Leszczynski (Stanislaw I Leszczynski (Leczinsky or Leszczinski or Leczynski, Leszczynski) (Stanislas I Leczinsky or Leszczinski, King of Poland and Opalinska, that she was made queen of France by marrying Louis XV, 1725 (Young Marie Leszczynska and his father Stanislaus of Poland, learning that she will be queen of France by marrying Louis XV of France, 1725) Lithograph from “Les anges de la terre” by Saintes, 1844 - Collection privee
The young princess of Poland Mary Leszczynska (1703-1768) learnt with her parents Stanislas I Leszczynski (Stanislaw I Leszczynski (Leczinsky or Leszczinski or Leczynski, Leszczynski) (Stanislas I Leczinsky or Leszczinski, King of Poland and Opalinska, that she was made queen of France by marrying Louis XV, 1725 (Young Marie Leszczynska and his father Stanislaus of Poland, learning that she will be queen of France by marrying Louis XV of France, 1725) Lithograph from “Les anges de la terre” by Saintes, 1844 - Collection privee

ELD4859770: The young princess of Poland Mary Leszczynska (1703-1768) learnt with her parents Stanislas I Leszczynski (Stanislaw I Leszczynski (Leczinsky or Leszczinski or Leczynski, Leszczynski) (Stanislas I Leczinsky or Leszczinski, King of Poland and Opalinska, that she was made queen of France by marrying Louis XV, 1725 (Young Marie Leszczynska and his father Stanislaus of Poland, learning that she will be queen of France by marrying Louis XV of France, 1725) Lithograph from “Les anges de la terre” by Saintes, 1844 - Collection privee / Bridgeman Images

ID: ELD4859770

The young princess of Poland Mary Leszczynska (1703-1768) learnt with her parents Stanislas I Leszczynski (Stanislaw I Leszczynski (Leczinsky or Leszczinski or Leczynski, Leszczynski) (Stanislas I Leczinsky or Leszczinski, King of Poland and Opalinska, that she was made queen of France by marrying Louis XV, 1725 (Young Marie Leszczynska and his father Stanislaus of Poland, learning that she will be queen of France by marrying Louis XV of France, 1725) Lithograph from “Les anges de la terre” by Saintes, 1844 - Collection privee

Gauls has a horse back from the time of the Roman Empire.
Gauls has a horse back from the time of the Roman Empire.

NWI4859673: Gauls has a horse back from the time of the Roman Empire. / Bridgeman Images

ID: NWI4859673

Gauls has a horse back from the time of the Roman Empire.

Ra the Sun God embarks on a journey through Egypt on the Nile. Colouring engraving of the 19th century.
Ra the Sun God embarks on a journey through Egypt on the Nile. Colouring engraving of the 19th century.

NWI4858760: Ra the Sun God embarks on a journey through Egypt on the Nile. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858760

Ra the Sun God embarks on a journey through Egypt on the Nile. Colouring engraving of the 19th century.

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.
Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

NWI4858886: Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858886

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

Invasions of the Moors in the Middle Ages: The Francs led by Charles Martel attacked the Saracens military camp during the Battle of Tours (Battle of Poitiers), stopping the Muslim invasion in the year 732. Colourful engraving of the 19th century.
Invasions of the Moors in the Middle Ages: The Francs led by Charles Martel attacked the Saracens military camp during the Battle of Tours (Battle of Poitiers), stopping the Muslim invasion in the year 732. Colourful engraving of the 19th century.

NWI4858962: Invasions of the Moors in the Middle Ages: The Francs led by Charles Martel attacked the Saracens military camp during the Battle of Tours (Battle of Poitiers), stopping the Muslim invasion in the year 732. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4858962

Invasions of the Moors in the Middle Ages: The Francs led by Charles Martel attacked the Saracens military camp during the Battle of Tours (Battle of Poitiers), stopping the Muslim invasion in the year 732. Colourful engraving of the 19th century.

The Pilori (Mailly), circa 1870 - Illustration by Mailly (1829-?) : A bas les laches - Republican Republique, Justice, Judicial, Proces, Second Empire, War 1870-1871, Swords, Sabres - Marianne
The Pilori (Mailly), circa 1870 - Illustration by Mailly (1829-?) : A bas les laches - Republican Republique, Justice, Judicial, Proces, Second Empire, War 1870-1871, Swords, Sabres - Marianne

ICA4860165: The Pilori (Mailly), circa 1870 - Illustration by Mailly (1829-?) : A bas les laches - Republican Republique, Justice, Judicial, Proces, Second Empire, War 1870-1871, Swords, Sabres - Marianne / Bridgeman Images

ID: ICA4860165

The Pilori (Mailly), circa 1870 - Illustration by Mailly (1829-?) : A bas les laches - Republican Republique, Justice, Judicial, Proces, Second Empire, War 1870-1871, Swords, Sabres - Marianne

Thorismond proclaimed King of the Visigoths in the year 451 on the battlefield of Chalons after Attila's defeat. Colouring engraving of the 19th century.
Thorismond proclaimed King of the Visigoths in the year 451 on the battlefield of Chalons after Attila's defeat. Colouring engraving of the 19th century.

NWI4861032: Thorismond proclaimed King of the Visigoths in the year 451 on the battlefield of Chalons after Attila's defeat. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4861032

Thorismond proclaimed King of the Visigoths in the year 451 on the battlefield of Chalons after Attila's defeat. Colouring engraving of the 19th century.

The Laughter, Satirical in Colours, 1903_7_18: The Republic is in danger - Marianne - Illustration by J Cheret (1836-1932)
The Laughter, Satirical in Colours, 1903_7_18: The Republic is in danger - Marianne - Illustration by J Cheret (1836-1932)

ICA4860908: The Laughter, Satirical in Colours, 1903_7_18: The Republic is in danger - Marianne - Illustration by J Cheret (1836-1932) / Bridgeman Images

ID: ICA4860908

The Laughter, Satirical in Colours, 1903_7_18: The Republic is in danger - Marianne - Illustration by J Cheret (1836-1932)

Architecture: portico of the Cathedrale Saint Sauveur d'Aix en Provence, founded between the 5th and 18th century. Lithograph of the 19th century. Musee Arbaud, Aix en provence
Architecture: portico of the Cathedrale Saint Sauveur d'Aix en Provence, founded between the 5th and 18th century. Lithograph of the 19th century. Musee Arbaud, Aix en provence

JEB4861201: Architecture: portico of the Cathedrale Saint Sauveur d'Aix en Provence, founded between the 5th and 18th century. Lithograph of the 19th century. Musee Arbaud, Aix en provence / Bridgeman Images

ID: JEB4861201

Architecture: portico of the Cathedrale Saint Sauveur d'Aix en Provence, founded between the 5th and 18th century. Lithograph of the 19th century. Musee Arbaud, Aix en provence

Coin with Celtic Cross (Paian Cross) from Ireland. Colouring engraving of the 19th century.
Coin with Celtic Cross (Paian Cross) from Ireland. Colouring engraving of the 19th century.

NWI4861199: Coin with Celtic Cross (Paian Cross) from Ireland. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4861199

Coin with Celtic Cross (Paian Cross) from Ireland. Colouring engraving of the 19th century.

Vallee blanche de Chamonix Photography by Auguste Rosalie (1826-1900) and Louis Auguste Bisson (1814-1876) 1862 Musee Cantini Marseille Dim cm 24x40,2
Vallee blanche de Chamonix Photography by Auguste Rosalie (1826-1900) and Louis Auguste Bisson (1814-1876) 1862 Musee Cantini Marseille Dim cm 24x40,2

JEB4899819: Vallee blanche de Chamonix Photography by Auguste Rosalie (1826-1900) and Louis Auguste Bisson (1814-1876) 1862 Musee Cantini Marseille Dim cm 24x40,2 / Bridgeman Images

ID: JEB4899819

Vallee blanche de Chamonix Photography by Auguste Rosalie (1826-1900) and Louis Auguste Bisson (1814-1876) 1862 Musee Cantini Marseille Dim cm 24x40,2

Laundry classes of the Indian School of Chemawa, in Salem (Oregon, USA), circa 1880 - Duotone reproduction of a 19th century illustration - Laundry class at Chemawa Indian School in Salem, Oregon, 1880s - Printed duotone reproduction of a 19th-century illustration
Laundry classes of the Indian School of Chemawa, in Salem (Oregon, USA), circa 1880 - Duotone reproduction of a 19th century illustration - Laundry class at Chemawa Indian School in Salem, Oregon, 1880s - Printed duotone reproduction of a 19th-century illustration

NWI4899237: Laundry classes of the Indian School of Chemawa, in Salem (Oregon, USA), circa 1880 - Duotone reproduction of a 19th century illustration - Laundry class at Chemawa Indian School in Salem, Oregon, 1880s - Printed duotone reproduction of a 19th-century illustration / Bridgeman Images

ID: NWI4899237

Laundry classes of the Indian School of Chemawa, in Salem (Oregon, USA), circa 1880 - Duotone reproduction of a 19th century illustration - Laundry class at Chemawa Indian School in Salem, Oregon, 1880s - Printed duotone reproduction of a 19th-century illustration

Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Denfert-Rochereau - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)
Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Denfert-Rochereau - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)

ICA4899280: Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Denfert-Rochereau - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885) / Bridgeman Images

ID: ICA4899280

Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Denfert-Rochereau - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)

Freemaking: “Loge des dames, rite maconnique d'adoption pour les femmes” A female apprentice is inducted into one of the French lodges which admit the existence of women and accept them as Co-Masons Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee
Freemaking: “Loge des dames, rite maconnique d'adoption pour les femmes” A female apprentice is inducted into one of the French lodges which admit the existence of women and accept them as Co-Masons Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee

ELD4899361: Freemaking: “Loge des dames, rite maconnique d'adoption pour les femmes” A female apprentice is inducted into one of the French lodges which admit the existence of women and accept them as Co-Masons Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee / Bridgeman Images

ID: ELD4899361

Freemaking: “Loge des dames, rite maconnique d'adoption pour les femmes” A female apprentice is inducted into one of the French lodges which admit the existence of women and accept them as Co-Masons Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee

Maya Palace in Palenque (Mexico). Reconstitution of 1875, by Eugene Viollet the Duke (1814-1879). Lithograph from 19th century illustration.
Maya Palace in Palenque (Mexico). Reconstitution of 1875, by Eugene Viollet the Duke (1814-1879). Lithograph from 19th century illustration.

NWI4900360: Maya Palace in Palenque (Mexico). Reconstitution of 1875, by Eugene Viollet the Duke (1814-1879). Lithograph from 19th century illustration. / Bridgeman Images

ID: NWI4900360

Maya Palace in Palenque (Mexico). Reconstitution of 1875, by Eugene Viollet the Duke (1814-1879). Lithograph from 19th century illustration.

Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Raspail Benjamin - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)
Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Raspail Benjamin - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)

ICA4900047: Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Raspail Benjamin - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885) / Bridgeman Images

ID: ICA4900047

Cover of “” Le Bulletin de vote””, Satirique en Couleurs, 1877: Raspail Benjamin - Illustration by Louis Alexandre Gosset de Guines (Gill) (1840-1885)

Peasants and walkers near the Fort of Six Fours in the Var Painting by Louis Edouard Cauvin (1816-1900) 1862
Peasants and walkers near the Fort of Six Fours in the Var Painting by Louis Edouard Cauvin (1816-1900) 1862

JEB4900198: Peasants and walkers near the Fort of Six Fours in the Var Painting by Louis Edouard Cauvin (1816-1900) 1862, Bernard, Jean / Bridgeman Images

ID: JEB4900198

Peasants and walkers near the Fort of Six Fours in the Var Painting by Louis Edouard Cauvin (1816-1900) 1862

Bernard, Jean

Prince of Conde Louis IV Henri de Bourbon-Conde (1692-1740) and his mistress Jeanne-Agnes Berthelot de Pleneuf, Marquise de Prie (1698-1727) learning about their exile, 1726. 19th century (engraving)
Prince of Conde Louis IV Henri de Bourbon-Conde (1692-1740) and his mistress Jeanne-Agnes Berthelot de Pleneuf, Marquise de Prie (1698-1727) learning about their exile, 1726. 19th century (engraving)

ELD4900207: Prince of Conde Louis IV Henri de Bourbon-Conde (1692-1740) and his mistress Jeanne-Agnes Berthelot de Pleneuf, Marquise de Prie (1698-1727) learning about their exile, 1726. 19th century (engraving) / Bridgeman Images

ID: ELD4900207

Prince of Conde Louis IV Henri de Bourbon-Conde (1692-1740) and his mistress Jeanne-Agnes Berthelot de Pleneuf, Marquise de Prie (1698-1727) learning about their exile, 1726. 19th century (engraving)

L'Estaque, 1908 (ink on paper)
L'Estaque, 1908 (ink on paper)

JEB4900354: L'Estaque, 1908 (ink on paper), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: JEB4900354

L'Estaque, 1908 (ink on paper)

Dufy, Raoul (1877-1953)


Back to top