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Mercury Attaching his Winged Sandals, 1744 (marble)
Mercury Attaching his Winged Sandals, 1744 (marble)

XIR173144: Mercury Attaching his Winged Sandals, 1744 (marble), Pigalle, Jean-Baptiste (1714-85) / Bridgeman Images

ID: XIR173144

Mercury Attaching his Winged Sandals, 1744 (marble)

Pigalle, Jean-Baptiste (1714-85)

Ms 724/1596 Fol.41v Page of text with a dragon illustration, from 'Liber Floridus' by Lambert de Saint-Omer, c.1448 (vellum)
Ms 724/1596 Fol.41v Page of text with a dragon illustration, from 'Liber Floridus' by Lambert de Saint-Omer, c.1448 (vellum)

CND175051: Ms 724/1596 Fol.41v Page of text with a dragon illustration, from 'Liber Floridus' by Lambert de Saint-Omer, c.1448 (vellum), Flemish School, (15th century) / Bridgeman Images

ID: CND175051

Ms 724/1596 Fol.41v Page of text with a dragon illustration, from 'Liber Floridus' by Lambert de Saint-Omer, c.1448 (vellum)

Flemish School, (15th century)

Madonna and Child, commissioned in 1505 by Jan van Moescroen, given to the church in 1514 or 1517 (marble)
Madonna and Child, commissioned in 1505 by Jan van Moescroen, given to the church in 1514 or 1517 (marble)

MAE173995: Madonna and Child, commissioned in 1505 by Jan van Moescroen, given to the church in 1514 or 1517 (marble), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: MAE173995

Madonna and Child, commissioned in 1505 by Jan van Moescroen, given to the church in 1514 or 1517 (marble)

Buonarroti, Michelangelo (1475-1564)

Paper manufacturing from bamboo, from 'La Chine en Miniatures' by M. Breton, published in Paris, 1811 (coloured engraving)
Paper manufacturing from bamboo, from 'La Chine en Miniatures' by M. Breton, published in Paris, 1811 (coloured engraving)

CHT176862: Paper manufacturing from bamboo, from 'La Chine en Miniatures' by M. Breton, published in Paris, 1811 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: CHT176862

Paper manufacturing from bamboo, from 'La Chine en Miniatures' by M. Breton, published in Paris, 1811 (coloured engraving)

French School, (19th century)

The Assumption of Mary Magdalene, 1636 (oil on canvas)
The Assumption of Mary Magdalene, 1636 (oil on canvas)

XIR157700: The Assumption of Mary Magdalene, 1636 (oil on canvas), Ribera, Jusepe de (lo Spagnoletto) (1591-1652) / Bridgeman Images

ID: XIR157700

The Assumption of Mary Magdalene, 1636 (oil on canvas)

Ribera, Jusepe de (lo Spagnoletto) (1591-1652)

Unloading horses from the Norman ships, Bayeux Tapestry (wool embroidery on linen)
Unloading horses from the Norman ships, Bayeux Tapestry (wool embroidery on linen)

XIR159175: Unloading horses from the Norman ships, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR159175

Unloading horses from the Norman ships, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

The Painter and the Art Lover (engraving) (b/w photo)
The Painter and the Art Lover (engraving) (b/w photo)

XIR155300: The Painter and the Art Lover (engraving) (b/w photo), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: XIR155300

The Painter and the Art Lover (engraving) (b/w photo)

Bruegel, Pieter the Elder (c.1525-69)

View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas)
View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas)

SJS134745: View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: SJS134745

View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone)
Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone)

DND115150: Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone) / Bridgeman Images

ID: DND115150

Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone)

Sistine Chapel Ceiling: The Fall of Man and the Expulsion from the Garden of Eden, with four Ignudi, 1510 (fresco) (post restoration)
Sistine Chapel Ceiling: The Fall of Man and the Expulsion from the Garden of Eden, with four Ignudi, 1510 (fresco) (post restoration)

AII77431: Sistine Chapel Ceiling: The Fall of Man and the Expulsion from the Garden of Eden, with four Ignudi, 1510 (fresco) (post restoration), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: AII77431

Sistine Chapel Ceiling: The Fall of Man and the Expulsion from the Garden of Eden, with four Ignudi, 1510 (fresco) (post restoration)

Buonarroti, Michelangelo (1475-1564)

The Lesson, 1906
The Lesson, 1906

BAL76841: The Lesson, 1906, Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BAL76841

The Lesson, 1906

Renoir, Pierre Auguste (1841-1919)

Perseus and the Sea Nymphs, c.1876 (gouache)
Perseus and the Sea Nymphs, c.1876 (gouache)

SOU80765: Perseus and the Sea Nymphs, c.1876 (gouache), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: SOU80765

Perseus and the Sea Nymphs, c.1876 (gouache)

Burne-Jones, Edward Coley (1833-98)

Reproduction of a poster advertising an 'Exhibition of the Paintings and Drawings of A. Willette (1857-1926), Rue de Provence, 1888 (colour litho)
Reproduction of a poster advertising an 'Exhibition of the Paintings and Drawings of A. Willette (1857-1926), Rue de Provence, 1888 (colour litho)

STC139146: Reproduction of a poster advertising an 'Exhibition of the Paintings and Drawings of A. Willette (1857-1926), Rue de Provence, 1888 (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: STC139146

Reproduction of a poster advertising an 'Exhibition of the Paintings and Drawings of A. Willette (1857-1926), Rue de Provence, 1888 (colour litho)

Cheret, Jules (1836-1932)

Bijin playing koto (woodblock print)
Bijin playing koto (woodblock print)

MAM713342: Bijin playing koto (woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: MAM713342

Bijin playing koto (woodblock print)

Hokusai, Katsushika (1760-1849)

Albert Camus
Albert Camus

SAI2128000: Albert Camus, Saint Paul, René / Bridgeman Images

ID: SAI2128000

Albert Camus

Saint Paul, René

Tangara Quadricolore and Guit-Guit Bleu and Sucrier (chromolitho)
Tangara Quadricolore and Guit-Guit Bleu and Sucrier (chromolitho)

LLR734901: Tangara Quadricolore and Guit-Guit Bleu and Sucrier (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLR734901

Tangara Quadricolore and Guit-Guit Bleu and Sucrier (chromolitho)

European School, (19th century)

St Augustine in his Cell, c.1480 (fresco)
St Augustine in his Cell, c.1480 (fresco)

BEN29143: St Augustine in his Cell, c.1480 (fresco), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: BEN29143

St Augustine in his Cell, c.1480 (fresco)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Ms 9/1695 fol.35v The Story of St. Theophilus, Theophilus and the Devil, and the Repentence of Theophilus, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum)
Ms 9/1695 fol.35v The Story of St. Theophilus, Theophilus and the Devil, and the Repentence of Theophilus, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum)

CND24965: Ms 9/1695 fol.35v The Story of St. Theophilus, Theophilus and the Devil, and the Repentence of Theophilus, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum), French School, (13th century) / Bridgeman Images

ID: CND24965

Ms 9/1695 fol.35v The Story of St. Theophilus, Theophilus and the Devil, and the Repentence of Theophilus, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum)

French School, (13th century)

Mormon pioneers pulling handcarts on the long journey to Salt Lake City in 1856 (colour litho)
Mormon pioneers pulling handcarts on the long journey to Salt Lake City in 1856 (colour litho)

PNP247612: Mormon pioneers pulling handcarts on the long journey to Salt Lake City in 1856 (colour litho), American School, (20th century) / Bridgeman Images

ID: PNP247612

Mormon pioneers pulling handcarts on the long journey to Salt Lake City in 1856 (colour litho)

American School, (20th century)

Pioneer homestead made of prairie sod, 1886 (b/w photo)
Pioneer homestead made of prairie sod, 1886 (b/w photo)

PNP246231: Pioneer homestead made of prairie sod, 1886 (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: PNP246231

Pioneer homestead made of prairie sod, 1886 (b/w photo)

American Photographer, (19th century)

The Port, 1923 (oil on canvas)
The Port, 1923 (oil on canvas)

LEF220695: The Port, 1923 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: LEF220695

The Port, 1923 (oil on canvas)

Signac, Paul (1863-1935)

Gare Saint-Lazare, Paris, 1877 (oil on canvas)
Gare Saint-Lazare, Paris, 1877 (oil on canvas)

LEF222154: Gare Saint-Lazare, Paris, 1877 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: LEF222154

Gare Saint-Lazare, Paris, 1877 (oil on canvas)

Monet, Claude (1840-1926)

The Side of Beef, 1925 (oil on canvas)
The Side of Beef, 1925 (oil on canvas)

XIR223601: The Side of Beef, 1925 (oil on canvas), Soutine, Chaim (1894-1943) / Bridgeman Images

ID: XIR223601

The Side of Beef, 1925 (oil on canvas)

Soutine, Chaim (1894-1943)

Going to Work, c.1850-51 (oil on canvas)
Going to Work, c.1850-51 (oil on canvas)

GLS224004: Going to Work, c.1850-51 (oil on canvas), Millet, Jean-Francois (1814-75) / Bridgeman Images

ID: GLS224004

Going to Work, c.1850-51 (oil on canvas)

Millet, Jean-Francois (1814-75)

Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho)
Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho)

CHT224185: Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho), French School, (18th century) / Bridgeman Images

ID: CHT224185

Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho)

French School, (18th century)

Illustration from 'From the Earth to the Moon' by Jules Verne (1828-1905) Paris, Hetzel, published in 1865 (engraving) (b/w photo)
Illustration from 'From the Earth to the Moon' by Jules Verne (1828-1905) Paris, Hetzel, published in 1865 (engraving) (b/w photo)

XIR213070: Illustration from 'From the Earth to the Moon' by Jules Verne (1828-1905) Paris, Hetzel, published in 1865 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: XIR213070

Illustration from 'From the Earth to the Moon' by Jules Verne (1828-1905) Paris, Hetzel, published in 1865 (engraving) (b/w photo)

Bayard, Emile Antoine (1837-91)

Electric filament, 1879 (glass & wood) (see also 3197 & 259549-50)
Electric filament, 1879 (glass & wood) (see also 3197 & 259549-50)

NRM260230: Electric filament, 1879 (glass & wood) (see also 3197 & 259549-50), Edison, Thomas Alva (1847-1931) / Bridgeman Images

ID: NRM260230

Electric filament, 1879 (glass & wood) (see also 3197 & 259549-50)

Edison, Thomas Alva (1847-1931)

The Norns, 1906 (colour litho)
The Norns, 1906 (colour litho)

STC323699: The Norns, 1906 (colour litho), Hendrich, Hermann (1854-1931) (after) / Bridgeman Images

ID: STC323699

The Norns, 1906 (colour litho)

Hendrich, Hermann (1854-1931) (after)

Portrait of William Blake, frontispiece from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810) 1808 (etching)
Portrait of William Blake, frontispiece from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810) 1808 (etching)

XYC290772: Portrait of William Blake, frontispiece from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810) 1808 (etching), Phillips, Thomas (1770-1845) (after) / Bridgeman Images

ID: XYC290772

Portrait of William Blake, frontispiece from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810) 1808 (etching)

Phillips, Thomas (1770-1845) (after)

Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum)
Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum)

XTD69856: Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum), French School, (15th century) / Bridgeman Images

ID: XTD69856

Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum)

French School, (15th century)

Dr Faustus in his Study (engraving)
Dr Faustus in his Study (engraving)

LMG88756: Dr Faustus in his Study (engraving), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: LMG88756

Dr Faustus in his Study (engraving)

Rembrandt Harmensz. van Rijn (1606-69)

The Sea-Arch at Etretat, 1869
The Sea-Arch at Etretat, 1869

BI88629: The Sea-Arch at Etretat, 1869, Courbet, Gustave (1819-77) / Bridgeman Images

ID: BI88629

The Sea-Arch at Etretat, 1869

Courbet, Gustave (1819-77)

Vase of flowers (oil on canvas)
Vase of flowers (oil on canvas)

FIT86002: Vase of flowers (oil on canvas), Comolera, Melanie de (1789-1854) / Bridgeman Images

ID: FIT86002

Vase of flowers (oil on canvas)

Comolera, Melanie de (1789-1854)

Painting with white form, 1913
Painting with white form, 1913

HGM81057: Painting with white form, 1913, Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: HGM81057

Painting with white form, 1913

Kandinsky, Wassily (1866-1944)

James Watt (1736-1819), after William Beechey (1753-1839)
James Watt (1736-1819), after William Beechey (1753-1839)

NGS68281: James Watt (1736-1819), after William Beechey (1753-1839), Partridge, John (1790-1872) / Bridgeman Images

ID: NGS68281

James Watt (1736-1819), after William Beechey (1753-1839)

Partridge, John (1790-1872)

Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas)
Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas)

XIR61062: Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: XIR61062

Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas)

Ingres, Jean Auguste Dominique (1780-1867)


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