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The delivery cart of the Parisiens Entrepots, 10 quai de la Marne, Paris. Postcard beginning XXth century.
The delivery cart of the Parisiens Entrepots, 10 quai de la Marne, Paris. Postcard beginning XXth century.

LSE4333074: The delivery cart of the Parisiens Entrepots, 10 quai de la Marne, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

ID: LSE4333074

The delivery cart of the Parisiens Entrepots, 10 quai de la Marne, Paris. Postcard beginning XXth century.

French Photographer, (20th century)

The tailor in his Parisian workshop. Postcard beginning XXth century.
The tailor in his Parisian workshop. Postcard beginning XXth century.

LSE4333245: The tailor in his Parisian workshop. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

ID: LSE4333245

The tailor in his Parisian workshop. Postcard beginning XXth century.

French Photographer, (20th century)

Old Brussels: small pave industries, remolers and small street shops. Engraving by Alfred Sirouy, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Old Brussels: small pave industries, remolers and small street shops. Engraving by Alfred Sirouy, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332549: Old Brussels: small pave industries, remolers and small street shops. Engraving by Alfred Sirouy, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Sirouy, Achille (1834-1904) / Bridgeman Images

ID: LSE4332549

Old Brussels: small pave industries, remolers and small street shops. Engraving by Alfred Sirouy, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Sirouy, Achille (1834-1904)

La salle des pliers de l'Action Francaise, 18 rue du croissant, Paris. Postcard beginning XXth century.
La salle des pliers de l'Action Francaise, 18 rue du croissant, Paris. Postcard beginning XXth century.

LSE4333397: La salle des pliers de l'Action Francaise, 18 rue du croissant, Paris. Postcard beginning XXth century. / Bridgeman Images

ID: LSE4333397

La salle des pliers de l'Action Francaise, 18 rue du croissant, Paris. Postcard beginning XXth century.

A group of 18 marriages celebrated by a priest of Jesus' Sacred Heart mission in Korumban, Cameroon. Photography beginning XXth century.
A group of 18 marriages celebrated by a priest of Jesus' Sacred Heart mission in Korumban, Cameroon. Photography beginning XXth century.

LSE4333515: A group of 18 marriages celebrated by a priest of Jesus' Sacred Heart mission in Korumban, Cameroon. Photography beginning XXth century. / Bridgeman Images

ID: LSE4333515

A group of 18 marriages celebrated by a priest of Jesus' Sacred Heart mission in Korumban, Cameroon. Photography beginning XXth century.

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330000: The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330000

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The author, during an excursion around Jacksonville, is surprised in the forest by a domestic bear and chain. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The author, during an excursion around Jacksonville, is surprised in the forest by a domestic bear and chain. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329043: The author, during an excursion around Jacksonville, is surprised in the forest by a domestic bear and chain. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329043

The author, during an excursion around Jacksonville, is surprised in the forest by a domestic bear and chain. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330040: Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Tissandier, Albert (1839-1906) / Bridgeman Images

ID: LSE4330040

Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Tissandier, Albert (1839-1906)

An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330220: An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4330220

An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

Volunteers on their way to Cali, a long line of men with their hands tied behind their back, connected by a rope to each other, a rope held by a soldier on horseback, who takes them to a military training camp. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Volunteers on their way to Cali, a long line of men with their hands tied behind their back, connected by a rope to each other, a rope held by a soldier on horseback, who takes them to a military training camp. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329347: Volunteers on their way to Cali, a long line of men with their hands tied behind their back, connected by a rope to each other, a rope held by a soldier on horseback, who takes them to a military training camp. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329347

Volunteers on their way to Cali, a long line of men with their hands tied behind their back, connected by a rope to each other, a rope held by a soldier on horseback, who takes them to a military training camp. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329477

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.
Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.

LSE4329513: Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329513

Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874
An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874

LSE4329639: An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874, Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4329639

An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874

Therond, Emile Theodore (b.1821)

View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329673: View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4329673

View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Therond, Emile Theodore (b.1821)

Shillouk village, in the vicinity of Fachoda (Sudan), the inhabitants with bodies covered with ashes or dung, gather every night in a circular space in the center of the village, squatting on beef skins, smoking in huge clay pipes, around a trunk or hang drums intended to warn the neighboring villages in case d'alerte, engraving after Maillard's drawing, illustrating the voyage to the heart of Africa, in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Shillouk village, in the vicinity of Fachoda (Sudan), the inhabitants with bodies covered with ashes or dung, gather every night in a circular space in the center of the village, squatting on beef skins, smoking in huge clay pipes, around a trunk or hang drums intended to warn the neighboring villages in case d'alerte, engraving after Maillard's drawing, illustrating the voyage to the heart of Africa, in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329744: Shillouk village, in the vicinity of Fachoda (Sudan), the inhabitants with bodies covered with ashes or dung, gather every night in a circular space in the center of the village, squatting on beef skins, smoking in huge clay pipes, around a trunk or hang drums intended to warn the neighboring villages in case d'alerte, engraving after Maillard's drawing, illustrating the voyage to the heart of Africa, in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4329744

Shillouk village, in the vicinity of Fachoda (Sudan), the inhabitants with bodies covered with ashes or dung, gather every night in a circular space in the center of the village, squatting on beef skins, smoking in huge clay pipes, around a trunk or hang drums intended to warn the neighboring villages in case d'alerte, engraving after Maillard's drawing, illustrating the voyage to the heart of Africa, in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.
The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329780: The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329780

The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329874: The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

ID: LSE4329874

The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bar, Alexandre de (1821-1901) (after)

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329992: La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329992

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330018

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The weighing of the tea before its expedition on commercial markets in a gunpowder factory in Fati Bay (Canton Province), engraved after a drawing by J.Ferat illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The weighing of the tea before its expedition on commercial markets in a gunpowder factory in Fati Bay (Canton Province), engraved after a drawing by J.Ferat illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330070: The weighing of the tea before its expedition on commercial markets in a gunpowder factory in Fati Bay (Canton Province), engraved after a drawing by J.Ferat illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ferat, Jules (b.1819) (after) / Bridgeman Images

ID: LSE4330070

The weighing of the tea before its expedition on commercial markets in a gunpowder factory in Fati Bay (Canton Province), engraved after a drawing by J.Ferat illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ferat, Jules (b.1819) (after)

A grocery store in Erzeroum (Armenia), engraved after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A grocery store in Erzeroum (Armenia), engraved after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330227: A grocery store in Erzeroum (Armenia), engraved after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4330227

A grocery store in Erzeroum (Armenia), engraved after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

Cockfighting in the village of Marinilla (Magdalena region, Colombia), very popular sport, practiced in a small oblong arena, set up in the center of the courtyard in front of the houses, the roosters are trained to fight until the death, and betters and judges circulate around the arena. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Cockfighting in the village of Marinilla (Magdalena region, Colombia), very popular sport, practiced in a small oblong arena, set up in the center of the courtyard in front of the houses, the roosters are trained to fight until the death, and betters and judges circulate around the arena. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329260: Cockfighting in the village of Marinilla (Magdalena region, Colombia), very popular sport, practiced in a small oblong arena, set up in the center of the courtyard in front of the houses, the roosters are trained to fight until the death, and betters and judges circulate around the arena. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329260

Cockfighting in the village of Marinilla (Magdalena region, Colombia), very popular sport, practiced in a small oblong arena, set up in the center of the courtyard in front of the houses, the roosters are trained to fight until the death, and betters and judges circulate around the arena. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The salt wells of Ho-Boung (Ho Boung), the open galleries on the mountain side, 20 metres deep, are supported by wooden frames, the water is brought by bamboo ducts into marble troughs, each corresponding to a furnace, where salt water is concentrated for two days until a block of salt is obtained. 60 kilos, mold in an iron basin. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The salt wells of Ho-Boung (Ho Boung), the open galleries on the mountain side, 20 metres deep, are supported by wooden frames, the water is brought by bamboo ducts into marble troughs, each corresponding to a furnace, where salt water is concentrated for two days until a block of salt is obtained. 60 kilos, mold in an iron basin. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329286: The salt wells of Ho-Boung (Ho Boung), the open galleries on the mountain side, 20 metres deep, are supported by wooden frames, the water is brought by bamboo ducts into marble troughs, each corresponding to a furnace, where salt water is concentrated for two days until a block of salt is obtained. 60 kilos, mold in an iron basin. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329286

The salt wells of Ho-Boung (Ho Boung), the open galleries on the mountain side, 20 metres deep, are supported by wooden frames, the water is brought by bamboo ducts into marble troughs, each corresponding to a furnace, where salt water is concentrated for two days until a block of salt is obtained. 60 kilos, mold in an iron basin. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The manufacture of corn bread, the basis of food, by women of the Great Cauca Valley (Colombia). Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The manufacture of corn bread, the basis of food, by women of the Great Cauca Valley (Colombia). Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329330: The manufacture of corn bread, the basis of food, by women of the Great Cauca Valley (Colombia). Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329330

The manufacture of corn bread, the basis of food, by women of the Great Cauca Valley (Colombia). Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Solemn meeting and hand-held on the back of an elephant, between the team of travelers and the Maharajah of Chutterpore, at the fair of Kajraha. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Solemn meeting and hand-held on the back of an elephant, between the team of travelers and the Maharajah of Chutterpore, at the fair of Kajraha. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329377: Solemn meeting and hand-held on the back of an elephant, between the team of travelers and the Maharajah of Chutterpore, at the fair of Kajraha. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329377

Solemn meeting and hand-held on the back of an elephant, between the team of travelers and the Maharajah of Chutterpore, at the fair of Kajraha. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329561: Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329561

Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329632: A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

ID: LSE4329632

A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Duvivier, A. (19th century)

Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329642: Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

ID: LSE4329642

Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Duvivier, A. (19th century)

The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329720: The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Taylor, T (fl.1850) / Bridgeman Images

ID: LSE4329720

The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Taylor, T (fl.1850)

The chiefs of the mitall tribes in the vicinity of Mvolo (Sudan), (from left to right, Goggo, Kaffouloukkou, Ngama), engraved after the drawing of O.Mathieu, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, directed by Edouard Charlotte Hachette edition, Paris. Selva Collection.
The chiefs of the mitall tribes in the vicinity of Mvolo (Sudan), (from left to right, Goggo, Kaffouloukkou, Ngama), engraved after the drawing of O.Mathieu, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, directed by Edouard Charlotte Hachette edition, Paris. Selva Collection.

LSE4329763: The chiefs of the mitall tribes in the vicinity of Mvolo (Sudan), (from left to right, Goggo, Kaffouloukkou, Ngama), engraved after the drawing of O.Mathieu, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, directed by Edouard Charlotte Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images

ID: LSE4329763

The chiefs of the mitall tribes in the vicinity of Mvolo (Sudan), (from left to right, Goggo, Kaffouloukkou, Ngama), engraved after the drawing of O.Mathieu, illustrating the journey to the heart of Africa in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, directed by Edouard Charlotte Hachette edition, Paris. Selva Collection.

Mathieu, Oscar Pierre (1845-1881)

The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329859: The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images

ID: LSE4329859

The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Mathieu, Oscar Pierre (1845-1881)

Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection
Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection

LSE4329912: Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection, Keller, Franz (19th century) / Bridgeman Images

ID: LSE4329912

Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection

Keller, Franz (19th century)

The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329929: The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4329929

The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

Les blacksmiths mannganyas, in a village along the Loualaba River (present-day Congo River), engraving after a drawing by D.Maillard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Les blacksmiths mannganyas, in a village along the Loualaba River (present-day Congo River), engraving after a drawing by D.Maillard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330105: Les blacksmiths mannganyas, in a village along the Loualaba River (present-day Congo River), engraving after a drawing by D.Maillard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330105

Les blacksmiths mannganyas, in a village along the Loualaba River (present-day Congo River), engraving after a drawing by D.Maillard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330180: The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330180

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330192: The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330192

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)


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