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Feodal regime: “Who made you king? “” : Audebert (Adalbert), Count of Perigord (968-995), insolently responds to King Hugues Capet (938-996) who asked him who made him count in 987 - At the end of June or beginning of July 987, the proclamation to Noyon de Hugues Capet as king of France marked the end of the Carolingian dynasty and the beginning of the dynasty Capetienne - The vassals of the King of France have then a preponderant place - They were the ones who elected Hugh King of France, even though the last Carolingian king had a descendant. (Audebert, Count of Perigord insolently asks to king Hugh Capet who made him king) Chromolithography of the end of the 19th century Private collection
Feodal regime: “Who made you king? “” : Audebert (Adalbert), Count of Perigord (968-995), insolently responds to King Hugues Capet (938-996) who asked him who made him count in 987 - At the end of June or beginning of July 987, the proclamation to Noyon de Hugues Capet as king of France marked the end of the Carolingian dynasty and the beginning of the dynasty Capetienne - The vassals of the King of France have then a preponderant place - They were the ones who elected Hugh King of France, even though the last Carolingian king had a descendant. (Audebert, Count of Perigord insolently asks to king Hugh Capet who made him king) Chromolithography of the end of the 19th century Private collection

ELD4965044: Feodal regime: “Who made you king? “” : Audebert (Adalbert), Count of Perigord (968-995), insolently responds to King Hugues Capet (938-996) who asked him who made him count in 987 - At the end of June or beginning of July 987, the proclamation to Noyon de Hugues Capet as king of France marked the end of the Carolingian dynasty and the beginning of the dynasty Capetienne - The vassals of the King of France have then a preponderant place - They were the ones who elected Hugh King of France, even though the last Carolingian king had a descendant. (Audebert, Count of Perigord insolently asks to king Hugh Capet who made him king) Chromolithography of the end of the 19th century Private collection, French School, (19th century) / Bridgeman Images

ID: ELD4965044

Feodal regime: “Who made you king? “” : Audebert (Adalbert), Count of Perigord (968-995), insolently responds to King Hugues Capet (938-996) who asked him who made him count in 987 - At the end of June or beginning of July 987, the proclamation to Noyon de Hugues Capet as king of France marked the end of the Carolingian dynasty and the beginning of the dynasty Capetienne - The vassals of the King of France have then a preponderant place - They were the ones who elected Hugh King of France, even though the last Carolingian king had a descendant. (Audebert, Count of Perigord insolently asks to king Hugh Capet who made him king) Chromolithography of the end of the 19th century Private collection

French School, (19th century)

United States, Sandwich Island: Village of Waikiki, 1870s. 19th century colour engraving.
United States, Sandwich Island: Village of Waikiki, 1870s. 19th century colour engraving.

NWI4965220: United States, Sandwich Island: Village of Waikiki, 1870s. 19th century colour engraving. / Bridgeman Images

ID: NWI4965220

United States, Sandwich Island: Village of Waikiki, 1870s. 19th century colour engraving.

Portrait of Jean Calas (1698-1762), victim of the judicial case bearing his name 1761 - 1762 (The Calas affair). 19th century (engraving from “Histoire des jesuites” by Boucher)
Portrait of Jean Calas (1698-1762), victim of the judicial case bearing his name 1761 - 1762 (The Calas affair). 19th century (engraving from “Histoire des jesuites” by Boucher)

ELD4965836: Portrait of Jean Calas (1698-1762), victim of the judicial case bearing his name 1761 - 1762 (The Calas affair). 19th century (engraving from “Histoire des jesuites” by Boucher) / Bridgeman Images

ID: ELD4965836

Portrait of Jean Calas (1698-1762), victim of the judicial case bearing his name 1761 - 1762 (The Calas affair). 19th century (engraving from “Histoire des jesuites” by Boucher)

A pelerin walking in the snow to a wooden house in the Plymouth colony (Massachusetts, USA). 19th century lithography.
A pelerin walking in the snow to a wooden house in the Plymouth colony (Massachusetts, USA). 19th century lithography.

NWI4965924: A pelerin walking in the snow to a wooden house in the Plymouth colony (Massachusetts, USA). 19th century lithography. / Bridgeman Images

ID: NWI4965924

A pelerin walking in the snow to a wooden house in the Plymouth colony (Massachusetts, USA). 19th century lithography.

View of Baltimore, Maryland (USA), circa 1850 - Colorisee engraving, 19th century - View of Baltimore, Maryland, from Federal Hill, 1850s - Hand-colored woodcut of a 19th-century illustration
View of Baltimore, Maryland (USA), circa 1850 - Colorisee engraving, 19th century - View of Baltimore, Maryland, from Federal Hill, 1850s - Hand-colored woodcut of a 19th-century illustration

NWI4966343: View of Baltimore, Maryland (USA), circa 1850 - Colorisee engraving, 19th century - View of Baltimore, Maryland, from Federal Hill, 1850s - Hand-colored woodcut of a 19th-century illustration / Bridgeman Images

ID: NWI4966343

View of Baltimore, Maryland (USA), circa 1850 - Colorisee engraving, 19th century - View of Baltimore, Maryland, from Federal Hill, 1850s - Hand-colored woodcut of a 19th-century illustration

USA, Massachusetts: Washington Street in Boston, and Ticknor and Fields' Old Corner Bookstore, years 1850. Colour engraving of the 19th century.
USA, Massachusetts: Washington Street in Boston, and Ticknor and Fields' Old Corner Bookstore, years 1850. Colour engraving of the 19th century.

NWI4966033: USA, Massachusetts: Washington Street in Boston, and Ticknor and Fields' Old Corner Bookstore, years 1850. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4966033

USA, Massachusetts: Washington Street in Boston, and Ticknor and Fields' Old Corner Bookstore, years 1850. Colour engraving of the 19th century.

Representation de l'attitude d'une femme hysterique en plein crise (woman with hysteria crisis) engraving from “La medecine illustree”” by Doctor Gerard 1887
Representation de l'attitude d'une femme hysterique en plein crise (woman with hysteria crisis) engraving from “La medecine illustree”” by Doctor Gerard 1887

ELD4966068: Representation de l'attitude d'une femme hysterique en plein crise (woman with hysteria crisis) engraving from “La medecine illustree”” by Doctor Gerard 1887 / Bridgeman Images

ID: ELD4966068

Representation de l'attitude d'une femme hysterique en plein crise (woman with hysteria crisis) engraving from “La medecine illustree”” by Doctor Gerard 1887

United States, Massachusetts: Pelerins going to the office in the First Church of New England. Colour engraving of the 19th century.
United States, Massachusetts: Pelerins going to the office in the First Church of New England. Colour engraving of the 19th century.

NWI4966093: United States, Massachusetts: Pelerins going to the office in the First Church of New England. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4966093

United States, Massachusetts: Pelerins going to the office in the First Church of New England. Colour engraving of the 19th century.

United States, Massachusetts: Salem Colon warns by Titba of the existence of witches, 1690 years. Colour engraving of the 19th century.
United States, Massachusetts: Salem Colon warns by Titba of the existence of witches, 1690 years. Colour engraving of the 19th century.

NWI4966100: United States, Massachusetts: Salem Colon warns by Titba of the existence of witches, 1690 years. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4966100

United States, Massachusetts: Salem Colon warns by Titba of the existence of witches, 1690 years. Colour engraving of the 19th century.

Representation of Marche a terre (marche-a-terre) in “” Les chouans”” by Honore de Balzac (Illustration of the novel “” Les chouans”” by english novelist Honore de Balzac), 1874 (engraving)
Representation of Marche a terre (marche-a-terre) in “” Les chouans”” by Honore de Balzac (Illustration of the novel “” Les chouans”” by english novelist Honore de Balzac), 1874 (engraving)

ELD4966106: Representation of Marche a terre (marche-a-terre) in “” Les chouans”” by Honore de Balzac (Illustration of the novel “” Les chouans”” by english novelist Honore de Balzac), 1874 (engraving) / Bridgeman Images

ID: ELD4966106

Representation of Marche a terre (marche-a-terre) in “” Les chouans”” by Honore de Balzac (Illustration of the novel “” Les chouans”” by english novelist Honore de Balzac), 1874 (engraving)

Portrait of Le Gars, Marquis de Montauran in “” Les chouans”” by Honore de Balzac (Les chouans, novel by the French writer Honore de Balzac), 1874 (engraving)
Portrait of Le Gars, Marquis de Montauran in “” Les chouans”” by Honore de Balzac (Les chouans, novel by the French writer Honore de Balzac), 1874 (engraving)

ELD4966175: Portrait of Le Gars, Marquis de Montauran in “” Les chouans”” by Honore de Balzac (Les chouans, novel by the French writer Honore de Balzac), 1874 (engraving) / Bridgeman Images

ID: ELD4966175

Portrait of Le Gars, Marquis de Montauran in “” Les chouans”” by Honore de Balzac (Les chouans, novel by the French writer Honore de Balzac), 1874 (engraving)

United States, Massachusetts: title page of Thomas Hutchinson's book “” History of the Colony of Massachusets-Bay,”” first edition of 1764. Reproduction.
United States, Massachusetts: title page of Thomas Hutchinson's book “” History of the Colony of Massachusets-Bay,”” first edition of 1764. Reproduction.

NWI4966254: United States, Massachusetts: title page of Thomas Hutchinson's book “” History of the Colony of Massachusets-Bay,”” first edition of 1764. Reproduction. / Bridgeman Images

ID: NWI4966254

United States, Massachusetts: title page of Thomas Hutchinson's book “” History of the Colony of Massachusets-Bay,”” first edition of 1764. Reproduction.

United States, Illinois, Chicago: Bretano and other shop on Wabash Avenue south of Monroe Street, Chicago, years 1890.
United States, Illinois, Chicago: Bretano and other shop on Wabash Avenue south of Monroe Street, Chicago, years 1890.

NWI4965412: United States, Illinois, Chicago: Bretano and other shop on Wabash Avenue south of Monroe Street, Chicago, years 1890. / Bridgeman Images

ID: NWI4965412

United States, Illinois, Chicago: Bretano and other shop on Wabash Avenue south of Monroe Street, Chicago, years 1890.

Building in the city of Chicago, United States: The Palmer House on the corner of State and Monroe streets, Chicago, 1890s. Albertype.
Building in the city of Chicago, United States: The Palmer House on the corner of State and Monroe streets, Chicago, 1890s. Albertype.

NWI4965444: Building in the city of Chicago, United States: The Palmer House on the corner of State and Monroe streets, Chicago, 1890s. Albertype. / Bridgeman Images

ID: NWI4965444

Building in the city of Chicago, United States: The Palmer House on the corner of State and Monroe streets, Chicago, 1890s. Albertype.

United States, Kansas: Loading cattle in Texas, Union Pacific Railway Railway in Abilene, Kansas, 1870. Colour engraving of the 19th century.
United States, Kansas: Loading cattle in Texas, Union Pacific Railway Railway in Abilene, Kansas, 1870. Colour engraving of the 19th century.

NWI4965485: United States, Kansas: Loading cattle in Texas, Union Pacific Railway Railway in Abilene, Kansas, 1870. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4965485

United States, Kansas: Loading cattle in Texas, Union Pacific Railway Railway in Abilene, Kansas, 1870. Colour engraving of the 19th century.

Roman antiquite: tarquin the elder (tarquinius priscus or lucumon) (616-578 BC) settling in the court of king ancus Marcius, 7th century BC (Ancient rome: Lucius Tarquinius Priscus, or Tarquin the Elder received by Ancus Marcius at the court) Engraving from “Rom” by Wilhelm Wagner, 1862
Roman antiquite: tarquin the elder (tarquinius priscus or lucumon) (616-578 BC) settling in the court of king ancus Marcius, 7th century BC (Ancient rome: Lucius Tarquinius Priscus, or Tarquin the Elder received by Ancus Marcius at the court) Engraving from “Rom” by Wilhelm Wagner, 1862

ELD4965540: Roman antiquite: tarquin the elder (tarquinius priscus or lucumon) (616-578 BC) settling in the court of king ancus Marcius, 7th century BC (Ancient rome: Lucius Tarquinius Priscus, or Tarquin the Elder received by Ancus Marcius at the court) Engraving from “Rom” by Wilhelm Wagner, 1862 / Bridgeman Images

ID: ELD4965540

Roman antiquite: tarquin the elder (tarquinius priscus or lucumon) (616-578 BC) settling in the court of king ancus Marcius, 7th century BC (Ancient rome: Lucius Tarquinius Priscus, or Tarquin the Elder received by Ancus Marcius at the court) Engraving from “Rom” by Wilhelm Wagner, 1862

United States, North Carolina: Capitol of Raleigh in the 1850s. Colour engraving of the 19th century.
United States, North Carolina: Capitol of Raleigh in the 1850s. Colour engraving of the 19th century.

NWI4966586: United States, North Carolina: Capitol of Raleigh in the 1850s. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4966586

United States, North Carolina: Capitol of Raleigh in the 1850s. Colour engraving of the 19th century.

Little Falls Covered Bridge over the Passaic River, New Jersey (USA), circa 1870 - Colorised engraving 19th century - Covered bridge over the Passaic River below Little Falls, New Jersey, 1870s - Hand-colored woodcut of a 19th century illustration
Little Falls Covered Bridge over the Passaic River, New Jersey (USA), circa 1870 - Colorised engraving 19th century - Covered bridge over the Passaic River below Little Falls, New Jersey, 1870s - Hand-colored woodcut of a 19th century illustration

NWI4966646: Little Falls Covered Bridge over the Passaic River, New Jersey (USA), circa 1870 - Colorised engraving 19th century - Covered bridge over the Passaic River below Little Falls, New Jersey, 1870s - Hand-colored woodcut of a 19th century illustration / Bridgeman Images

ID: NWI4966646

Little Falls Covered Bridge over the Passaic River, New Jersey (USA), circa 1870 - Colorised engraving 19th century - Covered bridge over the Passaic River below Little Falls, New Jersey, 1870s - Hand-colored woodcut of a 19th century illustration

United States, State of New Mexico: One of the oldest houses in America a Santa Fe street in the years 1800. Colour engraving of the 19th century.
United States, State of New Mexico: One of the oldest houses in America a Santa Fe street in the years 1800. Colour engraving of the 19th century.

NWI4966678: United States, State of New Mexico: One of the oldest houses in America a Santa Fe street in the years 1800. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4966678

United States, State of New Mexico: One of the oldest houses in America a Santa Fe street in the years 1800. Colour engraving of the 19th century.

United States, Massachusetts: Old North Church Bell Tower, where lanterns were lit to give the signal to Paul Revere, Boston, Massachusetts
United States, Massachusetts: Old North Church Bell Tower, where lanterns were lit to give the signal to Paul Revere, Boston, Massachusetts

NWI4966319: United States, Massachusetts: Old North Church Bell Tower, where lanterns were lit to give the signal to Paul Revere, Boston, Massachusetts / Bridgeman Images

ID: NWI4966319

United States, Massachusetts: Old North Church Bell Tower, where lanterns were lit to give the signal to Paul Revere, Boston, Massachusetts

A thatched house by William Bradford (1590-1657), burned in the colony of Plymouth, Massachusetts, circa 1620. 19th century lithography.
A thatched house by William Bradford (1590-1657), burned in the colony of Plymouth, Massachusetts, circa 1620. 19th century lithography.

NWI4966342: A thatched house by William Bradford (1590-1657), burned in the colony of Plymouth, Massachusetts, circa 1620. 19th century lithography. / Bridgeman Images

ID: NWI4966342

A thatched house by William Bradford (1590-1657), burned in the colony of Plymouth, Massachusetts, circa 1620. 19th century lithography.

United States, Massachusetts: “” Arbella”” and two other boats bringing the settlers of John Winthrop to Salem, 1630. Colour engraving of the 19th century.
United States, Massachusetts: “” Arbella”” and two other boats bringing the settlers of John Winthrop to Salem, 1630. Colour engraving of the 19th century.

NWI4965799: United States, Massachusetts: “” Arbella”” and two other boats bringing the settlers of John Winthrop to Salem, 1630. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4965799

United States, Massachusetts: “” Arbella”” and two other boats bringing the settlers of John Winthrop to Salem, 1630. Colour engraving of the 19th century.

The farewell of the pelerins (Plymouth colony), gathered on the deck of the ship Mayflower, in 1620. 19th century lithography.
The farewell of the pelerins (Plymouth colony), gathered on the deck of the ship Mayflower, in 1620. 19th century lithography.

NWI4965862: The farewell of the pelerins (Plymouth colony), gathered on the deck of the ship Mayflower, in 1620. 19th century lithography. / Bridgeman Images

ID: NWI4965862

The farewell of the pelerins (Plymouth colony), gathered on the deck of the ship Mayflower, in 1620. 19th century lithography.

Return of the fields (triptych, lateral part), 1920-1930 (oil on canvas)
Return of the fields (triptych, lateral part), 1920-1930 (oil on canvas)

CSO4986644: Return of the fields (triptych, lateral part), 1920-1930 (oil on canvas), Pierre, Gustave (1875-1939) / Bridgeman Images

ID: CSO4986644

Return of the fields (triptych, lateral part), 1920-1930 (oil on canvas)

Pierre, Gustave (1875-1939)

Mausoleum of Pope Jules II. (1513 - 1545) by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564). Rome, Church of San Pietro in Vincoli (Saint-Pierre-aux-Liens).
Mausoleum of Pope Jules II. (1513 - 1545) by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564). Rome, Church of San Pietro in Vincoli (Saint-Pierre-aux-Liens).

ANJ4986758: Mausoleum of Pope Jules II. (1513 - 1545) by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564). Rome, Church of San Pietro in Vincoli (Saint-Pierre-aux-Liens)., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4986758

Mausoleum of Pope Jules II. (1513 - 1545) by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564). Rome, Church of San Pietro in Vincoli (Saint-Pierre-aux-Liens).

Buonarroti, Michelangelo (1475-1564)

Self-portrait through the inside - Drawing by Fred Deux (1924-2015), pencil on paper, 76 x 57 cm, 1981 - Musee Cantini
Self-portrait through the inside - Drawing by Fred Deux (1924-2015), pencil on paper, 76 x 57 cm, 1981 - Musee Cantini

CSO4987725: Self-portrait through the inside - Drawing by Fred Deux (1924-2015), pencil on paper, 76 x 57 cm, 1981 - Musee Cantini, Deux, Fred (Jean Douassot, b.1924) / Bridgeman Images

ID: CSO4987725

Self-portrait through the inside - Drawing by Fred Deux (1924-2015), pencil on paper, 76 x 57 cm, 1981 - Musee Cantini

Deux, Fred (Jean Douassot, b.1924)

Ecrinosomus dixoni, Natural History Museum of Marseille
Ecrinosomus dixoni, Natural History Museum of Marseille

CSO4987876: Ecrinosomus dixoni, Natural History Museum of Marseille / Bridgeman Images

ID: CSO4987876

Ecrinosomus dixoni, Natural History Museum of Marseille

Desmophyllum cristagalli, Natural History Museum of Marseille
Desmophyllum cristagalli, Natural History Museum of Marseille

CSO4987943: Desmophyllum cristagalli, Natural History Museum of Marseille / Bridgeman Images

ID: CSO4987943

Desmophyllum cristagalli, Natural History Museum of Marseille

Tomb of Jules II (detail): Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.
Tomb of Jules II (detail): Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

ANJ4987657: Tomb of Jules II (detail): Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987657

Tomb of Jules II (detail): Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

Buonarroti, Michelangelo (1475-1564)

Reading room of the Laurentian Library (Biblioteca Medicea Laurenziana) in Florence. Renaissance architecture by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1524-68.
Reading room of the Laurentian Library (Biblioteca Medicea Laurenziana) in Florence. Renaissance architecture by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1524-68.

ANJ4987686: Reading room of the Laurentian Library (Biblioteca Medicea Laurenziana) in Florence. Renaissance architecture by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1524-68., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987686

Reading room of the Laurentian Library (Biblioteca Medicea Laurenziana) in Florence. Renaissance architecture by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1524-68.

Buonarroti, Michelangelo (1475-1564)

Tomb of Jules II (detail): Relief to the right of Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.
Tomb of Jules II (detail): Relief to the right of Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

ANJ4987653: Tomb of Jules II (detail): Relief to the right of Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987653

Tomb of Jules II (detail): Relief to the right of Lia. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

Buonarroti, Michelangelo (1475-1564)

Per l'interieur - Drawing by Fred Deux (1924-2015), pencil on paper, 65.5 x 51 cm, 1971 - Musee Cantini
Per l'interieur - Drawing by Fred Deux (1924-2015), pencil on paper, 65.5 x 51 cm, 1971 - Musee Cantini

CSO4987663: Per l'interieur - Drawing by Fred Deux (1924-2015), pencil on paper, 65.5 x 51 cm, 1971 - Musee Cantini, Deux, Fred (Jean Douassot, b.1924) / Bridgeman Images

ID: CSO4987663

Per l'interieur - Drawing by Fred Deux (1924-2015), pencil on paper, 65.5 x 51 cm, 1971 - Musee Cantini

Deux, Fred (Jean Douassot, b.1924)

L'Analyse - Drawing by Fred Deux (1924-2015), pencil and ink on paper, 82 x 59.5 cm, 1974 - Musee Cantini
L'Analyse - Drawing by Fred Deux (1924-2015), pencil and ink on paper, 82 x 59.5 cm, 1974 - Musee Cantini

CSO4987698: L'Analyse - Drawing by Fred Deux (1924-2015), pencil and ink on paper, 82 x 59.5 cm, 1974 - Musee Cantini, Deux, Fred (Jean Douassot, b.1924) / Bridgeman Images

ID: CSO4987698

L'Analyse - Drawing by Fred Deux (1924-2015), pencil and ink on paper, 82 x 59.5 cm, 1974 - Musee Cantini

Deux, Fred (Jean Douassot, b.1924)

Villa Aldobrandini view from outside, Frascati, Italy. Baroque architecture by Carlo Maderno and Giacomo Della Porta, 1598-1604.
Villa Aldobrandini view from outside, Frascati, Italy. Baroque architecture by Carlo Maderno and Giacomo Della Porta, 1598-1604.

ANJ4987869: Villa Aldobrandini view from outside, Frascati, Italy. Baroque architecture by Carlo Maderno and Giacomo Della Porta, 1598-1604., Maderno, Carlo (1556-1629) / Bridgeman Images

ID: ANJ4987869

Villa Aldobrandini view from outside, Frascati, Italy. Baroque architecture by Carlo Maderno and Giacomo Della Porta, 1598-1604.

Maderno, Carlo (1556-1629)

Katoun Valley, October 30 - Mission to North West Mongolia - Album of the mission of Bouillane de Lacoste commander in 1909 to Mongolia, photo by Henry de Bouillane de Lacoste (1867-1937)
Katoun Valley, October 30 - Mission to North West Mongolia - Album of the mission of Bouillane de Lacoste commander in 1909 to Mongolia, photo by Henry de Bouillane de Lacoste (1867-1937)

CSO4986580: Katoun Valley, October 30 - Mission to North West Mongolia - Album of the mission of Bouillane de Lacoste commander in 1909 to Mongolia, photo by Henry de Bouillane de Lacoste (1867-1937) / Bridgeman Images

ID: CSO4986580

Katoun Valley, October 30 - Mission to North West Mongolia - Album of the mission of Bouillane de Lacoste commander in 1909 to Mongolia, photo by Henry de Bouillane de Lacoste (1867-1937)

Yunnanozoon lividium, Natural History Museum of Marseille
Yunnanozoon lividium, Natural History Museum of Marseille

CSO4986608: Yunnanozoon lividium, Natural History Museum of Marseille / Bridgeman Images

ID: CSO4986608

Yunnanozoon lividium, Natural History Museum of Marseille


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