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2491514 Search Results

Textile panel, Egypt, c.400 (textile)
Textile panel, Egypt, c.400 (textile)

FSG348817: Textile panel, Egypt, c.400 (textile), Coptic, (5th century) / Bridgeman Images

Portraits of Loyal Samurai: Nakamura Kansuke Masatatsu, Edo period, 1852 (colour woodblock print)
Portraits of Loyal Samurai: Nakamura Kansuke Masatatsu, Edo period, 1852 (colour woodblock print)

FSG349088: Portraits of Loyal Samurai: Nakamura Kansuke Masatatsu, Edo period, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Marcelino Menendez y Pelayo, from 'La Ilustracion Espanola y Americana' of 1881 (litho)
Marcelino Menendez y Pelayo, from 'La Ilustracion Espanola y Americana' of 1881 (litho)

KWE349655: Marcelino Menendez y Pelayo, from 'La Ilustracion Espanola y Americana' of 1881 (litho), Spanish School, (19th century) / Bridgeman Images

Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)
Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)

KWE345566: Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho), Mr. A. May (fl. 1870s) / Bridgeman Images

Interior looking East (photo)
Interior looking East (photo)

DVY345169: Interior looking East (photo) / Bridgeman Images

The Tomb of Peter the Great (photo)
The Tomb of Peter the Great (photo)

DVY345191: The Tomb of Peter the Great (photo) / Bridgeman Images

Folio from a Shahnama (Book of Kings) by Firdawsi; recto: text of preface; verso: illuminated heading and text of preface, Iran, c.1590-1600
Folio from a Shahnama (Book of Kings) by Firdawsi; recto: text of preface; verso: illuminated heading and text of preface, Iran, c.1590-1600

FSG348796: Folio from a Shahnama (Book of Kings) by Firdawsi; recto: text of preface; verso: illuminated heading and text of preface, Iran, c.1590-1600, Persian School, (16th century) / Bridgeman Images

Portrait of Charles Quint, published in 1920 (litho)
Portrait of Charles Quint, published in 1920 (litho)

KWE349643: Portrait of Charles Quint, published in 1920 (litho), Beham, Barthel (1504-40) (after) / Bridgeman Images

Peasant leading her cow and sheep to the fields, 1863 (pastel)
Peasant leading her cow and sheep to the fields, 1863 (pastel)

BRM347373: Peasant leading her cow and sheep to the fields, 1863 (pastel), Millet, Jean-Francois (1814-75) / Bridgeman Images

Folio from an unidentified text; verso: Solomon Enthroned, Shiraz, Iran, c.1560 (opaque watercolour, ink and gold on paper)
Folio from an unidentified text; verso: Solomon Enthroned, Shiraz, Iran, c.1560 (opaque watercolour, ink and gold on paper)

FSG348782: Folio from an unidentified text; verso: Solomon Enthroned, Shiraz, Iran, c.1560 (opaque watercolour, ink and gold on paper), Persian School, (16th century) / Bridgeman Images

Picture of the Coast of Yokohama, Edo period, 1860 (colour woodblock print)
Picture of the Coast of Yokohama, Edo period, 1860 (colour woodblock print)

FSG348896: Picture of the Coast of Yokohama, Edo period, 1860 (colour woodblock print), Hiroshige II (Ichiusai Shigenobu) (1826-69) / Bridgeman Images

Folio from a Koran, Egypt, Mamluk Period, reign of Nasir al-Din Muihammad, 1313 (ink, opaque watercolour and gold on paper)
Folio from a Koran, Egypt, Mamluk Period, reign of Nasir al-Din Muihammad, 1313 (ink, opaque watercolour and gold on paper)

FSG348661: Folio from a Koran, Egypt, Mamluk Period, reign of Nasir al-Din Muihammad, 1313 (ink, opaque watercolour and gold on paper), Egyptian, (14th century) / Bridgeman Images

Origin of the Azuma Forest, Edo period, 1845 (colour woodblock print)
Origin of the Azuma Forest, Edo period, 1845 (colour woodblock print)

FSG349311: Origin of the Azuma Forest, Edo period, 1845 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

Mining for white clay, from a series of illustrations of the manufacture of china (litho) (see 384116 & 384117 for whole series)
Mining for white clay, from a series of illustrations of the manufacture of china (litho) (see 384116 & 384117 for whole series)

KDC349464: Mining for white clay, from a series of illustrations of the manufacture of china (litho) (see 384116 & 384117 for whole series), Chinese School, (19th century) / Bridgeman Images

Libra (the Scales) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut) (later colouration)
Libra (the Scales) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut) (later colouration)

STC349701: Libra (the Scales) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut) (later colouration), Italian School, (15th century) / Bridgeman Images

Entrance Gate to the Sculpture Park, children, detail (iron) (detail of 346460)
Entrance Gate to the Sculpture Park, children, detail (iron) (detail of 346460)

CLG346461: Entrance Gate to the Sculpture Park, children, detail (iron) (detail of 346460), Vigeland, Gustav (1869-1943) / Bridgeman Images

Buddhist tablet depicting three standing figures, Period of Division, 536 AD (stone)
Buddhist tablet depicting three standing figures, Period of Division, 536 AD (stone)

FSG348642: Buddhist tablet depicting three standing figures, Period of Division, 536 AD (stone), Chinese School, (6th century) / Bridgeman Images

At Lahore, c.1890 (w/c on paper)
At Lahore, c.1890 (w/c on paper)

PNH349145: At Lahore, c.1890 (w/c on paper), Allan, Robert Weir (1852-1942) / Bridgeman Images

Portrait Study of Miss Raven-Hill, 1899 (pencil on paper)
Portrait Study of Miss Raven-Hill, 1899 (pencil on paper)

PNH349106: Portrait Study of Miss Raven-Hill, 1899 (pencil on paper), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images

Mountain landscape seen through an avenue of trees (oil on canvas)
Mountain landscape seen through an avenue of trees (oil on canvas)

BRM349549: Mountain landscape seen through an avenue of trees (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

The Lawyer (w/c & chalk on paper)
The Lawyer (w/c & chalk on paper)

BRM349546: The Lawyer (w/c & chalk on paper), Daumier, Honore (1808-79) / Bridgeman Images

Church of Jvari Monastery, Mtskheta, Georgia (photo)
Church of Jvari Monastery, Mtskheta, Georgia (photo)

XIR347351: Church of Jvari Monastery, Mtskheta, Georgia (photo) / Bridgeman Images

Poor widows pick up sixpences from a tombstone on Good Friday (sepia photo)
Poor widows pick up sixpences from a tombstone on Good Friday (sepia photo)

STC347663: Poor widows pick up sixpences from a tombstone on Good Friday (sepia photo), English Photographer, (20th century) / Bridgeman Images

Hadley Quadrant with transversal scale (mahogany, brass & ivory)
Hadley Quadrant with transversal scale (mahogany, brass & ivory)

MFR348301: Hadley Quadrant with transversal scale (mahogany, brass & ivory), English School, (18th century) / Bridgeman Images

At the foot of the mast on a Thames Barge (sepia photo)
At the foot of the mast on a Thames Barge (sepia photo)

STC347698: At the foot of the mast on a Thames Barge (sepia photo), English Photographer, (20th century) / Bridgeman Images

Pavement artist on the Embankment, observed by children (sepia photo)
Pavement artist on the Embankment, observed by children (sepia photo)

STC347615: Pavement artist on the Embankment, observed by children (sepia photo), English Photographer, (20th century) / Bridgeman Images

Re-laying roads, Cornhill (sepia photo)
Re-laying roads, Cornhill (sepia photo)

STC347626: Re-laying roads, Cornhill (sepia photo), English Photographer, (20th century) / Bridgeman Images

Natives on a South Pacific island using large stone disks as money
Natives on a South Pacific island using large stone disks as money

LAL453939: Natives on a South Pacific island using large stone disks as money, Lampitt, Ronald (Ron) (1906-88) / Bridgeman Images

Early bankers were actually goldsmiths
Early bankers were actually goldsmiths

LAL453943: Early bankers were actually goldsmiths, Lampitt, Ronald (Ron) (1906-88) / Bridgeman Images

Amos, from 'The Prophets', c.1475 (engraving)
Amos, from 'The Prophets', c.1475 (engraving)

IMA355277: Amos, from 'The Prophets', c.1475 (engraving), Baldini, Baccio (c.1436-87) / Bridgeman Images

Shirt Panel (mola), c.1950 (appliqued cotton)
Shirt Panel (mola), c.1950 (appliqued cotton)

IMA355207: Shirt Panel (mola), c.1950 (appliqued cotton), Kuna Indian Culture (20th century) / Bridgeman Images

Shirt Panel (mola), c.1950 (appliqued cotton)
Shirt Panel (mola), c.1950 (appliqued cotton)

IMA355303: Shirt Panel (mola), c.1950 (appliqued cotton), Kuna Indian Culture (20th century) / Bridgeman Images

Shirt Panel (mola), c.1950 (appliqued cotton)
Shirt Panel (mola), c.1950 (appliqued cotton)

IMA355211: Shirt Panel (mola), c.1950 (appliqued cotton), Kuna Indian Culture (20th century) / Bridgeman Images

Shirt Panel (mola), c.1950 (appliqued cotton)
Shirt Panel (mola), c.1950 (appliqued cotton)

IMA355233: Shirt Panel (mola), c.1950 (appliqued cotton), Kuna Indian Culture (20th century) / Bridgeman Images

Shirt Panel (mola), c.1950 (appliqued cotton)
Shirt Panel (mola), c.1950 (appliqued cotton)

IMA355292: Shirt Panel (mola), c.1950 (appliqued cotton), Kuna Indian Culture (20th century) / Bridgeman Images

Part of Detroit in 1837, c.1837 (graphite pencil on wove paper)
Part of Detroit in 1837, c.1837 (graphite pencil on wove paper)

DTR356890: Part of Detroit in 1837, c.1837 (graphite pencil on wove paper), Raymond, William Asa (1819-53) / Bridgeman Images


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