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2497532 Search Results

Three Figures (pen & brown ink on paper)
Three Figures (pen & brown ink on paper)

CTS449181: Three Figures (pen & brown ink on paper), Henriet, Israel (1590-1661) / Bridgeman Images

ID: CTS449181

Three Figures (pen & brown ink on paper)

Henriet, Israel (1590-1661)

Sketch for the staging of groups of figures in 'Il Solimano' (pen & brown ink with brown wash over red chalk)
Sketch for the staging of groups of figures in 'Il Solimano' (pen & brown ink with brown wash over red chalk)

CTS449196: Sketch for the staging of groups of figures in 'Il Solimano' (pen & brown ink with brown wash over red chalk), Callot, Jacques (1592-1635) / Bridgeman Images

ID: CTS449196

Sketch for the staging of groups of figures in 'Il Solimano' (pen & brown ink with brown wash over red chalk)

Callot, Jacques (1592-1635)

View of Emmerich, late 17th century (pen & brown ink with w/c on paper)
View of Emmerich, late 17th century (pen & brown ink with w/c on paper)

CTS449168: View of Emmerich, late 17th century (pen & brown ink with w/c on paper), Dutch School, (17th century) / Bridgeman Images

ID: CTS449168

View of Emmerich, late 17th century (pen & brown ink with w/c on paper)

Dutch School, (17th century)

A View of Toul across the Plain, Landscape with Figures, the Sky with the Arms of Porcellets (pen & brown ink on vellum)
A View of Toul across the Plain, Landscape with Figures, the Sky with the Arms of Porcellets (pen & brown ink on vellum)

CTS449189: A View of Toul across the Plain, Landscape with Figures, the Sky with the Arms of Porcellets (pen & brown ink on vellum), Callot, Jacques (1592-1635) / Bridgeman Images

ID: CTS449189

A View of Toul across the Plain, Landscape with Figures, the Sky with the Arms of Porcellets (pen & brown ink on vellum)

Callot, Jacques (1592-1635)

The triumph of Christ, 1565 (pen & ink on paper)
The triumph of Christ, 1565 (pen & ink on paper)

CTS449258: The triumph of Christ, 1565 (pen & ink on paper), Heemskerck, Maerten van (1498-1574) / Bridgeman Images

ID: CTS449258

The triumph of Christ, 1565 (pen & ink on paper)

Heemskerck, Maerten van (1498-1574)

St Andrew led to martyrdom (pen & ink with wash on paper)
St Andrew led to martyrdom (pen & ink with wash on paper)

CTS449296: St Andrew led to martyrdom (pen & ink with wash on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: CTS449296

St Andrew led to martyrdom (pen & ink with wash on paper)

Rubens, Peter Paul (1577-1640)

Two fetes galantes and studies of single figures and pairs (red chalk on paper)
Two fetes galantes and studies of single figures and pairs (red chalk on paper)

CTS449301: Two fetes galantes and studies of single figures and pairs (red chalk on paper), Quillard, Pierre-Antoine (1701-39) / Bridgeman Images

ID: CTS449301

Two fetes galantes and studies of single figures and pairs (red chalk on paper)

Quillard, Pierre-Antoine (1701-39)

Laban brings Leah to Jacob, with Jacob overlaid by a fragment of another drawing; an angel with a dog lying at his feet
Laban brings Leah to Jacob, with Jacob overlaid by a fragment of another drawing; an angel with a dog lying at his feet

CTS449320: Laban brings Leah to Jacob, with Jacob overlaid by a fragment of another drawing; an angel with a dog lying at his feet, Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: CTS449320

Laban brings Leah to Jacob, with Jacob overlaid by a fragment of another drawing; an angel with a dog lying at his feet

Rembrandt Harmensz. van Rijn (1606-69)

David's Charge to Solomon (pen & ink with wash on paper)
David's Charge to Solomon (pen & ink with wash on paper)

CTS449328: David's Charge to Solomon (pen & ink with wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: CTS449328

David's Charge to Solomon (pen & ink with wash on paper)

Rembrandt Harmensz. van Rijn (1606-69)

View of Tivoli with the Temple of the Tiburtine Sibyl and the Falls (pen & ink with brown and blue wash on paper)
View of Tivoli with the Temple of the Tiburtine Sibyl and the Falls (pen & ink with brown and blue wash on paper)

CTS449351: View of Tivoli with the Temple of the Tiburtine Sibyl and the Falls (pen & ink with brown and blue wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: CTS449351

View of Tivoli with the Temple of the Tiburtine Sibyl and the Falls (pen & ink with brown and blue wash on paper)

Vrancx, Sebastian (1573-1647)

Michelangelo, believed to be after Bugiardini or Federico Zuccaro (red & black chalks over pen & ink with wash on paper)
Michelangelo, believed to be after Bugiardini or Federico Zuccaro (red & black chalks over pen & ink with wash on paper)

CTS449367: Michelangelo, believed to be after Bugiardini or Federico Zuccaro (red & black chalks over pen & ink with wash on paper), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: CTS449367

Michelangelo, believed to be after Bugiardini or Federico Zuccaro (red & black chalks over pen & ink with wash on paper)

Dyck, Anthony van (1599-1641)

View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w/c on paper)
View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w/c on paper)

CTS449386: View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w/c on paper), Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736) / Bridgeman Images

ID: CTS449386

View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w/c on paper)

Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736)

William confers upon Harold the dignity of a Norman knight, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
William confers upon Harold the dignity of a Norman knight, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449420: William confers upon Harold the dignity of a Norman knight, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449420

William confers upon Harold the dignity of a Norman knight, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

William displays the relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
William displays the relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449427: William displays the relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449427

William displays the relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

A fiery star appears in England, portentous of disaster, and is apostrophized by the Monk of Malmesbury, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
A fiery star appears in England, portentous of disaster, and is apostrophized by the Monk of Malmesbury, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449434: A fiery star appears in England, portentous of disaster, and is apostrophized by the Monk of Malmesbury, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449434

A fiery star appears in England, portentous of disaster, and is apostrophized by the Monk of Malmesbury, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

The night after the battle, Edith discovers, amid the slain, the body of Harold, the last Saxon king of England, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
The night after the battle, Edith discovers, amid the slain, the body of Harold, the last Saxon king of England, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449441: The night after the battle, Edith discovers, amid the slain, the body of Harold, the last Saxon king of England, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449441

The night after the battle, Edith discovers, amid the slain, the body of Harold, the last Saxon king of England, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

Jacob's Ladder, raised silk embroidery, c.1660 (silk embroidery)
Jacob's Ladder, raised silk embroidery, c.1660 (silk embroidery)

HOL449742: Jacob's Ladder, raised silk embroidery, c.1660 (silk embroidery), English School, (17th century) / Bridgeman Images

ID: HOL449742

Jacob's Ladder, raised silk embroidery, c.1660 (silk embroidery)

English School, (17th century)

A canal with buildings, including a toll house and a toll bridge, c.1650 (black chalk on white paper)
A canal with buildings, including a toll house and a toll bridge, c.1650 (black chalk on white paper)

CTS449250: A canal with buildings, including a toll house and a toll bridge, c.1650 (black chalk on white paper), Goyen, Jan Josefsz. van (1596-1656) (circle of) / Bridgeman Images

ID: CTS449250

A canal with buildings, including a toll house and a toll bridge, c.1650 (black chalk on white paper)

Goyen, Jan Josefsz. van (1596-1656) (circle of)

A castle surmounting cliffs, with studies of galleons and fishing boats (pen & brown ink on paper)
A castle surmounting cliffs, with studies of galleons and fishing boats (pen & brown ink on paper)

CTS449295: A castle surmounting cliffs, with studies of galleons and fishing boats (pen & brown ink on paper), Gasselin, Noel (fl.1677) / Bridgeman Images

ID: CTS449295

A castle surmounting cliffs, with studies of galleons and fishing boats (pen & brown ink on paper)

Gasselin, Noel (fl.1677)

'Rembrandt' (ink on paper)
'Rembrandt' (ink on paper)

CTS449324: 'Rembrandt' (ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: CTS449324

'Rembrandt' (ink on paper)

Rembrandt Harmensz. van Rijn (1606-69)

Houses among the ruins with a distant view of Rome (pen & ink with wash on paper)
Houses among the ruins with a distant view of Rome (pen & ink with wash on paper)

CTS449350: Houses among the ruins with a distant view of Rome (pen & ink with wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: CTS449350

Houses among the ruins with a distant view of Rome (pen & ink with wash on paper)

Vrancx, Sebastian (1573-1647)

Strapwork cartouche associated with the set of his Roman Views (pen & brown ink with brown wash on paper)
Strapwork cartouche associated with the set of his Roman Views (pen & brown ink with brown wash on paper)

CTS449358: Strapwork cartouche associated with the set of his Roman Views (pen & brown ink with brown wash on paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

ID: CTS449358

Strapwork cartouche associated with the set of his Roman Views (pen & brown ink with brown wash on paper)

Vrancx, Sebastian (1573-1647)

Harold and his knights ride to their place of embarkation, at Bosham, Sussex, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
Harold and his knights ride to their place of embarkation, at Bosham, Sussex, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449414: Harold and his knights ride to their place of embarkation, at Bosham, Sussex, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449414

Harold and his knights ride to their place of embarkation, at Bosham, Sussex, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

The marriage of Harold with Aldyth, sister to Edwin and Morcar, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
The marriage of Harold with Aldyth, sister to Edwin and Morcar, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449422: The marriage of Harold with Aldyth, sister to Edwin and Morcar, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449422

The marriage of Harold with Aldyth, sister to Edwin and Morcar, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

Harold, in front of the Standard of England, is pierced by a falling arrow, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
Harold, in front of the Standard of England, is pierced by a falling arrow, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449440: Harold, in front of the Standard of England, is pierced by a falling arrow, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449440

Harold, in front of the Standard of England, is pierced by a falling arrow, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

William consults the nobles and merchants of his dukedom for help in his design, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
William consults the nobles and merchants of his dukedom for help in his design, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC449454: William consults the nobles and merchants of his dukedom for help in his design, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC449454

William consults the nobles and merchants of his dukedom for help in his design, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

Mountain road winding through woodland and rocks, 1640s (black & white chalk on paper)
Mountain road winding through woodland and rocks, 1640s (black & white chalk on paper)

CTS449154: Mountain road winding through woodland and rocks, 1640s (black & white chalk on paper), Dughet, Gaspard Poussin (1615-75) / Bridgeman Images

ID: CTS449154

Mountain road winding through woodland and rocks, 1640s (black & white chalk on paper)

Dughet, Gaspard Poussin (1615-75)

A road along the river bank (pen & brown ink on paper)
A road along the river bank (pen & brown ink on paper)

CTS449208: A road along the river bank (pen & brown ink on paper), Callot, Jacques (1592-1635) / Bridgeman Images

ID: CTS449208

A road along the river bank (pen & brown ink on paper)

Callot, Jacques (1592-1635)

Polyptych of the Blessed Agostino Novello and four stories of his life, detail of the left hand panel of Agostino Novello saving a baby as it falls from a balcony, c.1328 (tempera on panel)
Polyptych of the Blessed Agostino Novello and four stories of his life, detail of the left hand panel of Agostino Novello saving a baby as it falls from a balcony, c.1328 (tempera on panel)

XIR439281: Polyptych of the Blessed Agostino Novello and four stories of his life, detail of the left hand panel of Agostino Novello saving a baby as it falls from a balcony, c.1328 (tempera on panel), Martini, Simone (1284-1344) / Bridgeman Images

ID: XIR439281

Polyptych of the Blessed Agostino Novello and four stories of his life, detail of the left hand panel of Agostino Novello saving a baby as it falls from a balcony, c.1328 (tempera on panel)

Martini, Simone (1284-1344)

German Barrage Balloons, 1940 (photo)
German Barrage Balloons, 1940 (photo)

GBW439333: German Barrage Balloons, 1940 (photo), German Photographer, (20th Century) / Bridgeman Images

ID: GBW439333

German Barrage Balloons, 1940 (photo)

German Photographer, (20th Century)

Maid helping her mistress undress aboard the RMS Scythia (b/w photo)
Maid helping her mistress undress aboard the RMS Scythia (b/w photo)

STC439502: Maid helping her mistress undress aboard the RMS Scythia (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: STC439502

Maid helping her mistress undress aboard the RMS Scythia (b/w photo)

English Photographer, (20th century)

Breadmaker, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)
Breadmaker, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)

STC439520: Breadmaker, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching), Solvyns, Franz Balthazar (1760-1824) / Bridgeman Images

ID: STC439520

Breadmaker, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)

Solvyns, Franz Balthazar (1760-1824)

The Shaking Minarets of Ahmedabad, from Volume I of 'Scenery, Costumes and Architecture of India', etched by G. Hawkins, engraved by T. Fielding and coloured by J.B. Hogarth, 1826 (aquatint)
The Shaking Minarets of Ahmedabad, from Volume I of 'Scenery, Costumes and Architecture of India', etched by G. Hawkins, engraved by T. Fielding and coloured by J.B. Hogarth, 1826 (aquatint)

STC439531: The Shaking Minarets of Ahmedabad, from Volume I of 'Scenery, Costumes and Architecture of India', etched by G. Hawkins, engraved by T. Fielding and coloured by J.B. Hogarth, 1826 (aquatint), Grindlay, Robert Melville (1786-1877) (after) / Bridgeman Images

ID: STC439531

The Shaking Minarets of Ahmedabad, from Volume I of 'Scenery, Costumes and Architecture of India', etched by G. Hawkins, engraved by T. Fielding and coloured by J.B. Hogarth, 1826 (aquatint)

Grindlay, Robert Melville (1786-1877) (after)

Plate 3, from 'Inspirations', published Paris, 1930s (colour litho)
Plate 3, from 'Inspirations', published Paris, 1930s (colour litho)

STC439541: Plate 3, from 'Inspirations', published Paris, 1930s (colour litho), Gandy (fl.1930s) / Bridgeman Images

ID: STC439541

Plate 3, from 'Inspirations', published Paris, 1930s (colour litho)

Gandy (fl.1930s)

A painter and sculptor, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)
A painter and sculptor, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)

STC439561: A painter and sculptor, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching), Solvyns, Franz Balthazar (1760-1824) / Bridgeman Images

ID: STC439561

A painter and sculptor, from 'The Hindus, or the Description of their Manners, Costumes and Ceremonies', c.1808-12 (coloured etching)

Solvyns, Franz Balthazar (1760-1824)

STC439574: "Das Interieur IV", a glove shop, 1906 (colour litho), Stubner, Johann (fl.1906) / Bridgeman Images

ID: STC439574

"Das Interieur IV", a glove shop, 1906 (colour litho)

Stubner, Johann (fl.1906)


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