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United States, State of Texas: quiet street of San Antonio, Texas, years 1870. Colour engraving of the 19th century.
United States, State of Texas: quiet street of San Antonio, Texas, years 1870. Colour engraving of the 19th century.

NWI4967462: United States, State of Texas: quiet street of San Antonio, Texas, years 1870. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4967462

United States, State of Texas: quiet street of San Antonio, Texas, years 1870. Colour engraving of the 19th century.

Village of El Paso, Texas, USA, beginning of the 19th century.
Village of El Paso, Texas, USA, beginning of the 19th century.

NWI4967490: Village of El Paso, Texas, USA, beginning of the 19th century. / Bridgeman Images

ID: NWI4967490

Village of El Paso, Texas, USA, beginning of the 19th century.

Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence
Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence

JEB4960052: Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence / Bridgeman Images

ID: JEB4960052

Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence

Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap
Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap

JEB4960169: Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap / Bridgeman Images

ID: JEB4960169

Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap

French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence
French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence

JEB4959982: French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence / Bridgeman Images

ID: JEB4959982

French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence

Homeless accommodation in Manhattan, New York, circa 1870. Check-in of the dormitory at midnight by the manager. 19th century lithography.
Homeless accommodation in Manhattan, New York, circa 1870. Check-in of the dormitory at midnight by the manager. 19th century lithography.

NWI4960035: Homeless accommodation in Manhattan, New York, circa 1870. Check-in of the dormitory at midnight by the manager. 19th century lithography. / Bridgeman Images

ID: NWI4960035

Homeless accommodation in Manhattan, New York, circa 1870. Check-in of the dormitory at midnight by the manager. 19th century lithography.

Mormons pulling carts on the road leading to Utah, 1850s, United States. Colour engraving of the 19th century.
Mormons pulling carts on the road leading to Utah, 1850s, United States. Colour engraving of the 19th century.

NWI4960060: Mormons pulling carts on the road leading to Utah, 1850s, United States. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4960060

Mormons pulling carts on the road leading to Utah, 1850s, United States. Colour engraving of the 19th century.

Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum
Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum

JEB4960255: Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum / Bridgeman Images

ID: JEB4960255

Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum

Louisiana State House went to the White League, 1874. The White League is a paramilitary organization that appeared at the time of the reconstruction of the South, after the Secession War, linked to the secret societies of the Ku Klux Klan (Ku-Klux-Klan, kkk or K K K) but which acts with a face uncovered, without masks and in a large group, 1874. Colour engraving of the 19th century.
Louisiana State House went to the White League, 1874. The White League is a paramilitary organization that appeared at the time of the reconstruction of the South, after the Secession War, linked to the secret societies of the Ku Klux Klan (Ku-Klux-Klan, kkk or K K K) but which acts with a face uncovered, without masks and in a large group, 1874. Colour engraving of the 19th century.

NWI4960330: Louisiana State House went to the White League, 1874. The White League is a paramilitary organization that appeared at the time of the reconstruction of the South, after the Secession War, linked to the secret societies of the Ku Klux Klan (Ku-Klux-Klan, kkk or K K K) but which acts with a face uncovered, without masks and in a large group, 1874. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4960330

Louisiana State House went to the White League, 1874. The White League is a paramilitary organization that appeared at the time of the reconstruction of the South, after the Secession War, linked to the secret societies of the Ku Klux Klan (Ku-Klux-Klan, kkk or K K K) but which acts with a face uncovered, without masks and in a large group, 1874. Colour engraving of the 19th century.

Medal representing Saint Michel. Anonymous. Musee municipal d'Avranches (Manche)
Medal representing Saint Michel. Anonymous. Musee municipal d'Avranches (Manche)

JEB4960415: Medal representing Saint Michel. Anonymous. Musee municipal d'Avranches (Manche) / Bridgeman Images

ID: JEB4960415

Medal representing Saint Michel. Anonymous. Musee municipal d'Avranches (Manche)

Group of Slovak vagabonds (bohemians, romanichels) (Slovak tinkers or bohemians) engraving from “” La Hungary historique””” 1851
Group of Slovak vagabonds (bohemians, romanichels) (Slovak tinkers or bohemians) engraving from “” La Hungary historique””” 1851

ELD4960439: Group of Slovak vagabonds (bohemians, romanichels) (Slovak tinkers or bohemians) engraving from “” La Hungary historique””” 1851 / Bridgeman Images

ID: ELD4960439

Group of Slovak vagabonds (bohemians, romanichels) (Slovak tinkers or bohemians) engraving from “” La Hungary historique””” 1851

The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)
The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)

JEB4960445: The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche), Sagot, Emile (1805-1890) / Bridgeman Images

ID: JEB4960445

The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)

Sagot, Emile (1805-1890)

A couple consists of a soldier and a peasant from the town of Jaszbereny in Hungary 1850 (Couple from Jaszbereny Hungary) engraving from “” Historical Hungary””” 1851
A couple consists of a soldier and a peasant from the town of Jaszbereny in Hungary 1850 (Couple from Jaszbereny Hungary) engraving from “” Historical Hungary””” 1851

ELD4960470: A couple consists of a soldier and a peasant from the town of Jaszbereny in Hungary 1850 (Couple from Jaszbereny Hungary) engraving from “” Historical Hungary””” 1851 / Bridgeman Images

ID: ELD4960470

A couple consists of a soldier and a peasant from the town of Jaszbereny in Hungary 1850 (Couple from Jaszbereny Hungary) engraving from “” Historical Hungary””” 1851

Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon, 16th and 17th centuries. Old colour lithograph.
Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon, 16th and 17th centuries. Old colour lithograph.

NWI4960522: Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon, 16th and 17th centuries. Old colour lithograph. / Bridgeman Images

ID: NWI4960522

Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon, 16th and 17th centuries. Old colour lithograph.

Hungarian Revolution of 1848: austrians take Buda, march 1849 engraving from “” La Hungary historique”” 1851
Hungarian Revolution of 1848: austrians take Buda, march 1849 engraving from “” La Hungary historique”” 1851

ELD4960478: Hungarian Revolution of 1848: austrians take Buda, march 1849 engraving from “” La Hungary historique”” 1851 / Bridgeman Images

ID: ELD4960478

Hungarian Revolution of 1848: austrians take Buda, march 1849 engraving from “” La Hungary historique”” 1851

Costumes of the clergy of the Roman Catholic Church: the Augustine nuns (Augustine religious order), late 18th century. 19th century lithography.
Costumes of the clergy of the Roman Catholic Church: the Augustine nuns (Augustine religious order), late 18th century. 19th century lithography.

NWI4960583: Costumes of the clergy of the Roman Catholic Church: the Augustine nuns (Augustine religious order), late 18th century. 19th century lithography. / Bridgeman Images

ID: NWI4960583

Costumes of the clergy of the Roman Catholic Church: the Augustine nuns (Augustine religious order), late 18th century. 19th century lithography.

Muslim pelerins around the shrine of the kaaba in the mosque in Mecca (Saudi Arabia). Coloured engraving, 19th century.
Muslim pelerins around the shrine of the kaaba in the mosque in Mecca (Saudi Arabia). Coloured engraving, 19th century.

NWI4959112: Muslim pelerins around the shrine of the kaaba in the mosque in Mecca (Saudi Arabia). Coloured engraving, 19th century. / Bridgeman Images

ID: NWI4959112

Muslim pelerins around the shrine of the kaaba in the mosque in Mecca (Saudi Arabia). Coloured engraving, 19th century.

Street screaming holding a little girl by the hand and calling “” Lost Child! “” to find the parents and ring a bell. Colour engraving of the 19th century.
Street screaming holding a little girl by the hand and calling “” Lost Child! “” to find the parents and ring a bell. Colour engraving of the 19th century.

NWI4959396: Street screaming holding a little girl by the hand and calling “” Lost Child! “” to find the parents and ring a bell. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4959396

Street screaming holding a little girl by the hand and calling “” Lost Child! “” to find the parents and ring a bell. Colour engraving of the 19th century.

Portrait of Margaret of York or Margaret Plantagenet or Margarita of Burgundy or Margarita of England (1446-1503) (Portrait of Margaret of York) Engraving from “The illustrious Women of Europe” by Countess Drohojowska 19th century
Portrait of Margaret of York or Margaret Plantagenet or Margarita of Burgundy or Margarita of England (1446-1503) (Portrait of Margaret of York) Engraving from “The illustrious Women of Europe” by Countess Drohojowska 19th century

ELD4959470: Portrait of Margaret of York or Margaret Plantagenet or Margarita of Burgundy or Margarita of England (1446-1503) (Portrait of Margaret of York) Engraving from “The illustrious Women of Europe” by Countess Drohojowska 19th century / Bridgeman Images

ID: ELD4959470

Portrait of Margaret of York or Margaret Plantagenet or Margarita of Burgundy or Margarita of England (1446-1503) (Portrait of Margaret of York) Engraving from “The illustrious Women of Europe” by Countess Drohojowska 19th century

The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a sign language (LSF or langue des signes francaise) (The Abbe Charles-Michel de l'epee philanthropic educator of 18th-century France who has become known as the “Father of the Deaf”” with ruaf mute girls) Print from “” Les en-de-paris” “by Pierre Zaccone, 1859
The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a sign language (LSF or langue des signes francaise) (The Abbe Charles-Michel de l'epee philanthropic educator of 18th-century France who has become known as the “Father of the Deaf”” with ruaf mute girls) Print from “” Les en-de-paris” “by Pierre Zaccone, 1859

ELD4959502: The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a sign language (LSF or langue des signes francaise) (The Abbe Charles-Michel de l'epee philanthropic educator of 18th-century France who has become known as the “Father of the Deaf”” with ruaf mute girls) Print from “” Les en-de-paris” “by Pierre Zaccone, 1859 / Bridgeman Images

ID: ELD4959502

The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a sign language (LSF or langue des signes francaise) (The Abbe Charles-Michel de l'epee philanthropic educator of 18th-century France who has become known as the “Father of the Deaf”” with ruaf mute girls) Print from “” Les en-de-paris” “by Pierre Zaccone, 1859

Those responsible for the real estate credit scandal described as the modern Pharisees, 1873. With portraits of Schuyler Colfax (1823-1885) on the left, James Garfield (1831-1881) with a raised arm, Oakes Aims (1804-1873) disguise as a jester, Ulysses Grant (1822-1885) with a dog's body. Engraving on wood, colour, 19th century.
Those responsible for the real estate credit scandal described as the modern Pharisees, 1873. With portraits of Schuyler Colfax (1823-1885) on the left, James Garfield (1831-1881) with a raised arm, Oakes Aims (1804-1873) disguise as a jester, Ulysses Grant (1822-1885) with a dog's body. Engraving on wood, colour, 19th century.

NWI4959608: Those responsible for the real estate credit scandal described as the modern Pharisees, 1873. With portraits of Schuyler Colfax (1823-1885) on the left, James Garfield (1831-1881) with a raised arm, Oakes Aims (1804-1873) disguise as a jester, Ulysses Grant (1822-1885) with a dog's body. Engraving on wood, colour, 19th century. / Bridgeman Images

ID: NWI4959608

Those responsible for the real estate credit scandal described as the modern Pharisees, 1873. With portraits of Schuyler Colfax (1823-1885) on the left, James Garfield (1831-1881) with a raised arm, Oakes Aims (1804-1873) disguise as a jester, Ulysses Grant (1822-1885) with a dog's body. Engraving on wood, colour, 19th century.

Announcement of a new tax in 1382 under the reign of Charles VI, the population tired of tax oppression rose (revolts of the maillotins or the harelle, scene of popular lifting on the Place de l'Hotel de Ville in Paris on 1/03/1382) (Announcement of a new tax in France, 1382 during the reign of Charles VI, who will cause popular revolts in Paris (Maillotins Revolt), bloody days in Paris in march 1382) Engraving from Les rues-de-paris”” by Pierre Zaccone, 1859
Announcement of a new tax in 1382 under the reign of Charles VI, the population tired of tax oppression rose (revolts of the maillotins or the harelle, scene of popular lifting on the Place de l'Hotel de Ville in Paris on 1/03/1382) (Announcement of a new tax in France, 1382 during the reign of Charles VI, who will cause popular revolts in Paris (Maillotins Revolt), bloody days in Paris in march 1382) Engraving from Les rues-de-paris”” by Pierre Zaccone, 1859

ELD4959662: Announcement of a new tax in 1382 under the reign of Charles VI, the population tired of tax oppression rose (revolts of the maillotins or the harelle, scene of popular lifting on the Place de l'Hotel de Ville in Paris on 1/03/1382) (Announcement of a new tax in France, 1382 during the reign of Charles VI, who will cause popular revolts in Paris (Maillotins Revolt), bloody days in Paris in march 1382) Engraving from Les rues-de-paris”” by Pierre Zaccone, 1859 / Bridgeman Images

ID: ELD4959662

Announcement of a new tax in 1382 under the reign of Charles VI, the population tired of tax oppression rose (revolts of the maillotins or the harelle, scene of popular lifting on the Place de l'Hotel de Ville in Paris on 1/03/1382) (Announcement of a new tax in France, 1382 during the reign of Charles VI, who will cause popular revolts in Paris (Maillotins Revolt), bloody days in Paris in march 1382) Engraving from Les rues-de-paris”” by Pierre Zaccone, 1859

Cartoon showing “the dead, the dying and the estropies of real estate credit in the Union Pacific hospital district”, 1873. Bringing together members of the administration of Ulysses Grant (1822-1885). Illustration by J. Keppler. Engraving on wood colour, 19th century.
Cartoon showing “the dead, the dying and the estropies of real estate credit in the Union Pacific hospital district”, 1873. Bringing together members of the administration of Ulysses Grant (1822-1885). Illustration by J. Keppler. Engraving on wood colour, 19th century.

NWI4959623: Cartoon showing “the dead, the dying and the estropies of real estate credit in the Union Pacific hospital district”, 1873. Bringing together members of the administration of Ulysses Grant (1822-1885). Illustration by J. Keppler. Engraving on wood colour, 19th century. / Bridgeman Images

ID: NWI4959623

Cartoon showing “the dead, the dying and the estropies of real estate credit in the Union Pacific hospital district”, 1873. Bringing together members of the administration of Ulysses Grant (1822-1885). Illustration by J. Keppler. Engraving on wood colour, 19th century.

The night crier in Holland Engraving from “The mosaic” 1873
The night crier in Holland Engraving from “The mosaic” 1873

ELD4959793: The night crier in Holland Engraving from “The mosaic” 1873 / Bridgeman Images

ID: ELD4959793

The night crier in Holland Engraving from “The mosaic” 1873

View of the Saint Jacques la Boucherie district from the rue Saint Denis in Paris with the tower Saint Jacques, where the church of Saint Jacques-la-Boucherie was located around 1797. 19th century (engraving)
View of the Saint Jacques la Boucherie district from the rue Saint Denis in Paris with the tower Saint Jacques, where the church of Saint Jacques-la-Boucherie was located around 1797. 19th century (engraving)

ELD4959811: View of the Saint Jacques la Boucherie district from the rue Saint Denis in Paris with the tower Saint Jacques, where the church of Saint Jacques-la-Boucherie was located around 1797. 19th century (engraving) / Bridgeman Images

ID: ELD4959811

View of the Saint Jacques la Boucherie district from the rue Saint Denis in Paris with the tower Saint Jacques, where the church of Saint Jacques-la-Boucherie was located around 1797. 19th century (engraving)

Siege of Paris 451: “Representation of saint genevieve (420-500) exorting Parisians not to let themselves go to terror in Nanterre by resisting the Huns and uttering these words:
Siege of Paris 451: “Representation of saint genevieve (420-500) exorting Parisians not to let themselves go to terror in Nanterre by resisting the Huns and uttering these words:

ELD4959845: Siege of Paris 451: “Representation of saint genevieve (420-500) exorting Parisians not to let themselves go to terror in Nanterre by resisting the Huns and uttering these words: "May men flee, if they want, if they are no longer able to fight - We women will pray to God so long as He hears our supplications". 19th century (engraving) / Bridgeman Images

ID: ELD4959845

Siege of Paris 451: “Representation of saint genevieve (420-500) exorting Parisians not to let themselves go to terror in Nanterre by resisting the Huns and uttering these words: "May men flee, if they want, if they are no longer able to fight - We women will pray to God so long as He hears our supplications". 19th century (engraving)

King Henry IV crossing the bridge nine during its construction in 1604 (King Henri IV crosses the Pont-Neuf for the first time 1604) Engraving drawn from Les rues-de-paris” by Pierre Zaccone, 1859
King Henry IV crossing the bridge nine during its construction in 1604 (King Henri IV crosses the Pont-Neuf for the first time 1604) Engraving drawn from Les rues-de-paris” by Pierre Zaccone, 1859

ELD4959695: King Henry IV crossing the bridge nine during its construction in 1604 (King Henri IV crosses the Pont-Neuf for the first time 1604) Engraving drawn from Les rues-de-paris” by Pierre Zaccone, 1859 / Bridgeman Images

ID: ELD4959695

King Henry IV crossing the bridge nine during its construction in 1604 (King Henri IV crosses the Pont-Neuf for the first time 1604) Engraving drawn from Les rues-de-paris” by Pierre Zaccone, 1859

Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues
Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues

JEB4959749: Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues / Bridgeman Images

ID: JEB4959749

Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues

A nomadic preacher riding on a mule from camp to camp. Colour engraving of the 19th century
A nomadic preacher riding on a mule from camp to camp. Colour engraving of the 19th century

NWI4959783: A nomadic preacher riding on a mule from camp to camp. Colour engraving of the 19th century / Bridgeman Images

ID: NWI4959783

A nomadic preacher riding on a mule from camp to camp. Colour engraving of the 19th century

Officers of the American Army at a meeting with African Americans in Louisiana after the proclamation of Emancipation, 1863. Colour engraving of the 19th century.
Officers of the American Army at a meeting with African Americans in Louisiana after the proclamation of Emancipation, 1863. Colour engraving of the 19th century.

NWI4959855: Officers of the American Army at a meeting with African Americans in Louisiana after the proclamation of Emancipation, 1863. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4959855

Officers of the American Army at a meeting with African Americans in Louisiana after the proclamation of Emancipation, 1863. Colour engraving of the 19th century.

The smuggling of opium off the Chinese coast, mid-19th century.
The smuggling of opium off the Chinese coast, mid-19th century.

NWI4959892: The smuggling of opium off the Chinese coast, mid-19th century. / Bridgeman Images

ID: NWI4959892

The smuggling of opium off the Chinese coast, mid-19th century.

View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence.
View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence.

JEB4959888: View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence. / Bridgeman Images

ID: JEB4959888

View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence.

The minister preaching in the pulpit of the Church of Boston, 18th century. Colour engraving of the 19th century.
The minister preaching in the pulpit of the Church of Boston, 18th century. Colour engraving of the 19th century.

NWI4959941: The minister preaching in the pulpit of the Church of Boston, 18th century. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4959941

The minister preaching in the pulpit of the Church of Boston, 18th century. Colour engraving of the 19th century.

Young archer, c.1490 (marble)
Young archer, c.1490 (marble)

BEN4969022: Young archer, c.1490 (marble), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BEN4969022

Young archer, c.1490 (marble)

Buonarroti, Michelangelo (1475-1564)

Reindeer hunted in a corral by American Indians in Alaska, 19th century.
Reindeer hunted in a corral by American Indians in Alaska, 19th century.

NWI4964215: Reindeer hunted in a corral by American Indians in Alaska, 19th century. / Bridgeman Images

ID: NWI4964215

Reindeer hunted in a corral by American Indians in Alaska, 19th century.

View on the beach of Sainte Maxime (Sainte-Maxime) with the casino, Var - Cote d'azur - Postcard 1910s
View on the beach of Sainte Maxime (Sainte-Maxime) with the casino, Var - Cote d'azur - Postcard 1910s

ELD4964380: View on the beach of Sainte Maxime (Sainte-Maxime) with the casino, Var - Cote d'azur - Postcard 1910s / Bridgeman Images

ID: ELD4964380

View on the beach of Sainte Maxime (Sainte-Maxime) with the casino, Var - Cote d'azur - Postcard 1910s


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