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The Sainte Victoire mountain (watercolour)
The Sainte Victoire mountain (watercolour)

JEB4897552: The Sainte Victoire mountain (watercolour), Valtat, Louis (1869-1952) / Bridgeman Images

ID: JEB4897552

The Sainte Victoire mountain (watercolour)

Valtat, Louis (1869-1952)

Gothic architecture: closure of the choir from the inside of the choir. Cathedrale Saint Cecile, Albi
Gothic architecture: closure of the choir from the inside of the choir. Cathedrale Saint Cecile, Albi

JEB4897694: Gothic architecture: closure of the choir from the inside of the choir. Cathedrale Saint Cecile, Albi / Bridgeman Images

ID: JEB4897694

Gothic architecture: closure of the choir from the inside of the choir. Cathedrale Saint Cecile, Albi

Virgin and Child, detail: Nativite (left panel upper panels). Painting by Giovanni Del Biondo (ca. 1356-1398), 1345. Polyptych. Italian altarpiece. Dim: 60x40cm. Oil on wood. Cathedrale Sainte Cecile, Albi.
Virgin and Child, detail: Nativite (left panel upper panels). Painting by Giovanni Del Biondo (ca. 1356-1398), 1345. Polyptych. Italian altarpiece. Dim: 60x40cm. Oil on wood. Cathedrale Sainte Cecile, Albi.

JEB4897778: Virgin and Child, detail: Nativite (left panel upper panels). Painting by Giovanni Del Biondo (ca. 1356-1398), 1345. Polyptych. Italian altarpiece. Dim: 60x40cm. Oil on wood. Cathedrale Sainte Cecile, Albi. / Bridgeman Images

ID: JEB4897778

Virgin and Child, detail: Nativite (left panel upper panels). Painting by Giovanni Del Biondo (ca. 1356-1398), 1345. Polyptych. Italian altarpiece. Dim: 60x40cm. Oil on wood. Cathedrale Sainte Cecile, Albi.

History of indigenous peoples: Digger Indians returning from hunting with rabbits and birds, Sierra Nevada Mountain, 19th century. Colourful engraving of the 19th century.
History of indigenous peoples: Digger Indians returning from hunting with rabbits and birds, Sierra Nevada Mountain, 19th century. Colourful engraving of the 19th century.

NWI4895430: History of indigenous peoples: Digger Indians returning from hunting with rabbits and birds, Sierra Nevada Mountain, 19th century. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4895430

History of indigenous peoples: Digger Indians returning from hunting with rabbits and birds, Sierra Nevada Mountain, 19th century. Colourful engraving of the 19th century.

View of the company Seine et Thames whose boats connect Paris and London Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
View of the company Seine et Thames whose boats connect Paris and London Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4894660: View of the company Seine et Thames whose boats connect Paris and London Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4894660

View of the company Seine et Thames whose boats connect Paris and London Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

Fraipont, Gustave (1849-1923)

Cover of “ Le Journal Amusant
Cover of “ Le Journal Amusant

ICA4894823: Cover of “ Le Journal Amusant", 05 may 1859 (engraving), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: ICA4894823

Cover of “ Le Journal Amusant", 05 may 1859 (engraving)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

Elements de Altarpiece created by an anonymous Flemish artist of the 18th century. Angel detail. Polychrome wood and plaster. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention
Elements de Altarpiece created by an anonymous Flemish artist of the 18th century. Angel detail. Polychrome wood and plaster. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention

JEB4895350: Elements de Altarpiece created by an anonymous Flemish artist of the 18th century. Angel detail. Polychrome wood and plaster. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention / Bridgeman Images

ID: JEB4895350

Elements de Altarpiece created by an anonymous Flemish artist of the 18th century. Angel detail. Polychrome wood and plaster. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention

History of Indigenous Peoples: American Indian Tipi in a Great Plains camp, 19th century. Colourful engraving of the 19th century.
History of Indigenous Peoples: American Indian Tipi in a Great Plains camp, 19th century. Colourful engraving of the 19th century.

NWI4896380: History of Indigenous Peoples: American Indian Tipi in a Great Plains camp, 19th century. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4896380

History of Indigenous Peoples: American Indian Tipi in a Great Plains camp, 19th century. Colourful engraving of the 19th century.

Tipi (Tepee), a Sioux Indian dwelling, in a snow storm, emitting sparks from the centre of the hole to its top, in the Grande Prairie (USA and Canada), circa 1800 Lithography, 19th century.
Tipi (Tepee), a Sioux Indian dwelling, in a snow storm, emitting sparks from the centre of the hole to its top, in the Grande Prairie (USA and Canada), circa 1800 Lithography, 19th century.

NWI4896528: Tipi (Tepee), a Sioux Indian dwelling, in a snow storm, emitting sparks from the centre of the hole to its top, in the Grande Prairie (USA and Canada), circa 1800 Lithography, 19th century. / Bridgeman Images

ID: NWI4896528

Tipi (Tepee), a Sioux Indian dwelling, in a snow storm, emitting sparks from the centre of the hole to its top, in the Grande Prairie (USA and Canada), circa 1800 Lithography, 19th century.

Octave Mouret and Madame Hedouin decide to get married Illustration of the novel “Pot Bouille” by Emile Zola (1840-1902) 1886 (Illustration from novel “Pot bouille” by Emile Zola) Private collection
Octave Mouret and Madame Hedouin decide to get married Illustration of the novel “Pot Bouille” by Emile Zola (1840-1902) 1886 (Illustration from novel “Pot bouille” by Emile Zola) Private collection

ELD4895912: Octave Mouret and Madame Hedouin decide to get married Illustration of the novel “Pot Bouille” by Emile Zola (1840-1902) 1886 (Illustration from novel “Pot bouille” by Emile Zola) Private collection, Bellenger, Georges (1847-1918) / Bridgeman Images

ID: ELD4895912

Octave Mouret and Madame Hedouin decide to get married Illustration of the novel “Pot Bouille” by Emile Zola (1840-1902) 1886 (Illustration from novel “Pot bouille” by Emile Zola) Private collection

Bellenger, Georges (1847-1918)

Shade, frieze, sceptre and various drawings - project by Jean Charles Cahier (1772-1849) 1818 Dim 38,7x46,2 cm Musee Grobet Labadie Marseille
Shade, frieze, sceptre and various drawings - project by Jean Charles Cahier (1772-1849) 1818 Dim 38,7x46,2 cm Musee Grobet Labadie Marseille

JEB4895938: Shade, frieze, sceptre and various drawings - project by Jean Charles Cahier (1772-1849) 1818 Dim 38,7x46,2 cm Musee Grobet Labadie Marseille / Bridgeman Images

ID: JEB4895938

Shade, frieze, sceptre and various drawings - project by Jean Charles Cahier (1772-1849) 1818 Dim 38,7x46,2 cm Musee Grobet Labadie Marseille

Fantasio, 1907_4_1 - Illustration of A Barrere (1874-1931): Andre Louis, Cheron Henry - Shadow/light
Fantasio, 1907_4_1 - Illustration of A Barrere (1874-1931): Andre Louis, Cheron Henry - Shadow/light

ICA4895953: Fantasio, 1907_4_1 - Illustration of A Barrere (1874-1931): Andre Louis, Cheron Henry - Shadow/light, Barrere, Adrien (1874-1931) / Bridgeman Images

ID: ICA4895953

Fantasio, 1907_4_1 - Illustration of A Barrere (1874-1931): Andre Louis, Cheron Henry - Shadow/light

Barrere, Adrien (1874-1931)

History of Indigenous Peoples: “The Flyer”: American shaman Indian of the Colony of Raleigh, 16th century. Colourful engraving from an illustration by John White.
History of Indigenous Peoples: “The Flyer”: American shaman Indian of the Colony of Raleigh, 16th century. Colourful engraving from an illustration by John White.

NWI4896020: History of Indigenous Peoples: “The Flyer”: American shaman Indian of the Colony of Raleigh, 16th century. Colourful engraving from an illustration by John White. / Bridgeman Images

ID: NWI4896020

History of Indigenous Peoples: “The Flyer”: American shaman Indian of the Colony of Raleigh, 16th century. Colourful engraving from an illustration by John White.

Cover of “” Le Don Quixote””, number 908, Satirique en Couleurs, 1891_11_22: L'affaire des abortions - Anticlericalisme, Senat, Maternity, Fetus - Separation of the Church and the State, Republicans favorable to the Church - Marianne - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” Le Don Quixote””, number 908, Satirique en Couleurs, 1891_11_22: L'affaire des abortions - Anticlericalisme, Senat, Maternity, Fetus - Separation of the Church and the State, Republicans favorable to the Church - Marianne - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4925487: Cover of “” Le Don Quixote””, number 908, Satirique en Couleurs, 1891_11_22: L'affaire des abortions - Anticlericalisme, Senat, Maternity, Fetus - Separation of the Church and the State, Republicans favorable to the Church - Marianne - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4925487

Cover of “” Le Don Quixote””, number 908, Satirique en Couleurs, 1891_11_22: L'affaire des abortions - Anticlericalisme, Senat, Maternity, Fetus - Separation of the Church and the State, Republicans favorable to the Church - Marianne - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Everything is lost for the honor Francois I writing to his mother Louise de Savoy after the battle of Pavia on 24/02/1525. 19th century (chromolithograph)
Everything is lost for the honor Francois I writing to his mother Louise de Savoy after the battle of Pavia on 24/02/1525. 19th century (chromolithograph)

ELD4925570: Everything is lost for the honor Francois I writing to his mother Louise de Savoy after the battle of Pavia on 24/02/1525. 19th century (chromolithograph) / Bridgeman Images

ID: ELD4925570

Everything is lost for the honor Francois I writing to his mother Louise de Savoy after the battle of Pavia on 24/02/1525. 19th century (chromolithograph)

Russian novelist Fyodor Dostoyevsky (1821-1881). Hand-colored woodcut of a 19th-century illustration
Russian novelist Fyodor Dostoyevsky (1821-1881). Hand-colored woodcut of a 19th-century illustration

NWI4925673: Russian novelist Fyodor Dostoyevsky (1821-1881). Hand-colored woodcut of a 19th-century illustration / Bridgeman Images

ID: NWI4925673

Russian novelist Fyodor Dostoyevsky (1821-1881). Hand-colored woodcut of a 19th-century illustration

French invasion of Egypt: Battle of the Pyramids 21st July 1798. 19th century, (chromolithograph).
French invasion of Egypt: Battle of the Pyramids 21st July 1798. 19th century, (chromolithograph).

ELD4925714: French invasion of Egypt: Battle of the Pyramids 21st July 1798. 19th century, (chromolithograph). / Bridgeman Images

ID: ELD4925714

French invasion of Egypt: Battle of the Pyramids 21st July 1798. 19th century, (chromolithograph).

Cover of “” Le Don Quixote””, number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” Le Don Quixote””, number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926082: Cover of “” Le Don Quixote””, number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4926082

Cover of “” Le Don Quixote””, number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

The false funeral of Emperor Charles V (1500-1558), 1852 (engraving)
The false funeral of Emperor Charles V (1500-1558), 1852 (engraving)

ELD4926133: The false funeral of Emperor Charles V (1500-1558), 1852 (engraving) / Bridgeman Images

ID: ELD4926133

The false funeral of Emperor Charles V (1500-1558), 1852 (engraving)

Cover of “” The Don Quixote””, number 228, Satirique en Couleurs, 1878_11_1: The explosion of October 27 - Anticlericalism, Elections, Senate, Droites - Eg with reactionaries, Death of Religious - Bonapartist, Legitimist, Orleanist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” The Don Quixote””, number 228, Satirique en Couleurs, 1878_11_1: The explosion of October 27 - Anticlericalism, Elections, Senate, Droites - Eg with reactionaries, Death of Religious - Bonapartist, Legitimist, Orleanist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926256: Cover of “” The Don Quixote””, number 228, Satirique en Couleurs, 1878_11_1: The explosion of October 27 - Anticlericalism, Elections, Senate, Droites - Eg with reactionaries, Death of Religious - Bonapartist, Legitimist, Orleanist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4926256

Cover of “” The Don Quixote””, number 228, Satirique en Couleurs, 1878_11_1: The explosion of October 27 - Anticlericalism, Elections, Senate, Droites - Eg with reactionaries, Death of Religious - Bonapartist, Legitimist, Orleanist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Romanesque art: Porch of the entrance to the church of Saint Benoit in Sault, Indre, Centre, France, dating from the 13th century. Photography
Romanesque art: Porch of the entrance to the church of Saint Benoit in Sault, Indre, Centre, France, dating from the 13th century. Photography

JEB4926191: Romanesque art: Porch of the entrance to the church of Saint Benoit in Sault, Indre, Centre, France, dating from the 13th century. Photography / Bridgeman Images

ID: JEB4926191

Romanesque art: Porch of the entrance to the church of Saint Benoit in Sault, Indre, Centre, France, dating from the 13th century. Photography

King of France Louis XIV (1638-1715) exclaiming “Il n'y plus de Pyrenees”” in the presence of the Spanish ambassador on 16 November 1700 alluding to the fact that the king of Spain was Philip of Anjou his grandson, the two countries became one and the same country (King of France Louis XIV and spanish ambassador at the time of accession to the throne of Spain of Philippe d'Anjou grandson of Louis XIV as Philip V of Spain, november 1700) Chromolithograph 19th century Private collection
King of France Louis XIV (1638-1715) exclaiming “Il n'y plus de Pyrenees”” in the presence of the Spanish ambassador on 16 November 1700 alluding to the fact that the king of Spain was Philip of Anjou his grandson, the two countries became one and the same country (King of France Louis XIV and spanish ambassador at the time of accession to the throne of Spain of Philippe d'Anjou grandson of Louis XIV as Philip V of Spain, november 1700) Chromolithograph 19th century Private collection

ELD4925769: King of France Louis XIV (1638-1715) exclaiming “Il n'y plus de Pyrenees”” in the presence of the Spanish ambassador on 16 November 1700 alluding to the fact that the king of Spain was Philip of Anjou his grandson, the two countries became one and the same country (King of France Louis XIV and spanish ambassador at the time of accession to the throne of Spain of Philippe d'Anjou grandson of Louis XIV as Philip V of Spain, november 1700) Chromolithograph 19th century Private collection / Bridgeman Images

ID: ELD4925769

King of France Louis XIV (1638-1715) exclaiming “Il n'y plus de Pyrenees”” in the presence of the Spanish ambassador on 16 November 1700 alluding to the fact that the king of Spain was Philip of Anjou his grandson, the two countries became one and the same country (King of France Louis XIV and spanish ambassador at the time of accession to the throne of Spain of Philippe d'Anjou grandson of Louis XIV as Philip V of Spain, november 1700) Chromolithograph 19th century Private collection

Germany, Hamburg, Uhlenhorst ferry house near the Alster lake, illustration from :
Germany, Hamburg, Uhlenhorst ferry house near the Alster lake, illustration from :

UTD4925795: Germany, Hamburg, Uhlenhorst ferry house near the Alster lake, illustration from : "Ansichten-Album Hamburg" (views from Hamburg), published by C. Schneider, Berlin NW c.1890 (lithograph) / Bridgeman Images

ID: UTD4925795

Germany, Hamburg, Uhlenhorst ferry house near the Alster lake, illustration from : "Ansichten-Album Hamburg" (views from Hamburg), published by C. Schneider, Berlin NW c.1890 (lithograph)

Cover of “” Le Don Quixote””, number 962, Satirique en Couleurs, 1892_12_4: Here's its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” Le Don Quixote””, number 962, Satirique en Couleurs, 1892_12_4: Here's its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4925855: Cover of “” Le Don Quixote””, number 962, Satirique en Couleurs, 1892_12_4: Here's its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4925855

Cover of “” Le Don Quixote””, number 962, Satirique en Couleurs, 1892_12_4: Here's its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Germany, Hamburg, the new city hall, illustration from :
Germany, Hamburg, the new city hall, illustration from :

UTD4926051: Germany, Hamburg, the new city hall, illustration from : "Ansichten-Album Hamburg", published by C. Schneider, Berlin NW. ,c.1890 (lithograph) / Bridgeman Images

ID: UTD4926051

Germany, Hamburg, the new city hall, illustration from : "Ansichten-Album Hamburg", published by C. Schneider, Berlin NW. ,c.1890 (lithograph)

Literature: Portrait of Henry Wadsworth Longfellow (1807-1882), American poet. Colour engraving of the 19th century.
Literature: Portrait of Henry Wadsworth Longfellow (1807-1882), American poet. Colour engraving of the 19th century.

NWI4926334: Literature: Portrait of Henry Wadsworth Longfellow (1807-1882), American poet. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4926334

Literature: Portrait of Henry Wadsworth Longfellow (1807-1882), American poet. Colour engraving of the 19th century.

Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “” Adoration of the Magi”” Photography
Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “” Adoration of the Magi”” Photography

JEB4926343: Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “” Adoration of the Magi”” Photography / Bridgeman Images

ID: JEB4926343

Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “” Adoration of the Magi”” Photography

Literature: Portrait of Ralph Waldo Emerson (1803-1882), American philosopher and poet. Colour engraving of the 19th century.
Literature: Portrait of Ralph Waldo Emerson (1803-1882), American philosopher and poet. Colour engraving of the 19th century.

NWI4926395: Literature: Portrait of Ralph Waldo Emerson (1803-1882), American philosopher and poet. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4926395

Literature: Portrait of Ralph Waldo Emerson (1803-1882), American philosopher and poet. Colour engraving of the 19th century.

Cover of “” Le Don Quixote””, number 276, Satirique en Couleurs, 1879_10_3: Souvenir d'un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” Le Don Quixote””, number 276, Satirique en Couleurs, 1879_10_3: Souvenir d'un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926435: Cover of “” Le Don Quixote””, number 276, Satirique en Couleurs, 1879_10_3: Souvenir d'un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4926435

Cover of “” Le Don Quixote””, number 276, Satirique en Couleurs, 1879_10_3: Souvenir d'un banquet du 29 septembre - Anticlericalism, Droites - Bombance/Gourmandise, Eg avec reactionaries, Lourdes - Legitimist, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “The Resurrection of the Dead”” Photography
Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “The Resurrection of the Dead”” Photography

JEB4926539: Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “The Resurrection of the Dead”” Photography / Bridgeman Images

ID: JEB4926539

Romanesque art from the 13th to the 14th century: Frescoes in the crypt of the church of Gargilesse Dampierre (Gargilesse-Dampierre), Indre, Centre, France. “The Resurrection of the Dead”” Photography

The Death of Viscount of Turenne, 19th century (Epinal print)
The Death of Viscount of Turenne, 19th century (Epinal print)

ELD4926630: The Death of Viscount of Turenne, 19th century (Epinal print) / Bridgeman Images

ID: ELD4926630

The Death of Viscount of Turenne, 19th century (Epinal print)

Cover of “” The Don Quixote””, number 297, Satirique en Couleurs, 1880_2_27: The piece of resistance - Anticlericalism - Article 7, Republicans favorable to the Church - Ferry Jules, Simon Jules (1814-1896) - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” The Don Quixote””, number 297, Satirique en Couleurs, 1880_2_27: The piece of resistance - Anticlericalism - Article 7, Republicans favorable to the Church - Ferry Jules, Simon Jules (1814-1896) - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926548: Cover of “” The Don Quixote””, number 297, Satirique en Couleurs, 1880_2_27: The piece of resistance - Anticlericalism - Article 7, Republicans favorable to the Church - Ferry Jules, Simon Jules (1814-1896) - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4926548

Cover of “” The Don Quixote””, number 297, Satirique en Couleurs, 1880_2_27: The piece of resistance - Anticlericalism - Article 7, Republicans favorable to the Church - Ferry Jules, Simon Jules (1814-1896) - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Romanesque art: Frescoes of the funeral chapel Sainte Catherine de Jouhet, Vienne, Poitou-Charentes (Poitou Charentes), France. Nativite. Photography
Romanesque art: Frescoes of the funeral chapel Sainte Catherine de Jouhet, Vienne, Poitou-Charentes (Poitou Charentes), France. Nativite. Photography

JEB4926105: Romanesque art: Frescoes of the funeral chapel Sainte Catherine de Jouhet, Vienne, Poitou-Charentes (Poitou Charentes), France. Nativite. Photography / Bridgeman Images

ID: JEB4926105

Romanesque art: Frescoes of the funeral chapel Sainte Catherine de Jouhet, Vienne, Poitou-Charentes (Poitou Charentes), France. Nativite. Photography

Cover of “” Le Don Quixote””, number 241, Satirique en Couleurs, 1879_1_31: Credit n'est mort! - A dominant Marianne - Dufaure Jules (1798-1881), Marianne - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” Le Don Quixote””, number 241, Satirique en Couleurs, 1879_1_31: Credit n'est mort! - A dominant Marianne - Dufaure Jules (1798-1881), Marianne - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926329: Cover of “” Le Don Quixote””, number 241, Satirique en Couleurs, 1879_1_31: Credit n'est mort! - A dominant Marianne - Dufaure Jules (1798-1881), Marianne - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

ID: ICA4926329

Cover of “” Le Don Quixote””, number 241, Satirique en Couleurs, 1879_1_31: Credit n'est mort! - A dominant Marianne - Dufaure Jules (1798-1881), Marianne - Illustration by Charles Gilbert-Martin (1839-1905)

Gilbert-Martin, Charles (1839-1905)

Literature: departure of the Pelerins for their journey. Illustration of “” Canterbury Tales”” (Tales of Cantorbery) in Geoffrey Chaucer (ca. 1343-1400). Colour engraving of the 19th century.
Literature: departure of the Pelerins for their journey. Illustration of “” Canterbury Tales”” (Tales of Cantorbery) in Geoffrey Chaucer (ca. 1343-1400). Colour engraving of the 19th century.

NWI4926598: Literature: departure of the Pelerins for their journey. Illustration of “” Canterbury Tales”” (Tales of Cantorbery) in Geoffrey Chaucer (ca. 1343-1400). Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4926598

Literature: departure of the Pelerins for their journey. Illustration of “” Canterbury Tales”” (Tales of Cantorbery) in Geoffrey Chaucer (ca. 1343-1400). Colour engraving of the 19th century.

Literature: Walt Whitman (1819-1892) American poet and humanist during the Secession War in Washington DC, 1863. Colour engraving.
Literature: Walt Whitman (1819-1892) American poet and humanist during the Secession War in Washington DC, 1863. Colour engraving.

NWI4926683: Literature: Walt Whitman (1819-1892) American poet and humanist during the Secession War in Washington DC, 1863. Colour engraving. / Bridgeman Images

ID: NWI4926683

Literature: Walt Whitman (1819-1892) American poet and humanist during the Secession War in Washington DC, 1863. Colour engraving.


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