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The Empire Promenande, c.1990s (litho)
The Empire Promenande, c.1990s (litho)

XJF448212: The Empire Promenande, c.1990s (litho), Browne, Tom (1872-1910) / Bridgeman Images

Captain Grant, published in 'The Illustrated London News', 1863 (engraving)
Captain Grant, published in 'The Illustrated London News', 1863 (engraving)

XJF448229: Captain Grant, published in 'The Illustrated London News', 1863 (engraving), English School, (19th century) / Bridgeman Images

Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving)
Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving)

XJF448250: Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving), Sheraton, Thomas (1751-1806) / Bridgeman Images

The Recruiting Serjeant, engraved by John Goldar, 1769 (engraving)
The Recruiting Serjeant, engraved by John Goldar, 1769 (engraving)

XJF448285: The Recruiting Serjeant, engraved by John Goldar, 1769 (engraving), Collet, John (c.1725-80) (after) / Bridgeman Images

Sir Richard Steele (engraving)
Sir Richard Steele (engraving)

WAG451651: Sir Richard Steele (engraving), Houbracken, Jacobus (1698-1780) / Bridgeman Images

Darlaston Hall, Staffordshire (coloured engraving)
Darlaston Hall, Staffordshire (coloured engraving)

WAG451675: Darlaston Hall, Staffordshire (coloured engraving), Radclyffe, T. (18th century) / Bridgeman Images

St. Peter's Church, Wolverhampton (etching)
St. Peter's Church, Wolverhampton (etching)

WAG451678: St. Peter's Church, Wolverhampton (etching), Blundell, Alfred Richard (1883-1968) / Bridgeman Images

The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)
The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)

KWE451822: The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images

The Ammunition Column (w/c, gouache & chalk on paper)
The Ammunition Column (w/c, gouache & chalk on paper)

OJ451949: The Ammunition Column (w/c, gouache & chalk on paper), Holiday, Gilbert (1879-1937) / Bridgeman Images

DGC451974: "The Outcast", illustration for a feature story, 'A Community of Outcasts', from 'Appleton's Journal, March 23, 1872 (litho), American School, (19th century) / Bridgeman Images

Bela Lugosi, c.1930 (sepia photo)
Bela Lugosi, c.1930 (sepia photo)

DGC451992: Bela Lugosi, c.1930 (sepia photo), Unknown photographer, (20th century) / Bridgeman Images

'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452032: 'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

'The Girl I've Left Behind Me', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'The Girl I've Left Behind Me', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452038: 'The Girl I've Left Behind Me', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

'Who Liveth So Merry in all this Land?', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Who Liveth So Merry in all this Land?', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452053: 'Who Liveth So Merry in all this Land?', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

Relief depicting a sacrifice procession with musicians, sacrificial bull, drawn by the victim's servant (marble)
Relief depicting a sacrifice procession with musicians, sacrificial bull, drawn by the victim's servant (marble)

STF452400: Relief depicting a sacrifice procession with musicians, sacrificial bull, drawn by the victim's servant (marble), Roman, (2nd century) / Bridgeman Images

Landscape with Waterfall, c.1685-85 (oil on canvas)
Landscape with Waterfall, c.1685-85 (oil on canvas)

HOL450082: Landscape with Waterfall, c.1685-85 (oil on canvas), Hackaert, Jan (1628-c.1685) (attr. to) / Bridgeman Images

Sir James Holburne, c.1706 (oil on canvas)
Sir James Holburne, c.1706 (oil on canvas)

HOL450151: Sir James Holburne, c.1706 (oil on canvas), Medina, John Baptist de (1659-1710) / Bridgeman Images

John Sargent III, c.1770 (oil on canvas)
John Sargent III, c.1770 (oil on canvas)

HOL450311: John Sargent III, c.1770 (oil on canvas), English School, (18th century) / Bridgeman Images

The Abbey of Montmartre, with chimneys smoking (pen & ink on paper)
The Abbey of Montmartre, with chimneys smoking (pen & ink on paper)

CTS449288: The Abbey of Montmartre, with chimneys smoking (pen & ink on paper), Gasselin, Noel (fl.1677) / Bridgeman Images

Young men playing pelota inside the Baths of Diocletian; S. Bernardino in the distance; the long wall of Bellaiani (pen & brown ink with brown wash on paper)
Young men playing pelota inside the Baths of Diocletian; S. Bernardino in the distance; the long wall of Bellaiani (pen & brown ink with brown wash on paper)

CTS449357: Young men playing pelota inside the Baths of Diocletian; S. Bernardino in the distance; the long wall of Bellaiani (pen & brown ink with brown wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

Harold, about to return to England, bids adieu to William, who loads him with farewell gifts, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
Harold, about to return to England, bids adieu to William, who loads him with farewell gifts, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449421: Harold, about to return to England, bids adieu to William, who loads him with farewell gifts, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

Goddess-figure pendant, Tonga (whalebone)
Goddess-figure pendant, Tonga (whalebone)

IMJ450400: Goddess-figure pendant, Tonga (whalebone), Polynesian School, (18th century) / Bridgeman Images

Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)
Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)

HOL450165: Mary Bagot, Countess of Dorset, c.1670 (oil on canvas), Wright, John Michael (1617-94) / Bridgeman Images

Charlotte Sargent with her grand-daughter Mary (oil on canvas)
Charlotte Sargent with her grand-daughter Mary (oil on canvas)

HOL450312: Charlotte Sargent with her grand-daughter Mary (oil on canvas), English School, (19th century) / Bridgeman Images

A dead tiger being loaded onto an elephant, 1911 (b/w photo)
A dead tiger being loaded onto an elephant, 1911 (b/w photo)

JHL440611: A dead tiger being loaded onto an elephant, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Virgin in glory between angels and saints, 1468 (fresco)
Virgin in glory between angels and saints, 1468 (fresco)

XIR440735: Virgin in glory between angels and saints, 1468 (fresco), Gualdo, Matteo da (c.1430-1503) / Bridgeman Images

The Coronation of David, c.1501 (oil on panel) (see also 232666)
The Coronation of David, c.1501 (oil on panel) (see also 232666)

XIR440791: The Coronation of David, c.1501 (oil on panel) (see also 232666), French School, (16th century) / Bridgeman Images

Noel Joseph Desenfans, 1796 (oil on canvas)
Noel Joseph Desenfans, 1796 (oil on canvas)

DPG440806: Noel Joseph Desenfans, 1796 (oil on canvas), Northcote, James (1746-1831) / Bridgeman Images

Two Horses (oil on panel)
Two Horses (oil on panel)

DPG440820: Two Horses (oil on panel), Calraet, Abraham van (1642-1722) / Bridgeman Images

Portrait of a Lady, c.1700-10 (oil on canvas)
Portrait of a Lady, c.1700-10 (oil on canvas)

DPG440910: Portrait of a Lady, c.1700-10 (oil on canvas), Dahl, Michael (1656-1743) / Bridgeman Images

'Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing..', from 'Le Charivari, 14 February, 1851 (litho)
'Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing..', from 'Le Charivari, 14 February, 1851 (litho)

XJF441079: 'Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing..', from 'Le Charivari, 14 February, 1851 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Dr Vladimir Zworykin, Inventor of the Iconoscope c.1950s (b/w photo)
Dr Vladimir Zworykin, Inventor of the Iconoscope c.1950s (b/w photo)

XJF441204: Dr Vladimir Zworykin, Inventor of the Iconoscope c.1950s (b/w photo), English Photographer, (20th century) / Bridgeman Images

Section of the Great Dining Room at Wilton, after a design by Inigo Jones, engraved by H. Hulsbergh, published in 'Vitruvius Britannicus', 1717 (engraving)
Section of the Great Dining Room at Wilton, after a design by Inigo Jones, engraved by H. Hulsbergh, published in 'Vitruvius Britannicus', 1717 (engraving)

XJF441249: Section of the Great Dining Room at Wilton, after a design by Inigo Jones, engraved by H. Hulsbergh, published in 'Vitruvius Britannicus', 1717 (engraving), Campbell, Colen (1676-1729) / Bridgeman Images

The Hunterian Museum, illustration to 'London Interiors', engraved by Edward Radclyffe, c.1840s (engraving)
The Hunterian Museum, illustration to 'London Interiors', engraved by Edward Radclyffe, c.1840s (engraving)

XJF441264: The Hunterian Museum, illustration to 'London Interiors', engraved by Edward Radclyffe, c.1840s (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images

Officer of Musketeers, 1638 (carved wood)
Officer of Musketeers, 1638 (carved wood)

XJF441275: Officer of Musketeers, 1638 (carved wood), English School, (17th century) / Bridgeman Images

Johann Kaspar Lavater, 1825 (engraving)
Johann Kaspar Lavater, 1825 (engraving)

KWE441308: Johann Kaspar Lavater, 1825 (engraving), English School, (19th century) / Bridgeman Images


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