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2501542 Search Results

Narumi #41 (from the series
Narumi #41 (from the series

XDM1067801: Narumi #41 (from the series "Fifty-three Stations of the Tokaido"), c.1833-34 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: XDM1067801

Narumi #41 (from the series "Fifty-three Stations of the Tokaido"), c.1833-34 (colour woodblock print)

Hiroshige, Ando or Utagawa (1797-1858)

Exposition 1859, no. 5: I passed!, 1859 (litho)
Exposition 1859, no. 5: I passed!, 1859 (litho)

XDM1067821: Exposition 1859, no. 5: I passed!, 1859 (litho), Daumier, Honore (1808-79) / Bridgeman Images

ID: XDM1067821

Exposition 1859, no. 5: I passed!, 1859 (litho)

Daumier, Honore (1808-79)

The Dreamer (Le Songeur), 1854 (cliché-verre)
The Dreamer (Le Songeur), 1854 (cliché-verre)

XDM1067879: The Dreamer (Le Songeur), 1854 (cliché-verre), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: XDM1067879

The Dreamer (Le Songeur), 1854 (cliché-verre)

Corot, Jean Baptiste Camille (1796-1875)

The Grandmother, 1889 (oil on canvas)
The Grandmother, 1889 (oil on canvas)

XOS3428186: The Grandmother, 1889 (oil on canvas), Page, Walter Gilman (1862-1934) / Bridgeman Images

ID: XOS3428186

The Grandmother, 1889 (oil on canvas)

Page, Walter Gilman (1862-1934)

Nydia, The Blind Flower Girl of Pompeii, c.1888 (marble)
Nydia, The Blind Flower Girl of Pompeii, c.1888 (marble)

XOS3432752: Nydia, The Blind Flower Girl of Pompeii, c.1888 (marble), Rogers, Randolph (1825-92) / Bridgeman Images

ID: XOS3432752

Nydia, The Blind Flower Girl of Pompeii, c.1888 (marble)

Rogers, Randolph (1825-92)

Boy's Pork-pie Hat, 1865-69 (plaited natural straw, silk ribbon)
Boy's Pork-pie Hat, 1865-69 (plaited natural straw, silk ribbon)

XOS3432783: Boy's Pork-pie Hat, 1865-69 (plaited natural straw, silk ribbon), American School, (19th century) / Bridgeman Images

ID: XOS3432783

Boy's Pork-pie Hat, 1865-69 (plaited natural straw, silk ribbon)

American School, (19th century)

Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)
Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)

XOS3432810: Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XOS3432810

Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

A Family Group Portrait, c.1850 (oil on canvas)
A Family Group Portrait, c.1850 (oil on canvas)

XOS3432857: A Family Group Portrait, c.1850 (oil on canvas), American School, (19th century) / Bridgeman Images

ID: XOS3432857

A Family Group Portrait, c.1850 (oil on canvas)

American School, (19th century)

A Tahitian Woman with a Flower in Her Hair, 1891-92 (charcoal, pastel, and wash)
A Tahitian Woman with a Flower in Her Hair, 1891-92 (charcoal, pastel, and wash)

XOS3468939: A Tahitian Woman with a Flower in Her Hair, 1891-92 (charcoal, pastel, and wash), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XOS3468939

A Tahitian Woman with a Flower in Her Hair, 1891-92 (charcoal, pastel, and wash)

Gauguin, Paul (1848-1903)

Base, Capital and Entablature of the Pilaster, 1753 (engraving)
Base, Capital and Entablature of the Pilaster, 1753 (engraving)

XOS2962899: Base, Capital and Entablature of the Pilaster, 1753 (engraving), Borra, Giovanni Battista (Giambattista) (1712-86) / Bridgeman Images

ID: XOS2962899

Base, Capital and Entablature of the Pilaster, 1753 (engraving)

Borra, Giovanni Battista (Giambattista) (1712-86)

Portrait of a Man in Spanish Costume, 1768-70 (oil on canvas)
Portrait of a Man in Spanish Costume, 1768-70 (oil on canvas)

XCC2968191: Portrait of a Man in Spanish Costume, 1768-70 (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: XCC2968191

Portrait of a Man in Spanish Costume, 1768-70 (oil on canvas)

Fragonard, Jean-Honore (1732-1806)

The Fisherboy (black chalk with stumping, heightened with white gouache, on blue laid paper)
The Fisherboy (black chalk with stumping, heightened with white gouache, on blue laid paper)

XCC2968235: The Fisherboy (black chalk with stumping, heightened with white gouache, on blue laid paper), Boucher, Francois (1703-70) / Bridgeman Images

ID: XCC2968235

The Fisherboy (black chalk with stumping, heightened with white gouache, on blue laid paper)

Boucher, Francois (1703-70)

St. Gregory as Author, 1181-1200 (manuscript page with double sided miniatures in opaque w/c on parchment)
St. Gregory as Author, 1181-1200 (manuscript page with double sided miniatures in opaque w/c on parchment)

XCC2968266: St. Gregory as Author, 1181-1200 (manuscript page with double sided miniatures in opaque w/c on parchment), German School, (12th century) / Bridgeman Images

ID: XCC2968266

St. Gregory as Author, 1181-1200 (manuscript page with double sided miniatures in opaque w/c on parchment)

German School, (12th century)

At the Champs-Elysées, It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852 (litho in black on ivory wove paper, with letterpress verso)
At the Champs-Elysées, It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852 (litho in black on ivory wove paper, with letterpress verso)

XCC2968283: At the Champs-Elysées, It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852 (litho in black on ivory wove paper, with letterpress verso), Daumier, Honore (1808-79) / Bridgeman Images

ID: XCC2968283

At the Champs-Elysées, It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux, 1852 (litho in black on ivory wove paper, with letterpress verso)

Daumier, Honore (1808-79)

Singers on the Stage, 1877-79 (pastel, over monotype, on ivory wove paper, laid down on board)
Singers on the Stage, 1877-79 (pastel, over monotype, on ivory wove paper, laid down on board)

XCC2968302: Singers on the Stage, 1877-79 (pastel, over monotype, on ivory wove paper, laid down on board), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCC2968302

Singers on the Stage, 1877-79 (pastel, over monotype, on ivory wove paper, laid down on board)

Degas, Edgar (1834-1917)

Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape related to Nafea Faaipoipo (When Will You Marry?), 1892 (graphite and pen and brown ink, on cream wove paper, discoloured to tan)
Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape related to Nafea Faaipoipo (When Will You Marry?), 1892 (graphite and pen and brown ink, on cream wove paper, discoloured to tan)

XCC2968328: Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape related to Nafea Faaipoipo (When Will You Marry?), 1892 (graphite and pen and brown ink, on cream wove paper, discoloured to tan), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XCC2968328

Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape related to Nafea Faaipoipo (When Will You Marry?), 1892 (graphite and pen and brown ink, on cream wove paper, discoloured to tan)

Gauguin, Paul (1848-1903)

Plate One from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)
Plate One from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

XCC2968341: Plate One from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images

ID: XCC2968341

Plate One from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper)

Robert, Hubert (1733-1808)

Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk)
Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk)

XCC2968500: Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk), Japanese School, (15th century) / Bridgeman Images

ID: XCC2968500

Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk)

Japanese School, (15th century)

Shepherdess Seated on a Rock, 1856 (oil on wood)
Shepherdess Seated on a Rock, 1856 (oil on wood)

XOS3469016: Shepherdess Seated on a Rock, 1856 (oil on wood), Millet, Jean-Francois (1814-75) / Bridgeman Images

ID: XOS3469016

Shepherdess Seated on a Rock, 1856 (oil on wood)

Millet, Jean-Francois (1814-75)

Madonna and Child with Saints, c.1520 (tempera and oil on canvas)
Madonna and Child with Saints, c.1520 (tempera and oil on canvas)

XOS3471129: Madonna and Child with Saints, c.1520 (tempera and oil on canvas), Gerolamo dai Libri (c.1474-1555) / Bridgeman Images

ID: XOS3471129

Madonna and Child with Saints, c.1520 (tempera and oil on canvas)

Gerolamo dai Libri (c.1474-1555)

Seated couple, c.50–40 B.C. (fresco)
Seated couple, c.50–40 B.C. (fresco)

XOS3471186: Seated couple, c.50–40 B.C. (fresco), Roman Republican Period (509-27 BC) / Bridgeman Images

ID: XOS3471186

Seated couple, c.50–40 B.C. (fresco)

Roman Republican Period (509-27 BC)

Wall painting fragment from the peristyle of a Villa at Boscoreale, c.50–40 B.C. (fresco)
Wall painting fragment from the peristyle of a Villa at Boscoreale, c.50–40 B.C. (fresco)

XOS3471189: Wall painting fragment from the peristyle of a Villa at Boscoreale, c.50–40 B.C. (fresco), Roman Republican Period (509-27 BC) / Bridgeman Images

ID: XOS3471189

Wall painting fragment from the peristyle of a Villa at Boscoreale, c.50–40 B.C. (fresco)

Roman Republican Period (509-27 BC)

Five O'Clock, The World's Fair IV, 1901 (woodcut on tinted Japan paper)
Five O'Clock, The World's Fair IV, 1901 (woodcut on tinted Japan paper)

XOS3471198: Five O'Clock, The World's Fair IV, 1901 (woodcut on tinted Japan paper), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

ID: XOS3471198

Five O'Clock, The World's Fair IV, 1901 (woodcut on tinted Japan paper)

Vallotton, Felix Edouard (1865-1925)

Fort of L'Essillon, Val de la Maurienne, France, 1836 (w/c and gouache over graphite)
Fort of L'Essillon, Val de la Maurienne, France, 1836 (w/c and gouache over graphite)

XOS3472154: Fort of L'Essillon, Val de la Maurienne, France, 1836 (w/c and gouache over graphite), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XOS3472154

Fort of L'Essillon, Val de la Maurienne, France, 1836 (w/c and gouache over graphite)

Turner, Joseph Mallord William (1775-1851)

Gate of Calais, engraved by William Radclyffe (1783-1855), 1833 (engraving)
Gate of Calais, engraved by William Radclyffe (1783-1855), 1833 (engraving)

XDM1071423: Gate of Calais, engraved by William Radclyffe (1783-1855), 1833 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XDM1071423

Gate of Calais, engraved by William Radclyffe (1783-1855), 1833 (engraving)

Hogarth, William (1697-1764)

View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching)
View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching)

XDM1071431: View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

ID: XDM1071431

View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching)

Piranesi, Giovanni Battista (1720-78)

Aqueduct of the Acqua Giulia, Speco della Giulia, 1756 (etching)
Aqueduct of the Acqua Giulia, Speco della Giulia, 1756 (etching)

XDM1071434: Aqueduct of the Acqua Giulia, Speco della Giulia, 1756 (etching), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

ID: XDM1071434

Aqueduct of the Acqua Giulia, Speco della Giulia, 1756 (etching)

Piranesi, Giovanni Battista (1720-78)

Boar-bhuta mask, 18th-19th century (bronze)
Boar-bhuta mask, 18th-19th century (bronze)

XDM1071528: Boar-bhuta mask, 18th-19th century (bronze), Indian School / Bridgeman Images

ID: XDM1071528

Boar-bhuta mask, 18th-19th century (bronze)

Indian School

Untitled, engraved by Godefroy Engelmann, 1829 (litho)
Untitled, engraved by Godefroy Engelmann, 1829 (litho)

XDM1071605: Untitled, engraved by Godefroy Engelmann, 1829 (litho), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XDM1071605

Untitled, engraved by Godefroy Engelmann, 1829 (litho)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Water kettle on stand, coffeepot, chocolate pot, slop bowl, sugar bowl, milk jug, cream jug and ewers, c.1851 (silver and ivory)
Water kettle on stand, coffeepot, chocolate pot, slop bowl, sugar bowl, milk jug, cream jug and ewers, c.1851 (silver and ivory)

XDM1071982: Water kettle on stand, coffeepot, chocolate pot, slop bowl, sugar bowl, milk jug, cream jug and ewers, c.1851 (silver and ivory), Moore, John Chandler (c.1803-1874) / Bridgeman Images

ID: XDM1071982

Water kettle on stand, coffeepot, chocolate pot, slop bowl, sugar bowl, milk jug, cream jug and ewers, c.1851 (silver and ivory)

Moore, John Chandler (c.1803-1874)

Shield (balulang), late 19th century (buffalo hide, pigment, and wood)
Shield (balulang), late 19th century (buffalo hide, pigment, and wood)

XDM1072240: Shield (balulang), late 19th century (buffalo hide, pigment, and wood), Indonesian School, (19th century) / Bridgeman Images

ID: XDM1072240

Shield (balulang), late 19th century (buffalo hide, pigment, and wood)

Indonesian School, (19th century)

Teapot, Coffee Pot, Creamer, Sugar Bowl and Tray, c.1903-1904 (silverplate)
Teapot, Coffee Pot, Creamer, Sugar Bowl and Tray, c.1903-1904 (silverplate)

XDM1072315: Teapot, Coffee Pot, Creamer, Sugar Bowl and Tray, c.1903-1904 (silverplate), Follot, Paul (1877-1941) / Bridgeman Images

ID: XDM1072315

Teapot, Coffee Pot, Creamer, Sugar Bowl and Tray, c.1903-1904 (silverplate)

Follot, Paul (1877-1941)

Sword with handle resembling a human face in profile, 19th century or earlier (iron, wood, buffalo horn, bone, and rattan)
Sword with handle resembling a human face in profile, 19th century or earlier (iron, wood, buffalo horn, bone, and rattan)

XDM1072360: Sword with handle resembling a human face in profile, 19th century or earlier (iron, wood, buffalo horn, bone, and rattan), Indonesian School, (19th century) / Bridgeman Images

ID: XDM1072360

Sword with handle resembling a human face in profile, 19th century or earlier (iron, wood, buffalo horn, bone, and rattan)

Indonesian School, (19th century)

Standing figure of a religious, late 19th century to c.1930 (wood)
Standing figure of a religious, late 19th century to c.1930 (wood)

XDM1072420: Standing figure of a religious, late 19th century to c.1930 (wood), African School / Bridgeman Images

ID: XDM1072420

Standing figure of a religious, late 19th century to c.1930 (wood)

African School

Pair of sconces, c.1904-1913 (copper and glass)
Pair of sconces, c.1904-1913 (copper and glass)

XDM1072432: Pair of sconces, c.1904-1913 (copper and glass), Stickley, Gustav (1858-1942) / Bridgeman Images

ID: XDM1072432

Pair of sconces, c.1904-1913 (copper and glass)

Stickley, Gustav (1858-1942)

Ann Langdon, Mrs. Richard Ayscough, c.1755 (oil on canvas)
Ann Langdon, Mrs. Richard Ayscough, c.1755 (oil on canvas)

XDM1072441: Ann Langdon, Mrs. Richard Ayscough, c.1755 (oil on canvas), Wollaston, John (fl.1736-75) / Bridgeman Images

ID: XDM1072441

Ann Langdon, Mrs. Richard Ayscough, c.1755 (oil on canvas)

Wollaston, John (fl.1736-75)


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