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Vision of St Augustine (also called St Augustine in his Studio) (oil on canvas)
Vision of St Augustine (also called St Augustine in his Studio) (oil on canvas)

XIR898271: Vision of St Augustine (also called St Augustine in his Studio) (oil on canvas), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: XIR898271

Vision of St Augustine (also called St Augustine in his Studio) (oil on canvas)

Carpaccio, Vittore (c.1460/5-1523/6)

Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia, (oil on canvas)
Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia, (oil on canvas)

CH1197488: Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia, (oil on canvas), Sorolla y Bastida, Joaquin (1863-1923) / Bridgeman Images

ID: CH1197488

Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia, (oil on canvas)

Sorolla y Bastida, Joaquin (1863-1923)

Two Cats, 1909-10 (litho)
Two Cats, 1909-10 (litho)

CH990495: Two Cats, 1909-10 (litho), Marc, Franz (1880-1916) / Bridgeman Images

ID: CH990495

Two Cats, 1909-10 (litho)

Marc, Franz (1880-1916)

Admiral Nelson raising a toast to victory with his fellow officers the night before the Battle of Copenhagen, 1st April 1801, 1898 (oil on canvas)
Admiral Nelson raising a toast to victory with his fellow officers the night before the Battle of Copenhagen, 1st April 1801, 1898 (oil on canvas)

BOU203171: Admiral Nelson raising a toast to victory with his fellow officers the night before the Battle of Copenhagen, 1st April 1801, 1898 (oil on canvas), Davidson, Thomas (fl.1863-1908) / Bridgeman Images

ID: BOU203171

Admiral Nelson raising a toast to victory with his fellow officers the night before the Battle of Copenhagen, 1st April 1801, 1898 (oil on canvas)

Davidson, Thomas (fl.1863-1908)

Zhenwu with the Eight Trigrams, the Northern Dipper, and Talismans, Qing dynasty, 17th or early 18th century (hanging scroll; ink, colours & gold on silk)
Zhenwu with the Eight Trigrams, the Northern Dipper, and Talismans, Qing dynasty, 17th or early 18th century (hanging scroll; ink, colours & gold on silk)

XCC2969780: Zhenwu with the Eight Trigrams, the Northern Dipper, and Talismans, Qing dynasty, 17th or early 18th century (hanging scroll; ink, colours & gold on silk), Chinese School, (17th-18th century) / Bridgeman Images

ID: XCC2969780

Zhenwu with the Eight Trigrams, the Northern Dipper, and Talismans, Qing dynasty, 17th or early 18th century (hanging scroll; ink, colours & gold on silk)

Chinese School, (17th-18th century)

Love is Blind, engraved by Henri Reidel, 1920 (litho)
Love is Blind, engraved by Henri Reidel, 1920 (litho)

STC91316: Love is Blind, engraved by Henri Reidel, 1920 (litho), Barbier, Georges (1882-1932) (after) / Bridgeman Images

ID: STC91316

Love is Blind, engraved by Henri Reidel, 1920 (litho)

Barbier, Georges (1882-1932) (after)

Antiochus and Stratonice, 1774 (oil on canvas)
Antiochus and Stratonice, 1774 (oil on canvas)

XIR134627: Antiochus and Stratonice, 1774 (oil on canvas), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: XIR134627

Antiochus and Stratonice, 1774 (oil on canvas)

David, Jacques Louis (1748-1825)

A Corner of a German Town by Moonlight (w/c on paper)
A Corner of a German Town by Moonlight (w/c on paper)

XAB134907: A Corner of a German Town by Moonlight (w/c on paper), Spitzweg, Carl (1808-85) / Bridgeman Images

ID: XAB134907

A Corner of a German Town by Moonlight (w/c on paper)

Spitzweg, Carl (1808-85)

Dancer adjusting her costume and hitching up her skirt, 1889 (charcoal on paper)
Dancer adjusting her costume and hitching up her skirt, 1889 (charcoal on paper)

XIR181228: Dancer adjusting her costume and hitching up her skirt, 1889 (charcoal on paper), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR181228

Dancer adjusting her costume and hitching up her skirt, 1889 (charcoal on paper)

Toulouse-Lautrec, Henri de (1864-1901)

Swarthmore Hall (w/c on paper)
Swarthmore Hall (w/c on paper)

NWP132615: Swarthmore Hall (w/c on paper), Penstone, John Jewell (fl.1835-95) / Bridgeman Images

ID: NWP132615

Swarthmore Hall (w/c on paper)

Penstone, John Jewell (fl.1835-95)

View of the nave, begun 1194 (photo)
View of the nave, begun 1194 (photo)

MAE170059: View of the nave, begun 1194 (photo), French School, (12th century) / Bridgeman Images

ID: MAE170059

View of the nave, begun 1194 (photo)

French School, (12th century)

Portrait of Charles Fourier (1772-1837) (oil on canvas)
Portrait of Charles Fourier (1772-1837) (oil on canvas)

XIR175957: Portrait of Charles Fourier (1772-1837) (oil on canvas), Gigoux, Jean Francois (1806-94) / Bridgeman Images

ID: XIR175957

Portrait of Charles Fourier (1772-1837) (oil on canvas)

Gigoux, Jean Francois (1806-94)

The Flight of Gradlon Mawr (330-434 AD) c.1884 (oil on canvas)
The Flight of Gradlon Mawr (330-434 AD) c.1884 (oil on canvas)

XIR161028: The Flight of Gradlon Mawr (330-434 AD) c.1884 (oil on canvas), Luminais, Evariste Vital (1822-96) / Bridgeman Images

ID: XIR161028

The Flight of Gradlon Mawr (330-434 AD) c.1884 (oil on canvas)

Luminais, Evariste Vital (1822-96)

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Bicetre asylum in Paris in 1793, c.1840-50 (oil on canvas) (see 163911 for detail)
Philippe Pinel (1745-1826) releasing lunatics from their chains at the Bicetre asylum in Paris in 1793, c.1840-50 (oil on canvas) (see 163911 for detail)

CHT163956: Philippe Pinel (1745-1826) releasing lunatics from their chains at the Bicetre asylum in Paris in 1793, c.1840-50 (oil on canvas) (see 163911 for detail), Muller, Charles Louis Lucien (1815-92) / Bridgeman Images

ID: CHT163956

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Bicetre asylum in Paris in 1793, c.1840-50 (oil on canvas) (see 163911 for detail)

Muller, Charles Louis Lucien (1815-92)

Red Elisabeth Riverbank, Berlin, 1912 (oil on canvas)
Red Elisabeth Riverbank, Berlin, 1912 (oil on canvas)

MFA212151: Red Elisabeth Riverbank, Berlin, 1912 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: MFA212151

Red Elisabeth Riverbank, Berlin, 1912 (oil on canvas)

Kirchner, Ernst Ludwig (1880-1938)

Waterlilies, 1903 (oil on canvas)
Waterlilies, 1903 (oil on canvas)

DAY211532: Waterlilies, 1903 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: DAY211532

Waterlilies, 1903 (oil on canvas)

Monet, Claude (1840-1926)

'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)
'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)

CHT167382: 'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho), Grasset, Eugene (1841-1917) / Bridgeman Images

ID: CHT167382

'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)

Grasset, Eugene (1841-1917)

Balaclava, 1876 (oil on canvas)
Balaclava, 1876 (oil on canvas)

MAN62939: Balaclava, 1876 (oil on canvas), Butler, Lady (Elizabeth Southerden Thompson) (1846-1933) / Bridgeman Images

ID: MAN62939

Balaclava, 1876 (oil on canvas)

Butler, Lady (Elizabeth Southerden Thompson) (1846-1933)

Poster for the 'Bal des Canotiers, Bougival' (lithograph)
Poster for the 'Bal des Canotiers, Bougival' (lithograph)

XIR19986: Poster for the 'Bal des Canotiers, Bougival' (lithograph), French School, (19th century) / Bridgeman Images

ID: XIR19986

Poster for the 'Bal des Canotiers, Bougival' (lithograph)

French School, (19th century)

Queen Elizabeth I and the Earl of Leicester at Kenilworth (panel)
Queen Elizabeth I and the Earl of Leicester at Kenilworth (panel)

RCM77685: Queen Elizabeth I and the Earl of Leicester at Kenilworth (panel), Hals, Dirck (1591-1656) (attr. to) / Bridgeman Images

ID: RCM77685

Queen Elizabeth I and the Earl of Leicester at Kenilworth (panel)

Hals, Dirck (1591-1656) (attr. to)

Pink Roses, 1918 (oil on canvas)
Pink Roses, 1918 (oil on canvas)

STM620995: Pink Roses, 1918 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: STM620995

Pink Roses, 1918 (oil on canvas)

Kirchner, Ernst Ludwig (1880-1938)

London, St. Paul's Cathedral, 1890 (watercolour & pencil on paper)
London, St. Paul's Cathedral, 1890 (watercolour & pencil on paper)

CH497783: London, St. Paul's Cathedral, 1890 (watercolour & pencil on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: CH497783

London, St. Paul's Cathedral, 1890 (watercolour & pencil on paper)

Pissarro, Camille (1830-1903)

View of Jerusalem from the Valley of Jehoshaphat, 1825 (oil on canvas)
View of Jerusalem from the Valley of Jehoshaphat, 1825 (oil on canvas)

XIR216661: View of Jerusalem from the Valley of Jehoshaphat, 1825 (oil on canvas), Forbin, Auguste (1777-1841) / Bridgeman Images

ID: XIR216661

View of Jerusalem from the Valley of Jehoshaphat, 1825 (oil on canvas)

Forbin, Auguste (1777-1841)

Clematis (mixed method engraving)
Clematis (mixed method engraving)

MAA312099: Clematis (mixed method engraving), Herkomer, Hubert von (1849-1914) (after) / Bridgeman Images

ID: MAA312099

Clematis (mixed method engraving)

Herkomer, Hubert von (1849-1914) (after)

The workshop of Atahualpa's goldsmiths in Quito, from an account by Girolamo Benzoni, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving) (later colouration)
The workshop of Atahualpa's goldsmiths in Quito, from an account by Girolamo Benzoni, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving) (later colouration)

STC291612: The workshop of Atahualpa's goldsmiths in Quito, from an account by Girolamo Benzoni, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving) (later colouration), Bry, Theodor de (1528-98) (after) / Bridgeman Images

ID: STC291612

The workshop of Atahualpa's goldsmiths in Quito, from an account by Girolamo Benzoni, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving) (later colouration)

Bry, Theodor de (1528-98) (after)

'I hope Mr. Bingley will like it', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)
'I hope Mr. Bingley will like it', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

XJF451372: 'I hope Mr. Bingley will like it', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving), Thomson, Hugh (1860-1920) / Bridgeman Images

ID: XJF451372

'I hope Mr. Bingley will like it', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

Thomson, Hugh (1860-1920)

Neolithic stone axes, 4000-2200 BC (stone)
Neolithic stone axes, 4000-2200 BC (stone)

EX469351: Neolithic stone axes, 4000-2200 BC (stone), Neolithic / Bridgeman Images

ID: EX469351

Neolithic stone axes, 4000-2200 BC (stone)

Neolithic

RMS Titanic departing from Southanpton on her maiden voyage, April 5, 1912 (b/w photo)
RMS Titanic departing from Southanpton on her maiden voyage, April 5, 1912 (b/w photo)

DGC449521: RMS Titanic departing from Southanpton on her maiden voyage, April 5, 1912 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: DGC449521

RMS Titanic departing from Southanpton on her maiden voyage, April 5, 1912 (b/w photo)

English Photographer, (20th century)

The Evening Meal, 1905 (pen & black ink and w/c heightened with white)
The Evening Meal, 1905 (pen & black ink and w/c heightened with white)

CH419895: The Evening Meal, 1905 (pen & black ink and w/c heightened with white), Larsson, Carl (1853-1919) / Bridgeman Images

ID: CH419895

The Evening Meal, 1905 (pen & black ink and w/c heightened with white)

Larsson, Carl (1853-1919)

Reclining female nude, 1912 (pencil & watercolour on paper)
Reclining female nude, 1912 (pencil & watercolour on paper)

CH398599: Reclining female nude, 1912 (pencil & watercolour on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: CH398599

Reclining female nude, 1912 (pencil & watercolour on paper)

Schiele, Egon (1890-1918)

Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper)
Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper)

XOS3468948: Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XOS3468948

Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper)

Homer, Winslow (1836-1910)

White Wolf, a Comanche Chief, c.1891-98 (b/w photo)
White Wolf, a Comanche Chief, c.1891-98 (b/w photo)

BAL145755: White Wolf, a Comanche Chief, c.1891-98 (b/w photo), American School, (19th century) / Bridgeman Images

ID: BAL145755

White Wolf, a Comanche Chief, c.1891-98 (b/w photo)

American School, (19th century)

The Five Senses - Taste (oil on canvas)
The Five Senses - Taste (oil on canvas)

XIR153978: The Five Senses - Taste (oil on canvas), Bosse, Abraham (1602-76) (after) / Bridgeman Images

ID: XIR153978

The Five Senses - Taste (oil on canvas)

Bosse, Abraham (1602-76) (after)

Supremus No. 58 Dynamic Composition in Yellow and Black, 1916 (oil on canvas)
Supremus No. 58 Dynamic Composition in Yellow and Black, 1916 (oil on canvas)

SRM96274: Supremus No. 58 Dynamic Composition in Yellow and Black, 1916 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

ID: SRM96274

Supremus No. 58 Dynamic Composition in Yellow and Black, 1916 (oil on canvas)

Malevich, Kazimir Severinovich (1878-1935)

Apple Trees and Broom in Flower (oil on canvas)
Apple Trees and Broom in Flower (oil on canvas)

XIR156513: Apple Trees and Broom in Flower (oil on canvas), Chintreuil, Antoine (1814-73) / Bridgeman Images

ID: XIR156513

Apple Trees and Broom in Flower (oil on canvas)

Chintreuil, Antoine (1814-73)

Mrs Abington as Miss Prue in Congreve's 'Love for Love,' 1771 (oil on canvas)
Mrs Abington as Miss Prue in Congreve's 'Love for Love,' 1771 (oil on canvas)

XYC111954: Mrs Abington as Miss Prue in Congreve's 'Love for Love,' 1771 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

ID: XYC111954

Mrs Abington as Miss Prue in Congreve's 'Love for Love,' 1771 (oil on canvas)

Reynolds, Joshua (1723-92)


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