XJF448212:
The Empire Promenande, c.1990s (litho), Browne, Tom (1872-1910) / Bridgeman Images
ID: XJF448212
The Empire Promenande, c.1990s (litho)
Browne, Tom (1872-1910)
XJF448229:
Captain Grant, published in 'The Illustrated London News', 1863 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF448229
Captain Grant, published in 'The Illustrated London News', 1863 (engraving)
English School, (19th century)
XJF448250:
Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving), Sheraton, Thomas (1751-1806) / Bridgeman Images
ID: XJF448250
Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving)
Sheraton, Thomas (1751-1806)
XJF448285:
The Recruiting Serjeant, engraved by John Goldar, 1769 (engraving), Collet, John (c.1725-80) (after) / Bridgeman Images
ID: XJF448285
The Recruiting Serjeant, engraved by John Goldar, 1769 (engraving)
Collet, John (c.1725-80) (after)
WAG451651:
Sir Richard Steele (engraving), Houbracken, Jacobus (1698-1780) / Bridgeman Images
WAG451678:
St. Peter's Church, Wolverhampton (etching), Blundell, Alfred Richard (1883-1968) / Bridgeman Images
ID: WAG451678
St. Peter's Church, Wolverhampton (etching)
Blundell, Alfred Richard (1883-1968)
KWE451822:
The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: KWE451822
The River, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho) (later colouration)
Browne, Hablot Knight (Phiz) (1815-92)
OJ451949:
The Ammunition Column (w/c, gouache & chalk on paper), Holiday, Gilbert (1879-1937) / Bridgeman Images
ID: OJ451949
The Ammunition Column (w/c, gouache & chalk on paper)
Holiday, Gilbert (1879-1937)
DGC451974:
"The Outcast", illustration for a feature story, 'A Community of Outcasts', from 'Appleton's Journal, March 23, 1872 (litho), American School, (19th century) / Bridgeman Images
ID: DGC451974
"The Outcast", illustration for a feature story, 'A Community of Outcasts', from 'Appleton's Journal, March 23, 1872 (litho)
DGC452032:
'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images
ID: DGC452032
'Leather Bottel', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
Crane, Walter (1845-1915)
DGC452038:
'The Girl I've Left Behind Me', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images
ID: DGC452038
'The Girl I've Left Behind Me', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
Crane, Walter (1845-1915)
DGC452053:
'Who Liveth So Merry in all this Land?', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images
ID: DGC452053
'Who Liveth So Merry in all this Land?', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
Crane, Walter (1845-1915)
STF452400:
Relief depicting a sacrifice procession with musicians, sacrificial bull, drawn by the victim's servant (marble), Roman, (2nd century) / Bridgeman Images
ID: STF452400
Relief depicting a sacrifice procession with musicians, sacrificial bull, drawn by the victim's servant (marble)
Roman, (2nd century)
HOL450082:
Landscape with Waterfall, c.1685-85 (oil on canvas), Hackaert, Jan (1628-c.1685) (attr. to) / Bridgeman Images
ID: HOL450082
Landscape with Waterfall, c.1685-85 (oil on canvas)
Hackaert, Jan (1628-c.1685) (attr. to)
HOL450151:
Sir James Holburne, c.1706 (oil on canvas), Medina, John Baptist de (1659-1710) / Bridgeman Images
ID: HOL450151
Sir James Holburne, c.1706 (oil on canvas)
Medina, John Baptist de (1659-1710)
HOL450311:
John Sargent III, c.1770 (oil on canvas), English School, (18th century) / Bridgeman Images
ID: HOL450311
John Sargent III, c.1770 (oil on canvas)
English School, (18th century)
CTS449288:
The Abbey of Montmartre, with chimneys smoking (pen & ink on paper), Gasselin, Noel (fl.1677) / Bridgeman Images
ID: CTS449288
The Abbey of Montmartre, with chimneys smoking (pen & ink on paper)
Gasselin, Noel (fl.1677)
CTS449357:
Young men playing pelota inside the Baths of Diocletian; S. Bernardino in the distance; the long wall of Bellaiani (pen & brown ink with brown wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images
ID: CTS449357
Young men playing pelota inside the Baths of Diocletian; S. Bernardino in the distance; the long wall of Bellaiani (pen & brown ink with brown wash on paper)
Vrancx, Sebastian (1573-1647)
STC449421:
Harold, about to return to England, bids adieu to William, who loads him with farewell gifts, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images
ID: STC449421
Harold, about to return to England, bids adieu to William, who loads him with farewell gifts, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
HOL450165:
Mary Bagot, Countess of Dorset, c.1670 (oil on canvas), Wright, John Michael (1617-94) / Bridgeman Images
ID: HOL450165
Mary Bagot, Countess of Dorset, c.1670 (oil on canvas)
Wright, John Michael (1617-94)
HOL450312:
Charlotte Sargent with her grand-daughter Mary (oil on canvas), English School, (19th century) / Bridgeman Images
ID: HOL450312
Charlotte Sargent with her grand-daughter Mary (oil on canvas)
English School, (19th century)
JHL440611:
A dead tiger being loaded onto an elephant, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: JHL440611
A dead tiger being loaded onto an elephant, 1911 (b/w photo)
English Photographer, (20th century)
XIR440735:
Virgin in glory between angels and saints, 1468 (fresco), Gualdo, Matteo da (c.1430-1503) / Bridgeman Images
ID: XIR440735
Virgin in glory between angels and saints, 1468 (fresco)
Gualdo, Matteo da (c.1430-1503)
XIR440791:
The Coronation of David, c.1501 (oil on panel) (see also 232666), French School, (16th century) / Bridgeman Images
ID: XIR440791
The Coronation of David, c.1501 (oil on panel) (see also 232666)
French School, (16th century)
DPG440806:
Noel Joseph Desenfans, 1796 (oil on canvas), Northcote, James (1746-1831) / Bridgeman Images
ID: DPG440806
Noel Joseph Desenfans, 1796 (oil on canvas)
Northcote, James (1746-1831)
DPG440820:
Two Horses (oil on panel), Calraet, Abraham van (1642-1722) / Bridgeman Images
ID: DPG440820
Two Horses (oil on panel)
Calraet, Abraham van (1642-1722)
DPG440910:
Portrait of a Lady, c.1700-10 (oil on canvas), Dahl, Michael (1656-1743) / Bridgeman Images
ID: DPG440910
Portrait of a Lady, c.1700-10 (oil on canvas)
Dahl, Michael (1656-1743)
XJF441079:
'Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing..', from 'Le Charivari, 14 February, 1851 (litho), Daumier, Honore (1808-79) / Bridgeman Images
ID: XJF441079
'Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing..', from 'Le Charivari, 14 February, 1851 (litho)
Daumier, Honore (1808-79)
XJF441204:
Dr Vladimir Zworykin, Inventor of the Iconoscope c.1950s (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: XJF441204
Dr Vladimir Zworykin, Inventor of the Iconoscope c.1950s (b/w photo)
English Photographer, (20th century)
XJF441249:
Section of the Great Dining Room at Wilton, after a design by Inigo Jones, engraved by H. Hulsbergh, published in 'Vitruvius Britannicus', 1717 (engraving), Campbell, Colen (1676-1729) / Bridgeman Images
ID: XJF441249
Section of the Great Dining Room at Wilton, after a design by Inigo Jones, engraved by H. Hulsbergh, published in 'Vitruvius Britannicus', 1717 (engraving)
Campbell, Colen (1676-1729)
XJF441264:
The Hunterian Museum, illustration to 'London Interiors', engraved by Edward Radclyffe, c.1840s (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images
ID: XJF441264
The Hunterian Museum, illustration to 'London Interiors', engraved by Edward Radclyffe, c.1840s (engraving)
Shepherd, Thomas Hosmer (1792-1864) (after)
XJF441275:
Officer of Musketeers, 1638 (carved wood), English School, (17th century) / Bridgeman Images
ID: XJF441275
Officer of Musketeers, 1638 (carved wood)
English School, (17th century)
KWE441308:
Johann Kaspar Lavater, 1825 (engraving), English School, (19th century) / Bridgeman Images