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John of Lancaster, Duke of Bedford (1389-1435) after a portrait in a prayerbook, engraved by the artist (engraving)
John of Lancaster, Duke of Bedford (1389-1435) after a portrait in a prayerbook, engraved by the artist (engraving)

STC99270: John of Lancaster, Duke of Bedford (1389-1435) after a portrait in a prayerbook, engraved by the artist (engraving), Vertue, George (1684-1756) / Bridgeman Images

ID: STC99270

John of Lancaster, Duke of Bedford (1389-1435) after a portrait in a prayerbook, engraved by the artist (engraving)

Vertue, George (1684-1756)

The Holy Family with St. John the Baptist (oil on panel)
The Holy Family with St. John the Baptist (oil on panel)

PWI108528: The Holy Family with St. John the Baptist (oil on panel), Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: PWI108528

The Holy Family with St. John the Baptist (oil on panel)

Signorelli, Luca (c.1450-1523)

The Mysore Gate at Bangalore, plate 14 from 'Picturesque Scenery in the Kingdom of Mysore, engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by Edward Orme (1774-c.1820) 1804 (aquatint)
The Mysore Gate at Bangalore, plate 14 from 'Picturesque Scenery in the Kingdom of Mysore, engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

STC108676: The Mysore Gate at Bangalore, plate 14 from 'Picturesque Scenery in the Kingdom of Mysore, engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by Edward Orme (1774-c.1820) 1804 (aquatint), Hunter, Lieutenant James (1755-92) (after) / Bridgeman Images

ID: STC108676

The Mysore Gate at Bangalore, plate 14 from 'Picturesque Scenery in the Kingdom of Mysore, engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

Hunter, Lieutenant James (1755-92) (after)

A View from the Royal Artillery Encampment, Conditore, plate 37 from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)
A View from the Royal Artillery Encampment, Conditore, plate 37 from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

STC108679: A View from the Royal Artillery Encampment, Conditore, plate 37 from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint), Hunter, Lieutenant James (1755-92) (after) / Bridgeman Images

ID: STC108679

A View from the Royal Artillery Encampment, Conditore, plate 37 from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

Hunter, Lieutenant James (1755-92) (after)

Design for a Scagliola Tabletop, Quarter Scale, 1771 (w/c on paper)
Design for a Scagliola Tabletop, Quarter Scale, 1771 (w/c on paper)

CJP108722: Design for a Scagliola Tabletop, Quarter Scale, 1771 (w/c on paper), Adam, Robert (1728-1792) (attr. to) / Bridgeman Images

ID: CJP108722

Design for a Scagliola Tabletop, Quarter Scale, 1771 (w/c on paper)

Adam, Robert (1728-1792) (attr. to)

A Cross-section of the Pyramids of Egypt, 1700 (w/c on paper)
A Cross-section of the Pyramids of Egypt, 1700 (w/c on paper)

CJP108749: A Cross-section of the Pyramids of Egypt, 1700 (w/c on paper), French School, (18th century) / Bridgeman Images

ID: CJP108749

A Cross-section of the Pyramids of Egypt, 1700 (w/c on paper)

French School, (18th century)

Two Domestic Scenes, c.1725 (black and white chalk on blue paper)
Two Domestic Scenes, c.1725 (black and white chalk on blue paper)

CJP108765: Two Domestic Scenes, c.1725 (black and white chalk on blue paper), English School, (18th century) / Bridgeman Images

ID: CJP108765

Two Domestic Scenes, c.1725 (black and white chalk on blue paper)

English School, (18th century)

A View in Suffolk, 1776 (watercolour on paper)
A View in Suffolk, 1776 (watercolour on paper)

LMG108817: A View in Suffolk, 1776 (watercolour on paper), Hearne, Thomas (1744-1817) / Bridgeman Images

ID: LMG108817

A View in Suffolk, 1776 (watercolour on paper)

Hearne, Thomas (1744-1817)

Bolton Abbey (pen & ink and w/c)
Bolton Abbey (pen & ink and w/c)

LMG108852: Bolton Abbey (pen & ink and w/c), Wint, Peter de (1784-1849) / Bridgeman Images

ID: LMG108852

Bolton Abbey (pen & ink and w/c)

Wint, Peter de (1784-1849)

Rievaulx Abbey from the West (watercolour & pencil on paper)
Rievaulx Abbey from the West (watercolour & pencil on paper)

LMG108884: Rievaulx Abbey from the West (watercolour & pencil on paper), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: LMG108884

Rievaulx Abbey from the West (watercolour & pencil on paper)

Bartlett, William Henry (1809-54)

A Fete Champetre
A Fete Champetre

PFA64644: A Fete Champetre, Dietrich, Christian W. E. (1712-1774) (attr. to) / Bridgeman Images

ID: PFA64644

A Fete Champetre

Dietrich, Christian W. E. (1712-1774) (attr. to)

George du Maurier (1834-96), artist, cartoonist and novelist, portrait photograph (b/w photo)
George du Maurier (1834-96), artist, cartoonist and novelist, portrait photograph (b/w photo)

STC64687: George du Maurier (1834-96), artist, cartoonist and novelist, portrait photograph (b/w photo), Walery Studio (fl.1884-1935) / Bridgeman Images

ID: STC64687

George du Maurier (1834-96), artist, cartoonist and novelist, portrait photograph (b/w photo)

Walery Studio (fl.1884-1935)

Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64903 & 64904)
Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64903 & 64904)

STC64902: Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64903 & 64904), Ware, Isaac (1704-66) (after) / Bridgeman Images

ID: STC64902

Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64903 & 64904)

Ware, Isaac (1704-66) (after)

Design for the front cover of 'The Savoy: Complete in Three Volumes', c.1896 (colour litho)
Design for the front cover of 'The Savoy: Complete in Three Volumes', c.1896 (colour litho)

STC99367: Design for the front cover of 'The Savoy: Complete in Three Volumes', c.1896 (colour litho), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: STC99367

Design for the front cover of 'The Savoy: Complete in Three Volumes', c.1896 (colour litho)

Beardsley, Aubrey (1872-98)

Godfrey of Bouillon (c.1060-1100) Elected King of Jerusalem, engraved by Leopold Massard (1812-89) (engraving)
Godfrey of Bouillon (c.1060-1100) Elected King of Jerusalem, engraved by Leopold Massard (1812-89) (engraving)

JEP99732: Godfrey of Bouillon (c.1060-1100) Elected King of Jerusalem, engraved by Leopold Massard (1812-89) (engraving), Madrazo y Garreta, Jose de (1781-1859) (after) / Bridgeman Images

ID: JEP99732

Godfrey of Bouillon (c.1060-1100) Elected King of Jerusalem, engraved by Leopold Massard (1812-89) (engraving)

Madrazo y Garreta, Jose de (1781-1859) (after)

Puck and the Fairies, Puck and the Fairies, scene from 'A Midsummer Night's Dream', 19th century (engraving)
Puck and the Fairies, Puck and the Fairies, scene from 'A Midsummer Night's Dream', 19th century (engraving)

JEP99735: Puck and the Fairies, Puck and the Fairies, scene from 'A Midsummer Night's Dream', 19th century (engraving), Dadd, Richard (1817-86) (after) / Bridgeman Images

ID: JEP99735

Puck and the Fairies, Puck and the Fairies, scene from 'A Midsummer Night's Dream', 19th century (engraving)

Dadd, Richard (1817-86) (after)

The Leaning Tower, Saragossa (engraving)
The Leaning Tower, Saragossa (engraving)

JEP99741: The Leaning Tower, Saragossa (engraving), George, Ernest (1839-1922) (after) / Bridgeman Images

ID: JEP99741

The Leaning Tower, Saragossa (engraving)

George, Ernest (1839-1922) (after)

Uncle Toby and the Widow, engraved by Lumb Stocks (1812-92) (engraving)
Uncle Toby and the Widow, engraved by Lumb Stocks (1812-92) (engraving)

JEP99771: Uncle Toby and the Widow, engraved by Lumb Stocks (1812-92) (engraving), Leslie, Charles Robert (1794-1859) (after) / Bridgeman Images

ID: JEP99771

Uncle Toby and the Widow, engraved by Lumb Stocks (1812-92) (engraving)

Leslie, Charles Robert (1794-1859) (after)

Portrait of a Man, 1816 (print)
Portrait of a Man, 1816 (print)

JEP99777: Portrait of a Man, 1816 (print), Ingres, Jean Auguste Dominique (1780-1867) (after) / Bridgeman Images

ID: JEP99777

Portrait of a Man, 1816 (print)

Ingres, Jean Auguste Dominique (1780-1867) (after)

'Sloe' (Slow) But Sure Justice, No.46 from 'Caricatures', c.1831 (engraving)
'Sloe' (Slow) But Sure Justice, No.46 from 'Caricatures', c.1831 (engraving)

BAL99929: 'Sloe' (Slow) But Sure Justice, No.46 from 'Caricatures', c.1831 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL99929

'Sloe' (Slow) But Sure Justice, No.46 from 'Caricatures', c.1831 (engraving)

English School, (19th century)

Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)
Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)

BAL108946: Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108946

Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)

Pyle, Howard (1853-1911) (after)

Objects belonging to Indians (colour engraving)
Objects belonging to Indians (colour engraving)

STC109045: Objects belonging to Indians (colour engraving), Raineri, Vittorio (19th century) / Bridgeman Images

ID: STC109045

Objects belonging to Indians (colour engraving)

Raineri, Vittorio (19th century)

Indian Squaws, Canada (colour engraving)
Indian Squaws, Canada (colour engraving)

STC109085: Indian Squaws, Canada (colour engraving), Gallina, Gallo (1796-1874) / Bridgeman Images

ID: STC109085

Indian Squaws, Canada (colour engraving)

Gallina, Gallo (1796-1874)

Winter Landscape, 1914 (pen & ink and w/c on paper)
Winter Landscape, 1914 (pen & ink and w/c on paper)

LMG109116: Winter Landscape, 1914 (pen & ink and w/c on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: LMG109116

Winter Landscape, 1914 (pen & ink and w/c on paper)

Nash, Paul (1889-1946)

Dead Game and Flowers, 1708 (oil on canvas)
Dead Game and Flowers, 1708 (oil on canvas)

LMG109201: Dead Game and Flowers, 1708 (oil on canvas), Casteels, Pieter (1684-1749) / Bridgeman Images

ID: LMG109201

Dead Game and Flowers, 1708 (oil on canvas)

Casteels, Pieter (1684-1749)

Caesar Triumphing in Battle (tempera on panel)
Caesar Triumphing in Battle (tempera on panel)

PFA109315: Caesar Triumphing in Battle (tempera on panel), Master of Marradi, (fl.1480-1500) / Bridgeman Images

ID: PFA109315

Caesar Triumphing in Battle (tempera on panel)

Master of Marradi, (fl.1480-1500)

Drovers Guiding Cattle Over a Bridge (oil on canvas)
Drovers Guiding Cattle Over a Bridge (oil on canvas)

PFA109331: Drovers Guiding Cattle Over a Bridge (oil on canvas), Chinnery, George (1774-1852) (circle of) / Bridgeman Images

ID: PFA109331

Drovers Guiding Cattle Over a Bridge (oil on canvas)

Chinnery, George (1774-1852) (circle of)

Figures Beneath a Leaning Palm Before a Village (oil on canvas)
Figures Beneath a Leaning Palm Before a Village (oil on canvas)

PFA109334: Figures Beneath a Leaning Palm Before a Village (oil on canvas), Chinnery, George (1774-1852) (circle of) / Bridgeman Images

ID: PFA109334

Figures Beneath a Leaning Palm Before a Village (oil on canvas)

Chinnery, George (1774-1852) (circle of)

A Study of Hounds (oil on canvas)
A Study of Hounds (oil on canvas)

PFA109350: A Study of Hounds (oil on canvas), Smythe, Edward Robert (1810-99) / Bridgeman Images

ID: PFA109350

A Study of Hounds (oil on canvas)

Smythe, Edward Robert (1810-99)

Piazza di San Marco, from the Piazzetta, in Venice (oil on canvas)
Piazza di San Marco, from the Piazzetta, in Venice (oil on canvas)

PHD65324: Piazza di San Marco, from the Piazzetta, in Venice (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: PHD65324

Piazza di San Marco, from the Piazzetta, in Venice (oil on canvas)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

The Monastery of Esphigmenou (w/c), 1856
The Monastery of Esphigmenou (w/c), 1856

AGN65453: The Monastery of Esphigmenou (w/c), 1856, Lear, Edward (1812-88) / Bridgeman Images

ID: AGN65453

The Monastery of Esphigmenou (w/c), 1856

Lear, Edward (1812-88)

August, 1595-1600
August, 1595-1600

XAM65677: August, 1595-1600, Bassano, Leandro da Ponte (1557-1622) / Bridgeman Images

ID: XAM65677

August, 1595-1600

Bassano, Leandro da Ponte (1557-1622)

Jacob and Laban at the Well, c.1590 (oil on canvas)
Jacob and Laban at the Well, c.1590 (oil on canvas)

XAM65695: Jacob and Laban at the Well, c.1590 (oil on canvas), Bassano, Francesco (Francesco da Ponte) (1549-92) / Bridgeman Images

ID: XAM65695

Jacob and Laban at the Well, c.1590 (oil on canvas)

Bassano, Francesco (Francesco da Ponte) (1549-92)

Head of Zeus
Head of Zeus

XAM65872: Head of Zeus, Fendi, Peter (1796-1842) / Bridgeman Images

ID: XAM65872

Head of Zeus

Fendi, Peter (1796-1842)

MS 3-1954 f.37r Funeral in a church, Latin and French, from the 'Hours of Philip the Bold, Duke of Burgundy', c.1370 (vellum)
MS 3-1954 f.37r Funeral in a church, Latin and French, from the 'Hours of Philip the Bold, Duke of Burgundy', c.1370 (vellum)

FIT65909: MS 3-1954 f.37r Funeral in a church, Latin and French, from the 'Hours of Philip the Bold, Duke of Burgundy', c.1370 (vellum), French School, (14th century) / Bridgeman Images

ID: FIT65909

MS 3-1954 f.37r Funeral in a church, Latin and French, from the 'Hours of Philip the Bold, Duke of Burgundy', c.1370 (vellum)

French School, (14th century)

Morgiana Kills the Hidden Thieves by Pouring Boiling Oil on Them, scene from Ali Baba from 'My Nursery Story Book', pub. by Blackie & Son (book illustration)
Morgiana Kills the Hidden Thieves by Pouring Boiling Oil on Them, scene from Ali Baba from 'My Nursery Story Book', pub. by Blackie & Son (book illustration)

IL100106: Morgiana Kills the Hidden Thieves by Pouring Boiling Oil on Them, scene from Ali Baba from 'My Nursery Story Book', pub. by Blackie & Son (book illustration), Adams, Frank (1871-1944) / Bridgeman Images

ID: IL100106

Morgiana Kills the Hidden Thieves by Pouring Boiling Oil on Them, scene from Ali Baba from 'My Nursery Story Book', pub. by Blackie & Son (book illustration)

Adams, Frank (1871-1944)


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