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General Samuel Houston, from 'The History of the United States', Vol. II, by Charles Mackay, engraved from a daguerrotype (engraving)
General Samuel Houston, from 'The History of the United States', Vol. II, by Charles Mackay, engraved from a daguerrotype (engraving)

BAL124912: General Samuel Houston, from 'The History of the United States', Vol. II, by Charles Mackay, engraved from a daguerrotype (engraving), American School, (19th century) / Bridgeman Images

Introduction of Christianity Among the Indians of the River Plate Settlements, reproduced from d'Ovadlie's 'Historia Relatione del Regno de Cile', pub. in 1646, from 'The Romance of the River Plate', Vol. I, by W. H. Koebel, 1914 (engraving)
Introduction of Christianity Among the Indians of the River Plate Settlements, reproduced from d'Ovadlie's 'Historia Relatione del Regno de Cile', pub. in 1646, from 'The Romance of the River Plate', Vol. I, by W. H. Koebel, 1914 (engraving)

BAL124975: Introduction of Christianity Among the Indians of the River Plate Settlements, reproduced from d'Ovadlie's 'Historia Relatione del Regno de Cile', pub. in 1646, from 'The Romance of the River Plate', Vol. I, by W. H. Koebel, 1914 (engraving), Spanish School, (17th century) (after) / Bridgeman Images

La Mode: Advertisement for 19th Century Women's Fashion (litho)
La Mode: Advertisement for 19th Century Women's Fashion (litho)

REV125117: La Mode: Advertisement for 19th Century Women's Fashion (litho), French School, (19th century) / Bridgeman Images

Gight Castle, 1851 (w/c on paper)
Gight Castle, 1851 (w/c on paper)

MFI125220: Gight Castle, 1851 (w/c on paper), Giles, James (1801-70) / Bridgeman Images

Ville Neuve - Vis a Vis Avignon (oil on canvas)
Ville Neuve - Vis a Vis Avignon (oil on canvas)

MCL125239: Ville Neuve - Vis a Vis Avignon (oil on canvas), Marlow, William (1740-1813) / Bridgeman Images

View of the Champs de Mars and the Summer Garden at St. Petersburg, illustration for September from 'A Year in St. Petersburg' etched by John H, Clark, coloured by M. Dubourg, pub. 1815 in London by Edward Orme (colour engraving)
View of the Champs de Mars and the Summer Garden at St. Petersburg, illustration for September from 'A Year in St. Petersburg' etched by John H, Clark, coloured by M. Dubourg, pub. 1815 in London by Edward Orme (colour engraving)

STC87482: View of the Champs de Mars and the Summer Garden at St. Petersburg, illustration for September from 'A Year in St. Petersburg' etched by John H, Clark, coloured by M. Dubourg, pub. 1815 in London by Edward Orme (colour engraving), Mornay, (19th century) (after) / Bridgeman Images

Detail from the Neptune Fountain, depicting two Tritons, 1560-75 (marble) (see 134581-134587)
Detail from the Neptune Fountain, depicting two Tritons, 1560-75 (marble) (see 134581-134587)

JFS134584: Detail from the Neptune Fountain, depicting two Tritons, 1560-75 (marble) (see 134581-134587), Ammannati, Bartolomeo (1511-92) / Bridgeman Images

The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving)
The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving)

STC134675: The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving), Duplessis-Bertaux, Jean (1747-1819) (after) / Bridgeman Images

The Capture of Paris in 1594, engraved by Louis Roger, 1786 (coloured engraving)
The Capture of Paris in 1594, engraved by Louis Roger, 1786 (coloured engraving)

STC134678: The Capture of Paris in 1594, engraved by Louis Roger, 1786 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by  William Shakespeare (1564-1616) (engraving)
Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by  William Shakespeare (1564-1616) (engraving)

STC134775: Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images

Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving)
Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving)

STC134784: Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving), English School, (19th century) / Bridgeman Images

Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas)
Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas)

XAB134950: Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas), Grandkovsky, Nikolai Karlovich (1864-1907) / Bridgeman Images

The Application, 1893 (oil on canvas)
The Application, 1893 (oil on canvas)

XAB134953: The Application, 1893 (oil on canvas), Kishinevsky, Solomon Yakovlevich (1863-1941) / Bridgeman Images

Self Portrait, 1911 (pastel on paper)
Self Portrait, 1911 (pastel on paper)

XAB134980: Self Portrait, 1911 (pastel on paper), Pasternak, Leonid Osipovic (1862-1945) / Bridgeman Images

Portrait of the Vice-Chancellor Nikita Panin (1770-1837), 1792 (oil on canvas)
Portrait of the Vice-Chancellor Nikita Panin (1770-1837), 1792 (oil on canvas)

XAB134991: Portrait of the Vice-Chancellor Nikita Panin (1770-1837), 1792 (oil on canvas), Voille, Jean Louis (1744-c.1804) / Bridgeman Images

Hazreti Shakh-i-Zindeh Mausoleum in Samarkand, 1869-70 (oil on canvas)
Hazreti Shakh-i-Zindeh Mausoleum in Samarkand, 1869-70 (oil on canvas)

XAB134997: Hazreti Shakh-i-Zindeh Mausoleum in Samarkand, 1869-70 (oil on canvas), Vereshchagin, Nikolai Stepanovich (1770-c.1813) / Bridgeman Images

Caricature of a figure in a sunflower dress, from 'Bon Mots' (litho)
Caricature of a figure in a sunflower dress, from 'Bon Mots' (litho)

STC135050: Caricature of a figure in a sunflower dress, from 'Bon Mots' (litho), Beardsley, Aubrey (1872-98) / Bridgeman Images

The Citizen's Retreat, engraved and pub. by William Ward (1766-1826), 1796 (mezzotint engraving)
The Citizen's Retreat, engraved and pub. by William Ward (1766-1826), 1796 (mezzotint engraving)

NP125519: The Citizen's Retreat, engraved and pub. by William Ward (1766-1826), 1796 (mezzotint engraving), Ward, James (1769-1859) (after) / Bridgeman Images

The Woodman's Return, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125530)
The Woodman's Return, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125530)

NP125529: The Woodman's Return, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125530), Wheatley, Francis (1747-1801) (after) / Bridgeman Images

Gathering Fruit, engraved by R.M. Meadows, pub. by John Raphael Smith, 1793 (stipple engraving) (pair of 125531)
Gathering Fruit, engraved by R.M. Meadows, pub. by John Raphael Smith, 1793 (stipple engraving) (pair of 125531)

NP125532: Gathering Fruit, engraved by R.M. Meadows, pub. by John Raphael Smith, 1793 (stipple engraving) (pair of 125531), Morland, George (1763-1804) (after) / Bridgeman Images

Dancing Dogs, engraved by Thomas Gaugain (1748-1812), pub. by T. Philipe, 1796 (stipple engraving) (pair of 125548)
Dancing Dogs, engraved by Thomas Gaugain (1748-1812), pub. by T. Philipe, 1796 (stipple engraving) (pair of 125548)

NP125547: Dancing Dogs, engraved by Thomas Gaugain (1748-1812), pub. by T. Philipe, 1796 (stipple engraving) (pair of 125548), Morland, George (1763-1804) (after) / Bridgeman Images

The Fifth of November, engraved by Charles Knight (1743-c.1826), pub. by J.F. Tomkins, 1790 (stipple engraving) (pair of 125881)
The Fifth of November, engraved by Charles Knight (1743-c.1826), pub. by J.F. Tomkins, 1790 (stipple engraving) (pair of 125881)

NP125580: The Fifth of November, engraved by Charles Knight (1743-c.1826), pub. by J.F. Tomkins, 1790 (stipple engraving) (pair of 125881), Stothard, Thomas (1755-1834) (after) / Bridgeman Images

Thoughts on Matrimony, engraved by William Ward (1766-1826), pub. by the artist, 1786 (stipple engraving)
Thoughts on Matrimony, engraved by William Ward (1766-1826), pub. by the artist, 1786 (stipple engraving)

NP125589: Thoughts on Matrimony, engraved by William Ward (1766-1826), pub. by the artist, 1786 (stipple engraving), Smith, John Raphael (1752-1812) (after) / Bridgeman Images

An Easy Ride (oil on canvas)
An Easy Ride (oil on canvas)

PFA125601: An Easy Ride (oil on canvas), Hunt, Charles (Snr.) (1803-77) / Bridgeman Images

Munitions Factory (oil on canvas)
Munitions Factory (oil on canvas)

AGN125605: Munitions Factory (oil on canvas), Ginner, Charles Isaac (1878-1952) / Bridgeman Images

The Cascade (oil on canvas)
The Cascade (oil on canvas)

AGN125613: The Cascade (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images

Christ appears to St. Clare (tempera and gold on oak panel)
Christ appears to St. Clare (tempera and gold on oak panel)

AGN125620: Christ appears to St. Clare (tempera and gold on oak panel), German School, (14th century) / Bridgeman Images

Miss Burton (oil on canvas)
Miss Burton (oil on canvas)

AGN125655: Miss Burton (oil on canvas), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

The Cornfield, Cloudy Morning (watercolour)
The Cornfield, Cloudy Morning (watercolour)

AGN125680: The Cornfield, Cloudy Morning (watercolour), Palmer, Samuel (1805-81) / Bridgeman Images

The Swing (ink, watercolour & pencil on paper)
The Swing (ink, watercolour & pencil on paper)

NP125708: The Swing (ink, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pheasant Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-25, 125727)
Pheasant Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-25, 125727)

NP125726: Pheasant Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-25, 125727), Morland, George (1763-1804) (after) / Bridgeman Images

Doctors Differ (pen & ink & w/c on paper)
Doctors Differ (pen & ink & w/c on paper)

NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125762: "Milk below Maids", plate 2 of 'The Cries of London', engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co., 1793 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Bridgeman Images

The Procession of Louis XIV (1638-1715) across the Pont Neuf (oil on canvas)
The Procession of Louis XIV (1638-1715) across the Pont Neuf (oil on canvas)

PWI90099: The Procession of Louis XIV (1638-1715) across the Pont Neuf (oil on canvas), Meulen, Adam Frans van der (1632-90) / Bridgeman Images

The Market Woman (w/c on paper)
The Market Woman (w/c on paper)

MNY90124: The Market Woman (w/c on paper), Calyo, Nicolino (1799-1884) / Bridgeman Images


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