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Rio de Janeiro, view of the Morne de Gloria, late 19th century
Rio de Janeiro, view of the Morne de Gloria, late 19th century

LSE4089164: Rio de Janeiro, view of the Morne de Gloria, late 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4089164

Rio de Janeiro, view of the Morne de Gloria, late 19th century

Unknown Artist, (19th century)

A Victorian die cut blind embossed Christmas card of a ship and a lifeboat on a stormy sea, c.1880 (colour litho)
A Victorian die cut blind embossed Christmas card of a ship and a lifeboat on a stormy sea, c.1880 (colour litho)

CFA3604181: A Victorian die cut blind embossed Christmas card of a ship and a lifeboat on a stormy sea, c.1880 (colour litho), English School, (19th century) / Bridgeman Images

ID: CFA3604181

A Victorian die cut blind embossed Christmas card of a ship and a lifeboat on a stormy sea, c.1880 (colour litho)

English School, (19th century)

Men's fashion, 1829. Lithograph of Lemercier in “” La Mode”, Volume I, October, November, December 1829.
Men's fashion, 1829. Lithograph of Lemercier in “” La Mode”, Volume I, October, November, December 1829.

LSE4089242: Men's fashion, 1829. Lithograph of Lemercier in “” La Mode”, Volume I, October, November, December 1829., Lemercier, Alfred Leon (1831-1900) / Bridgeman Images

ID: LSE4089242

Men's fashion, 1829. Lithograph of Lemercier in “” La Mode”, Volume I, October, November, December 1829.

Lemercier, Alfred Leon (1831-1900)

Burglar who fled after committing his mischief and barking watchdog - drawing by Bertall, in “” Pierre the unsolved””, 1876
Burglar who fled after committing his mischief and barking watchdog - drawing by Bertall, in “” Pierre the unsolved””, 1876

LSE4089266: Burglar who fled after committing his mischief and barking watchdog - drawing by Bertall, in “” Pierre the unsolved””, 1876, Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

ID: LSE4089266

Burglar who fled after committing his mischief and barking watchdog - drawing by Bertall, in “” Pierre the unsolved””, 1876

Bertall, Charles Albert d'Arnoux (1820-82)

Ceremonies that the Incas observe by making knights the Princes of Their Blood - in “” Historical Journey of South America done by Order of the King of Spain”” by Don Georges Juan & Don Antoine de Ulloa, T.II, ed. Jombert, Librairie du Roi, Paris, 1752
Ceremonies that the Incas observe by making knights the Princes of Their Blood - in “” Historical Journey of South America done by Order of the King of Spain”” by Don Georges Juan & Don Antoine de Ulloa, T.II, ed. Jombert, Librairie du Roi, Paris, 1752

LSE4089290: Ceremonies that the Incas observe by making knights the Princes of Their Blood - in “” Historical Journey of South America done by Order of the King of Spain”” by Don Georges Juan & Don Antoine de Ulloa, T.II, ed. Jombert, Librairie du Roi, Paris, 1752, Unknown artist, (18th century) / Bridgeman Images

ID: LSE4089290

Ceremonies that the Incas observe by making knights the Princes of Their Blood - in “” Historical Journey of South America done by Order of the King of Spain”” by Don Georges Juan & Don Antoine de Ulloa, T.II, ed. Jombert, Librairie du Roi, Paris, 1752

Unknown artist, (18th century)

Dutch farmers in a wheat field, deb. 20th century
Dutch farmers in a wheat field, deb. 20th century

LSE4089382: Dutch farmers in a wheat field, deb. 20th century, Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4089382

Dutch farmers in a wheat field, deb. 20th century

Unknown Artist, (20th century)

Reapers - Plate by Bernard Palissy, 16th century
Reapers - Plate by Bernard Palissy, 16th century

LSE4089388: Reapers - Plate by Bernard Palissy, 16th century, Palissy, Bernard (1509-90) / Bridgeman Images

ID: LSE4089388

Reapers - Plate by Bernard Palissy, 16th century

Palissy, Bernard (1509-90)

The abduction of Europe by Jupiter, looks like a white bull - Libox chromolithography, produced Liebig, 19th century
The abduction of Europe by Jupiter, looks like a white bull - Libox chromolithography, produced Liebig, 19th century

LSE4089468: The abduction of Europe by Jupiter, looks like a white bull - Libox chromolithography, produced Liebig, 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4089468

The abduction of Europe by Jupiter, looks like a white bull - Libox chromolithography, produced Liebig, 19th century

Unknown Artist, (19th century)

Jupiter (Zeus) on Olympus - Liébig advertising sticker
Jupiter (Zeus) on Olympus - Liébig advertising sticker

LSE4089473: Jupiter (Zeus) on Olympus - Liébig advertising sticker, French School, (19th-20th century) / Bridgeman Images

ID: LSE4089473

Jupiter (Zeus) on Olympus - Liébig advertising sticker

French School, (19th-20th century)

The Flower Barrow
The Flower Barrow

XKL60222: The Flower Barrow, Keghel, Desire de (1839-1901) / Bridgeman Images

ID: XKL60222

The Flower Barrow

Keghel, Desire de (1839-1901)

A View of the Thames near York Buildings showing the Shot Tower and Westminster Abbey Beyond, 1750
A View of the Thames near York Buildings showing the Shot Tower and Westminster Abbey Beyond, 1750

PFA60268: A View of the Thames near York Buildings showing the Shot Tower and Westminster Abbey Beyond, 1750, Paul, John (1804-87) (attr. to) / Bridgeman Images

ID: PFA60268

A View of the Thames near York Buildings showing the Shot Tower and Westminster Abbey Beyond, 1750

Paul, John (1804-87) (attr. to)

Patience
Patience

PFA60271: Patience, Shields, Frederic James (1833-1911) / Bridgeman Images

ID: PFA60271

Patience

Shields, Frederic James (1833-1911)

Receiving the Ring, from the Marriage of the Virgin (fresco) (detail)
Receiving the Ring, from the Marriage of the Virgin (fresco) (detail)

KAB60471: Receiving the Ring, from the Marriage of the Virgin (fresco) (detail), Ghirlandaio, Domenico (1449-94) / Bridgeman Images

ID: KAB60471

Receiving the Ring, from the Marriage of the Virgin (fresco) (detail)

Ghirlandaio, Domenico (1449-94)

Ms 492 f.75 Banquet scene, from the Aeneid (vellum)
Ms 492 f.75 Banquet scene, from the Aeneid (vellum)

KAB60506: Ms 492 f.75 Banquet scene, from the Aeneid (vellum), Apollonio di Giovanni di Tommaso, (1415/17-65) / Bridgeman Images

ID: KAB60506

Ms 492 f.75 Banquet scene, from the Aeneid (vellum)

Apollonio di Giovanni di Tommaso, (1415/17-65)

T637 View of Mocha from the Jetty, from an Original drawing by Lieutenant Carlefs I.N., 1832
T637 View of Mocha from the Jetty, from an Original drawing by Lieutenant Carlefs I.N., 1832

RGS60568: T637 View of Mocha from the Jetty, from an Original drawing by Lieutenant Carlefs I.N., 1832, Kirk, J. (19th century) / Bridgeman Images

ID: RGS60568

T637 View of Mocha from the Jetty, from an Original drawing by Lieutenant Carlefs I.N., 1832

Kirk, J. (19th century)

The Temple of Gihyeshwari, dedicated to Kali, on the Bugarents River at Pashipatinath, 1852-60 (w/c on paper)
The Temple of Gihyeshwari, dedicated to Kali, on the Bugarents River at Pashipatinath, 1852-60 (w/c on paper)

RGS60571: The Temple of Gihyeshwari, dedicated to Kali, on the Bugarents River at Pashipatinath, 1852-60 (w/c on paper), Oldfield, Dr. Henry Ambrose (1822-71) / Bridgeman Images

ID: RGS60571

The Temple of Gihyeshwari, dedicated to Kali, on the Bugarents River at Pashipatinath, 1852-60 (w/c on paper)

Oldfield, Dr. Henry Ambrose (1822-71)

T627 The Durbar at Nargakot, a Palace in a Town in Nepal, 1854 (w/c)
T627 The Durbar at Nargakot, a Palace in a Town in Nepal, 1854 (w/c)

RGS60580: T627 The Durbar at Nargakot, a Palace in a Town in Nepal, 1854 (w/c), Oldfield, Dr. Henry Ambrose (1822-71) / Bridgeman Images

ID: RGS60580

T627 The Durbar at Nargakot, a Palace in a Town in Nepal, 1854 (w/c)

Oldfield, Dr. Henry Ambrose (1822-71)

Tomb figure of a standing lady with an elaborate coiffeur, 7th-early 8th century AD (straw glazed buff earthenware pottery with traces of black pigment)
Tomb figure of a standing lady with an elaborate coiffeur, 7th-early 8th century AD (straw glazed buff earthenware pottery with traces of black pigment)

ORM68885: Tomb figure of a standing lady with an elaborate coiffeur, 7th-early 8th century AD (straw glazed buff earthenware pottery with traces of black pigment), Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: ORM68885

Tomb figure of a standing lady with an elaborate coiffeur, 7th-early 8th century AD (straw glazed buff earthenware pottery with traces of black pigment)

Chinese School, Tang Dynasty (618-907)

Susanna and the Elders (copy of 83515)
Susanna and the Elders (copy of 83515)

PFA69056: Susanna and the Elders (copy of 83515), Henner, Jean-Jacques (1829-1905) (after) / Bridgeman Images

ID: PFA69056

Susanna and the Elders (copy of 83515)

Henner, Jean-Jacques (1829-1905) (after)

Putti playing with garlands of fruit
Putti playing with garlands of fruit

PFA69059: Putti playing with garlands of fruit, Rubens, Peter Paul (1577-1640) (after) / Bridgeman Images

ID: PFA69059

Putti playing with garlands of fruit

Rubens, Peter Paul (1577-1640) (after)

A Question of Colour (oil on canvas)
A Question of Colour (oil on canvas)

WAK69123: A Question of Colour (oil on canvas), Shanks, William Somerville (1864-1951) / Bridgeman Images

ID: WAK69123

A Question of Colour (oil on canvas)

Shanks, William Somerville (1864-1951)

Wooded Landscape with a Waterfall, c.1660 (oil on canvas)
Wooded Landscape with a Waterfall, c.1660 (oil on canvas)

SD69264: Wooded Landscape with a Waterfall, c.1660 (oil on canvas), Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82) / Bridgeman Images

ID: SD69264

Wooded Landscape with a Waterfall, c.1660 (oil on canvas)

Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82)

Vase of Flowers, c.1880 (oil on panel)
Vase of Flowers, c.1880 (oil on panel)

SD69306: Vase of Flowers, c.1880 (oil on panel), Monticelli, Adolphe Joseph Thomas (1824-86) / Bridgeman Images

ID: SD69306

Vase of Flowers, c.1880 (oil on panel)

Monticelli, Adolphe Joseph Thomas (1824-86)

Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)
Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)

XIR69386: Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone), Italian School, (15th century) / Bridgeman Images

ID: XIR69386

Altarpiece of St. Anne, the Virgin and the infant Christ, with St. Maurice, St. Martha and the Tarasque (the dragon of Tarascon) 1470 (stone)

Italian School, (15th century)

The Hairdresser
The Hairdresser

FTB60691: The Hairdresser, Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: FTB60691

The Hairdresser

Longhi, Pietro (c.1701-85)

Guglielmo de Montfort and his Field Attendant
Guglielmo de Montfort and his Field Attendant

FTB60694: Guglielmo de Montfort and his Field Attendant, Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: FTB60694

Guglielmo de Montfort and his Field Attendant

Longhi, Pietro (c.1701-85)

The Acropolis, 1843
The Acropolis, 1843

FTB60697: The Acropolis, 1843, Caffi, Ippolito (1809-66) / Bridgeman Images

ID: FTB60697

The Acropolis, 1843

Caffi, Ippolito (1809-66)

The `New World'
The `New World'

FTB60723: The `New World', Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: FTB60723

The `New World'

Longhi, Pietro (c.1701-85)

Porcelain flask, maiolica, 16th century
Porcelain flask, maiolica, 16th century

FTB60814: Porcelain flask, maiolica, 16th century, Italian School, (16th century) / Bridgeman Images

ID: FTB60814

Porcelain flask, maiolica, 16th century

Italian School, (16th century)

The Music Room (fresco) (see also 60259 and 60260)
The Music Room (fresco) (see also 60259 and 60260)

FTB61028: The Music Room (fresco) (see also 60259 and 60260), Guarana, J.(1720-1808) & Colonna, M.(18th century) / Bridgeman Images

ID: FTB61028

The Music Room (fresco) (see also 60259 and 60260)

Guarana, J.(1720-1808) & Colonna, M.(18th century)

Doge G. Priuli Receiving Justice, 1567
Doge G. Priuli Receiving Justice, 1567

FTB61106: Doge G. Priuli Receiving Justice, 1567, Tintoretto, Domenico Robusti (1560-1635) (attr.) / Bridgeman Images

ID: FTB61106

Doge G. Priuli Receiving Justice, 1567

Tintoretto, Domenico Robusti (1560-1635) (attr.)

The Battle of Leckerbeetje, 1600 (gouache)
The Battle of Leckerbeetje, 1600 (gouache)

JKR69492: The Battle of Leckerbeetje, 1600 (gouache), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: JKR69492

The Battle of Leckerbeetje, 1600 (gouache)

Vrancx, Sebastian (1573-1647)

Panel of tiles with tchi cloud pattern surrounding a central motif of a wild rose bush, from the exterior of the entrance porch to the Mausoleum of Salim II, Osmanli Sultan of Turkey, designed by the architect Sinan, in the precinct of Haghia Sophia, Iznik, Istanbul, c.1577 (ceramic tiles)
Panel of tiles with tchi cloud pattern surrounding a central motif of a wild rose bush, from the exterior of the entrance porch to the Mausoleum of Salim II, Osmanli Sultan of Turkey, designed by the architect Sinan, in the precinct of Haghia Sophia, Iznik, Istanbul, c.1577 (ceramic tiles)

LOU69542: Panel of tiles with tchi cloud pattern surrounding a central motif of a wild rose bush, from the exterior of the entrance porch to the Mausoleum of Salim II, Osmanli Sultan of Turkey, designed by the architect Sinan, in the precinct of Haghia Sophia, Iznik, Istanbul, c.1577 (ceramic tiles), Turkish School, (16th century) / Bridgeman Images

ID: LOU69542

Panel of tiles with tchi cloud pattern surrounding a central motif of a wild rose bush, from the exterior of the entrance porch to the Mausoleum of Salim II, Osmanli Sultan of Turkey, designed by the architect Sinan, in the precinct of Haghia Sophia, Iznik, Istanbul, c.1577 (ceramic tiles)

Turkish School, (16th century)

Wooded Landscape, 1667 (oil on canvas)
Wooded Landscape, 1667 (oil on canvas)

FIT69687: Wooded Landscape, 1667 (oil on canvas), Hobbema, Meindert (1638-1709) / Bridgeman Images

ID: FIT69687

Wooded Landscape, 1667 (oil on canvas)

Hobbema, Meindert (1638-1709)

PD.247-1989 An Overshot Mill (w/c)
PD.247-1989 An Overshot Mill (w/c)

FIT69728: PD.247-1989 An Overshot Mill (w/c), Redgrave, Richard (1804-88) / Bridgeman Images

ID: FIT69728

PD.247-1989 An Overshot Mill (w/c)

Redgrave, Richard (1804-88)

Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print)
Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print)

XTD70026: Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print), Cruikshank, George (1792-1878) / Bridgeman Images

ID: XTD70026

Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print)

Cruikshank, George (1792-1878)


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