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Arundel castle
Arundel castle

LLM454779: Arundel castle, Wilkinson, Charles (19th century) / Bridgeman Images

ID: LLM454779

Arundel castle

Wilkinson, Charles (19th century)

Tennyson's Enoch Arden
Tennyson's Enoch Arden

LLM454657: Tennyson's Enoch Arden, Kemm, Robert (1837-95) / Bridgeman Images

ID: LLM454657

Tennyson's Enoch Arden

Kemm, Robert (1837-95)

German costume, Bayern Lachenau
German costume, Bayern Lachenau

LLM454374: German costume, Bayern Lachenau, Kretschmer, Albert (1825-91) / Bridgeman Images

ID: LLM454374

German costume, Bayern Lachenau

Kretschmer, Albert (1825-91)

Ptarmigan
Ptarmigan

LLM454755: Ptarmigan, Morris, Beverley R. (fl.1891) / Bridgeman Images

ID: LLM454755

Ptarmigan

Morris, Beverley R. (fl.1891)

German costume, Bohmen kreis Pilsen
German costume, Bohmen kreis Pilsen

LLM454378: German costume, Bohmen kreis Pilsen, Kretschmer, Albert (1825-91) / Bridgeman Images

ID: LLM454378

German costume, Bohmen kreis Pilsen

Kretschmer, Albert (1825-91)

Woman's Uniform: Jacket with War Correspondent Patch on Left Sleeve, 1945 (olive green wool)
Woman's Uniform: Jacket with War Correspondent Patch on Left Sleeve, 1945 (olive green wool)

PHL450627: Woman's Uniform: Jacket with War Correspondent Patch on Left Sleeve, 1945 (olive green wool), American School, (20th century) / Bridgeman Images

ID: PHL450627

Woman's Uniform: Jacket with War Correspondent Patch on Left Sleeve, 1945 (olive green wool)

American School, (20th century)

Traditional Cut Paper - Flowers (paper)
Traditional Cut Paper - Flowers (paper)

WAG451552: Traditional Cut Paper - Flowers (paper), Polish School, (20th century) / Bridgeman Images

ID: WAG451552

Traditional Cut Paper - Flowers (paper)

Polish School, (20th century)

Untitled, from the series 'Gateways of Empire' [6319407] (colour litho)
Untitled, from the series 'Gateways of Empire' [6319407] (colour litho)

MAN452967: Untitled, from the series 'Gateways of Empire' [6319407] (colour litho), Kirk, Eve (1900-69) / Bridgeman Images

ID: MAN452967

Untitled, from the series 'Gateways of Empire' [6319407] (colour litho)

Kirk, Eve (1900-69)

Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451226: Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451226

Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

The Farmer's Return, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Farmer's Return, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451209: The Farmer's Return, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451209

The Farmer's Return, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

A Just View of the British Stage or Three Heads are Better than One, 1724, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
A Just View of the British Stage or Three Heads are Better than One, 1724, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451219: A Just View of the British Stage or Three Heads are Better than One, 1724, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451219

A Just View of the British Stage or Three Heads are Better than One, 1724, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

Landscape with Waterfall, c.1685-85 (oil on canvas)
Landscape with Waterfall, c.1685-85 (oil on canvas)

HOL450082: Landscape with Waterfall, c.1685-85 (oil on canvas), Hackaert, Jan (1628-c.1685) (attr. to) / Bridgeman Images

ID: HOL450082

Landscape with Waterfall, c.1685-85 (oil on canvas)

Hackaert, Jan (1628-c.1685) (attr. to)

Mask of the God Shiva, c. 9th century (copper alloy)
Mask of the God Shiva, c. 9th century (copper alloy)

PHL450470: Mask of the God Shiva, c. 9th century (copper alloy), Indian School, (9th century) / Bridgeman Images

ID: PHL450470

Mask of the God Shiva, c. 9th century (copper alloy)

Indian School, (9th century)

Portrait of the Bertolini Son, 1914 (graphite & black crayon, on beige wove paper, mounted down)
Portrait of the Bertolini Son, 1914 (graphite & black crayon, on beige wove paper, mounted down)

PHL451084: Portrait of the Bertolini Son, 1914 (graphite & black crayon, on beige wove paper, mounted down) , Gemito, Vincenzo (1852-1929) / Bridgeman Images

ID: PHL451084

Portrait of the Bertolini Son, 1914 (graphite & black crayon, on beige wove paper, mounted down)

Gemito, Vincenzo (1852-1929)

The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451136: The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451136

The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

Portrait of Sir Edward Turner, c.1762-63 (mezzotint)
Portrait of Sir Edward Turner, c.1762-63 (mezzotint)

WAG451533: Portrait of Sir Edward Turner, c.1762-63 (mezzotint), McArdell, James (c.1729-65) / Bridgeman Images

ID: WAG451533

Portrait of Sir Edward Turner, c.1762-63 (mezzotint)

McArdell, James (c.1729-65)

Detail from Coronation of the Virgin (tempera on wood)
Detail from Coronation of the Virgin (tempera on wood)

BAT451260: Detail from Coronation of the Virgin (tempera on wood), Bicci, Neri di (1419-91) / Bridgeman Images

ID: BAT451260

Detail from Coronation of the Virgin (tempera on wood)

Bicci, Neri di (1419-91)

Portrait of a Courtesan, probably after 1802 (ink, colours & gold on silk; mounted as a hanging scroll)
Portrait of a Courtesan, probably after 1802 (ink, colours & gold on silk; mounted as a hanging scroll)

PHL451006: Portrait of a Courtesan, probably after 1802 (ink, colours & gold on silk; mounted as a hanging scroll) , Eishi, Chobunsai (1756-1829) / Bridgeman Images

ID: PHL451006

Portrait of a Courtesan, probably after 1802 (ink, colours & gold on silk; mounted as a hanging scroll)

Eishi, Chobunsai (1756-1829)

NW View of Walsall Church, 1794 (coloured engraving)
NW View of Walsall Church, 1794 (coloured engraving)

WAG451676: NW View of Walsall Church, 1794 (coloured engraving), Shaw, S. (fl.1794) / Bridgeman Images

ID: WAG451676

NW View of Walsall Church, 1794 (coloured engraving)

Shaw, S. (fl.1794)

Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)
Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)

WAG451690: Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho), Wallis, George (1811-91) / Bridgeman Images

ID: WAG451690

Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)

Wallis, George (1811-91)

Archduke Albrecht of Austria, c.1599-1600 (oil on panel)
Archduke Albrecht of Austria, c.1599-1600 (oil on panel)

HOL450159: Archduke Albrecht of Austria, c.1599-1600 (oil on panel), Pourbus, Frans II (1569-1622) / Bridgeman Images

ID: HOL450159

Archduke Albrecht of Austria, c.1599-1600 (oil on panel)

Pourbus, Frans II (1569-1622)

Four Heads from the Raphael Cartoons at Hampton Court, 1751 (etching)
Four Heads from the Raphael Cartoons at Hampton Court, 1751 (etching)

PHL450544: Four Heads from the Raphael Cartoons at Hampton Court, 1751 (etching), Hogarth, William (1697-1764) / Bridgeman Images

ID: PHL450544

Four Heads from the Raphael Cartoons at Hampton Court, 1751 (etching)

Hogarth, William (1697-1764)

'Black-Eyed Susan', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (details of 452039)
'Black-Eyed Susan', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (details of 452039)

DGC452040: 'Black-Eyed Susan', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (details of 452039), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452040

'Black-Eyed Susan', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (details of 452039)

Crane, Walter (1845-1915)

The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)
The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)

KWE451822: The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images

ID: KWE451822

The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)

Browne, Hablot Knight (Phiz) (1815-92)

Baptism in a cruciform font (fresco)
Baptism in a cruciform font (fresco)

STF452227: Baptism in a cruciform font (fresco), German School / Bridgeman Images

ID: STF452227

Baptism in a cruciform font (fresco)

German School

Charlotte Sargent with her grand-daughter Mary (oil on canvas)
Charlotte Sargent with her grand-daughter Mary (oil on canvas)

HOL450312: Charlotte Sargent with her grand-daughter Mary (oil on canvas), English School, (19th century) / Bridgeman Images

ID: HOL450312

Charlotte Sargent with her grand-daughter Mary (oil on canvas)

English School, (19th century)

'The Passionate Shepherd to his Love', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452004)
'The Passionate Shepherd to his Love', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452004)

DGC452005: 'The Passionate Shepherd to his Love', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452004), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452005

'The Passionate Shepherd to his Love', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452004)

Crane, Walter (1845-1915)

Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)
Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)

HOL450165: Mary Bagot, Countess of Dorset, c.1670 (oil on canvas), Wright, John Michael (1617-94) / Bridgeman Images

ID: HOL450165

Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)

Wright, John Michael (1617-94)

The Ammunition Column (w/c, gouache & chalk on paper)
The Ammunition Column (w/c, gouache & chalk on paper)

OJ451949: The Ammunition Column (w/c, gouache & chalk on paper), Holiday, Gilbert (1879-1937) / Bridgeman Images

ID: OJ451949

The Ammunition Column (w/c, gouache & chalk on paper)

Holiday, Gilbert (1879-1937)

Catherine Cussans, c.1790 (oil on canvas)
Catherine Cussans, c.1790 (oil on canvas)

HOL450089: Catherine Cussans, c.1790 (oil on canvas), Hoppner, John (1758-1810) / Bridgeman Images

ID: HOL450089

Catherine Cussans, c.1790 (oil on canvas)

Hoppner, John (1758-1810)

David as Richard III, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
David as Richard III, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451185: David as Richard III, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451185

David as Richard III, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452032: 'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452032

'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'Phillis on the New Made Hay', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Phillis on the New Made Hay', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452060: 'Phillis on the New Made Hay', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452060

'Phillis on the New Made Hay', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

Collegiate Church, Wolverhampton (litho)
Collegiate Church, Wolverhampton (litho)

WAG451516: Collegiate Church, Wolverhampton (litho), Noyes, Robert (c.1780-1843) / Bridgeman Images

ID: WAG451516

Collegiate Church, Wolverhampton (litho)

Noyes, Robert (c.1780-1843)

The Old Deanery, from 'Remnants of Old Wolverhampton, Vol. 1', published 1880 (etching)
The Old Deanery, from 'Remnants of Old Wolverhampton, Vol. 1', published 1880 (etching)

WAG451509: The Old Deanery, from 'Remnants of Old Wolverhampton, Vol. 1', published 1880 (etching), Fullwood, John (1854-1931) / Bridgeman Images

ID: WAG451509

The Old Deanery, from 'Remnants of Old Wolverhampton, Vol. 1', published 1880 (etching)

Fullwood, John (1854-1931)

DGC451974: "The Outcast", illustration for a feature story, 'A Community of Outcasts', from 'Appleton's Journal, March 23, 1872 (litho), American School, (19th century) / Bridgeman Images

ID: DGC451974

"The Outcast", illustration for a feature story, 'A Community of Outcasts', from 'Appleton's Journal, March 23, 1872 (litho)

American School, (19th century)


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