1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497514 Search Results

Ms Fr. 14765 f.8-9 Allegorical illustration explaining the alchemical process, reputedly written and illuminated by Nicolas Flamel (c.1330-1418) (vellum)
Ms Fr. 14765 f.8-9 Allegorical illustration explaining the alchemical process, reputedly written and illuminated by Nicolas Flamel (c.1330-1418) (vellum)

XTD69816: Ms Fr. 14765 f.8-9 Allegorical illustration explaining the alchemical process, reputedly written and illuminated by Nicolas Flamel (c.1330-1418) (vellum) / Bridgeman Images

ID: XTD69816

Ms Fr. 14765 f.8-9 Allegorical illustration explaining the alchemical process, reputedly written and illuminated by Nicolas Flamel (c.1330-1418) (vellum)

Portrait of John Tucker
Portrait of John Tucker

AGN70052: Portrait of John Tucker, Belle, Alexis Simon (1674-1734) / Bridgeman Images

ID: AGN70052

Portrait of John Tucker

Belle, Alexis Simon (1674-1734)

Panoramic view of the Present Extended Position of the Allied Armies of England, France, Turkey and Sardinia, from a watercolour drawing by Frank C. Hughes, pub. by Stannard and Dixon, 1855 (litho)
Panoramic view of the Present Extended Position of the Allied Armies of England, France, Turkey and Sardinia, from a watercolour drawing by Frank C. Hughes, pub. by Stannard and Dixon, 1855 (litho)

XND70124: Panoramic view of the Present Extended Position of the Allied Armies of England, France, Turkey and Sardinia, from a watercolour drawing by Frank C. Hughes, pub. by Stannard and Dixon, 1855 (litho), Packer, Thomas (1824-1896) / Bridgeman Images

ID: XND70124

Panoramic view of the Present Extended Position of the Allied Armies of England, France, Turkey and Sardinia, from a watercolour drawing by Frank C. Hughes, pub. by Stannard and Dixon, 1855 (litho)

Packer, Thomas (1824-1896)

Rose Satin Drawing Room (second view) Carlton House, engraved by R. Reeve (fl.1811-37) from 'The History of the Royal Residences' by William Henry Pyne (1769-1843) pub. 1818 (litho)
Rose Satin Drawing Room (second view) Carlton House, engraved by R. Reeve (fl.1811-37) from 'The History of the Royal Residences' by William Henry Pyne (1769-1843) pub. 1818 (litho)

STC70153: Rose Satin Drawing Room (second view) Carlton House, engraved by R. Reeve (fl.1811-37) from 'The History of the Royal Residences' by William Henry Pyne (1769-1843) pub. 1818 (litho), Wild, Charles (1781-1835) (after) / Bridgeman Images

ID: STC70153

Rose Satin Drawing Room (second view) Carlton House, engraved by R. Reeve (fl.1811-37) from 'The History of the Royal Residences' by William Henry Pyne (1769-1843) pub. 1818 (litho)

Wild, Charles (1781-1835) (after)

Spring in 1915, illustration from a German magazine, 'Simplicissimus', c.1915 (litho)
Spring in 1915, illustration from a German magazine, 'Simplicissimus', c.1915 (litho)

STC70190: Spring in 1915, illustration from a German magazine, 'Simplicissimus', c.1915 (litho), Heine, Thomas Theodor (1867-1948) / Bridgeman Images

ID: STC70190

Spring in 1915, illustration from a German magazine, 'Simplicissimus', c.1915 (litho)

Heine, Thomas Theodor (1867-1948)

Minatarees attacking buffalo on horseback (colour litho)
Minatarees attacking buffalo on horseback (colour litho)

XND70272: Minatarees attacking buffalo on horseback (colour litho), Catlin, George (1796-1872) (after) / Bridgeman Images

ID: XND70272

Minatarees attacking buffalo on horseback (colour litho)

Catlin, George (1796-1872) (after)

XND70431: "Stand and Deliver", aquatinted by E. Duncan, pub. 1851 by R. Ackermann (aquatint), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images

ID: XND70431

"Stand and Deliver", aquatinted by E. Duncan, pub. 1851 by R. Ackermann (aquatint)

Alken, Henry Thomas (1785-1851) (after)

All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)
All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)

XAM70439: All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

ID: XAM70439

All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)

Durer or Duerer, Albrecht (1471-1528) (after)

Woman by a Folding Screen (litho)
Woman by a Folding Screen (litho)

STC70168: Woman by a Folding Screen (litho), Faivre, Jules Abel (1867-1945) / Bridgeman Images

ID: STC70168

Woman by a Folding Screen (litho)

Faivre, Jules Abel (1867-1945)

L to R Helen Shelley (1799-1885) and Margaret Shelley (1801-87)
L to R Helen Shelley (1799-1885) and Margaret Shelley (1801-87)

XND70206: L to R Helen Shelley (1799-1885) and Margaret Shelley (1801-87), Ross, William Charles (1794-1860) / Bridgeman Images

ID: XND70206

L to R Helen Shelley (1799-1885) and Margaret Shelley (1801-87)

Ross, William Charles (1794-1860)

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70232

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

Blake, William (1757-1827)

Storming of Monte Video, 3rd February, 1807, engraved by Thomas Sutherland (b.c.1785) (engraving)
Storming of Monte Video, 3rd February, 1807, engraved by Thomas Sutherland (b.c.1785) (engraving)

XND70282: Storming of Monte Video, 3rd February, 1807, engraved by Thomas Sutherland (b.c.1785) (engraving), Heath, William (1795-1840) (after) / Bridgeman Images

ID: XND70282

Storming of Monte Video, 3rd February, 1807, engraved by Thomas Sutherland (b.c.1785) (engraving)

Heath, William (1795-1840) (after)

Arab Horsemen Resting in the Forest, 1868 (oil on canvas)
Arab Horsemen Resting in the Forest, 1868 (oil on canvas)

XIR70310: Arab Horsemen Resting in the Forest, 1868 (oil on canvas), Fromentin, Eugene (1820-76) / Bridgeman Images

ID: XIR70310

Arab Horsemen Resting in the Forest, 1868 (oil on canvas)

Fromentin, Eugene (1820-76)

Summer Garden, 1989
Summer Garden, 1989

PHO70504: Summer Garden, 1989, Larusdottir, Karolina (b.1944) / Bridgeman Images

ID: PHO70504

Summer Garden, 1989

Larusdottir, Karolina (b.1944)

Tong Castle across the Meadows (demolished)
Tong Castle across the Meadows (demolished)

WES67097: Tong Castle across the Meadows (demolished), English School, (19th century) / Bridgeman Images

ID: WES67097

Tong Castle across the Meadows (demolished)

English School, (19th century)

Emperor Francis I of Austria, 19th century (oil on canvas)
Emperor Francis I of Austria, 19th century (oil on canvas)

XAM67282: Emperor Francis I of Austria, 19th century (oil on canvas), Hoechle, Johann Baptist (1754-1832) / Bridgeman Images

ID: XAM67282

Emperor Francis I of Austria, 19th century (oil on canvas)

Hoechle, Johann Baptist (1754-1832)

Banquet in the Redoutensaal, Vienna, 1760 (detail of 66717)
Banquet in the Redoutensaal, Vienna, 1760 (detail of 66717)

XAM67404: Banquet in the Redoutensaal, Vienna, 1760 (detail of 66717), Mytens or Meytens, Martin van (1695-1770) (school of) / Bridgeman Images

ID: XAM67404

Banquet in the Redoutensaal, Vienna, 1760 (detail of 66717)

Mytens or Meytens, Martin van (1695-1770) (school of)

Genesis 27 6-29 Jacob gets Isaac's blessing, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
Genesis 27 6-29 Jacob gets Isaac's blessing, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67459: Genesis 27 6-29 Jacob gets Isaac's blessing, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67459

Genesis 27 6-29 Jacob gets Isaac's blessing, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

Doors of the cathedral, 1186 (bronze)
Doors of the cathedral, 1186 (bronze)

VLS67700: Doors of the cathedral, 1186 (bronze), Bonannus of Pisa (fl.1174-86) / Bridgeman Images

ID: VLS67700

Doors of the cathedral, 1186 (bronze)

Bonannus of Pisa (fl.1174-86)

Blind Mary, 1881
Blind Mary, 1881

HRT67770: Blind Mary, 1881, Clark, James (1858-1943) / Bridgeman Images

ID: HRT67770

Blind Mary, 1881

Clark, James (1858-1943)

Portrait of John Ruskin (1819-1900) 1898-99
Portrait of John Ruskin (1819-1900) 1898-99

RMC67846: Portrait of John Ruskin (1819-1900) 1898-99, Severn, Joseph Arthur Palliser (1842-1931) / Bridgeman Images

ID: RMC67846

Portrait of John Ruskin (1819-1900) 1898-99

Severn, Joseph Arthur Palliser (1842-1931)

Excavated Temple of Gysha, Nubia, from
Excavated Temple of Gysha, Nubia, from

STC67037: Excavated Temple of Gysha, Nubia, from "Egypt and Nubia", Vol.1 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67037

Excavated Temple of Gysha, Nubia, from "Egypt and Nubia", Vol.1 (litho)

Roberts, David (1796-1864)

Charles I (1600-49) (panel)
Charles I (1600-49) (panel)

WES67083: Charles I (1600-49) (panel), Mytens, Daniel (1590-c.1648) / Bridgeman Images

ID: WES67083

Charles I (1600-49) (panel)

Mytens, Daniel (1590-c.1648)

Temple of Sobek and Haroeris at Kom Ombo, from 'Egypt and Nubia', Vol.2 (colour litho)
Temple of Sobek and Haroeris at Kom Ombo, from 'Egypt and Nubia', Vol.2 (colour litho)

STC67186: Temple of Sobek and Haroeris at Kom Ombo, from 'Egypt and Nubia', Vol.2 (colour litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67186

Temple of Sobek and Haroeris at Kom Ombo, from 'Egypt and Nubia', Vol.2 (colour litho)

Roberts, David (1796-1864)

Interior of the Mosque of Sultan Hasan, Cairo, from
Interior of the Mosque of Sultan Hasan, Cairo, from

STC67198: Interior of the Mosque of Sultan Hasan, Cairo, from "Egypt and Nubia", Vol.3 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67198

Interior of the Mosque of Sultan Hasan, Cairo, from "Egypt and Nubia", Vol.3 (litho)

Roberts, David (1796-1864)

Exodus 7 8-25 Aaron's rod in the form of a serpent swallows up the serpents of the Pharaoh's sages and sorcerers, and Moses turns the waters of the Nile to blood, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
Exodus 7 8-25 Aaron's rod in the form of a serpent swallows up the serpents of the Pharaoh's sages and sorcerers, and Moses turns the waters of the Nile to blood, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67470: Exodus 7 8-25 Aaron's rod in the form of a serpent swallows up the serpents of the Pharaoh's sages and sorcerers, and Moses turns the waters of the Nile to blood, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67470

Exodus 7 8-25 Aaron's rod in the form of a serpent swallows up the serpents of the Pharaoh's sages and sorcerers, and Moses turns the waters of the Nile to blood, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

Exodus 15 1-19 The Song of Moses, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
Exodus 15 1-19 The Song of Moses, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67479: Exodus 15 1-19 The Song of Moses, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67479

Exodus 15 1-19 The Song of Moses, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

Apocrypha: Tobit is blinded by sparrow's droppings, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
Apocrypha: Tobit is blinded by sparrow's droppings, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67529: Apocrypha: Tobit is blinded by sparrow's droppings, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67529

Apocrypha: Tobit is blinded by sparrow's droppings, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

Portrait of the daughters of Sir Matthew Decker, Bt., 1718 (oil on canvas)
Portrait of the daughters of Sir Matthew Decker, Bt., 1718 (oil on canvas)

FIT69682: Portrait of the daughters of Sir Matthew Decker, Bt., 1718 (oil on canvas), Meyer, Jan Van (c.1681-p.1741) / Bridgeman Images

ID: FIT69682

Portrait of the daughters of Sir Matthew Decker, Bt., 1718 (oil on canvas)

Meyer, Jan Van (c.1681-p.1741)

M.19-1938 Parade burgonet in pseudo-Roman style, attributed to the Negroli brothers workshop, Milan, c.1545-50 (embossed steel)
M.19-1938 Parade burgonet in pseudo-Roman style, attributed to the Negroli brothers workshop, Milan, c.1545-50 (embossed steel)

FIT69753: M.19-1938 Parade burgonet in pseudo-Roman style, attributed to the Negroli brothers workshop, Milan, c.1545-50 (embossed steel) / Bridgeman Images

ID: FIT69753

M.19-1938 Parade burgonet in pseudo-Roman style, attributed to the Negroli brothers workshop, Milan, c.1545-50 (embossed steel)

The Meeting Place - Under the Tree, (w/c)
The Meeting Place - Under the Tree, (w/c)

FLF69039: The Meeting Place - Under the Tree, (w/c), Absolon, John (1815-95) / Bridgeman Images

ID: FLF69039

The Meeting Place - Under the Tree, (w/c)

Absolon, John (1815-95)

A Question of Colour (oil on canvas)
A Question of Colour (oil on canvas)

WAK69123: A Question of Colour (oil on canvas), Shanks, William Somerville (1864-1951) / Bridgeman Images

ID: WAK69123

A Question of Colour (oil on canvas)

Shanks, William Somerville (1864-1951)

Portrait of a Dignitary, c.1825 (oil on canvas)
Portrait of a Dignitary, c.1825 (oil on canvas)

SD69273: Portrait of a Dignitary, c.1825 (oil on canvas), Dawe, George (1781-1829) (attr. to) / Bridgeman Images

ID: SD69273

Portrait of a Dignitary, c.1825 (oil on canvas)

Dawe, George (1781-1829) (attr. to)

Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)
Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)

XIR69386: Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone), Italian School, (15th century) / Bridgeman Images

ID: XIR69386

Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)

Italian School, (15th century)

Collection of Chinese snuff bottles, ceramic, glass, lacquer and carved stone, 18th-19th century
Collection of Chinese snuff bottles, ceramic, glass, lacquer and carved stone, 18th-19th century

FIT69772: Collection of Chinese snuff bottles, ceramic, glass, lacquer and carved stone, 18th-19th century / Bridgeman Images

ID: FIT69772

Collection of Chinese snuff bottles, ceramic, glass, lacquer and carved stone, 18th-19th century

Self portrait holding a wax portrait medallion, 1564 (panel)
Self portrait holding a wax portrait medallion, 1564 (panel)

XAM70713: Self portrait holding a wax portrait medallion, 1564 (panel), Broecke, Willem van den (1530-80) / Bridgeman Images

ID: XAM70713

Self portrait holding a wax portrait medallion, 1564 (panel)

Broecke, Willem van den (1530-80)


Back to top