Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2501542 Search Results

An elegant woman waxes a shoe in the kitchen of a house, 1890 (engraving)
An elegant woman waxes a shoe in the kitchen of a house, 1890 (engraving)

XEE4136949: An elegant woman waxes a shoe in the kitchen of a house, 1890 (engraving), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

Portrait of Paul Meurice, French writer, 1891 (engraving)
Portrait of Paul Meurice, French writer, 1891 (engraving)

XEE4136979: Portrait of Paul Meurice, French writer, 1891 (engraving), Anonymous / Bridgeman Images

Portrait of Edouard, Duke of Fitz-James (Fitz James) (1776-1838), French politician. in “” LIBRE DES SPEAKERS”” by Louis de Cormenin Timon. 1842. Private collection.
Portrait of Edouard, Duke of Fitz-James (Fitz James) (1776-1838), French politician. in “” LIBRE DES SPEAKERS”” by Louis de Cormenin Timon. 1842. Private collection.

XEE4137110: Portrait of Edouard, Duke of Fitz-James (Fitz James) (1776-1838), French politician. in “” LIBRE DES SPEAKERS”” by Louis de Cormenin Timon. 1842. Private collection., French School, (19th century) / Bridgeman Images

Silk production in China and the various stages of manufacturing.
Silk production in China and the various stages of manufacturing.

XEE4143113: Silk production in China and the various stages of manufacturing., Unknown Artist, (19th century) / Bridgeman Images

The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century
The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century

XEE4143025: The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Blue beard: Blue beard's young wife, Fatima, asks her sister Anne if she sees her brothers from the tower, c.1910
Blue beard: Blue beard's young wife, Fatima, asks her sister Anne if she sees her brothers from the tower, c.1910

XEE4143301: Blue beard: Blue beard's young wife, Fatima, asks her sister Anne if she sees her brothers from the tower, c.1910, Dulac, Edmund (1882-1953) / Bridgeman Images

King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863.
King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863.

XEE4143052: King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

Blue beard: The terrifying Blue Beard has the beard so black it looks blue, c.1910 (lithograph)
Blue beard: The terrifying Blue Beard has the beard so black it looks blue, c.1910 (lithograph)

XEE4143317: Blue beard: The terrifying Blue Beard has the beard so black it looks blue, c.1910 (lithograph), Dulac, Edmund (1882-1953) / Bridgeman Images

Jewelry workshop in Paris in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Jewelry workshop in Paris in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143226: Jewelry workshop in Paris in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Blue beard: The young wife of Blue Beard, Fatima, invites her friends to her house while her husband is away on a trip  c.1910 (lithograph)
Blue beard: The young wife of Blue Beard, Fatima, invites her friends to her house while her husband is away on a trip  c.1910 (lithograph)

XEE4143297: Blue beard: The young wife of Blue Beard, Fatima, invites her friends to her house while her husband is away on a trip c.1910 (lithograph), Dulac, Edmund (1882-1953) / Bridgeman Images

Escape from the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours
Escape from the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143417: Escape from the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Brest's bagne at night“Histoire des bagnes depuis leur création à nos jours
Brest's bagne at night“Histoire des bagnes depuis leur création à nos jours

XEE4143510: Brest's bagne at night“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.
Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.

XEE4143586: Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859., French School, (19th century) / Bridgeman Images

The cemetery of the Brest Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours
The cemetery of the Brest Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143499: The cemetery of the Brest Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

A working force at the Brest Bagne in the 19th century (engraving)
A working force at the Brest Bagne in the 19th century (engraving)

XEE4143507: A working force at the Brest Bagne in the 19th century (engraving), Anonymous / Bridgeman Images

In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143796: In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cutlery manufacturing workshop (Posate) in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Cutlery manufacturing workshop (Posate) in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143562: Cutlery manufacturing workshop (Posate) in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143595: Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143605: Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143618: A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143718: The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving)
The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving)

XEE4143736: The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143742: Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.
The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

XEE4143817: The terrible boar. Chinese tale. Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858.
Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858.

XEE4137307: Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858., French School, (19th century) / Bridgeman Images

The birth of Venus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)
The birth of Venus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

XEE4137315: The birth of Venus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving), Anonymous / Bridgeman Images

Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137434: Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137478: Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858.
Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858.

XEE4137672: Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858., French School, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4137992: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4137998: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138068: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138079: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138096: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Catholic fete: Good Friday (Holy Friday) in Toulon (Var, 83) in 1858. The ships have their rods in cross and their flags with half halyards as a sign of mourning. Engraving in “” Le Monde Illustré”” n°53 of 17 April 1858.
Catholic fete: Good Friday (Holy Friday) in Toulon (Var, 83) in 1858. The ships have their rods in cross and their flags with half halyards as a sign of mourning. Engraving in “” Le Monde Illustré”” n°53 of 17 April 1858.

XEE4138125: Catholic fete: Good Friday (Holy Friday) in Toulon (Var, 83) in 1858. The ships have their rods in cross and their flags with half halyards as a sign of mourning. Engraving in “” Le Monde Illustré”” n°53 of 17 April 1858., French School, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138234: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images


Back to top