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Ms c-23 f.165a, A Doctor Performing a Bleeding in a Crowd of Curious People, from 'The Maqamat' (The Meetings) by Al-Hariri, c.1240 (gouache & ink on vellum)
Ms c-23 f.165a, A Doctor Performing a Bleeding in a Crowd of Curious People, from 'The Maqamat' (The Meetings) by Al-Hariri, c.1240 (gouache & ink on vellum)

XIR157773: Ms c-23 f.165a, A Doctor Performing a Bleeding in a Crowd of Curious People, from 'The Maqamat' (The Meetings) by Al-Hariri, c.1240 (gouache & ink on vellum), Persian School, (13th century) / Bridgeman Images

The Deer Hunt, 1718 (oil on canvas)
The Deer Hunt, 1718 (oil on canvas)

XIR161772: The Deer Hunt, 1718 (oil on canvas), Desportes, Alexandre-Francois (1661-1743) / Bridgeman Images

The Gardens of the Villa d'Este, Tivoli, 1843 (oil on canvas)
The Gardens of the Villa d'Este, Tivoli, 1843 (oil on canvas)

XIR71558: The Gardens of the Villa d'Este, Tivoli, 1843 (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

Lucy Percy, Countess of Carlisle (1599-1660) c.1637 (oil on canvas)
Lucy Percy, Countess of Carlisle (1599-1660) c.1637 (oil on canvas)

BAL72301: Lucy Percy, Countess of Carlisle (1599-1660) c.1637 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

Skeletons of Australopithecus Boisei and Homo Sapiens (pencil on paper)
Skeletons of Australopithecus Boisei and Homo Sapiens (pencil on paper)

XZL151552: Skeletons of Australopithecus Boisei and Homo Sapiens (pencil on paper), English School, (20th century) / Bridgeman Images

Laurel wreath, Mycenae (gold)
Laurel wreath, Mycenae (gold)

XZL148130: Laurel wreath, Mycenae (gold), Mycenaean / Bridgeman Images

The Vegetable Seller (oil on canvas)
The Vegetable Seller (oil on canvas)

XIR28087: The Vegetable Seller (oil on canvas), Beuckelaer or Bueckelaer, Joachim (c.1530-73) / Bridgeman Images

Sumerian headdress worn by Queen Shub-ad, discovered in Ur by Mr C. Leonard Woolley and published in the 'Illustrated London News', 1928 (colour litho)
Sumerian headdress worn by Queen Shub-ad, discovered in Ur by Mr C. Leonard Woolley and published in the 'Illustrated London News', 1928 (colour litho)

XND70127: Sumerian headdress worn by Queen Shub-ad, discovered in Ur by Mr C. Leonard Woolley and published in the 'Illustrated London News', 1928 (colour litho), English School, (20th century) / Bridgeman Images

Campanula: Medium (Canterbury Bell) 1787
Campanula: Medium (Canterbury Bell) 1787

BAL10982: Campanula: Medium (Canterbury Bell) 1787, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

Game of Tennis
Game of Tennis

BAL11057: Game of Tennis, Gore, Spencer Frederick (1878-1914) / Bridgeman Images

'The Tale of Genji' ('Genji Monogatari') 10th century novel about the romantic life of Prince Genji, illustration by Hikokuni Tokugawa II (fl.1821-24), pub. 19th century, (colour woodblock print on a scroll)
'The Tale of Genji' ('Genji Monogatari') 10th century novel about the romantic life of Prince Genji, illustration by Hikokuni Tokugawa II (fl.1821-24), pub. 19th century, (colour woodblock print on a scroll)

BAL33670: 'The Tale of Genji' ('Genji Monogatari') 10th century novel about the romantic life of Prince Genji, illustration by Hikokuni Tokugawa II (fl.1821-24), pub. 19th century, (colour woodblock print on a scroll), Hikokuni, Toyokawa (fl.1820-1830) / Bridgeman Images

Sight and Smell (oil on canvas)
Sight and Smell (oil on canvas)

XIR61051: Sight and Smell (oil on canvas), Brueghel, Jan the Elder (1568-1625) / Bridgeman Images

Helianthus Annuus (Sunflower) no.71 from 'Velins du Roi Vol.36', c.1666-85 (w/c on vellum)
Helianthus Annuus (Sunflower) no.71 from 'Velins du Roi Vol.36', c.1666-85 (w/c on vellum)

XIR245766: Helianthus Annuus (Sunflower) no.71 from 'Velins du Roi Vol.36', c.1666-85 (w/c on vellum), Robert, Nicolas (1614-85) / Bridgeman Images

Amerigo Vespucci (1454-1512) landing in America, engraved by Theodor Galle (1571-1633) (engraving)
Amerigo Vespucci (1454-1512) landing in America, engraved by Theodor Galle (1571-1633) (engraving)

XIR239763: Amerigo Vespucci (1454-1512) landing in America, engraved by Theodor Galle (1571-1633) (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

Title page to 'Tess of the D'Urbervilles' by Thomas Hardy, edition published in 1892 (printed paper)
Title page to 'Tess of the D'Urbervilles' by Thomas Hardy, edition published in 1892 (printed paper)

XJF466237: Title page to 'Tess of the D'Urbervilles' by Thomas Hardy, edition published in 1892 (printed paper), English School, (19th century) / Bridgeman Images

The Barbarossa Brothers (engraving)
The Barbarossa Brothers (engraving)

XJF324485: The Barbarossa Brothers (engraving), Dutch School, (17th century) / Bridgeman Images

Straw-covered vase, sugar bowl and apples, 1890-93 (oil on canvas) (also see 287555)
Straw-covered vase, sugar bowl and apples, 1890-93 (oil on canvas) (also see 287555)

XIR393804: Straw-covered vase, sugar bowl and apples, 1890-93 (oil on canvas) (also see 287555), Cezanne, Paul (1839-1906) / Bridgeman Images

Fritza von Riedler, 1906 (oil on canvas)
Fritza von Riedler, 1906 (oil on canvas)

XOS6219376: Fritza von Riedler, 1906 (oil on canvas), Klimt, Gustav (1862-1918) / Bridgeman Images

Madame Charles Max, 1896 (oil on canvas)
Madame Charles Max, 1896 (oil on canvas)

BAL9963: Madame Charles Max, 1896 (oil on canvas), Boldini, Giovanni (1842-1931) / Bridgeman Images

The Dance Lesson, c.1879 (oil on canvas)
The Dance Lesson, c.1879 (oil on canvas)

XOS741958: The Dance Lesson, c.1879 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images

Portrait of Fernand de Magellan (V. 1480 - 1521)
Portrait of Fernand de Magellan (V. 1480 - 1521)

XEE4409753: Portrait of Fernand de Magellan (V. 1480 - 1521), Unknown Artist, (19th century) / Bridgeman Images

Galilee (Galileo Galilei) before the Inquisition of the Holy Office (Holy Office) in the Vatican (1632).Engraving after the painting by Robert-Fleury Joseph Nicolas (1797-1890).
Galilee (Galileo Galilei) before the Inquisition of the Holy Office (Holy Office) in the Vatican (1632).Engraving after the painting by Robert-Fleury Joseph Nicolas (1797-1890).

XEE4404358: Galilee (Galileo Galilei) before the Inquisition of the Holy Office (Holy Office) in the Vatican (1632).Engraving after the painting by Robert-Fleury Joseph Nicolas (1797-1890)., Unknown Artist, (19th century) / Bridgeman Images

Beatrice leads Dante into the Empyrean, 1885 (engraving)
Beatrice leads Dante into the Empyrean, 1885 (engraving)

XEE4145322: Beatrice leads Dante into the Empyrean, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

James V of Scotland (1512-42), c.1536-37 (oil on panel) (see 115133 for frame)
James V of Scotland (1512-42), c.1536-37 (oil on panel) (see 115133 for frame)

MOU115134: James V of Scotland (1512-42), c.1536-37 (oil on panel) (see 115133 for frame), Corneille de Lyon (c.1500-75) / Bridgeman Images

The Valley in the Mist, 2005 (oil on paper)
The Valley in the Mist, 2005 (oil on paper)

PNH367400: The Valley in the Mist, 2005 (oil on paper), Ovenden, Annie (b.1945) / Bridgeman Images

Portrait of Queen Anne, c.1705 (oil on canvas)
Portrait of Queen Anne, c.1705 (oil on canvas)

MOU831238: Portrait of Queen Anne, c.1705 (oil on canvas), Kneller, Godfrey (1646-1723) / Bridgeman Images

Hungarian physician Ignaz Semmelweis ensuring doctors and medical students wash their hands before examining obstetric patients at Vienna General Hospital, Austria, 1847 (colour litho)
Hungarian physician Ignaz Semmelweis ensuring doctors and medical students wash their hands before examining obstetric patients at Vienna General Hospital, Austria, 1847 (colour litho)

LLM5999040: Hungarian physician Ignaz Semmelweis ensuring doctors and medical students wash their hands before examining obstetric patients at Vienna General Hospital, Austria, 1847 (colour litho), Thom, Robert (1915-79) / Bridgeman Images

Nathaniel Hawthorne (1804-64) 1840 (oil on canvas)
Nathaniel Hawthorne (1804-64) 1840 (oil on canvas)

PEM204699: Nathaniel Hawthorne (1804-64) 1840 (oil on canvas), Osgood, Charles (1809-90) / Bridgeman Images

Observatory of Alexandria, in the time of Hipparchus of Nicaea, from 'Astronomy for All' by Burgel, 1911 (print)
Observatory of Alexandria, in the time of Hipparchus of Nicaea, from 'Astronomy for All' by Burgel, 1911 (print)

XLF3792569: Observatory of Alexandria, in the time of Hipparchus of Nicaea, from 'Astronomy for All' by Burgel, 1911 (print), English School, (20th century) / Bridgeman Images

The Roman Empire: roman home (print)
The Roman Empire: roman home (print)

XLF3794116: The Roman Empire: roman home (print), Williamson, J. (fl.1850–1919) / Bridgeman Images

Marriage a la Mode: I - The Marriage Settlement, c.1743 (oil on canvas)
Marriage a la Mode: I - The Marriage Settlement, c.1743 (oil on canvas)

XOS1109256: Marriage a la Mode: I - The Marriage Settlement, c.1743 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Battle of Otumba on July 7, 1520 in Mexico” (painting, 17th century)
Battle of Otumba on July 7, 1520 in Mexico” (painting, 17th century)

LRI4668718: Battle of Otumba on July 7, 1520 in Mexico” (painting, 17th century), Spanish School, (17th century) / Bridgeman Images

Monastic school of the convent of the hermits of Saint Augustine in Paris, c.1415-1420 (miniature)
Monastic school of the convent of the hermits of Saint Augustine in Paris, c.1415-1420 (miniature)

JLJ4673120: Monastic school of the convent of the hermits of Saint Augustine in Paris, c.1415-1420 (miniature), Unknown Artist, (15th century) / Bridgeman Images

Thaumatrope: in 1825 John Ayrton Paris marketed his magic disc the thaumatrope (miracle wheel), on one side an empty cage is drawn, on the other a bird, the disc is held by a string. By turning it we have the illusion that the bird is in the cage while the eye never sees either the cage or the bird at the same time.
Thaumatrope: in 1825 John Ayrton Paris marketed his magic disc the thaumatrope (miracle wheel), on one side an empty cage is drawn, on the other a bird, the disc is held by a string. By turning it we have the illusion that the bird is in the cage while the eye never sees either the cage or the bird at the same time.

XRH1711252: Thaumatrope: in 1825 John Ayrton Paris marketed his magic disc the thaumatrope (miracle wheel), on one side an empty cage is drawn, on the other a bird, the disc is held by a string. By turning it we have the illusion that the bird is in the cage while the eye never sees either the cage or the bird at the same time., Unknown Artist, (19th century) / Bridgeman Images

Jockey Club, 1929 (oil on canvas)
Jockey Club, 1929 (oil on canvas)

CAJ2638320: Jockey Club, 1929 (oil on canvas), Motley Jr., Archibald J. (1891-1981) / Bridgeman Images

Sleeping Jae Jae, 2014 (charcoal on paper)
Sleeping Jae Jae, 2014 (charcoal on paper)

AHS3331180: Sleeping Jae Jae, 2014 (charcoal on paper), Corcoran, Rose / Bridgeman Images


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