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Chinese Shadows: Parisian street vendors
Chinese Shadows: Parisian street vendors

XEE4115379: Chinese Shadows: Parisian street vendors, French School, (19th-20th century) / Bridgeman Images

ID: XEE4115379

Chinese Shadows: Parisian street vendors

French School, (19th-20th century)

Peter the Hermit preaching the Crusade
Peter the Hermit preaching the Crusade

XEE4115954: Peter the Hermit preaching the Crusade, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4115954

Peter the Hermit preaching the Crusade

Unknown Artist, (20th century)

Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Maritime Alps).
Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Maritime Alps).

XEE4118133: Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Maritime Alps)., French School, (20th century) / Bridgeman Images

ID: XEE4118133

Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Maritime Alps).

French School, (20th century)

Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Alpes Maritimes).
Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Alpes Maritimes).

XEE4118138: Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Alpes Maritimes)., French School, (20th century) / Bridgeman Images

ID: XEE4118138

Design perfume bottles designed by the contemporary glassware of V. Monot a Biot (Alpes Maritimes).

French School, (20th century)

La Catastrophe du Métropolitain, Paris - in “La Tribuna Illustrata””, 1903
La Catastrophe du Métropolitain, Paris - in “La Tribuna Illustrata””, 1903

XEE4116961: La Catastrophe du Métropolitain, Paris - in “La Tribuna Illustrata””, 1903, Italian School, (20th century) / Bridgeman Images

ID: XEE4116961

La Catastrophe du Métropolitain, Paris - in “La Tribuna Illustrata””, 1903

Italian School, (20th century)

Gugliemo Marconi at the Capitole - in “La Tribuna Illustrata””, May 17, 1903.
Gugliemo Marconi at the Capitole - in “La Tribuna Illustrata””, May 17, 1903.

XEE4116988: Gugliemo Marconi at the Capitole - in “La Tribuna Illustrata””, May 17, 1903., Italian School, (20th century) / Bridgeman Images

ID: XEE4116988

Gugliemo Marconi at the Capitole - in “La Tribuna Illustrata””, May 17, 1903.

Italian School, (20th century)

Breast anatomy 1866 illustrations showing the anatomy of a human breast Fig 1: anatomy of the breast, showing the blood supply (red and blue), nipple (centre) and mammary tissue (white) Fig 2: nipple anatomy Fig 3: deep tissue of the areola, the dark area around the nipple The breasts are the mammary glands of the human female They produce and secrete milk to milk to feed babies Mammary gland, nipple and aureole - Fig 1: Vessels of a breast Fig 2: Nipple & aureole, Fig 3: deep face of aureole skin, 1866,
Breast anatomy 1866 illustrations showing the anatomy of a human breast Fig 1: anatomy of the breast, showing the blood supply (red and blue), nipple (centre) and mammary tissue (white) Fig 2: nipple anatomy Fig 3: deep tissue of the areola, the dark area around the nipple The breasts are the mammary glands of the human female They produce and secrete milk to milk to feed babies Mammary gland, nipple and aureole - Fig 1: Vessels of a breast Fig 2: Nipple & aureole, Fig 3: deep face of aureole skin, 1866,

JAB4119214: Breast anatomy 1866 illustrations showing the anatomy of a human breast Fig 1: anatomy of the breast, showing the blood supply (red and blue), nipple (centre) and mammary tissue (white) Fig 2: nipple anatomy Fig 3: deep tissue of the areola, the dark area around the nipple The breasts are the mammary glands of the human female They produce and secrete milk to milk to feed babies Mammary gland, nipple and aureole - Fig 1: Vessels of a breast Fig 2: Nipple & aureole, Fig 3: deep face of aureole skin, 1866, / Bridgeman Images

ID: JAB4119214

Breast anatomy 1866 illustrations showing the anatomy of a human breast Fig 1: anatomy of the breast, showing the blood supply (red and blue), nipple (centre) and mammary tissue (white) Fig 2: nipple anatomy Fig 3: deep tissue of the areola, the dark area around the nipple The breasts are the mammary glands of the human female They produce and secrete milk to milk to feed babies Mammary gland, nipple and aureole - Fig 1: Vessels of a breast Fig 2: Nipple & aureole, Fig 3: deep face of aureole skin, 1866,

Male urogenital system 1866 illustration of a section through the urogenital system of a human male, showing the main blood vessels (red), bladder (round, left), prostate gland (white, upper left), penis (top, centre) and testis (round, upper right) Pelvis arteres in humans - Arteres of the bladder, seminal vesicles, prostate, rectum and the rod, 1866
Male urogenital system 1866 illustration of a section through the urogenital system of a human male, showing the main blood vessels (red), bladder (round, left), prostate gland (white, upper left), penis (top, centre) and testis (round, upper right) Pelvis arteres in humans - Arteres of the bladder, seminal vesicles, prostate, rectum and the rod, 1866

JAB4119231: Male urogenital system 1866 illustration of a section through the urogenital system of a human male, showing the main blood vessels (red), bladder (round, left), prostate gland (white, upper left), penis (top, centre) and testis (round, upper right) Pelvis arteres in humans - Arteres of the bladder, seminal vesicles, prostate, rectum and the rod, 1866 / Bridgeman Images

ID: JAB4119231

Male urogenital system 1866 illustration of a section through the urogenital system of a human male, showing the main blood vessels (red), bladder (round, left), prostate gland (white, upper left), penis (top, centre) and testis (round, upper right) Pelvis arteres in humans - Arteres of the bladder, seminal vesicles, prostate, rectum and the rod, 1866

Male genitals - 1866 illustration of the male reproductive organs, showing the penis, testicles and scrotum, and the blood vessels (red and blue) that supply them - Genital organs of man - Fig 1 envelope of penis and testicles, Fig 2 The dartos and the erythroide tunic, 1866
Male genitals - 1866 illustration of the male reproductive organs, showing the penis, testicles and scrotum, and the blood vessels (red and blue) that supply them - Genital organs of man - Fig 1 envelope of penis and testicles, Fig 2 The dartos and the erythroide tunic, 1866

JAB4119412: Male genitals - 1866 illustration of the male reproductive organs, showing the penis, testicles and scrotum, and the blood vessels (red and blue) that supply them - Genital organs of man - Fig 1 envelope of penis and testicles, Fig 2 The dartos and the erythroide tunic, 1866 / Bridgeman Images

ID: JAB4119412

Male genitals - 1866 illustration of the male reproductive organs, showing the penis, testicles and scrotum, and the blood vessels (red and blue) that supply them - Genital organs of man - Fig 1 envelope of penis and testicles, Fig 2 The dartos and the erythroide tunic, 1866

Still life of three roses.
Still life of three roses.

XEE4118466: Still life of three roses. / Bridgeman Images

ID: XEE4118466

Still life of three roses.

Flower pistil.
Flower pistil.

XEE4118468: Flower pistil. / Bridgeman Images

ID: XEE4118468

Flower pistil.

Close-up of a white lily.
Close-up of a white lily.

XEE4118473: Close-up of a white lily. / Bridgeman Images

ID: XEE4118473

Close-up of a white lily.

Close-up of a white flower.
Close-up of a white flower.

XEE4118475: Close-up of a white flower. / Bridgeman Images

ID: XEE4118475

Close-up of a white flower.

Still life of a heart of yellow rose (photo)
Still life of a heart of yellow rose (photo)

XEE4118483: Still life of a heart of yellow rose (photo) / Bridgeman Images

ID: XEE4118483

Still life of a heart of yellow rose (photo)

Close-up of yellow daisies mounted on green stems.
Close-up of yellow daisies mounted on green stems.

XEE4118485: Close-up of yellow daisies mounted on green stems. / Bridgeman Images

ID: XEE4118485

Close-up of yellow daisies mounted on green stems.

Still life of a floral composition with daisies.
Still life of a floral composition with daisies.

XEE4118364: Still life of a floral composition with daisies. / Bridgeman Images

ID: XEE4118364

Still life of a floral composition with daisies.

Still life of a Christmas composition with a father, candles, holly, a pine cone and a gift package.
Still life of a Christmas composition with a father, candles, holly, a pine cone and a gift package.

XEE4118373: Still life of a Christmas composition with a father, candles, holly, a pine cone and a gift package. / Bridgeman Images

ID: XEE4118373

Still life of a Christmas composition with a father, candles, holly, a pine cone and a gift package.

Still life of a Christmas composition with candles and a little dore angel.
Still life of a Christmas composition with candles and a little dore angel.

XEE4118378: Still life of a Christmas composition with candles and a little dore angel. / Bridgeman Images

ID: XEE4118378

Still life of a Christmas composition with candles and a little dore angel.

Still life of a floral composition.
Still life of a floral composition.

XEE4118417: Still life of a floral composition. / Bridgeman Images

ID: XEE4118417

Still life of a floral composition.

Terrorist attacks November 2015: cannon of an assault rifle (kalashnikov) hides behind a curtain in the colours of the French flag (symbol of the theatre of Bataclan) to perpete the massacre of Friday 13 November in Paris (Terrorist attacks in November 2015: barrel of an assault rifle (Kalashnikov) hidden behind a curtain in the colors of the English flag (symbol of the Bataclan concert hall) for the massacre on Friday, November 13th in Paris) Illustration by Alessandro Lonati
Terrorist attacks November 2015: cannon of an assault rifle (kalashnikov) hides behind a curtain in the colours of the French flag (symbol of the theatre of Bataclan) to perpete the massacre of Friday 13 November in Paris (Terrorist attacks in November 2015: barrel of an assault rifle (Kalashnikov) hidden behind a curtain in the colors of the English flag (symbol of the Bataclan concert hall) for the massacre on Friday, November 13th in Paris) Illustration by Alessandro Lonati

LTI4122958: Terrorist attacks November 2015: cannon of an assault rifle (kalashnikov) hides behind a curtain in the colours of the French flag (symbol of the theatre of Bataclan) to perpete the massacre of Friday 13 November in Paris (Terrorist attacks in November 2015: barrel of an assault rifle (Kalashnikov) hidden behind a curtain in the colors of the English flag (symbol of the Bataclan concert hall) for the massacre on Friday, November 13th in Paris) Illustration by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4122958

Terrorist attacks November 2015: cannon of an assault rifle (kalashnikov) hides behind a curtain in the colours of the French flag (symbol of the theatre of Bataclan) to perpete the massacre of Friday 13 November in Paris (Terrorist attacks in November 2015: barrel of an assault rifle (Kalashnikov) hidden behind a curtain in the colors of the English flag (symbol of the Bataclan concert hall) for the massacre on Friday, November 13th in Paris) Illustration by Alessandro Lonati

Lonati, Alessandro (b.1980)

Terrorist attacks in France, 2015:2015 terrorism paris attacks: french flag colored target riddled with bullet holes Illustration by Alessandro Lonati
Terrorist attacks in France, 2015:2015 terrorism paris attacks: french flag colored target riddled with bullet holes Illustration by Alessandro Lonati

LTI4122982: Terrorist attacks in France, 2015:2015 terrorism paris attacks: french flag colored target riddled with bullet holes Illustration by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4122982

Terrorist attacks in France, 2015:2015 terrorism paris attacks: french flag colored target riddled with bullet holes Illustration by Alessandro Lonati

Lonati, Alessandro (b.1980)

Soldiers in the streets of Paris surprised by the gunpowder explosion. Panurge watching the scene. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Soldiers in the streets of Paris surprised by the gunpowder explosion. Panurge watching the scene. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122197: Soldiers in the streets of Paris surprised by the gunpowder explosion. Panurge watching the scene. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

ID: YAC4122197

Soldiers in the streets of Paris surprised by the gunpowder explosion. Panurge watching the scene. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

Pantagruel holding the body of Loupgarou, captain of the Geants, by the feet. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Pantagruel holding the body of Loupgarou, captain of the Geants, by the feet. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122214: Pantagruel holding the body of Loupgarou, captain of the Geants, by the feet. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

ID: YAC4122214

Pantagruel holding the body of Loupgarou, captain of the Geants, by the feet. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

A dead convict trying to catch a fig stuck in the buttocks of the Thacor mule without using his hands. In the background, men are hanged. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
A dead convict trying to catch a fig stuck in the buttocks of the Thacor mule without using his hands. In the background, men are hanged. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122327: A dead convict trying to catch a fig stuck in the buttocks of the Thacor mule without using his hands. In the background, men are hanged. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

ID: YAC4122327

A dead convict trying to catch a fig stuck in the buttocks of the Thacor mule without using his hands. In the background, men are hanged. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

The head of Orpheus (Orphee) and its lyre in the Hebrus River (Hebre). Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
The head of Orpheus (Orphee) and its lyre in the Hebrus River (Hebre). Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122343: The head of Orpheus (Orphee) and its lyre in the Hebrus River (Hebre). Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

ID: YAC4122343

The head of Orpheus (Orphee) and its lyre in the Hebrus River (Hebre). Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

Heresy of the Flagellants, 1877 (litho)
Heresy of the Flagellants, 1877 (litho)

JAB4121256: Heresy of the Flagellants, 1877 (litho), French School, (19th century) / Bridgeman Images

ID: JAB4121256

Heresy of the Flagellants, 1877 (litho)

French School, (19th century)

A slave imprisoned in a cell, the chain at the foot -
A slave imprisoned in a cell, the chain at the foot -

LTI4123241: A slave imprisoned in a cell, the chain at the foot -, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4123241

A slave imprisoned in a cell, the chain at the foot -

Lonati, Alessandro (b.1980)

Portrait of Anne Frank (1929-1945) (Portrait of German-born diarist and writer Anne Frank)
Portrait of Anne Frank (1929-1945) (Portrait of German-born diarist and writer Anne Frank)

LTI4123407: Portrait of Anne Frank (1929-1945) (Portrait of German-born diarist and writer Anne Frank), Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4123407

Portrait of Anne Frank (1929-1945) (Portrait of German-born diarist and writer Anne Frank)

Lonati, Alessandro (b.1980)

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)
Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)

DBO4123675: Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.) / Bridgeman Images

ID: DBO4123675

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)
Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)

DBO4123685: Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.) / Bridgeman Images

ID: DBO4123685

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)

Le gourmand: illustration of a fable by Jean de La Fontaine (1621-1695). A man dies trying to eat a whole sturgeon. Engraving In “” The kitchen of families”” from 1905-1908.
Le gourmand: illustration of a fable by Jean de La Fontaine (1621-1695). A man dies trying to eat a whole sturgeon. Engraving In “” The kitchen of families”” from 1905-1908.

XEE4133613: Le gourmand: illustration of a fable by Jean de La Fontaine (1621-1695). A man dies trying to eat a whole sturgeon. Engraving In “” The kitchen of families”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4133613

Le gourmand: illustration of a fable by Jean de La Fontaine (1621-1695). A man dies trying to eat a whole sturgeon. Engraving In “” The kitchen of families”” from 1905-1908.

Unknown Artist, (20th century)

The asparagus of Belley's eveque, France, 1905-08 (engraving)
The asparagus of Belley's eveque, France, 1905-08 (engraving)

XEE4133657: The asparagus of Belley's eveque, France, 1905-08 (engraving), French School, (20th century) / Bridgeman Images

ID: XEE4133657

The asparagus of Belley's eveque, France, 1905-08 (engraving)

French School, (20th century)

A financier asks his cook to prepare him an epigram after his friend told him a dinner at the end of which a poet had regale them with an “excellent epigram”.
A financier asks his cook to prepare him an epigram after his friend told him a dinner at the end of which a poet had regale them with an “excellent epigram”.

XEE4133790: A financier asks his cook to prepare him an epigram after his friend told him a dinner at the end of which a poet had regale them with an “excellent epigram”., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4133790

A financier asks his cook to prepare him an epigram after his friend told him a dinner at the end of which a poet had regale them with an “excellent epigram”.

Unknown Artist, (20th century)

The whims of fashion. Caricature In
The whims of fashion. Caricature In

XEE4134002: The whims of fashion. Caricature In "Le Pelerin" of February 19, 1933 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4134002

The whims of fashion. Caricature In "Le Pelerin" of February 19, 1933 (print)

Unknown Artist, (20th century)

Chamois restocking of the French Alps: men transport chamois in wooden boxes to the top before releasing them.
Chamois restocking of the French Alps: men transport chamois in wooden boxes to the top before releasing them.

XEE4134046: Chamois restocking of the French Alps: men transport chamois in wooden boxes to the top before releasing them. "Le Pelerin" February 17, 1935 (print), Grignoux, (active c.1931-1935) / Bridgeman Images

ID: XEE4134046

Chamois restocking of the French Alps: men transport chamois in wooden boxes to the top before releasing them. "Le Pelerin" February 17, 1935 (print)

Grignoux, (active c.1931-1935)

Monorail railway from Ballybunnion to Listowell (England). Engraving in “” La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 December 1902.
Monorail railway from Ballybunnion to Listowell (England). Engraving in “” La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 December 1902.

XEE4134119: Monorail railway from Ballybunnion to Listowell (England). Engraving in “” La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 December 1902., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4134119

Monorail railway from Ballybunnion to Listowell (England). Engraving in “” La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 December 1902.

Unknown Artist, (20th century)


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