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The Temple of Vesta, the Piazza di Bocca di Verita (oil on canvas)
The Temple of Vesta, the Piazza di Bocca di Verita (oil on canvas)

NGW336496: The Temple of Vesta, the Piazza di Bocca di Verita (oil on canvas), Williams, Henry Penry (1798-1885) / Bridgeman Images

ID: NGW336496

The Temple of Vesta, the Piazza di Bocca di Verita (oil on canvas)

Williams, Henry Penry (1798-1885)

Hoo-Wan-Ne-Ka, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by J.T. Bowen, 1841 (hand coloured litho)
Hoo-Wan-Ne-Ka, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by J.T. Bowen, 1841 (hand coloured litho)

SIT335408: Hoo-Wan-Ne-Ka, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by J.T. Bowen, 1841 (hand coloured litho), King, Charles Bird (1785-1862) / Bridgeman Images

ID: SIT335408

Hoo-Wan-Ne-Ka, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by J.T. Bowen, 1841 (hand coloured litho)

King, Charles Bird (1785-1862)

Sir Samuel Baker in full pursuit of rhinoceros in Africa (litho)
Sir Samuel Baker in full pursuit of rhinoceros in Africa (litho)

STC335881: Sir Samuel Baker in full pursuit of rhinoceros in Africa (litho), Wood, Stanley L. (1866-1928) / Bridgeman Images

ID: STC335881

Sir Samuel Baker in full pursuit of rhinoceros in Africa (litho)

Wood, Stanley L. (1866-1928)

Fragment of a regimental colour associated with the Gwailor (Scindia's) Contingent, 3rd Regiment of Infantry, 1844-57 (embroidery)
Fragment of a regimental colour associated with the Gwailor (Scindia's) Contingent, 3rd Regiment of Infantry, 1844-57 (embroidery)

NAM336467: Fragment of a regimental colour associated with the Gwailor (Scindia's) Contingent, 3rd Regiment of Infantry, 1844-57 (embroidery), English School, (19th century) / Bridgeman Images

ID: NAM336467

Fragment of a regimental colour associated with the Gwailor (Scindia's) Contingent, 3rd Regiment of Infantry, 1844-57 (embroidery)

English School, (19th century)

Fighting Bill, published in 'Vanity Fair', 27th September 1879 (colour litho)
Fighting Bill, published in 'Vanity Fair', 27th September 1879 (colour litho)

NAM336451: Fighting Bill, published in 'Vanity Fair', 27th September 1879 (colour litho), Ward, Leslie Matthew (Spy) (1851-1922) / Bridgeman Images

ID: NAM336451

Fighting Bill, published in 'Vanity Fair', 27th September 1879 (colour litho)

Ward, Leslie Matthew (Spy) (1851-1922)

The animal what levys
The animal what levys

AQS336623: The animal what levys "Black Mail", published by Baker, New York, c.1842 (litho), American School, (19th century) / Bridgeman Images

ID: AQS336623

The animal what levys "Black Mail", published by Baker, New York, c.1842 (litho)

American School, (19th century)

Still life of flowers (oil on canvas)
Still life of flowers (oil on canvas)

CTS336310: Still life of flowers (oil on canvas), Monnoyer, J-B (1636-99) & Bogdany, Jakob (1660-1724) / Bridgeman Images

ID: CTS336310

Still life of flowers (oil on canvas)

Monnoyer, J-B (1636-99) & Bogdany, Jakob (1660-1724)

The Four of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Four of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336548: The Four of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336548

The Four of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Battell arrives at the mouth of the Mbengo, illustration from 'The Land of the Golden Trade', published by Jack in 1921 (colour litho)
Battell arrives at the mouth of the Mbengo, illustration from 'The Land of the Golden Trade', published by Jack in 1921 (colour litho)

IL335165: Battell arrives at the mouth of the Mbengo, illustration from 'The Land of the Golden Trade', published by Jack in 1921 (colour litho), McClintock, A.D. (20th Century) / Bridgeman Images

ID: IL335165

Battell arrives at the mouth of the Mbengo, illustration from 'The Land of the Golden Trade', published by Jack in 1921 (colour litho)

McClintock, A.D. (20th Century)

The Six of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Six of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336546: The Six of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336546

The Six of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

[Dame Butler], c.1868, (litho)
[Dame Butler], c.1868, (litho)

AQS336742: [Dame Butler], c.1868, (litho), American School, (19th century) / Bridgeman Images

ID: AQS336742

[Dame Butler], c.1868, (litho)

American School, (19th century)

Sir Percival and Sir Ector look upon the Isle of Joy, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)
Sir Percival and Sir Ector look upon the Isle of Joy, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

STC335779: Sir Percival and Sir Ector look upon the Isle of Joy, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335779

Sir Percival and Sir Ector look upon the Isle of Joy, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

Pyle, Howard (1853-1911)

The Queen of Wands, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Queen of Wands, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336592: The Queen of Wands, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336592

The Queen of Wands, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Jacob's Ladder, Angels Returning tp Heaven, plate 111 from 'The Flower Book' (colour litho)
Jacob's Ladder, Angels Returning tp Heaven, plate 111 from 'The Flower Book' (colour litho)

NBY335549: Jacob's Ladder, Angels Returning tp Heaven, plate 111 from 'The Flower Book' (colour litho), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: NBY335549

Jacob's Ladder, Angels Returning tp Heaven, plate 111 from 'The Flower Book' (colour litho)

Burne-Jones, Edward Coley (1833-98)

Self-portrait (oil on canvas)
Self-portrait (oil on canvas)

NGW336472: Self-portrait (oil on canvas), Barker of Bath, Thomas (1769-1847) / Bridgeman Images

ID: NGW336472

Self-portrait (oil on canvas)

Barker of Bath, Thomas (1769-1847)

Little Mac, in his great two-horse act, in the presidential canvass of 1864, published by T.W Strong, New York, c.1864 (litho)
Little Mac, in his great two-horse act, in the presidential canvass of 1864, published by T.W Strong, New York, c.1864 (litho)

AQS336713: Little Mac, in his great two-horse act, in the presidential canvass of 1864, published by T.W Strong, New York, c.1864 (litho), Howard, Justin (fl.c.1864) / Bridgeman Images

ID: AQS336713

Little Mac, in his great two-horse act, in the presidential canvass of 1864, published by T.W Strong, New York, c.1864 (litho)

Howard, Justin (fl.c.1864)

The Two of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Two of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336562: The Two of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336562

The Two of Cups, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

View of Lismore Castle during the 6th Duke of Devonshire's alterations (w/c on paper)
View of Lismore Castle during the 6th Duke of Devonshire's alterations (w/c on paper)

CTS336376: View of Lismore Castle during the 6th Duke of Devonshire's alterations (w/c on paper), Cook, Samuel (1806-59) / Bridgeman Images

ID: CTS336376

View of Lismore Castle during the 6th Duke of Devonshire's alterations (w/c on paper)

Cook, Samuel (1806-59)

A view of the Arches of Constantine and of Titus, Rome (oil on canvas)
A view of the Arches of Constantine and of Titus, Rome (oil on canvas)

CTS336393: A view of the Arches of Constantine and of Titus, Rome (oil on canvas), Panini, Giovani Paolo (1691-1765) (attr. to) / Bridgeman Images

ID: CTS336393

A view of the Arches of Constantine and of Titus, Rome (oil on canvas)

Panini, Giovani Paolo (1691-1765) (attr. to)

The Seven of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Seven of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336545: The Seven of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD336545

The Seven of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

The modern Quixote and Squire Sancho, c.1866 (litho)
The modern Quixote and Squire Sancho, c.1866 (litho)

AQS336737: The modern Quixote and Squire Sancho, c.1866 (litho), American School, (19th century) / Bridgeman Images

ID: AQS336737

The modern Quixote and Squire Sancho, c.1866 (litho)

American School, (19th century)

That feed wont do, published in Ohio, c.1861 (litho)
That feed wont do, published in Ohio, c.1861 (litho)

AQS336691: That feed wont do, published in Ohio, c.1861 (litho), American School, (19th century) / Bridgeman Images

ID: AQS336691

That feed wont do, published in Ohio, c.1861 (litho)

American School, (19th century)

Sir Lionel of Britain, illustration from 'The Story of the Champions of the Round Table' (litho)
Sir Lionel of Britain, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335725: Sir Lionel of Britain, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335725

Sir Lionel of Britain, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

The Ark Royal
The Ark Royal

LAL320029: The Ark Royal, English School, (20th century) / Bridgeman Images

ID: LAL320029

The Ark Royal

English School, (20th century)

Miss Rachel Williams, intimate friend of Florence Nightingale (litho)
Miss Rachel Williams, intimate friend of Florence Nightingale (litho)

FNM336872: Miss Rachel Williams, intimate friend of Florence Nightingale (litho), English Photographer, (19th century) / Bridgeman Images

ID: FNM336872

Miss Rachel Williams, intimate friend of Florence Nightingale (litho)

English Photographer, (19th century)

A Palanquin appeared at the foot of the steps, illustration from 'The Cuckoo Clock' by Mrs Molesworth, published by Macmillan in 1930 (colour litho)
A Palanquin appeared at the foot of the steps, illustration from 'The Cuckoo Clock' by Mrs Molesworth, published by Macmillan in 1930 (colour litho)

IL335120: A Palanquin appeared at the foot of the steps, illustration from 'The Cuckoo Clock' by Mrs Molesworth, published by Macmillan in 1930 (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: IL335120

A Palanquin appeared at the foot of the steps, illustration from 'The Cuckoo Clock' by Mrs Molesworth, published by Macmillan in 1930 (colour litho)

Brock, Charles Edmund (1870-1938)

Sir Lamorack herds the swine of Sir Nabon, illustration from 'The Story of the Champions of the Round Table' (litho)
Sir Lamorack herds the swine of Sir Nabon, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335742: Sir Lamorack herds the swine of Sir Nabon, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335742

Sir Lamorack herds the swine of Sir Nabon, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

Francis I visiting Benvenuto Cellini in his workshop (litho)
Francis I visiting Benvenuto Cellini in his workshop (litho)

STC335849: Francis I visiting Benvenuto Cellini in his workshop (litho), Tennant, C. Dudley (1867-1952) / Bridgeman Images

ID: STC335849

Francis I visiting Benvenuto Cellini in his workshop (litho)

Tennant, C. Dudley (1867-1952)

The remains of the palace of Philippe le Bel, 1835 (oil on canvas)
The remains of the palace of Philippe le Bel, 1835 (oil on canvas)

NGW336492: The remains of the palace of Philippe le Bel, 1835 (oil on canvas), Holland, James (1799-1870) / Bridgeman Images

ID: NGW336492

The remains of the palace of Philippe le Bel, 1835 (oil on canvas)

Holland, James (1799-1870)

The Enchantress Vivien, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)
The Enchantress Vivien, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

STC335708: The Enchantress Vivien, illustration from 'The Story of King Arthur and his Knights', 1903 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335708

The Enchantress Vivien, illustration from 'The Story of King Arthur and his Knights', 1903 (litho)

Pyle, Howard (1853-1911)

Tynemouth Priory from the East, 1845 (oil on millboard)
Tynemouth Priory from the East, 1845 (oil on millboard)

CTS336326: Tynemouth Priory from the East, 1845 (oil on millboard), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: CTS336326

Tynemouth Priory from the East, 1845 (oil on millboard)

Carmichael, John Wilson (1800-68)

The Lady Yvette the Fair, illustration from 'The Story of the Champions of the Round Table' (litho)
The Lady Yvette the Fair, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335748: The Lady Yvette the Fair, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335748

The Lady Yvette the Fair, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

View towards the rear of the Bagnio from south of the upper river, Chiswick House (oil on canvas)
View towards the rear of the Bagnio from south of the upper river, Chiswick House (oil on canvas)

CTS336418: View towards the rear of the Bagnio from south of the upper river, Chiswick House (oil on canvas), Rysbrack, Pieter Andreas (c.1684-1748) / Bridgeman Images

ID: CTS336418

View towards the rear of the Bagnio from south of the upper river, Chiswick House (oil on canvas)

Rysbrack, Pieter Andreas (c.1684-1748)

Political climbing boys, published by J Baillie, H Bucholzer, New York, 1844 (litho)
Political climbing boys, published by J Baillie, H Bucholzer, New York, 1844 (litho)

AQS336631: Political climbing boys, published by J Baillie, H Bucholzer, New York, 1844 (litho), Baillie, James S. (fl.1838-55) / Bridgeman Images

ID: AQS336631

Political climbing boys, published by J Baillie, H Bucholzer, New York, 1844 (litho)

Baillie, James S. (fl.1838-55)

The Salt River invincibles, published by John Childs, New York and Washington, c. 1840, (litho)
The Salt River invincibles, published by John Childs, New York and Washington, c. 1840, (litho)

AQS336616: The Salt River invincibles, published by John Childs, New York and Washington, c. 1840, (litho), American School, (19th century) / Bridgeman Images

ID: AQS336616

The Salt River invincibles, published by John Childs, New York and Washington, c. 1840, (litho)

American School, (19th century)

The God Pan (photo)
The God Pan (photo)

BEN336513: The God Pan (photo) / Bridgeman Images

ID: BEN336513

The God Pan (photo)


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