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Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)
Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)

HLK5044205: Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash), Italian School, (18th century) / Bridgeman Images

A Vase (black chalk, some with pen and brown ink. coloured with w/c)
A Vase (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044228: A Vase (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c)
Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044255: Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Etruscan cinerary urn (pen)
Etruscan cinerary urn (pen)

HLK5044268: Etruscan cinerary urn (pen), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

The Cippus of M. Julius Victor (pencil)
The Cippus of M. Julius Victor (pencil)

HLK5044291: The Cippus of M. Julius Victor (pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Prometheus Wound (oil on canvas)
Prometheus Wound (oil on canvas)

GPO5043777: Prometheus Wound (oil on canvas), Pontes, Guilherme / Bridgeman Images

Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c)
Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044130: Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)
Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044140: Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)
Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)

HLK5044154: Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash), Testa, Pietro (Il Lucchesino) (1611-50) / Bridgeman Images

Mars, 1700-1750 (red chalk)
Mars, 1700-1750 (red chalk)

HLK5044194: Mars, 1700-1750 (red chalk), Italian School, (18th century) / Bridgeman Images

View of the Interior of the Gesu, Rome, 1716 (watercolour)
View of the Interior of the Gesu, Rome, 1716 (watercolour)

HLK5044218: View of the Interior of the Gesu, Rome, 1716 (watercolour), Bartoli, Francesco (1675-1730) / Bridgeman Images

Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)
Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044248: Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

The column of Antoninus Pius (pen and grey wash)
The column of Antoninus Pius (pen and grey wash)

HLK5044259: The column of Antoninus Pius (pen and grey wash), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Two draped female figures seated (pencil)
Two draped female figures seated (pencil)

HLK5044267: Two draped female figures seated (pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Two views of a bronze statuette (pen and pencil)
Two views of a bronze statuette (pen and pencil)

HLK5044271: Two views of a bronze statuette (pen and pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

A youth seizes a woman by the body. (pen and ink)
A youth seizes a woman by the body. (pen and ink)

HLK5044289: A youth seizes a woman by the body. (pen and ink), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c)
Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044129: Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)
Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)

HLK5044135: Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash), Italian School, (17th century) / Bridgeman Images

Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)
Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044149: Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)
Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044189: Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)
Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044214: Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)
Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)

HLK5044229: Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk), Garzi, Luigi (1638-1721) / Bridgeman Images

Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection
Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection

ELD4956496: Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection / Bridgeman Images

Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s.
Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s.

NWI4956517: Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s. / Bridgeman Images

Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849
Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

JEB4955926: Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849 / Bridgeman Images

Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849
Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

JEB4955938: Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849 / Bridgeman Images

King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure)
King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure)

ELD4955956: King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure) / Bridgeman Images

American bison. Lithograph from 19th century illustration.
American bison. Lithograph from 19th century illustration.

NWI4956050: American bison. Lithograph from 19th century illustration. / Bridgeman Images

Fashionable clothing, circa 1890, published in the American magazine Godey's Ladies fashion. Lithogaphie in colors, 19th century.
Fashionable clothing, circa 1890, published in the American magazine Godey's Ladies fashion. Lithogaphie in colors, 19th century.

NWI4956222: Fashionable clothing, circa 1890, published in the American magazine Godey's Ladies fashion. Lithogaphie in colors, 19th century. / Bridgeman Images

Sir Francis Drake, (1540-1596) English navigator, 19th century (engraving)
Sir Francis Drake, (1540-1596) English navigator, 19th century (engraving)

ELD4956250: Sir Francis Drake, (1540-1596) English navigator, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The journalist Jean Paul Marat (1743-1793) hides in a cellar clandestinely written L'ami du peuple”” (French journalist Jean-Paul Marat writes secretly his newspaper “L'ami du peuple”) Engraving from “Les francais sous la revolution” by Challamel et Tenint, 1843 Private collection
The journalist Jean Paul Marat (1743-1793) hides in a cellar clandestinely written L'ami du peuple”” (French journalist Jean-Paul Marat writes secretly his newspaper “L'ami du peuple”) Engraving from “Les francais sous la revolution” by Challamel et Tenint, 1843 Private collection

ELD4956309: The journalist Jean Paul Marat (1743-1793) hides in a cellar clandestinely written L'ami du peuple”” (French journalist Jean-Paul Marat writes secretly his newspaper “L'ami du peuple”) Engraving from “Les francais sous la revolution” by Challamel et Tenint, 1843 Private collection / Bridgeman Images

Costume: fashion of the French Court in the 16th century.
Costume: fashion of the French Court in the 16th century.

NWI4956682: Costume: fashion of the French Court in the 16th century. / Bridgeman Images

Martin Luther (1483-1546) a Wittenberg burns the bubble of excommunication made by Pope Leon X, 16/12/1520 - (Martin Luther pubicly burns papal bull of excommunication, December 15th 1520) Engraving from “Bilder-Gallerie zur allgem” by Rotteck 1843 Private collection Â
Martin Luther (1483-1546) a Wittenberg burns the bubble of excommunication made by Pope Leon X, 16/12/1520 - (Martin Luther pubicly burns papal bull of excommunication, December 15th 1520) Engraving from “Bilder-Gallerie zur allgem” by Rotteck 1843 Private collection Â

ELD4956850: Martin Luther (1483-1546) a Wittenberg burns the bubble of excommunication made by Pope Leon X, 16/12/1520 - (Martin Luther pubicly burns papal bull of excommunication, December 15th 1520) Engraving from “Bilder-Gallerie zur allgem” by Rotteck 1843 Private collection  / Bridgeman Images

French costume and hairstyle fashionable, around 1780 before the revolution Color engraving of the 19th century.
French costume and hairstyle fashionable, around 1780 before the revolution Color engraving of the 19th century.

NWI4956549: French costume and hairstyle fashionable, around 1780 before the revolution Color engraving of the 19th century. / Bridgeman Images

Couple of the German nobility, around 1500 - Man and woman of German nobility, mid-1500s. Antique hand-colored print, English
Couple of the German nobility, around 1500 - Man and woman of German nobility, mid-1500s. Antique hand-colored print, English

NWI4956653: Couple of the German nobility, around 1500 - Man and woman of German nobility, mid-1500s. Antique hand-colored print, English / Bridgeman Images

View of Elisabeth's former lodges and theatre scene in London where William Shakespeare's plays were played. Colour engraving of the 19th century.
View of Elisabeth's former lodges and theatre scene in London where William Shakespeare's plays were played. Colour engraving of the 19th century.

NWI4956911: View of Elisabeth's former lodges and theatre scene in London where William Shakespeare's plays were played. Colour engraving of the 19th century. / Bridgeman Images


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