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The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th century BC (ceramic) (detail of 153339)
The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th century BC (ceramic) (detail of 153339)

BEN209265: The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th century BC (ceramic) (detail of 153339), Greek / Bridgeman Images

ID: BEN209265

The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th century BC (ceramic) (detail of 153339)

Greek

The Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, originally in the Scuola di Sant'Orsola, Venice, 1498 (oil on canvas)
The Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, originally in the Scuola di Sant'Orsola, Venice, 1498 (oil on canvas)

BEN56472: The Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, originally in the Scuola di Sant'Orsola, Venice, 1498 (oil on canvas), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: BEN56472

The Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, originally in the Scuola di Sant'Orsola, Venice, 1498 (oil on canvas)

Carpaccio, Vittore (c.1460/5-1523/6)

The Meeting Between Giuseppe Garibaldi (1807-82) and King Vittorio Emanuele II (1820-78) on the 26th of October 1860 at Teano, Italy, detail of the two leaders shaking hands, 1886 (fresco) (detail of 106237)
The Meeting Between Giuseppe Garibaldi (1807-82) and King Vittorio Emanuele II (1820-78) on the 26th of October 1860 at Teano, Italy, detail of the two leaders shaking hands, 1886 (fresco) (detail of 106237)

BEN106238: The Meeting Between Giuseppe Garibaldi (1807-82) and King Vittorio Emanuele II (1820-78) on the 26th of October 1860 at Teano, Italy, detail of the two leaders shaking hands, 1886 (fresco) (detail of 106237), Aldi, Pietro (1852-88) / Bridgeman Images

ID: BEN106238

The Meeting Between Giuseppe Garibaldi (1807-82) and King Vittorio Emanuele II (1820-78) on the 26th of October 1860 at Teano, Italy, detail of the two leaders shaking hands, 1886 (fresco) (detail of 106237)

Aldi, Pietro (1852-88)

Self-Portrait - oil on wood, c.1504-1506
Self-Portrait - oil on wood, c.1504-1506

LRI4576028: Self-Portrait - oil on wood, c.1504-1506, Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: LRI4576028

Self-Portrait - oil on wood, c.1504-1506

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

The Regentesses of the Old Men's Almhouse, Haarlem, 1664 (oil on canvas)
The Regentesses of the Old Men's Almhouse, Haarlem, 1664 (oil on canvas)

PWI98045: The Regentesses of the Old Men's Almhouse, Haarlem, 1664 (oil on canvas), Hals, Frans (1582/3-1666) / Bridgeman Images

ID: PWI98045

The Regentesses of the Old Men's Almhouse, Haarlem, 1664 (oil on canvas)

Hals, Frans (1582/3-1666)

Middle Ages: “” A prince receives taxes from his vassals””” Miniature taken from “” The book of good morals””” by James the Great, 1338. Chantilly, Conde Museum
Middle Ages: “” A prince receives taxes from his vassals””” Miniature taken from “” The book of good morals””” by James the Great, 1338. Chantilly, Conde Museum

LRI4665127: Middle Ages: “” A prince receives taxes from his vassals””” Miniature taken from “” The book of good morals””” by James the Great, 1338. Chantilly, Conde Museum, Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4665127

Middle Ages: “” A prince receives taxes from his vassals””” Miniature taken from “” The book of good morals””” by James the Great, 1338. Chantilly, Conde Museum

Unknown Artist, (14th century)

The Creation of Animals (Painting, 1550-1553)
The Creation of Animals (Painting, 1550-1553)

LRI4580468: The Creation of Animals (Painting, 1550-1553), Tintoretto, Domenico Robusti (1560-1635) / Bridgeman Images

ID: LRI4580468

The Creation of Animals (Painting, 1550-1553)

Tintoretto, Domenico Robusti (1560-1635)

Amaryllis (Hippeastrum) (oil on canvas, 20th century)
Amaryllis (Hippeastrum) (oil on canvas, 20th century)

LRI4616783: Amaryllis (Hippeastrum) (oil on canvas, 20th century), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: LRI4616783

Amaryllis (Hippeastrum) (oil on canvas, 20th century)

Mondrian, Piet (1872-1944)

Jacqueline Bouvier, 1948 (b/w photo)
Jacqueline Bouvier, 1948 (b/w photo)

PVD1691681: Jacqueline Bouvier, 1948 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PVD1691681

Jacqueline Bouvier, 1948 (b/w photo)

Unknown photographer, (20th century)

Lady Anne Coke, 1953 (b/w photo)
Lady Anne Coke, 1953 (b/w photo)

PVD1685285: Lady Anne Coke, 1953 (b/w photo), British Photographer, (20th century) / Bridgeman Images

ID: PVD1685285

Lady Anne Coke, 1953 (b/w photo)

British Photographer, (20th century)

Brigitte Bardot, Vie Privee 1961 Directed By Louis Malle
Brigitte Bardot, Vie Privee 1961 Directed By Louis Malle

DIL4061806: Brigitte Bardot, Vie Privee 1961 Directed By Louis Malle / Bridgeman Images

ID: DIL4061806

Brigitte Bardot, Vie Privee 1961 Directed By Louis Malle

Portrait of Katherine Parr, Queen of England (oil on panel)
Portrait of Katherine Parr, Queen of England (oil on panel)

MOU418070: Portrait of Katherine Parr, Queen of England (oil on panel), English School, (16th century) / Bridgeman Images

ID: MOU418070

Portrait of Katherine Parr, Queen of England (oil on panel)

English School, (16th century)

Medieval Christmas feast
Medieval Christmas feast

XLF3783583: Medieval Christmas feast, Foster, Myles Birket (1825-99) / Bridgeman Images

ID: XLF3783583

Medieval Christmas feast

Foster, Myles Birket (1825-99)

Diderot, Denis (1713-1784).
Diderot, Denis (1713-1784).

TRK562220: Diderot, Denis (1713-1784). / Bridgeman Images

ID: TRK562220

Diderot, Denis (1713-1784).

Brown Bear of Bertram Mills Circus in the Bumper Cars, 15th December 1954 (b/w photo)
Brown Bear of Bertram Mills Circus in the Bumper Cars, 15th December 1954 (b/w photo)

XRH1701953: Brown Bear of Bertram Mills Circus in the Bumper Cars, 15th December 1954 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XRH1701953

Brown Bear of Bertram Mills Circus in the Bumper Cars, 15th December 1954 (b/w photo)

Unknown photographer, (20th century)

Female Nude, 1901-1918 (watercolour and pencil on paper)
Female Nude, 1901-1918 (watercolour and pencil on paper)

IBE291918: Female Nude, 1901-1918 (watercolour and pencil on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: IBE291918

Female Nude, 1901-1918 (watercolour and pencil on paper)

Schiele, Egon (1890-1918)

Speech of French king Louis XVI for his defence at the National Convention december 26, 1792 at the time of French Revolution, engraving
Speech of French king Louis XVI for his defence at the National Convention december 26, 1792 at the time of French Revolution, engraving

TAD1758666: Speech of French king Louis XVI for his defence at the National Convention december 26, 1792 at the time of French Revolution, engraving / Bridgeman Images

ID: TAD1758666

Speech of French king Louis XVI for his defence at the National Convention december 26, 1792 at the time of French Revolution, engraving

Discovery of the Gunpowder Plot and Taking of Guy Fawkes, c.1823 (oil on canvas)
Discovery of the Gunpowder Plot and Taking of Guy Fawkes, c.1823 (oil on canvas)

SUN483027: Discovery of the Gunpowder Plot and Taking of Guy Fawkes, c.1823 (oil on canvas), Briggs, Henry Perronet (1792-1844) / Bridgeman Images

ID: SUN483027

Discovery of the Gunpowder Plot and Taking of Guy Fawkes, c.1823 (oil on canvas)

Briggs, Henry Perronet (1792-1844)

Poppies and Anemones, plate 5 from 'The Ladies' Flower Garden', published 1842 (colour litho)
Poppies and Anemones, plate 5 from 'The Ladies' Flower Garden', published 1842 (colour litho)

BAL11842: Poppies and Anemones, plate 5 from 'The Ladies' Flower Garden', published 1842 (colour litho), Loudon, Jane (1807-58) / Bridgeman Images

ID: BAL11842

Poppies and Anemones, plate 5 from 'The Ladies' Flower Garden', published 1842 (colour litho)

Loudon, Jane (1807-58)

The Heart Desires, from the 'Pygmalion and the Image' series, 1868 (oil on canvas)
The Heart Desires, from the 'Pygmalion and the Image' series, 1868 (oil on canvas)

HTL11909: The Heart Desires, from the 'Pygmalion and the Image' series, 1868 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: HTL11909

The Heart Desires, from the 'Pygmalion and the Image' series, 1868 (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Old Kentucky Home Life in the South, 1859 (oil on canvas)
Old Kentucky Home Life in the South, 1859 (oil on canvas)

NYH21285: Old Kentucky Home Life in the South, 1859 (oil on canvas), Johnson, Eastman (1824-1906) / Bridgeman Images

ID: NYH21285

Old Kentucky Home Life in the South, 1859 (oil on canvas)

Johnson, Eastman (1824-1906)

A View of the Hongs
A View of the Hongs

BAL19256: A View of the Hongs, Chinnery, George (1774-1852) (circle of) / Bridgeman Images

ID: BAL19256

A View of the Hongs

Chinnery, George (1774-1852) (circle of)

Multiplication of the Bread and Fishes, Scenes from the Life of Christ (mosaic)
Multiplication of the Bread and Fishes, Scenes from the Life of Christ (mosaic)

XIR193453: Multiplication of the Bread and Fishes, Scenes from the Life of Christ (mosaic), Byzantine School, (6th century) / Bridgeman Images

ID: XIR193453

Multiplication of the Bread and Fishes, Scenes from the Life of Christ (mosaic)

Byzantine School, (6th century)

The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)
The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

CHT195202: The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho), Mexican School, (19th century) / Bridgeman Images

ID: CHT195202

The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

Mexican School, (19th century)

SRM96569: "What Freedom!" 1903 (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: SRM96569

"What Freedom!" 1903 (oil on canvas)

Repin, Ilya Efimovich (1844-1930)

The Harnessed Horse, 1883
The Harnessed Horse, 1883

PHD30508: The Harnessed Horse, 1883, Seurat, Georges Pierre (1859-91) / Bridgeman Images

ID: PHD30508

The Harnessed Horse, 1883

Seurat, Georges Pierre (1859-91)

Apocalypse (oil on canvas)
Apocalypse (oil on canvas)

NUM116741: Apocalypse (oil on canvas), Danby, Francis (1793-1861) / Bridgeman Images

ID: NUM116741

Apocalypse (oil on canvas)

Danby, Francis (1793-1861)

Frontispiece to 'The Prophecies of M. Michel Nostradamus', pub. by Benoist Rigaud, 1568 (woodcut) (b/w photo)
Frontispiece to 'The Prophecies of M. Michel Nostradamus', pub. by Benoist Rigaud, 1568 (woodcut) (b/w photo)

XJF128692: Frontispiece to 'The Prophecies of M. Michel Nostradamus', pub. by Benoist Rigaud, 1568 (woodcut) (b/w photo), French School, (16th century) / Bridgeman Images

ID: XJF128692

Frontispiece to 'The Prophecies of M. Michel Nostradamus', pub. by Benoist Rigaud, 1568 (woodcut) (b/w photo)

French School, (16th century)

Fol.208 and 209v Attack and Taking of Jerusalem by Nebuchadnezzar, copy of the original written by the monk Beatus of Liebana in c.776, from the 'Commentary on the Apocalypse, (10th century)' (vellum)
Fol.208 and 209v Attack and Taking of Jerusalem by Nebuchadnezzar, copy of the original written by the monk Beatus of Liebana in c.776, from the 'Commentary on the Apocalypse, (10th century)' (vellum)

XIR156877: Fol.208 and 209v Attack and Taking of Jerusalem by Nebuchadnezzar, copy of the original written by the monk Beatus of Liebana in c.776, from the 'Commentary on the Apocalypse, (10th century)' (vellum), Spanish School, (10th century) / Bridgeman Images

ID: XIR156877

Fol.208 and 209v Attack and Taking of Jerusalem by Nebuchadnezzar, copy of the original written by the monk Beatus of Liebana in c.776, from the 'Commentary on the Apocalypse, (10th century)' (vellum)

Spanish School, (10th century)

Gustave Caillebotte (1848-94) gardening at Petit Gennevilliers, February 1892 (b/w photo)
Gustave Caillebotte (1848-94) gardening at Petit Gennevilliers, February 1892 (b/w photo)

XIR176203: Gustave Caillebotte (1848-94) gardening at Petit Gennevilliers, February 1892 (b/w photo), Caillebotte, Martial (1853-1910) / Bridgeman Images

ID: XIR176203

Gustave Caillebotte (1848-94) gardening at Petit Gennevilliers, February 1892 (b/w photo)

Caillebotte, Martial (1853-1910)

The African Native Choir, 1891 (woodburytype)
The African Native Choir, 1891 (woodburytype)

MGS172131: The African Native Choir, 1891 (woodburytype), English School, (19th century) / Bridgeman Images

ID: MGS172131

The African Native Choir, 1891 (woodburytype)

English School, (19th century)

Doris Zinkeisen (oil on canvas)
Doris Zinkeisen (oil on canvas)

AGJ153127: Doris Zinkeisen (oil on canvas), Zinkeisen, Anna Katrina (1901-76) / Bridgeman Images

ID: AGJ153127

Doris Zinkeisen (oil on canvas)

Zinkeisen, Anna Katrina (1901-76)

Petit Pantheon Theatral, 1860 (pencil on paper)
Petit Pantheon Theatral, 1860 (pencil on paper)

XIR154997: Petit Pantheon Theatral, 1860 (pencil on paper), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR154997

Petit Pantheon Theatral, 1860 (pencil on paper)

Monet, Claude (1840-1926)

Duke William exhorts his troops to prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)
Duke William exhorts his troops to prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)

XIR165819: Duke William exhorts his troops to prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR165819

Duke William exhorts his troops to prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

Specimen of Criminals, from 'L'Homme Criminel' by Cesare Lombroso (1835-1909), published by Felix Alcan, 1887 (b/w photo)
Specimen of Criminals, from 'L'Homme Criminel' by Cesare Lombroso (1835-1909), published by Felix Alcan, 1887 (b/w photo)

CHT164125: Specimen of Criminals, from 'L'Homme Criminel' by Cesare Lombroso (1835-1909), published by Felix Alcan, 1887 (b/w photo), Italian School, (19th century) / Bridgeman Images

ID: CHT164125

Specimen of Criminals, from 'L'Homme Criminel' by Cesare Lombroso (1835-1909), published by Felix Alcan, 1887 (b/w photo)

Italian School, (19th century)

Celtic people at the time of Julius Caesar, illustration from 'Le Costume Ancien ou Moderne', by Jules Ferrario, published in Milan around 1820 (colour engraving)
Celtic people at the time of Julius Caesar, illustration from 'Le Costume Ancien ou Moderne', by Jules Ferrario, published in Milan around 1820 (colour engraving)

CHT199618: Celtic people at the time of Julius Caesar, illustration from 'Le Costume Ancien ou Moderne', by Jules Ferrario, published in Milan around 1820 (colour engraving), Bramatti, (19th century) / Bridgeman Images

ID: CHT199618

Celtic people at the time of Julius Caesar, illustration from 'Le Costume Ancien ou Moderne', by Jules Ferrario, published in Milan around 1820 (colour engraving)

Bramatti, (19th century)


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