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Desiderius Erasmus of Rotterdam, 1526 (engraving)
Desiderius Erasmus of Rotterdam, 1526 (engraving)

XIR158242: Desiderius Erasmus of Rotterdam, 1526 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XIR158242

Desiderius Erasmus of Rotterdam, 1526 (engraving)

Dürer or Duerer, Albrecht (1471-1528)

Before, c.1730-31 (oil on canvas)
Before, c.1730-31 (oil on canvas)

FIT58827: Before, c.1730-31 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: FIT58827

Before, c.1730-31 (oil on canvas)

Hogarth, William (1697-1764)

Twelve Proverbs, c.1558-60 (oil on panel)
Twelve Proverbs, c.1558-60 (oil on panel)

XIR61319: Twelve Proverbs, c.1558-60 (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: XIR61319

Twelve Proverbs, c.1558-60 (oil on panel)

Bruegel, Pieter the Elder (c.1525-69)

The Apocalyptic Woman or The Woman Clothed with the Sun and the Seven-headed Dragon, from The Apocalypse or the Revelation of St. John, 1498 (woodcut)
The Apocalyptic Woman or The Woman Clothed with the Sun and the Seven-headed Dragon, from The Apocalypse or the Revelation of St. John, 1498 (woodcut)

CH376605: The Apocalyptic Woman or The Woman Clothed with the Sun and the Seven-headed Dragon, from The Apocalypse or the Revelation of St. John, 1498 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: CH376605

The Apocalyptic Woman or The Woman Clothed with the Sun and the Seven-headed Dragon, from The Apocalypse or the Revelation of St. John, 1498 (woodcut)

Dürer or Duerer, Albrecht (1471-1528)

Christ's Charge to Peter, c.1616 (oil on oak panel)
Christ's Charge to Peter, c.1616 (oil on oak panel)

TWC62703: Christ's Charge to Peter, c.1616 (oil on oak panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: TWC62703

Christ's Charge to Peter, c.1616 (oil on oak panel)

Rubens, Peter Paul (1577-1640)

Karl Marx, German philosopher, economist and political theorist (litho)
Karl Marx, German philosopher, economist and political theorist (litho)

LLE981220: Karl Marx, German philosopher, economist and political theorist (litho), Russian School, (20th century) / Bridgeman Images

ID: LLE981220

Karl Marx, German philosopher, economist and political theorist (litho)

Russian School, (20th century)

Camera Obscura (engraving)
Camera Obscura (engraving)

LLM664933: Camera Obscura (engraving), English School, (19th century) / Bridgeman Images

ID: LLM664933

Camera Obscura (engraving)

English School, (19th century)

Viking amulet in the shape of a cross with a dragon's head design (silver)
Viking amulet in the shape of a cross with a dragon's head design (silver)

XTD75296: Viking amulet in the shape of a cross with a dragon's head design (silver) / Bridgeman Images

ID: XTD75296

Viking amulet in the shape of a cross with a dragon's head design (silver)

Three Vases of Flowers, c.1908-10 (pastel on paper)
Three Vases of Flowers, c.1908-10 (pastel on paper)

CH348595: Three Vases of Flowers, c.1908-10 (pastel on paper), Redon, Odilon (1840-1916) / Bridgeman Images

ID: CH348595

Three Vases of Flowers, c.1908-10 (pastel on paper)

Redon, Odilon (1840-1916)

Clethra Arborea (Lily of the Valley Tree), 1803-1805 (stipple-engraved plate)
Clethra Arborea (Lily of the Valley Tree), 1803-1805 (stipple-engraved plate)

CH986421: Clethra Arborea (Lily of the Valley Tree), 1803-1805 (stipple-engraved plate), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: CH986421

Clethra Arborea (Lily of the Valley Tree), 1803-1805 (stipple-engraved plate)

Redoute, Pierre Joseph (1759-1840) (after)

View of Burghley House, seat of the Marquis of Exeter, engraved and published by Robert Havell (1769-1832), 1819 (colour engraving)
View of Burghley House, seat of the Marquis of Exeter, engraved and published by Robert Havell (1769-1832), 1819 (colour engraving)

STC118558: View of Burghley House, seat of the Marquis of Exeter, engraved and published by Robert Havell (1769-1832), 1819 (colour engraving), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC118558

View of Burghley House, seat of the Marquis of Exeter, engraved and published by Robert Havell (1769-1832), 1819 (colour engraving)

Mackenzie, Frederick (c.1788-1854) (after)

Horses in a Meadow, 1871 (oil on canvas)
Horses in a Meadow, 1871 (oil on canvas)

XOS1766173: Horses in a Meadow, 1871 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XOS1766173

Horses in a Meadow, 1871 (oil on canvas)

Degas, Edgar (1834-1917)

Faustulus entrusting Romulus and Remus to his wife Acca Larentia, c.1643 (oil on canvas)
Faustulus entrusting Romulus and Remus to his wife Acca Larentia, c.1643 (oil on canvas)

XIR39330: Faustulus entrusting Romulus and Remus to his wife Acca Larentia, c.1643 (oil on canvas), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images

ID: XIR39330

Faustulus entrusting Romulus and Remus to his wife Acca Larentia, c.1643 (oil on canvas)

Cortona, Pietro da (Berrettini) (1596-1669)

'Dreyfus est Innocent', poster with the portraits of his defenders, late 19th century (colour litho)
'Dreyfus est Innocent', poster with the portraits of his defenders, late 19th century (colour litho)

CHT189326: 'Dreyfus est Innocent', poster with the portraits of his defenders, late 19th century (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT189326

'Dreyfus est Innocent', poster with the portraits of his defenders, late 19th century (colour litho)

French School, (19th century)

Francoise de Sevigne (1646-1705) Countess of Grignan (oil on canvas)
Francoise de Sevigne (1646-1705) Countess of Grignan (oil on canvas)

XIR101761: Francoise de Sevigne (1646-1705) Countess of Grignan (oil on canvas), Mignard, Pierre (1612-95) (attr. to) / Bridgeman Images

ID: XIR101761

Francoise de Sevigne (1646-1705) Countess of Grignan (oil on canvas)

Mignard, Pierre (1612-95) (attr. to)

Kaiser Joseph II (1741-90), and the Grand Duke Leopold of Tuscany, 1769, (oil on canvas)
Kaiser Joseph II (1741-90), and the Grand Duke Leopold of Tuscany, 1769, (oil on canvas)

XAM67415: Kaiser Joseph II (1741-90), and the Grand Duke Leopold of Tuscany, 1769, (oil on canvas), Batoni, Pompeo Girolamo (1708-87) / Bridgeman Images

ID: XAM67415

Kaiser Joseph II (1741-90), and the Grand Duke Leopold of Tuscany, 1769, (oil on canvas)

Batoni, Pompeo Girolamo (1708-87)

Women Carrying Jeanne Deroin (1805-94) in Triumph, from 'Les Femmes Celebres', volume I, Paris, Mazenod, 1848 (engraving) (b/w photo)
Women Carrying Jeanne Deroin (1805-94) in Triumph, from 'Les Femmes Celebres', volume I, Paris, Mazenod, 1848 (engraving) (b/w photo)

CHT163728: Women Carrying Jeanne Deroin (1805-94) in Triumph, from 'Les Femmes Celebres', volume I, Paris, Mazenod, 1848 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT163728

Women Carrying Jeanne Deroin (1805-94) in Triumph, from 'Les Femmes Celebres', volume I, Paris, Mazenod, 1848 (engraving) (b/w photo)

French School, (19th century)

Elisabeth of France (1764-94) called Madame Elisabeth, 1788 (oil on canvas)
Elisabeth of France (1764-94) called Madame Elisabeth, 1788 (oil on canvas)

XIR175550: Elisabeth of France (1764-94) called Madame Elisabeth, 1788 (oil on canvas), Labille-Guiard, Adelaide (c.1749-1803) / Bridgeman Images

ID: XIR175550

Elisabeth of France (1764-94) called Madame Elisabeth, 1788 (oil on canvas)

Labille-Guiard, Adelaide (c.1749-1803)

Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas)
Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas)

XIR172476: Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR172476

Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas)

French School, (17th century)

This Is the Way We Wash Our Clothes (oil on canvas)
This Is the Way We Wash Our Clothes (oil on canvas)

WGL202377: This Is the Way We Wash Our Clothes (oil on canvas), Leslie, George Dunlop (1835-1921) / Bridgeman Images

ID: WGL202377

This Is the Way We Wash Our Clothes (oil on canvas)

Leslie, George Dunlop (1835-1921)

Electrical racing car Jenatzy 'La Jamais Contente', c.1900 (b/w photo)
Electrical racing car Jenatzy 'La Jamais Contente', c.1900 (b/w photo)

CHT164237: Electrical racing car Jenatzy 'La Jamais Contente', c.1900 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: CHT164237

Electrical racing car Jenatzy 'La Jamais Contente', c.1900 (b/w photo)

French Photographer, (20th century)

Anavysos Kouros, c.530-520 BC (marble)
Anavysos Kouros, c.530-520 BC (marble)

XIR155947: Anavysos Kouros, c.530-520 BC (marble), Greek school, (6th century BC) / Bridgeman Images

ID: XIR155947

Anavysos Kouros, c.530-520 BC (marble)

Greek school, (6th century BC)

Whitby
Whitby

CW8993: Whitby, Grimshaw, John Atkinson (1836-93) / Bridgeman Images

ID: CW8993

Whitby

Grimshaw, John Atkinson (1836-93)

La Liseuse, c.1900 (oil on canvas)
La Liseuse, c.1900 (oil on canvas)

BAL11983: La Liseuse, c.1900 (oil on canvas), Croegaert, Georges (1848-1923) / Bridgeman Images

ID: BAL11983

La Liseuse, c.1900 (oil on canvas)

Croegaert, Georges (1848-1923)

The Goddess of the Serpents, from the Palace of Knossos, 1500 B.C (faience)
The Goddess of the Serpents, from the Palace of Knossos, 1500 B.C (faience)

XIR79288: The Goddess of the Serpents, from the Palace of Knossos, 1500 B.C (faience), Minoan / Bridgeman Images

ID: XIR79288

The Goddess of the Serpents, from the Palace of Knossos, 1500 B.C (faience)

Minoan

Pacific Sunset, 1907 (oil on canvas)
Pacific Sunset, 1907 (oil on canvas)

CH377858: Pacific Sunset, 1907 (oil on canvas), Moran, Thomas (1837-1926) / Bridgeman Images

ID: CH377858

Pacific Sunset, 1907 (oil on canvas)

Moran, Thomas (1837-1926)

Over London - By Rail, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by Stephane Pannemaker (1847-1930), pub. 1872 (engraving)
Over London - By Rail, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by Stephane Pannemaker (1847-1930), pub. 1872 (engraving)

XJF396035: Over London - By Rail, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by Stephane Pannemaker (1847-1930), pub. 1872 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: XJF396035

Over London - By Rail, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by Stephane Pannemaker (1847-1930), pub. 1872 (engraving)

Dore, Gustave (1832-83) (after)

A London Street Scene, 1835 (w/c)
A London Street Scene, 1835 (w/c)

XCF397310: A London Street Scene, 1835 (w/c), Parry, John Orlando (1810-79) / Bridgeman Images

ID: XCF397310

A London Street Scene, 1835 (w/c)

Parry, John Orlando (1810-79)

Freedom or Death, 1794-95 (oil on canvas)
Freedom or Death, 1794-95 (oil on canvas)

XKH150800: Freedom or Death, 1794-95 (oil on canvas), Regnault, Jean-Baptiste (1754-1829) / Bridgeman Images

ID: XKH150800

Freedom or Death, 1794-95 (oil on canvas)

Regnault, Jean-Baptiste (1754-1829)

The Madonna Praying
The Madonna Praying

XNR61588: The Madonna Praying, Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) / Bridgeman Images

ID: XNR61588

The Madonna Praying

Sassoferrato, Il (Giovanni Battista Salvi) (1609-85)

Achilles in Armour, costume for 'Iphigenia in Aulis' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Pierre Michel Alix (1762-1817) 1802 (coloured engraving)
Achilles in Armour, costume for 'Iphigenia in Aulis' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Pierre Michel Alix (1762-1817) 1802 (coloured engraving)

STC96504: Achilles in Armour, costume for 'Iphigenia in Aulis' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Pierre Michel Alix (1762-1817) 1802 (coloured engraving), Chery, Philippe (1759-1838) (after) / Bridgeman Images

ID: STC96504

Achilles in Armour, costume for 'Iphigenia in Aulis' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Pierre Michel Alix (1762-1817) 1802 (coloured engraving)

Chery, Philippe (1759-1838) (after)

The Druidess (oil on canvas)
The Druidess (oil on canvas)

CHT162796: The Druidess (oil on canvas), Laroche, Armand (1826-1903) / Bridgeman Images

ID: CHT162796

The Druidess (oil on canvas)

Laroche, Armand (1826-1903)

Mayan ball court marker, from Chinkultic, Chiapas, 590 AD (limestone)
Mayan ball court marker, from Chinkultic, Chiapas, 590 AD (limestone)

XIR159384: Mayan ball court marker, from Chinkultic, Chiapas, 590 AD (limestone), Pre-Columbian / Bridgeman Images

ID: XIR159384

Mayan ball court marker, from Chinkultic, Chiapas, 590 AD (limestone)

Pre-Columbian

Blaise Pascal (1623-62) from 'Gallery of Portraits', published in 1833 (engraving)
Blaise Pascal (1623-62) from 'Gallery of Portraits', published in 1833 (engraving)

KWE189096: Blaise Pascal (1623-62) from 'Gallery of Portraits', published in 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE189096

Blaise Pascal (1623-62) from 'Gallery of Portraits', published in 1833 (engraving)

English School, (19th century)

The End of the Day, 1938 (oil on board) (see 210332)
The End of the Day, 1938 (oil on board) (see 210332)

MAA201331: The End of the Day, 1938 (oil on board) (see 210332), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

ID: MAA201331

The End of the Day, 1938 (oil on board) (see 210332)

Payne, Henry A. (Harry) (1868-1940)

The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)
The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

CHT195202: The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho), Mexican School, (19th century) / Bridgeman Images

ID: CHT195202

The Tlaxcalan chieftain, Maxixcatzin, presents a bouquet of roses and other gifts to Hernando Cortes (1485-1547) as tokens of welcome, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

Mexican School, (19th century)


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