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Hans Makart (1840-1884). Portrait of a Woman, third quarter of the 19th century.
Hans Makart (1840-1884). Portrait of a Woman, third quarter of the 19th century.

TRK3025450: Hans Makart (1840-1884). Portrait of a Woman, third quarter of the 19th century., Makart, Hans (1840-84) / Bridgeman Images

Albert Schwendy (1820-1902).  Berlin. View of the Lange Brucke from the Spree, 1850.
Albert Schwendy (1820-1902).  Berlin. View of the Lange Brucke from the Spree, 1850.

TRK3025459: Albert Schwendy (1820-1902). Berlin. View of the Lange Brucke from the Spree, 1850., Schwendy, Albert (1820-1902) / Bridgeman Images

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

STC3025945: ….this is a Sorry Sight! Pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Reconstruction of the Hall of an Assyrian palace, from Monuments of Nineveh, pub. 1849 (hand coloured engraving)
Reconstruction of the Hall of an Assyrian palace, from Monuments of Nineveh, pub. 1849 (hand coloured engraving)

STC3025951: Reconstruction of the Hall of an Assyrian palace, from Monuments of Nineveh, pub. 1849 (hand coloured engraving), Layard, Austen Henry (1817-94) / Bridgeman Images

1886 Gettysburg tourist booklet
1886 Gettysburg tourist booklet

DTO3029128: 1886 Gettysburg tourist booklet / Bridgeman Images

The eternal pantomime, the Jack of Hearts and the Queen of Diamonds - illustration from la Vie Parisienne, 1923  (print)
The eternal pantomime, the Jack of Hearts and the Queen of Diamonds - illustration from la Vie Parisienne, 1923  (print)

DGC3029640: The eternal pantomime, the Jack of Hearts and the Queen of Diamonds - illustration from la Vie Parisienne, 1923 (print), Pavis, Georges (1886-1951) / Bridgeman Images

Napoleon in overcoat
Napoleon in overcoat

DTO3030009: Napoleon in overcoat , Charlet, Nicolas Toussaint (1792-1845) / Bridgeman Images

Hessian Dragoons in 1783, illustration from Das Ehrenkleid des Soldaten by Martin Lezius, published in Berlin, 1936 (colour litho)
Hessian Dragoons in 1783, illustration from Das Ehrenkleid des Soldaten by Martin Lezius, published in Berlin, 1936 (colour litho)

DTO3030163: Hessian Dragoons in 1783, illustration from Das Ehrenkleid des Soldaten by Martin Lezius, published in Berlin, 1936 (colour litho), German School, (20th century) / Bridgeman Images

NE-BAH-QUAH-OM,Big Dog, Chippewa Chief, offered to fight Sioux in Minnesota, 1862 (b/w photo)
NE-BAH-QUAH-OM,Big Dog, Chippewa Chief, offered to fight Sioux in Minnesota, 1862 (b/w photo)

DTO3030417: NE-BAH-QUAH-OM,Big Dog, Chippewa Chief, offered to fight Sioux in Minnesota, 1862 (b/w photo) , American Photographer, (19th century) / Bridgeman Images

French Colonial Naval cutlass
French Colonial Naval cutlass

DTO3031068: French Colonial Naval cutlass, French School, (18th century) / Bridgeman Images

Illustration from 'Rubáiyát of Omar Khayyam', 1920 (engraving)
Illustration from 'Rubáiyát of Omar Khayyam', 1920 (engraving)

STC3031864: Illustration from 'Rubáiyát of Omar Khayyam', 1920 (engraving), Balfour, Ronald (1896-1941) / Bridgeman Images

Offensive of l'Yser 1917, The 1st French Lines, by Francois Flameng.
Offensive of l'Yser 1917, The 1st French Lines, by Francois Flameng.

DTO3032343: Offensive of l'Yser 1917, The 1st French Lines, by Francois Flameng., Flameng, Francois (1856-1923) / Bridgeman Images

Toys for everyone - illustration from la Vie Parisienne, 1918  (print)
Toys for everyone - illustration from la Vie Parisienne, 1918  (print)

DGC3033165: Toys for everyone - illustration from la Vie Parisienne, 1918 (print), Couderc, Fernand (fl.1920s) / Bridgeman Images

A Chinese emperor watching an early polo match, China, 1st century BC.  From Hutchinson's History of the Nations, published 1915.
A Chinese emperor watching an early polo match, China, 1st century BC.  From Hutchinson's History of the Nations, published 1915.

KWE3033758: A Chinese emperor watching an early polo match, China, 1st century BC. From Hutchinson's History of the Nations, published 1915., Unknown Artist / Bridgeman Images

Santa Claus with Christmas Tree, 1901 (chromolithograph)
Santa Claus with Christmas Tree, 1901 (chromolithograph)

GRC3034686: Santa Claus with Christmas Tree, 1901 (chromolithograph), American School, (20th century) / Bridgeman Images

Retro Clock Radio, 1958 (screen print)
Retro Clock Radio, 1958 (screen print)

GRC3034832: Retro Clock Radio, 1958 (screen print), American School, (20th century) / Bridgeman Images

Home Life: Children in the Nursery, 1881 (chromolithograph)
Home Life: Children in the Nursery, 1881 (chromolithograph)

GRC3034870: Home Life: Children in the Nursery, 1881 (chromolithograph), Crane, Thomas (1808-59) / Bridgeman Images

Cloudy Sky, Mediterranean Sea, 1857 (albumen print)
Cloudy Sky, Mediterranean Sea, 1857 (albumen print)

XCC2971331: Cloudy Sky, Mediterranean Sea, 1857 (albumen print), Le Gray, Gustave (1820-1884) / Bridgeman Images

Untitled (Chicago after the Chicago Fire), 1871 (albumen prints)
Untitled (Chicago after the Chicago Fire), 1871 (albumen prints)

XCC2971354: Untitled (Chicago after the Chicago Fire), 1871 (albumen prints), Barnard, George N. (1819-1902) (attr.to) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Saint Anthony of Padua (chalk on paper)
Saint Anthony of Padua (chalk on paper)

XCC2972582: Saint Anthony of Padua (chalk on paper), Spanish School / Bridgeman Images

Roman Campagna with Figures, 1756 (black chalk with stumping, heightened with white chalk, on blue laid paper, faded to brown)
Roman Campagna with Figures, 1756 (black chalk with stumping, heightened with white chalk, on blue laid paper, faded to brown)

XCC2972600: Roman Campagna with Figures, 1756 (black chalk with stumping, heightened with white chalk, on blue laid paper, faded to brown), Wilson, Richard (1713/14-82) / Bridgeman Images

Portrait of Berthe Serruys, 1894 (conté crayon on paper)
Portrait of Berthe Serruys, 1894 (conté crayon on paper)

XCC2972642: Portrait of Berthe Serruys, 1894 (conté crayon on paper), Lemmen, Georges (1865-1916) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Landscape with Woman and Cows (black chalk with stumping, heightened with white chalk, on blue laid paper)
Landscape with Woman and Cows (black chalk with stumping, heightened with white chalk, on blue laid paper)

XCC2972684: Landscape with Woman and Cows (black chalk with stumping, heightened with white chalk, on blue laid paper), Wilson, Richard (1713/14-82) / Bridgeman Images

Spanish Peasants Dancing the Bolero, 1836 (colour litho with additional hand-colouring on ivory wove paper)
Spanish Peasants Dancing the Bolero, 1836 (colour litho with additional hand-colouring on ivory wove paper)

XCC2972709: Spanish Peasants Dancing the Bolero, 1836 (colour litho with additional hand-colouring on ivory wove paper), Lewis, John Frederick (1804-76) / Bridgeman Images

The Garden, 1891 (transfer lithograph in black on cream wove paper)
The Garden, 1891 (transfer lithograph in black on cream wove paper)

XCC2972730: The Garden, 1891 (transfer lithograph in black on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

O How Extremely Happy Could Farmers Be, 1768  (aquatint & etching)
O How Extremely Happy Could Farmers Be, 1768  (aquatint & etching)

XCC2972748: O How Extremely Happy Could Farmers Be, 1768 (aquatint & etching), Le Prince, Jean-Baptiste (1734-81) / Bridgeman Images

Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)
Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)

XCC2972791: Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self portrait, c.1778 (etching, drypoint & engraving on wove paper)
Self portrait, c.1778 (etching, drypoint & engraving on wove paper)

XCC2972794: Self portrait, c.1778 (etching, drypoint & engraving on wove paper), Norblin, Jean Pierre (1745-1830) / Bridgeman Images

The Assault of the Shoe, 1888 (etching, with open bite, in light red & black on cream laid paper)
The Assault of the Shoe, 1888 (etching, with open bite, in light red & black on cream laid paper)

XCC2972823: The Assault of the Shoe, 1888 (etching, with open bite, in light red & black on cream laid paper), Guérard, Henri-Charles (1846-97) / Bridgeman Images

Valance, 1799 (cotton & silk)
Valance, 1799 (cotton & silk)

XCC2972830: Valance, 1799 (cotton & silk), Chinese School, Qing dynasty (18th century) / Bridgeman Images

Decor design for Brooklyn Library, 1868-69 (pencil & gouache on paper)
Decor design for Brooklyn Library, 1868-69 (pencil & gouache on paper)

XCC2972871: Decor design for Brooklyn Library, 1868-69 (pencil & gouache on paper), Wight, Peter Bonnett (1838-1925) / Bridgeman Images

Coat of Arms of the Mainz Cathedral Chapter, calendar of 1778 (engraving) (see also 1630273-6)
Coat of Arms of the Mainz Cathedral Chapter, calendar of 1778 (engraving) (see also 1630273-6)

STF1630275: Coat of Arms of the Mainz Cathedral Chapter, calendar of 1778 (engraving) (see also 1630273-6), Rückert, Wilhelm Christian (d.1774) / Bridgeman Images

Pontifical shoes of the bishop Joseph Ludwig Colmar, c.1802 (gold brocade & embroidery) (see also 1630281)
Pontifical shoes of the bishop Joseph Ludwig Colmar, c.1802 (gold brocade & embroidery) (see also 1630281)

STF1630281: Pontifical shoes of the bishop Joseph Ludwig Colmar, c.1802 (gold brocade & embroidery) (see also 1630281), German School, (19th century) / Bridgeman Images

Capital (stone)
Capital (stone)

STF1630365: Capital (stone), German School, (12th century) / Bridgeman Images


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