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Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving)
Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving)

XJF134637: Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving), English School, (19th century) / Bridgeman Images

Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)
Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)

STC134643: Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)
Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)

STC134652: Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

Welwyn Viaduct, c.1850 (w/c on paper)
Welwyn Viaduct, c.1850 (w/c on paper)

IGM134705: Welwyn Viaduct, c.1850 (w/c on paper), Humber, W. (fl.1850) / Bridgeman Images

At Noon, 1879 (oil on canvas)
At Noon, 1879 (oil on canvas)

XAB134970: At Noon, 1879 (oil on canvas), Makovsky, Vladimir Egorovic (1846-1920) / Bridgeman Images

End paper of 'The Fairy Ship', 1871 (ink on paper) (b/w photo)
End paper of 'The Fairy Ship', 1871 (ink on paper) (b/w photo)

STC135025: End paper of 'The Fairy Ship', 1871 (ink on paper) (b/w photo), Crane, Walter (1845-1915) / Bridgeman Images

A Scene on the River Sutledge, in the Punjab, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)
A Scene on the River Sutledge, in the Punjab, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)

STC135152: A Scene on the River Sutledge, in the Punjab, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho), Atkinson, James (1780-1852) (after) / Bridgeman Images

Bamana Mask from Mali (wood)
Bamana Mask from Mali (wood)

HSC186399: Bamana Mask from Mali (wood), African School / Bridgeman Images

The Solidor Tower, St. Malo, 1882 (oil on board)
The Solidor Tower, St. Malo, 1882 (oil on board)

PWG186405: The Solidor Tower, St. Malo, 1882 (oil on board), Carrick, John Mulcaster (1833-96) / Bridgeman Images

Sculptures and grotto from the 'Calvary' in the grounds of the church (photo)
Sculptures and grotto from the 'Calvary' in the grounds of the church (photo)

MAE186801: Sculptures and grotto from the 'Calvary' in the grounds of the church (photo), Flemish School, (18th century) / Bridgeman Images

St. Augustine, one of the Four Latin Fathers of the Church (wood)
St. Augustine, one of the Four Latin Fathers of the Church (wood)

MAE186817: St. Augustine, one of the Four Latin Fathers of the Church (wood), Netherlandish School / Bridgeman Images

Statue of St Vincent with the Monastery of San Jeronimo in the background
Statue of St Vincent with the Monastery of San Jeronimo in the background

XJL186906: Statue of St Vincent with the Monastery of San Jeronimo in the background, Portuguese School / Bridgeman Images

Agate casket (gold, silver & precious stones)
Agate casket (gold, silver & precious stones)

XJL186922: Agate casket (gold, silver & precious stones), Spanish School, (10th century) / Bridgeman Images

The Battle of Tetouan in 1860, 1870 (oil on canvas)
The Battle of Tetouan in 1860, 1870 (oil on canvas)

XJL186942: The Battle of Tetouan in 1860, 1870 (oil on canvas), Palmaroli, Vincente Gonzalez (1834-96) / Bridgeman Images

Don Carlos de Vianad (1421-61) 1881 (oil on canvas)
Don Carlos de Vianad (1421-61) 1881 (oil on canvas)

XJL186945: Don Carlos de Vianad (1421-61) 1881 (oil on canvas), Moreno Carbonero, Jose (1860-1942) / Bridgeman Images

Mussolini helping with the wheat harvest, from 'Le Pelerin', 5th August 1934 (colour litho)
Mussolini helping with the wheat harvest, from 'Le Pelerin', 5th August 1934 (colour litho)

CHT192977: Mussolini helping with the wheat harvest, from 'Le Pelerin', 5th August 1934 (colour litho), Grand'Aigle, Henri (1881-1951) / Bridgeman Images

Tomb of Diane de Poitiers (1499-1566) (marble)
Tomb of Diane de Poitiers (1499-1566) (marble)

XIR192990: Tomb of Diane de Poitiers (1499-1566) (marble), French School, (16th century) / Bridgeman Images

Bowl depicting Neptune, Jupiter and a satyr, from Inveresk, Midlothian (earthenware)
Bowl depicting Neptune, Jupiter and a satyr, from Inveresk, Midlothian (earthenware)

MSC193007: Bowl depicting Neptune, Jupiter and a satyr, from Inveresk, Midlothian (earthenware), Samian / Bridgeman Images

The Nativity (champleve enamel on copper)
The Nativity (champleve enamel on copper)

EDI193041: The Nativity (champleve enamel on copper), French School, (15th century) / Bridgeman Images

A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching)
A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching)

NCO193101: A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Posting to the Election: a scene on the road to Brentford, published by Hannah Humphrey in 1806 (hand-coloured etching)
Posting to the Election: a scene on the road to Brentford, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193119: Posting to the Election: a scene on the road to Brentford, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical War, published by S.W. Fores in 1787 (etching)
The Theatrical War, published by S.W. Fores in 1787 (etching)

NCO193125: The Theatrical War, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching)
A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO193146: A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO193152: The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)
A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193185: A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Illustration from 'Visitation of a London Exquisite to his Maiden Aunts in the Country', published 1859 (colour litho) (see also 203629-31)
Illustration from 'Visitation of a London Exquisite to his Maiden Aunts in the Country', published 1859 (colour litho) (see also 203629-31)

STC193200: Illustration from 'Visitation of a London Exquisite to his Maiden Aunts in the Country', published 1859 (colour litho) (see also 203629-31), Theo (fl.c.1859) / Bridgeman Images

William Howard Taft (1857-1930) (b/w photo)
William Howard Taft (1857-1930) (b/w photo)

XJF135245: William Howard Taft (1857-1930) (b/w photo), unknown photographer / Bridgeman Images

Interior view of the choir and apse (photo)
Interior view of the choir and apse (photo)

XIR135396: Interior view of the choir and apse (photo), French School, (12th century) / Bridgeman Images

Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving)
Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving)

STC135406: Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving), French School, (18th century) / Bridgeman Images

Monsieur Leger as Zephyr, in Nais, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) 1764 (colour engraving)
Monsieur Leger as Zephyr, in Nais, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) 1764 (colour engraving)

STC135412: Monsieur Leger as Zephyr, in Nais, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) 1764 (colour engraving), French School, (18th century) / Bridgeman Images

Fathers of the Church, late 13th century (fresco)
Fathers of the Church, late 13th century (fresco)

JB135552: Fathers of the Church, late 13th century (fresco), Serbian School, (13th century) / Bridgeman Images

The Martyrdom of St. George, 1335-48 (fresco)
The Martyrdom of St. George, 1335-48 (fresco)

JB135568: The Martyrdom of St. George, 1335-48 (fresco), Serbian School (14th century) / Bridgeman Images

The Procession (oil on canvas)
The Procession (oil on canvas)

CK135582: The Procession (oil on canvas), English School, (19th century) / Bridgeman Images

Steam Shovel Work: Culebra Cut, plate XIV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
Steam Shovel Work: Culebra Cut, plate XIV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135621: Steam Shovel Work: Culebra Cut, plate XIV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

Ursula Jeans as Cecily Cardew, in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Old Vic Theatre, 5 February 1934 (b/w photo)
Ursula Jeans as Cecily Cardew, in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Old Vic Theatre, 5 February 1934 (b/w photo)

STC135702: Ursula Jeans as Cecily Cardew, in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Old Vic Theatre, 5 February 1934 (b/w photo), English Photographer, (20th century) / Bridgeman Images


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