1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2501306 Search Results

Relief depicting hydria carriers from the North Frieze of the Parthenon, c.447-432 BC (marble)
Relief depicting hydria carriers from the North Frieze of the Parthenon, c.447-432 BC (marble)

XZL149436: Relief depicting hydria carriers from the North Frieze of the Parthenon, c.447-432 BC (marble), Greek school, (5th century BC) / Bridgeman Images

ID: XZL149436

Relief depicting hydria carriers from the North Frieze of the Parthenon, c.447-432 BC (marble)

Greek school, (5th century BC)

Andreas Vesalius (1514-64) (oil on canvas)
Andreas Vesalius (1514-64) (oil on canvas)

XIR166616: Andreas Vesalius (1514-64) (oil on canvas), Poncet, Pierre (1574-1640) / Bridgeman Images

ID: XIR166616

Andreas Vesalius (1514-64) (oil on canvas)

Poncet, Pierre (1574-1640)

The Open Space in Front of the Grand Trianon, 1810 (oil on canvas)
The Open Space in Front of the Grand Trianon, 1810 (oil on canvas)

XIR180453: The Open Space in Front of the Grand Trianon, 1810 (oil on canvas), Bidauld, Jean (1758-1846) and Vernet, Antoine (1758-1836) / Bridgeman Images

ID: XIR180453

The Open Space in Front of the Grand Trianon, 1810 (oil on canvas)

Bidauld, Jean (1758-1846) and Vernet, Antoine (1758-1836)

Leaving the Port of Saint-Tropez, 1902 (oil on canvas)
Leaving the Port of Saint-Tropez, 1902 (oil on canvas)

XIR180990: Leaving the Port of Saint-Tropez, 1902 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XIR180990

Leaving the Port of Saint-Tropez, 1902 (oil on canvas)

Signac, Paul (1863-1935)

Emperor Charlemagne (742-814) (stained glass)
Emperor Charlemagne (742-814) (stained glass)

XIR180114: Emperor Charlemagne (742-814) (stained glass), French School, (12th century) / Bridgeman Images

ID: XIR180114

Emperor Charlemagne (742-814) (stained glass)

French School, (12th century)

The Bridge at Mantes (oil on canvas)
The Bridge at Mantes (oil on canvas)

XIR20084: The Bridge at Mantes (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: XIR20084

The Bridge at Mantes (oil on canvas)

Corot, Jean Baptiste Camille (1796-1875)

Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgil's Aeneid, c.350 AD (mosaic) (detail of 5959)
Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgil's Aeneid, c.350 AD (mosaic) (detail of 5959)

BAL5960: Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgil's Aeneid, c.350 AD (mosaic) (detail of 5959), Roman, (4th century AD) / Bridgeman Images

ID: BAL5960

Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgil's Aeneid, c.350 AD (mosaic) (detail of 5959)

Roman, (4th century AD)

The Republic, 1848 (oil on canvas)
The Republic, 1848 (oil on canvas)

XIR16760: The Republic, 1848 (oil on canvas), Ziegler, Jules Claude (1804-56) / Bridgeman Images

ID: XIR16760

The Republic, 1848 (oil on canvas)

Ziegler, Jules Claude (1804-56)

Study for the Coronation of Tsar Nicholas II (1868-1918) and Tsarina Alexandra (1872-1918) at the Church of the Assumption, Moscow, 14th may 1896 (oil on canvas)
Study for the Coronation of Tsar Nicholas II (1868-1918) and Tsarina Alexandra (1872-1918) at the Church of the Assumption, Moscow, 14th may 1896 (oil on canvas)

XIR27908: Study for the Coronation of Tsar Nicholas II (1868-1918) and Tsarina Alexandra (1872-1918) at the Church of the Assumption, Moscow, 14th may 1896 (oil on canvas), Gervex, Henri (1852-1929) / Bridgeman Images

ID: XIR27908

Study for the Coronation of Tsar Nicholas II (1868-1918) and Tsarina Alexandra (1872-1918) at the Church of the Assumption, Moscow, 14th may 1896 (oil on canvas)

Gervex, Henri (1852-1929)

Theodore Duret (1838-1927) (oil on canvas)
Theodore Duret (1838-1927) (oil on canvas)

XIR29995: Theodore Duret (1838-1927) (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XIR29995

Theodore Duret (1838-1927) (oil on canvas)

Manet, Edouard (1832-83)

The Madonna and Child with the Infant Baptist (The Garvagh Madonna), c.1510-11 (oil on wood)
The Madonna and Child with the Infant Baptist (The Garvagh Madonna), c.1510-11 (oil on wood)

BAL22588: The Madonna and Child with the Infant Baptist (The Garvagh Madonna), c.1510-11 (oil on wood), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: BAL22588

The Madonna and Child with the Infant Baptist (The Garvagh Madonna), c.1510-11 (oil on wood)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Portrait of Jules Barbey d'Aurevilly (1808-89) 1881 (oil on canvas)
Portrait of Jules Barbey d'Aurevilly (1808-89) 1881 (oil on canvas)

XIR154921: Portrait of Jules Barbey d'Aurevilly (1808-89) 1881 (oil on canvas), Levy, Emile (1826-90) / Bridgeman Images

ID: XIR154921

Portrait of Jules Barbey d'Aurevilly (1808-89) 1881 (oil on canvas)

Levy, Emile (1826-90)

Grouse Shooting (oil on canvas)
Grouse Shooting (oil on canvas)

XYC157039: Grouse Shooting (oil on canvas), Alken, Henry Thomas (1785-1851) / Bridgeman Images

ID: XYC157039

Grouse Shooting (oil on canvas)

Alken, Henry Thomas (1785-1851)

The Ancient Port of Antwerp (oil on canvas)
The Ancient Port of Antwerp (oil on canvas)

XIR79510: The Ancient Port of Antwerp (oil on canvas), Vrancx, Sebastien (1573-1647) (attr. to) / Bridgeman Images

ID: XIR79510

The Ancient Port of Antwerp (oil on canvas)

Vrancx, Sebastien (1573-1647) (attr. to)

Washerwomen at Pont-Aven, 1886 (oil on canvas)
Washerwomen at Pont-Aven, 1886 (oil on canvas)

XIR35995: Washerwomen at Pont-Aven, 1886 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XIR35995

Washerwomen at Pont-Aven, 1886 (oil on canvas)

Gauguin, Paul (1848-1903)

The Nativity, panel from the St. Thomas Altar from St. John's Church, Hamburg, begun in 1424 (tempera & oil on panel)
The Nativity, panel from the St. Thomas Altar from St. John's Church, Hamburg, begun in 1424 (tempera & oil on panel)

XKH144555: The Nativity, panel from the St. Thomas Altar from St. John's Church, Hamburg, begun in 1424 (tempera & oil on panel), Master Francke (c.1385-c.1436) / Bridgeman Images

ID: XKH144555

The Nativity, panel from the St. Thomas Altar from St. John's Church, Hamburg, begun in 1424 (tempera & oil on panel)

Master Francke (c.1385-c.1436)

The Tree of Jesse, from the Dome Altar, 1499 (tempera on panel) (see 145501-15)
The Tree of Jesse, from the Dome Altar, 1499 (tempera on panel) (see 145501-15)

XKH145500: The Tree of Jesse, from the Dome Altar, 1499 (tempera on panel) (see 145501-15), Stumme, Absolon (15th century) / Bridgeman Images

ID: XKH145500

The Tree of Jesse, from the Dome Altar, 1499 (tempera on panel) (see 145501-15)

Stumme, Absolon (15th century)

F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)
F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)

XIR110502: F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper), Islamic School, (14th century) / Bridgeman Images

ID: XIR110502

F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)

Islamic School, (14th century)

Port Louis from 'Views in the Mauritius' by T.Bradshaw, engraved by William Rider, 1831 (engraving)
Port Louis from 'Views in the Mauritius' by T.Bradshaw, engraved by William Rider, 1831 (engraving)

XJF265875: Port Louis from 'Views in the Mauritius' by T.Bradshaw, engraved by William Rider, 1831 (engraving), Bradshaw,T.(fl.1830) (after) / Bridgeman Images

ID: XJF265875

Port Louis from 'Views in the Mauritius' by T.Bradshaw, engraved by William Rider, 1831 (engraving)

Bradshaw,T.(fl.1830) (after)

Aphrodite Genetrix, Roman copy, after a late 5th century BC original attributed to Callimachus (marble) (see 164600 to 164606, 191005 for details)
Aphrodite Genetrix, Roman copy, after a late 5th century BC original attributed to Callimachus (marble) (see 164600 to 164606, 191005 for details)

XIR33545: Aphrodite Genetrix, Roman copy, after a late 5th century BC original attributed to Callimachus (marble) (see 164600 to 164606, 191005 for details), Roman / Bridgeman Images

ID: XIR33545

Aphrodite Genetrix, Roman copy, after a late 5th century BC original attributed to Callimachus (marble) (see 164600 to 164606, 191005 for details)

Roman

Coronation of Pope Celestine V (c.1215-96) in August 1294 (oil on panel)
Coronation of Pope Celestine V (c.1215-96) in August 1294 (oil on panel)

XIR183315: Coronation of Pope Celestine V (c.1215-96) in August 1294 (oil on panel), French School, (16th century) / Bridgeman Images

ID: XIR183315

Coronation of Pope Celestine V (c.1215-96) in August 1294 (oil on panel)

French School, (16th century)

Umbrella Pines at Caroubiers, 1898 (oil on canvas)
Umbrella Pines at Caroubiers, 1898 (oil on canvas)

XIR199123: Umbrella Pines at Caroubiers, 1898 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XIR199123

Umbrella Pines at Caroubiers, 1898 (oil on canvas)

Signac, Paul (1863-1935)

The Recovery of the Bay of San Salvador, Brazil, c.1634-35 (oil on canvas)
The Recovery of the Bay of San Salvador, Brazil, c.1634-35 (oil on canvas)

XIR38714: The Recovery of the Bay of San Salvador, Brazil, c.1634-35 (oil on canvas), Maino or Mayno, Fray Juan Batista (1569-1649) / Bridgeman Images

ID: XIR38714

The Recovery of the Bay of San Salvador, Brazil, c.1634-35 (oil on canvas)

Maino or Mayno, Fray Juan Batista (1569-1649)

Front of a Scythian comb, from Solokha burial mound, Steppe (gold) (for reverse see 89699)
Front of a Scythian comb, from Solokha burial mound, Steppe (gold) (for reverse see 89699)

XBP232330: Front of a Scythian comb, from Solokha burial mound, Steppe (gold) (for reverse see 89699), Scythian, (4th century BC) / Bridgeman Images

ID: XBP232330

Front of a Scythian comb, from Solokha burial mound, Steppe (gold) (for reverse see 89699)

Scythian, (4th century BC)

Head of Titus (39-81) (marble)
Head of Titus (39-81) (marble)

XIR230366: Head of Titus (39-81) (marble), Roman, (1st century AD) / Bridgeman Images

ID: XIR230366

Head of Titus (39-81) (marble)

Roman, (1st century AD)

Marie-Antoinette (1755-93) and her Four Children, 1787 (oil on canvas) (detail of 3822)
Marie-Antoinette (1755-93) and her Four Children, 1787 (oil on canvas) (detail of 3822)

XIR184078: Marie-Antoinette (1755-93) and her Four Children, 1787 (oil on canvas) (detail of 3822), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

ID: XIR184078

Marie-Antoinette (1755-93) and her Four Children, 1787 (oil on canvas) (detail of 3822)

Vigee-Lebrun, Elisabeth Louise (1755-1842)

Louis XIV (1638-1715) and his Entourage Visiting Les Invalides, 26th August 1706 (oil on canvas)
Louis XIV (1638-1715) and his Entourage Visiting Les Invalides, 26th August 1706 (oil on canvas)

XIR171518: Louis XIV (1638-1715) and his Entourage Visiting Les Invalides, 26th August 1706 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images

ID: XIR171518

Louis XIV (1638-1715) and his Entourage Visiting Les Invalides, 26th August 1706 (oil on canvas)

Martin, Pierre-Denis (1663-1742)

Collecting mulberries, from a book on the silk industry (gouache on paper)
Collecting mulberries, from a book on the silk industry (gouache on paper)

XIR192818: Collecting mulberries, from a book on the silk industry (gouache on paper), Chinese School, (19th century) / Bridgeman Images

ID: XIR192818

Collecting mulberries, from a book on the silk industry (gouache on paper)

Chinese School, (19th century)

View of Prague (coloured engraving)
View of Prague (coloured engraving)

XIR202274: View of Prague (coloured engraving), Austrian School, (18th century) / Bridgeman Images

ID: XIR202274

View of Prague (coloured engraving)

Austrian School, (18th century)

The Abduction of Helen (oil on canvas)
The Abduction of Helen (oil on canvas)

XIR203202: The Abduction of Helen (oil on canvas), Giordano, Luca (1634-1705) / Bridgeman Images

ID: XIR203202

The Abduction of Helen (oil on canvas)

Giordano, Luca (1634-1705)

The Charming Brute (colour etching)
The Charming Brute (colour etching)

XCF290990: The Charming Brute (colour etching), English School, (18th century) / Bridgeman Images

ID: XCF290990

The Charming Brute (colour etching)

English School, (18th century)

Henry IV, King of France, in armour, c.1610 (oil on canvas)
Henry IV, King of France, in armour, c.1610 (oil on canvas)

XIR346620: Henry IV, King of France, in armour, c.1610 (oil on canvas), Pourbus, Frans II (1569-1622) / Bridgeman Images

ID: XIR346620

Henry IV, King of France, in armour, c.1610 (oil on canvas)

Pourbus, Frans II (1569-1622)

Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper)
Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper)

XJF311632: Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XJF311632

Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper)

Vinci, Leonardo da (1452-1519)

The Three Musketeers - D'Artagnan by Alexandre Dumas, illustration of the beginning of the 20th century - in “Journal des novels illustrés”
The Three Musketeers - D'Artagnan by Alexandre Dumas, illustration of the beginning of the 20th century - in “Journal des novels illustrés”

XEE4411351: The Three Musketeers - D'Artagnan by Alexandre Dumas, illustration of the beginning of the 20th century - in “Journal des novels illustrés”, Anonymous / Bridgeman Images

ID: XEE4411351

The Three Musketeers - D'Artagnan by Alexandre Dumas, illustration of the beginning of the 20th century - in “Journal des novels illustrés”

Anonymous

Portrait of King James II (1633-1701) In Armour (oil on canvas)
Portrait of King James II (1633-1701) In Armour (oil on canvas)

CH142228: Portrait of King James II (1633-1701) In Armour (oil on canvas), Kneller, Godfrey (1646-1723) (studio of) / Bridgeman Images

ID: CH142228

Portrait of King James II (1633-1701) In Armour (oil on canvas)

Kneller, Godfrey (1646-1723) (studio of)

Michael Keaton, Michelle Pfeiffer And Danny Devito., Batman Returns 1992 Directed By Tim Burton
Michael Keaton, Michelle Pfeiffer And Danny Devito., Batman Returns 1992 Directed By Tim Burton

DIL4045760: Michael Keaton, Michelle Pfeiffer And Danny Devito., Batman Returns 1992 Directed By Tim Burton / Bridgeman Images

ID: DIL4045760

Michael Keaton, Michelle Pfeiffer And Danny Devito., Batman Returns 1992 Directed By Tim Burton


Back to top