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Early Spring, 1856 (oil on board)
Early Spring, 1856 (oil on board)

CW94849: Early Spring, 1856 (oil on board), Webbe or Webb, William J. (1831-1904) / Bridgeman Images

ID: CW94849

Early Spring, 1856 (oil on board)

Webbe or Webb, William J. (1831-1904)

Portrait of a Lady, c.1790-95 (oil on canvas)
Portrait of a Lady, c.1790-95 (oil on canvas)

BI94886: Portrait of a Lady, c.1790-95 (oil on canvas), Lawrence, Thomas (1769-1830) / Bridgeman Images

ID: BI94886

Portrait of a Lady, c.1790-95 (oil on canvas)

Lawrence, Thomas (1769-1830)

The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132723: The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132723

The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)
Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)

STC132743: Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132743

Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Interior of the Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint)
Interior of the Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint)

STC132789: Interior of the Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC132789

Interior of the Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Islamic and Moorish design for a door tapestry, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Islamic and Moorish design for a door tapestry, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132819: Islamic and Moorish design for a door tapestry, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) / Bridgeman Images

ID: STC132819

Islamic and Moorish design for a door tapestry, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811)

Persian design for everyday silver cutlery, from 'Art and Industry', pubilshed by Delatre, Paris, 1857 (engraving)
Persian design for everyday silver cutlery, from 'Art and Industry', pubilshed by Delatre, Paris, 1857 (engraving)

STC132822: Persian design for everyday silver cutlery, from 'Art and Industry', pubilshed by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132822

Persian design for everyday silver cutlery, from 'Art and Industry', pubilshed by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132828: Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132828

Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

Carved wooden mirror frame, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Carved wooden mirror frame, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132840: Carved wooden mirror frame, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132840

Carved wooden mirror frame, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

Entrance to the Dervish Convent, in Cairo, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Entrance to the Dervish Convent, in Cairo, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132843: Entrance to the Dervish Convent, in Cairo, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132843

Entrance to the Dervish Convent, in Cairo, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

View of the Klier and Sons musical instruments stand, in the North German section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Klier and Sons musical instruments stand, in the North German section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132855: View of the Klier and Sons musical instruments stand, in the North German section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

ID: STC132855

View of the Klier and Sons musical instruments stand, in the North German section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

English School, (19th century)

Exterior of Pembroke College, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of Pembroke College, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC133101: Exterior of Pembroke College, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC133101

Exterior of Pembroke College, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Frederick the Great of Prussia (1712-86) (engraving)
Frederick the Great of Prussia (1712-86) (engraving)

XJF133340: Frederick the Great of Prussia (1712-86) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF133340

Frederick the Great of Prussia (1712-86) (engraving)

English School, (19th century)

St. Clement (fresco)
St. Clement (fresco)

JB143349: St. Clement (fresco), Astrapas and Eutychios (13th-14th century) / Bridgeman Images

ID: JB143349

St. Clement (fresco)

Astrapas and Eutychios (13th-14th century)

Madonna and Child Enthroned surrounded by Angels, central panel of a triptych, 1400-30 (oil on panel) (see also 232817)
Madonna and Child Enthroned surrounded by Angels, central panel of a triptych, 1400-30 (oil on panel) (see also 232817)

XIR95111: Madonna and Child Enthroned surrounded by Angels, central panel of a triptych, 1400-30 (oil on panel) (see also 232817), Master of Burgo de Osma, (fl.1400-20) / Bridgeman Images

ID: XIR95111

Madonna and Child Enthroned surrounded by Angels, central panel of a triptych, 1400-30 (oil on panel) (see also 232817)

Master of Burgo de Osma, (fl.1400-20)

Assault on a Citadel (w/c on paper)
Assault on a Citadel (w/c on paper)

AGN95214: Assault on a Citadel (w/c on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: AGN95214

Assault on a Citadel (w/c on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)
Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)

STC95226: Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

ID: STC95226

Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)

Dyck, Anthony van (1599-1641) (after)

Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)
Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)

STC95244: Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving), Rogers, William (c.1545-1610) / Bridgeman Images

ID: STC95244

Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)

Rogers, William (c.1545-1610)

Three terracotta figures from Palenque and Ococingo, plate 47 from 'Ancient Monuments of Mexico', engraved by Boquin, 1866 (litho)
Three terracotta figures from Palenque and Ococingo, plate 47 from 'Ancient Monuments of Mexico', engraved by Boquin, 1866 (litho)

STC95309: Three terracotta figures from Palenque and Ococingo, plate 47 from 'Ancient Monuments of Mexico', engraved by Boquin, 1866 (litho), Waldeck, Johann Friedrich Maximilian von (1766-1875) (after) / Bridgeman Images

ID: STC95309

Three terracotta figures from Palenque and Ococingo, plate 47 from 'Ancient Monuments of Mexico', engraved by Boquin, 1866 (litho)

Waldeck, Johann Friedrich Maximilian von (1766-1875) (after)

Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)
Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)

AGN95351: Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: AGN95351

Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)

Cotman, John Sell (1782-1842)

St. Mary Redcliffe, Bristol, 1802 (w/c on paper)
St. Mary Redcliffe, Bristol, 1802 (w/c on paper)

AGN95354: St. Mary Redcliffe, Bristol, 1802 (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: AGN95354

St. Mary Redcliffe, Bristol, 1802 (w/c on paper)

Cotman, John Sell (1782-1842)

Ahmed I (1590-1617) Sultan 1603-17, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)
Ahmed I (1590-1617) Sultan 1603-17, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)

STC87563: Ahmed I (1590-1617) Sultan 1603-17, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c), Young, John (1755-1825) / Bridgeman Images

ID: STC87563

Ahmed I (1590-1617) Sultan 1603-17, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)

Young, John (1755-1825)

Preparing to To Out, 1894 (pastel)
Preparing to To Out, 1894 (pastel)

BAL87604: Preparing to To Out, 1894 (pastel), Zandomeneghi, Federigo (1841-1917) / Bridgeman Images

ID: BAL87604

Preparing to To Out, 1894 (pastel)

Zandomeneghi, Federigo (1841-1917)

View of the west facade of the restored chateau built c.1465 for Jean Bourre, minister to Louis XI of France (photo) (see also 87684/86)
View of the west facade of the restored chateau built c.1465 for Jean Bourre, minister to Louis XI of France (photo) (see also 87684/86)

XIR87685: View of the west facade of the restored chateau built c.1465 for Jean Bourre, minister to Louis XI of France (photo) (see also 87684/86), French School, (15th century) / Bridgeman Images

ID: XIR87685

View of the west facade of the restored chateau built c.1465 for Jean Bourre, minister to Louis XI of France (photo) (see also 87684/86)

French School, (15th century)

Jesus Gives Sight to One Born Blind, from a bible printed by Edward Gover, 1870's (litho)
Jesus Gives Sight to One Born Blind, from a bible printed by Edward Gover, 1870's (litho)

STC87923: Jesus Gives Sight to One Born Blind, from a bible printed by Edward Gover, 1870's (litho), Bendixen, Siegfried Detler (1786-1864) / Bridgeman Images

ID: STC87923

Jesus Gives Sight to One Born Blind, from a bible printed by Edward Gover, 1870's (litho)

Bendixen, Siegfried Detler (1786-1864)

Lady Reading
Lady Reading

GG87978: Lady Reading, Caille, Fanny (19th century) / Bridgeman Images

ID: GG87978

Lady Reading

Caille, Fanny (19th century)

Coastal Road on the Gulf of Palermo, Italy
Coastal Road on the Gulf of Palermo, Italy

GG87986: Coastal Road on the Gulf of Palermo, Italy, Unterberger, Franz Richard (1838-1902) / Bridgeman Images

ID: GG87986

Coastal Road on the Gulf of Palermo, Italy

Unterberger, Franz Richard (1838-1902)

Persian decoration, from `Polychrome Ornament`, engraved by F. Durin, pub. by Lemercier & C., Paris, 1869 (colour litho)
Persian decoration, from `Polychrome Ornament`, engraved by F. Durin, pub. by Lemercier & C., Paris, 1869 (colour litho)

BCC88029: Persian decoration, from `Polychrome Ornament`, engraved by F. Durin, pub. by Lemercier & C., Paris, 1869 (colour litho), Racinet, Albert Charles August (1825-93) (after) / Bridgeman Images

ID: BCC88029

Persian decoration, from `Polychrome Ornament`, engraved by F. Durin, pub. by Lemercier & C., Paris, 1869 (colour litho)

Racinet, Albert Charles August (1825-93) (after)

Decoration from Oceania and Central Africa, from 'Polychrome Ornament`, engraved by Dufour and F. Durin, pub. by Lemercier & C., 1869 (litho)
Decoration from Oceania and Central Africa, from 'Polychrome Ornament`, engraved by Dufour and F. Durin, pub. by Lemercier & C., 1869 (litho)

BCC88032: Decoration from Oceania and Central Africa, from 'Polychrome Ornament`, engraved by Dufour and F. Durin, pub. by Lemercier & C., 1869 (litho), Racinet, Albert Charles Auguste (1825-93) / Bridgeman Images

ID: BCC88032

Decoration from Oceania and Central Africa, from 'Polychrome Ornament`, engraved by Dufour and F. Durin, pub. by Lemercier & C., 1869 (litho)

Racinet, Albert Charles Auguste (1825-93)

Design for an applique banner, Vol XXIV from `The Studio' magazine, pub. 1899
Design for an applique banner, Vol XXIV from `The Studio' magazine, pub. 1899

BCC88039: Design for an applique banner, Vol XXIV from `The Studio' magazine, pub. 1899, Newberry, Jessie R. (b.1864) & Macbeth, Ann (1875-1948) / Bridgeman Images

ID: BCC88039

Design for an applique banner, Vol XXIV from `The Studio' magazine, pub. 1899

Newberry, Jessie R. (b.1864) & Macbeth, Ann (1875-1948)

Design for an appliqued and embroidered portriere Vol XIV from `The Studio` magazine, pub. 1898
Design for an appliqued and embroidered portriere Vol XIV from `The Studio` magazine, pub. 1898

BCC88042: Design for an appliqued and embroidered portriere Vol XIV from `The Studio` magazine, pub. 1898, Wyse, Henry Taylor (1870-1951) / Bridgeman Images

ID: BCC88042

Design for an appliqued and embroidered portriere Vol XIV from `The Studio` magazine, pub. 1898

Wyse, Henry Taylor (1870-1951)

The First Descent Through the Koojah Pass, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)
The First Descent Through the Koojah Pass, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)

STC135162: The First Descent Through the Koojah Pass, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho), Atkinson, James (1780-1852) (after) / Bridgeman Images

ID: STC135162

The First Descent Through the Koojah Pass, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)

Atkinson, James (1780-1852) (after)

The Fontana Maggiore, completed in 1278 (photo) (see 135189)
The Fontana Maggiore, completed in 1278 (photo) (see 135189)

JFS135188: The Fontana Maggiore, completed in 1278 (photo) (see 135189), Pisano, Nicola (c. 1220-84) / Bridgeman Images

ID: JFS135188

The Fontana Maggiore, completed in 1278 (photo) (see 135189)

Pisano, Nicola (c. 1220-84)

The Battle of Marengo, June 14th 1800 (colour litho)
The Battle of Marengo, June 14th 1800 (colour litho)

REV135372: The Battle of Marengo, June 14th 1800 (colour litho), French School, (19th century) / Bridgeman Images

ID: REV135372

The Battle of Marengo, June 14th 1800 (colour litho)

French School, (19th century)

Costume design for a River God, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils, c.1750 (colour litho)
Costume design for a River God, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils, c.1750 (colour litho)

STC135401: Costume design for a River God, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils, c.1750 (colour litho), French School, (18th century) / Bridgeman Images

ID: STC135401

Costume design for a River God, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils, c.1750 (colour litho)

French School, (18th century)

Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving)
Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving)

STC135413: Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving), French School, (18th century) / Bridgeman Images

ID: STC135413

Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving)

French School, (18th century)


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