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2491551 Search Results

Roosters, 1910 (w/c on paper)
Roosters, 1910 (w/c on paper)

BAL45269: Roosters, 1910 (w/c on paper), Procter, Ernest (1886-1935) / Bridgeman Images

ID: BAL45269

Roosters, 1910 (w/c on paper)

Procter, Ernest (1886-1935)

Trafalgar Day, 1905 (Oil on board)
Trafalgar Day, 1905 (Oil on board)

MAL45274: Trafalgar Day, 1905 (Oil on board), Logsdail, William (1859-1944) / Bridgeman Images

ID: MAL45274

Trafalgar Day, 1905 (Oil on board)

Logsdail, William (1859-1944)

Twenty four paragons: Tai Shun and the Elephants, pub. c.1830, (colour woodblock print)
Twenty four paragons: Tai Shun and the Elephants, pub. c.1830, (colour woodblock print)

ILL45525: Twenty four paragons: Tai Shun and the Elephants, pub. c.1830, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: ILL45525

Twenty four paragons: Tai Shun and the Elephants, pub. c.1830, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Three girls in a clothes shop, (colour woodblock print)
Three girls in a clothes shop, (colour woodblock print)

ILL45536: Three girls in a clothes shop, (colour woodblock print), Kitagawa, Utamaro (1753-1806) / Bridgeman Images

ID: ILL45536

Three girls in a clothes shop, (colour woodblock print)

Kitagawa, Utamaro (1753-1806)

Francesco Tapia, Conte del Vasto, with his Family seated in an interior of the Palazzo Tapia with a View of the Castello di Sant Elmo, 1634 (oil on copper)
Francesco Tapia, Conte del Vasto, with his Family seated in an interior of the Palazzo Tapia with a View of the Castello di Sant Elmo, 1634 (oil on copper)

BAL45642: Francesco Tapia, Conte del Vasto, with his Family seated in an interior of the Palazzo Tapia with a View of the Castello di Sant Elmo, 1634 (oil on copper), Heimbach, Wolfgang (c.1615-78) / Bridgeman Images

ID: BAL45642

Francesco Tapia, Conte del Vasto, with his Family seated in an interior of the Palazzo Tapia with a View of the Castello di Sant Elmo, 1634 (oil on copper)

Heimbach, Wolfgang (c.1615-78)

A Still Life of Perch and Pike
A Still Life of Perch and Pike

BAL45655: A Still Life of Perch and Pike, Putter, Pieter de (c.1600-59) / Bridgeman Images

ID: BAL45655

A Still Life of Perch and Pike

Putter, Pieter de (c.1600-59)

Landscape with Figures
Landscape with Figures

RAF45661: Landscape with Figures, Swebach, Jacques Francois Joseph (1769-1823) / Bridgeman Images

ID: RAF45661

Landscape with Figures

Swebach, Jacques Francois Joseph (1769-1823)

Rob Roy -
Rob Roy -

LOC45951: Rob Roy - "Taking out another glove, threw it towards me" (engraving), Unknown Artist / Bridgeman Images

ID: LOC45951

Rob Roy - "Taking out another glove, threw it towards me" (engraving)

Unknown Artist

Beach Scene (oil on canvas)
Beach Scene (oil on canvas)

WH46030: Beach Scene (oil on canvas), Gaillard, Frans (1861-1932) / Bridgeman Images

ID: WH46030

Beach Scene (oil on canvas)

Gaillard, Frans (1861-1932)

T30736 Horses in Paris, 1924 (oil on card)
T30736 Horses in Paris, 1924 (oil on card)

PFA90107: T30736 Horses in Paris, 1924 (oil on card), Wood, Christopher (1901-30) / Bridgeman Images

ID: PFA90107

T30736 Horses in Paris, 1924 (oil on card)

Wood, Christopher (1901-30)

New York from the North West angle of Fort Columbus, 1846 (colour litho)
New York from the North West angle of Fort Columbus, 1846 (colour litho)

MNY90167: New York from the North West angle of Fort Columbus, 1846 (colour litho), American School, (19th century) / Bridgeman Images

ID: MNY90167

New York from the North West angle of Fort Columbus, 1846 (colour litho)

American School, (19th century)

Daphne pursued by Apollo (tempera on panel) (see also 90393)
Daphne pursued by Apollo (tempera on panel) (see also 90393)

BI90395: Daphne pursued by Apollo (tempera on panel) (see also 90393), Master of the Judgement of Paris, (fl.1450) / Bridgeman Images

ID: BI90395

Daphne pursued by Apollo (tempera on panel) (see also 90393)

Master of the Judgement of Paris, (fl.1450)

The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint)
The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint)

STC90417: The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint), Singleton, Henry (1766-1839) (after) / Bridgeman Images

ID: STC90417

The Settling Family Attacked by Savages, engraved by George Keating (1762-1842) (aquatint)

Singleton, Henry (1766-1839) (after)

The Derwent River and Borrowdale, from 'The English Lake District', 1853 (litho)
The Derwent River and Borrowdale, from 'The English Lake District', 1853 (litho)

STC90420: The Derwent River and Borrowdale, from 'The English Lake District', 1853 (litho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

ID: STC90420

The Derwent River and Borrowdale, from 'The English Lake District', 1853 (litho)

Pyne, James Baker (1800-70) (after)

Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho)
Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho)

STC90423: Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

ID: STC90423

Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho)

Pyne, James Baker (1800-70) (after)

Chrysanthemums, c.1900 (oil on canvas)
Chrysanthemums, c.1900 (oil on canvas)

HMP90448: Chrysanthemums, c.1900 (oil on canvas), Kerr, Charles Henry Malcolm (1858-1907) / Bridgeman Images

ID: HMP90448

Chrysanthemums, c.1900 (oil on canvas)

Kerr, Charles Henry Malcolm (1858-1907)

Snowdon, 1835 (w/c on paper)
Snowdon, 1835 (w/c on paper)

HMP90456: Snowdon, 1835 (w/c on paper), Fielding, Anthony Vandyke Copley (1787-1855) / Bridgeman Images

ID: HMP90456

Snowdon, 1835 (w/c on paper)

Fielding, Anthony Vandyke Copley (1787-1855)

The Flight into Egypt (oil on copper)
The Flight into Egypt (oil on copper)

PFA83029: The Flight into Egypt (oil on copper), Lanen, Jasper van der (c.1592-fl.1624) / Bridgeman Images

ID: PFA83029

The Flight into Egypt (oil on copper)

Lanen, Jasper van der (c.1592-fl.1624)

Portrait of a lady (panel)
Portrait of a lady (panel)

PFA83046: Portrait of a lady (panel), Bruges Master (16th century) / Bridgeman Images

ID: PFA83046

Portrait of a lady (panel)

Bruges Master (16th century)

The Crucifixion (panel)
The Crucifixion (panel)

PFA83049: The Crucifixion (panel), Grebber, Pieter Fransz. de (c.1600-53) / Bridgeman Images

ID: PFA83049

The Crucifixion (panel)

Grebber, Pieter Fransz. de (c.1600-53)

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83101

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

Iris Monnieri, from `Les Liliacees', 1808 (coloured engraving)
Iris Monnieri, from `Les Liliacees', 1808 (coloured engraving)

BAL46186: Iris Monnieri, from `Les Liliacees', 1808 (coloured engraving), Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: BAL46186

Iris Monnieri, from `Les Liliacees', 1808 (coloured engraving)

Redouté, Pierre Joseph (1759-1840)

View on the Canal, Dort, 1882
View on the Canal, Dort, 1882

MAI46504: View on the Canal, Dort, 1882, Goodwin, Albert (1845-1932) / Bridgeman Images

ID: MAI46504

View on the Canal, Dort, 1882

Goodwin, Albert (1845-1932)

Border of a manuscript in the British Museum, Chapter VII, plate XXIX from 'Grammar of Ornament', 1868 (colour litho)
Border of a manuscript in the British Museum, Chapter VII, plate XXIX from 'Grammar of Ornament', 1868 (colour litho)

PT46642: Border of a manuscript in the British Museum, Chapter VII, plate XXIX from 'Grammar of Ornament', 1868 (colour litho), Jones, Owen (1809-74) / Bridgeman Images

ID: PT46642

Border of a manuscript in the British Museum, Chapter VII, plate XXIX from 'Grammar of Ornament', 1868 (colour litho)

Jones, Owen (1809-74)

Celtic Ornament, Chapter XV, plate LXIII from 'Grammar of Ornament' 1868 (colour litho)
Celtic Ornament, Chapter XV, plate LXIII from 'Grammar of Ornament' 1868 (colour litho)

PT46651: Celtic Ornament, Chapter XV, plate LXIII from 'Grammar of Ornament' 1868 (colour litho), Jones, Owen (1809-74) / Bridgeman Images

ID: PT46651

Celtic Ornament, Chapter XV, plate LXIII from 'Grammar of Ornament' 1868 (colour litho)

Jones, Owen (1809-74)

Collection of borders from Illuminated Manuscripts from 9th-14th century, chapter XVI, plate LXVII, from 'Grammar of Ornament' 1868 (colour litho)
Collection of borders from Illuminated Manuscripts from 9th-14th century, chapter XVI, plate LXVII, from 'Grammar of Ornament' 1868 (colour litho)

PT46659: Collection of borders from Illuminated Manuscripts from 9th-14th century, chapter XVI, plate LXVII, from 'Grammar of Ornament' 1868 (colour litho), Jones, Owen (1809-74) / Bridgeman Images

ID: PT46659

Collection of borders from Illuminated Manuscripts from 9th-14th century, chapter XVI, plate LXVII, from 'Grammar of Ornament' 1868 (colour litho)

Jones, Owen (1809-74)

Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas)
Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas)

MHB90657: Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas), Recco, Giuseppe (1634-95) / Bridgeman Images

ID: MHB90657

Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas)

Recco, Giuseppe (1634-95)

Supplication, c.1850 (oil on panel)
Supplication, c.1850 (oil on panel)

HMP90705: Supplication, c.1850 (oil on panel), Elmore, Alfred W. (1815-81) / Bridgeman Images

ID: HMP90705

Supplication, c.1850 (oil on panel)

Elmore, Alfred W. (1815-81)

Wooded Landscape with Soldiers Escorting Prisoners, 1656 (oil on canvas)
Wooded Landscape with Soldiers Escorting Prisoners, 1656 (oil on canvas)

CPB90784: Wooded Landscape with Soldiers Escorting Prisoners, 1656 (oil on canvas), Berchem, Nicolaes Pietersz. (1620-83) / Bridgeman Images

ID: CPB90784

Wooded Landscape with Soldiers Escorting Prisoners, 1656 (oil on canvas)

Berchem, Nicolaes Pietersz. (1620-83)

Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum)
Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum)

CPB90790: Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum), White, Robert (1645-1703) / Bridgeman Images

ID: CPB90790

Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum)

White, Robert (1645-1703)

Tomb of Maximilian I (1459-1519) view of four bronze figures of mourners, possibly ancestors, relatives or contempories, the design attributed to Gilg Sesselschreiber, 16th century (photo) (see also 1031, 1033, 68696-97)
Tomb of Maximilian I (1459-1519) view of four bronze figures of mourners, possibly ancestors, relatives or contempories, the design attributed to Gilg Sesselschreiber, 16th century (photo) (see also 1031, 1033, 68696-97)

XAM90835: Tomb of Maximilian I (1459-1519) view of four bronze figures of mourners, possibly ancestors, relatives or contempories, the design attributed to Gilg Sesselschreiber, 16th century (photo) (see also 1031, 1033, 68696-97), Vischer, Peter (c.1460-1529) (workshop of) / Bridgeman Images

ID: XAM90835

Tomb of Maximilian I (1459-1519) view of four bronze figures of mourners, possibly ancestors, relatives or contempories, the design attributed to Gilg Sesselschreiber, 16th century (photo) (see also 1031, 1033, 68696-97)

Vischer, Peter (c.1460-1529) (workshop of)

Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving)
Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving)

XAM90840: Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving), Austrian School, (18th century) / Bridgeman Images

ID: XAM90840

Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving)

Austrian School, (18th century)

BT1.70.2 Volvelleor with the zodiac, illustration from 'Astronimicum Caesareum' by Peter Apian (Bennewitz) (1495-1552) pub. in Ingolstadt, 1540 (coloured woodcut)
BT1.70.2 Volvelleor with the zodiac, illustration from 'Astronimicum Caesareum' by Peter Apian (Bennewitz) (1495-1552) pub. in Ingolstadt, 1540 (coloured woodcut)

NCO90862: BT1.70.2 Volvelleor with the zodiac, illustration from 'Astronimicum Caesareum' by Peter Apian (Bennewitz) (1495-1552) pub. in Ingolstadt, 1540 (coloured woodcut), German School, (16th century) / Bridgeman Images

ID: NCO90862

BT1.70.2 Volvelleor with the zodiac, illustration from 'Astronimicum Caesareum' by Peter Apian (Bennewitz) (1495-1552) pub. in Ingolstadt, 1540 (coloured woodcut)

German School, (16th century)

Facade of Mefa Dzamissi, the Church of St. Theodore, from 'Church Architecture of Constantinople', pub. by Lehmann and Wentzel of Vienna, c.1870-80 (litho)
Facade of Mefa Dzamissi, the Church of St. Theodore, from 'Church Architecture of Constantinople', pub. by Lehmann and Wentzel of Vienna, c.1870-80 (litho)

STC83220: Facade of Mefa Dzamissi, the Church of St. Theodore, from 'Church Architecture of Constantinople', pub. by Lehmann and Wentzel of Vienna, c.1870-80 (litho), Pulgher, D. (19th century) (after) / Bridgeman Images

ID: STC83220

Facade of Mefa Dzamissi, the Church of St. Theodore, from 'Church Architecture of Constantinople', pub. by Lehmann and Wentzel of Vienna, c.1870-80 (litho)

Pulgher, D. (19th century) (after)

The Stadium at Ephesus, 1810 (engraving)
The Stadium at Ephesus, 1810 (engraving)

STC83265: The Stadium at Ephesus, 1810 (engraving), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

ID: STC83265

The Stadium at Ephesus, 1810 (engraving)

Mayer, Luigi (1755-1803) (after)

Ruins of an Ancient Temple in Samos, plate 58 from 'Views in the Ottoman Dominions', pub. by R. Bowyer, 1810 (aquatint)
Ruins of an Ancient Temple in Samos, plate 58 from 'Views in the Ottoman Dominions', pub. by R. Bowyer, 1810 (aquatint)

STC83431: Ruins of an Ancient Temple in Samos, plate 58 from 'Views in the Ottoman Dominions', pub. by R. Bowyer, 1810 (aquatint), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

ID: STC83431

Ruins of an Ancient Temple in Samos, plate 58 from 'Views in the Ottoman Dominions', pub. by R. Bowyer, 1810 (aquatint)

Mayer, Luigi (1755-1803) (after)


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