1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502165 Search Results

Morgan's Defeat of the Spanish Fleet. (from the History of the Buccaneers), 1870s Engraving
Morgan's Defeat of the Spanish Fleet. (from the History of the Buccaneers), 1870s Engraving

LZT1008991: Morgan's Defeat of the Spanish Fleet. (from the History of the Buccaneers), 1870s Engraving / Bridgeman Images

ID: LZT1008991

Morgan's Defeat of the Spanish Fleet. (from the History of the Buccaneers), 1870s Engraving

Falls of the St. John River, North America, US, USA, 1870s Engraving
Falls of the St. John River, North America, US, USA, 1870s Engraving

LZT1009037: Falls of the St. John River, North America, US, USA, 1870s Engraving / Bridgeman Images

ID: LZT1009037

Falls of the St. John River, North America, US, USA, 1870s Engraving

A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741.USA, 1870s Engraving
A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741.USA, 1870s Engraving

LZT1009014: A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741.USA, 1870s Engraving / Bridgeman Images

ID: LZT1009014

A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741.USA, 1870s Engraving

Fight Between the Chesapeake and the Shannon, Off Boston, During the War of 1812,USA, 1870s Engraving
Fight Between the Chesapeake and the Shannon, Off Boston, During the War of 1812,USA, 1870s Engraving

LZT1008876: Fight Between the Chesapeake and the Shannon, Off Boston, During the War of 1812,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1008876

Fight Between the Chesapeake and the Shannon, Off Boston, During the War of 1812,USA, 1870s Engraving

American School, (19th century)

View on the Panama Railroad, Panama, 1870s Engraving
View on the Panama Railroad, Panama, 1870s Engraving

LZT1009088: View on the Panama Railroad, Panama, 1870s Engraving / Bridgeman Images

ID: LZT1009088

View on the Panama Railroad, Panama, 1870s Engraving

President Jackson, He Was the Seventh President of the United States, US, USA, 1870s Engraving
President Jackson, He Was the Seventh President of the United States, US, USA, 1870s Engraving

LZT1009055: President Jackson, He Was the Seventh President of the United States, US, USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009055

President Jackson, He Was the Seventh President of the United States, US, USA, 1870s Engraving

American School, (19th century)

Monument at New Plymouth to Mark the Site of the Landing of the Pilgrim Fathers,USA, 1870s Engraving
Monument at New Plymouth to Mark the Site of the Landing of the Pilgrim Fathers,USA, 1870s Engraving

LZT1008924: Monument at New Plymouth to Mark the Site of the Landing of the Pilgrim Fathers,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1008924

Monument at New Plymouth to Mark the Site of the Landing of the Pilgrim Fathers,USA, 1870s Engraving

American School, (19th century)

Fort Moultrie, Charleston. With Fort Sumter in the Distance,USA, 1870s Engraving
Fort Moultrie, Charleston. With Fort Sumter in the Distance,USA, 1870s Engraving

LZT1009110: Fort Moultrie, Charleston. With Fort Sumter in the Distance,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009110

Fort Moultrie, Charleston. With Fort Sumter in the Distance,USA, 1870s Engraving

American School, (19th century)

Gorton's Landing, 1870s Engraving
Gorton's Landing, 1870s Engraving

LZT1008938: Gorton's Landing, 1870s Engraving / Bridgeman Images

ID: LZT1008938

Gorton's Landing, 1870s Engraving

View in Nebraska,USA, 1870s Engraving
View in Nebraska,USA, 1870s Engraving

LZT1009089: View in Nebraska,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009089

View in Nebraska,USA, 1870s Engraving

American School, (19th century)

Fairfax Court House,USA, 1870s Engraving
Fairfax Court House,USA, 1870s Engraving

LZT1009147: Fairfax Court House,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009147

Fairfax Court House,USA, 1870s Engraving

American School, (19th century)

Sack of Puerto Del Principe. (from the History of the Buccaneers.), 1870s Engraving
Sack of Puerto Del Principe. (from the History of the Buccaneers.), 1870s Engraving

LZT1008992: Sack of Puerto Del Principe. (from the History of the Buccaneers.), 1870s Engraving / Bridgeman Images

ID: LZT1008992

Sack of Puerto Del Principe. (from the History of the Buccaneers.), 1870s Engraving

Admiral Porter, American Civil War,USA, 1870s Engraving
Admiral Porter, American Civil War,USA, 1870s Engraving

LZT1009174: Admiral Porter, American Civil War,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009174

Admiral Porter, American Civil War,USA, 1870s Engraving

American School, (19th century)

Savannah,USA, 1870s Engraving
Savannah,USA, 1870s Engraving

LZT1009203: Savannah,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009203

Savannah,USA, 1870s Engraving

American School, (19th century)

Dr Bettelheim's Residence, Loo Choo, Chinese Seas. Loo-Choo Islands, Ryukyu Islands, 1851 Engraving
Dr Bettelheim's Residence, Loo Choo, Chinese Seas. Loo-Choo Islands, Ryukyu Islands, 1851 Engraving

LZT1009367: Dr Bettelheim's Residence, Loo Choo, Chinese Seas. Loo-Choo Islands, Ryukyu Islands, 1851 Engraving / Bridgeman Images

ID: LZT1009367

Dr Bettelheim's Residence, Loo Choo, Chinese Seas. Loo-Choo Islands, Ryukyu Islands, 1851 Engraving

Lieutenant Caldwell Slipping the Chain, 1870s Engraving
Lieutenant Caldwell Slipping the Chain, 1870s Engraving

LZT1009154: Lieutenant Caldwell Slipping the Chain, 1870s Engraving / Bridgeman Images

ID: LZT1009154

Lieutenant Caldwell Slipping the Chain, 1870s Engraving

View in Pennsylvania,USA, 1870s Engraving
View in Pennsylvania,USA, 1870s Engraving

LZT1009166: View in Pennsylvania,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009166

View in Pennsylvania,USA, 1870s Engraving

American School, (19th century)

General Stuart, US, USA, 1870s Engraving
General Stuart, US, USA, 1870s Engraving

LZT1009185: General Stuart, US, USA, 1870s Engraving / Bridgeman Images

ID: LZT1009185

General Stuart, US, USA, 1870s Engraving

The House Where General Lee Surrendered, American Civil War,USA, 1870s Engraving
The House Where General Lee Surrendered, American Civil War,USA, 1870s Engraving

LZT1009213: The House Where General Lee Surrendered, American Civil War,USA, 1870s Engraving, American School, (19th century) / Bridgeman Images

ID: LZT1009213

The House Where General Lee Surrendered, American Civil War,USA, 1870s Engraving

American School, (19th century)

Vincent Lunardi Esqr., Secretary to the Late Neapolitan Ambassador, First Aerial Traveller in England. An Honorary Member of the Honble. Artillery Company of the City of London and Royal Archer of Scotland, Nesmith, Pinxt. ; Burke, Fecit.
Vincent Lunardi Esqr., Secretary to the Late Neapolitan Ambassador, First Aerial Traveller in England. An Honorary Member of the Honble. Artillery Company of the City of London and Royal Archer of Scotland, Nesmith, Pinxt. ; Burke, Fecit.

LZT1012452: Vincent Lunardi Esqr., Secretary to the Late Neapolitan Ambassador, First Aerial Traveller in England. An Honorary Member of the Honble. Artillery Company of the City of London and Royal Archer of Scotland, Nesmith, Pinxt. ; Burke, Fecit. / Bridgeman Images

ID: LZT1012452

Vincent Lunardi Esqr., Secretary to the Late Neapolitan Ambassador, First Aerial Traveller in England. An Honorary Member of the Honble. Artillery Company of the City of London and Royal Archer of Scotland, Nesmith, Pinxt. ; Burke, Fecit.

James Sadler, Esqr., First English Aeronaut
James Sadler, Esqr., First English Aeronaut

LZT1012468: James Sadler, Esqr., First English Aeronaut / Bridgeman Images

ID: LZT1012468

James Sadler, Esqr., First English Aeronaut

G. Humphrey, publisher. The Hombourg Waltz, with Characteristic Sketches of Family Dancing, Knahskiurc, Members of the Royal Family at an Informal Dance, the Centre Couple Being Princess Elizabeth, Grotesquely Stout, and the Prince of Hesse-Homburg, Who Grasps Her Dress, Unable to Reach Her Waist, London: Published May 4, 1818
G. Humphrey, publisher. The Hombourg Waltz, with Characteristic Sketches of Family Dancing, Knahskiurc, Members of the Royal Family at an Informal Dance, the Centre Couple Being Princess Elizabeth, Grotesquely Stout, and the Prince of Hesse-Homburg, Who Grasps Her Dress, Unable to Reach Her Waist, London: Published May 4, 1818

LZT1012485: G. Humphrey, publisher. The Hombourg Waltz, with Characteristic Sketches of Family Dancing, Knahskiurc, Members of the Royal Family at an Informal Dance, the Centre Couple Being Princess Elizabeth, Grotesquely Stout, and the Prince of Hesse-Homburg, Who Grasps Her Dress, Unable to Reach Her Waist, London: Published May 4, 1818 / Bridgeman Images

ID: LZT1012485

G. Humphrey, publisher. The Hombourg Waltz, with Characteristic Sketches of Family Dancing, Knahskiurc, Members of the Royal Family at an Informal Dance, the Centre Couple Being Princess Elizabeth, Grotesquely Stout, and the Prince of Hesse-Homburg, Who Grasps Her Dress, Unable to Reach Her Waist, London: Published May 4, 1818

Consular Games, the Game of Brag, the Game of Hazard
Consular Games, the Game of Brag, the Game of Hazard

LZT1012508: Consular Games, the Game of Brag, the Game of Hazard / Bridgeman Images

ID: LZT1012508

Consular Games, the Game of Brag, the Game of Hazard

The Washing-Tub Expedition, London, 1803, Napoleon I Wearing an Oversized Hat and Holding a Large Sword Leading a French Fleet of Washing Tubs Filled with French Soldiers in an Invasion of England.
The Washing-Tub Expedition, London, 1803, Napoleon I Wearing an Oversized Hat and Holding a Large Sword Leading a French Fleet of Washing Tubs Filled with French Soldiers in an Invasion of England.

LZT1012515: The Washing-Tub Expedition, London, 1803, Napoleon I Wearing an Oversized Hat and Holding a Large Sword Leading a French Fleet of Washing Tubs Filled with French Soldiers in an Invasion of England. / Bridgeman Images

ID: LZT1012515

The Washing-Tub Expedition, London, 1803, Napoleon I Wearing an Oversized Hat and Holding a Large Sword Leading a French Fleet of Washing Tubs Filled with French Soldiers in an Invasion of England.

Stephan Und Joseph, Mongolfier
Stephan Und Joseph, Mongolfier

LZT1012459: Stephan Und Joseph, Mongolfier / Bridgeman Images

ID: LZT1012459

Stephan Und Joseph, Mongolfier

French Liberty, Nixon, John, -1818, Artist, [1793 July], on the Right Liberty is Torn from Her Temple by a Hired Band of Ruffians Bound & Going to Be Sacrificed to the Rage of These Ignorant People; ... And on the Left, Artists and Artisans, a Mother with Two Children, and Others Are Driven Away by Booted Thugs with Clubs, at Center a Spinning Wheel Burns, a Boy Adds a Book Fine Arts to the Fire, and an Old Man Breaks in Half the Staff of Liberty. Additional Scenes of Merriment and Chaos Take Place in the Background.
French Liberty, Nixon, John, -1818, Artist, [1793 July], on the Right Liberty is Torn from Her Temple by a Hired Band of Ruffians Bound & Going to Be Sacrificed to the Rage of These Ignorant People; ... And on the Left, Artists and Artisans, a Mother with Two Children, and Others Are Driven Away by Booted Thugs with Clubs, at Center a Spinning Wheel Burns, a Boy Adds a Book Fine Arts to the Fire, and an Old Man Breaks in Half the Staff of Liberty. Additional Scenes of Merriment and Chaos Take Place in the Background.

LZT1012540: French Liberty, Nixon, John, -1818, Artist, [1793 July], on the Right Liberty is Torn from Her Temple by a Hired Band of Ruffians Bound & Going to Be Sacrificed to the Rage of These Ignorant People; ... And on the Left, Artists and Artisans, a Mother with Two Children, and Others Are Driven Away by Booted Thugs with Clubs, at Center a Spinning Wheel Burns, a Boy Adds a Book Fine Arts to the Fire, and an Old Man Breaks in Half the Staff of Liberty. Additional Scenes of Merriment and Chaos Take Place in the Background. / Bridgeman Images

ID: LZT1012540

French Liberty, Nixon, John, -1818, Artist, [1793 July], on the Right Liberty is Torn from Her Temple by a Hired Band of Ruffians Bound & Going to Be Sacrificed to the Rage of These Ignorant People; ... And on the Left, Artists and Artisans, a Mother with Two Children, and Others Are Driven Away by Booted Thugs with Clubs, at Center a Spinning Wheel Burns, a Boy Adds a Book Fine Arts to the Fire, and an Old Man Breaks in Half the Staff of Liberty. Additional Scenes of Merriment and Chaos Take Place in the Background.

The Orators Journey, Engraving 1785, Charles James Fox, Mrs. Siddons, and Edmund Burke on a Galloping Horse Beside a Milestone Inscribed 1 Mile to Perdition. Mrs. Siddons, As Lady Macbeth, Holds a Dagger in Her Right Hand and a Bowl in the Left, Saying, that which Hath Made Them Drunk, Hath Made Me Bold. Behind Them, Right, Pointing to the Right, is a Signpost, to Popularity.
The Orators Journey, Engraving 1785, Charles James Fox, Mrs. Siddons, and Edmund Burke on a Galloping Horse Beside a Milestone Inscribed 1 Mile to Perdition. Mrs. Siddons, As Lady Macbeth, Holds a Dagger in Her Right Hand and a Bowl in the Left, Saying, that which Hath Made Them Drunk, Hath Made Me Bold. Behind Them, Right, Pointing to the Right, is a Signpost, to Popularity.

LZT1012570: The Orators Journey, Engraving 1785, Charles James Fox, Mrs. Siddons, and Edmund Burke on a Galloping Horse Beside a Milestone Inscribed 1 Mile to Perdition. Mrs. Siddons, As Lady Macbeth, Holds a Dagger in Her Right Hand and a Bowl in the Left, Saying, that which Hath Made Them Drunk, Hath Made Me Bold. Behind Them, Right, Pointing to the Right, is a Signpost, to Popularity. / Bridgeman Images

ID: LZT1012570

The Orators Journey, Engraving 1785, Charles James Fox, Mrs. Siddons, and Edmund Burke on a Galloping Horse Beside a Milestone Inscribed 1 Mile to Perdition. Mrs. Siddons, As Lady Macbeth, Holds a Dagger in Her Right Hand and a Bowl in the Left, Saying, that which Hath Made Them Drunk, Hath Made Me Bold. Behind Them, Right, Pointing to the Right, is a Signpost, to Popularity.

The Modern Circe or a Sequel to the Petticoat, Engraving 1809, Mrs. Mary Anne Clarke, Wearing the Duke of York's Military Cloak, Extending It to Cover a Crowd of Miniature Soldiers, Civilians and Clergymen Clustering Around Her with Outstretched Arms; Mr. Waddle (Mr. Wardle), Standing to the Side, Gazes at Her and Declares His Fascination.
The Modern Circe or a Sequel to the Petticoat, Engraving 1809, Mrs. Mary Anne Clarke, Wearing the Duke of York's Military Cloak, Extending It to Cover a Crowd of Miniature Soldiers, Civilians and Clergymen Clustering Around Her with Outstretched Arms; Mr. Waddle (Mr. Wardle), Standing to the Side, Gazes at Her and Declares His Fascination.

LZT1012589: The Modern Circe or a Sequel to the Petticoat, Engraving 1809, Mrs. Mary Anne Clarke, Wearing the Duke of York's Military Cloak, Extending It to Cover a Crowd of Miniature Soldiers, Civilians and Clergymen Clustering Around Her with Outstretched Arms; Mr. Waddle (Mr. Wardle), Standing to the Side, Gazes at Her and Declares His Fascination. / Bridgeman Images

ID: LZT1012589

The Modern Circe or a Sequel to the Petticoat, Engraving 1809, Mrs. Mary Anne Clarke, Wearing the Duke of York's Military Cloak, Extending It to Cover a Crowd of Miniature Soldiers, Civilians and Clergymen Clustering Around Her with Outstretched Arms; Mr. Waddle (Mr. Wardle), Standing to the Side, Gazes at Her and Declares His Fascination.

The Property Tax, Williams, C., Artist, Engraving 1814, Cartoon Shows a Prosperous John Bull Seated in a Chair As a Blue Demon Hovers above Him Using a Magnet to Withdraw Coins from Bull's Waistcoat Pocket. The Ghost of William Pitt Rises from the Floorboards Saying Johnny Shall Never Forget Me.
The Property Tax, Williams, C., Artist, Engraving 1814, Cartoon Shows a Prosperous John Bull Seated in a Chair As a Blue Demon Hovers above Him Using a Magnet to Withdraw Coins from Bull's Waistcoat Pocket. The Ghost of William Pitt Rises from the Floorboards Saying Johnny Shall Never Forget Me.

LZT1012593: The Property Tax, Williams, C., Artist, Engraving 1814, Cartoon Shows a Prosperous John Bull Seated in a Chair As a Blue Demon Hovers above Him Using a Magnet to Withdraw Coins from Bull's Waistcoat Pocket. The Ghost of William Pitt Rises from the Floorboards Saying Johnny Shall Never Forget Me. / Bridgeman Images

ID: LZT1012593

The Property Tax, Williams, C., Artist, Engraving 1814, Cartoon Shows a Prosperous John Bull Seated in a Chair As a Blue Demon Hovers above Him Using a Magnet to Withdraw Coins from Bull's Waistcoat Pocket. The Ghost of William Pitt Rises from the Floorboards Saying Johnny Shall Never Forget Me.

Pharaoh's Fat Kine, Pharaoh's Lean Kine, 1803 (engraving)
Pharaoh's Fat Kine, Pharaoh's Lean Kine, 1803 (engraving)

LZT1012604: Pharaoh's Fat Kine, Pharaoh's Lean Kine, 1803 (engraving), Cruikshank, Isaac (1756-1811) / Bridgeman Images

ID: LZT1012604

Pharaoh's Fat Kine, Pharaoh's Lean Kine, 1803 (engraving)

Cruikshank, Isaac (1756-1811)

A Return from a March or a False Alarm in a Country Village, Engraving 1799, a Group of British Citizens Mustered in Response to an Alarm that the French Were Attacking England which Proved to Be False; They Complain of Soiled, Torn, or Lost Clothing, and One Reads a List of the Killed and Wounded which Includes Several Pigs, Fowl, and an Old Woman.
A Return from a March or a False Alarm in a Country Village, Engraving 1799, a Group of British Citizens Mustered in Response to an Alarm that the French Were Attacking England which Proved to Be False; They Complain of Soiled, Torn, or Lost Clothing, and One Reads a List of the Killed and Wounded which Includes Several Pigs, Fowl, and an Old Woman.

LZT1012601: A Return from a March or a False Alarm in a Country Village, Engraving 1799, a Group of British Citizens Mustered in Response to an Alarm that the French Were Attacking England which Proved to Be False; They Complain of Soiled, Torn, or Lost Clothing, and One Reads a List of the Killed and Wounded which Includes Several Pigs, Fowl, and an Old Woman. / Bridgeman Images

ID: LZT1012601

A Return from a March or a False Alarm in a Country Village, Engraving 1799, a Group of British Citizens Mustered in Response to an Alarm that the French Were Attacking England which Proved to Be False; They Complain of Soiled, Torn, or Lost Clothing, and One Reads a List of the Killed and Wounded which Includes Several Pigs, Fowl, and an Old Woman.

Street Walkers, En Sanguine Engraving 1786, a Well Dressed Man Wearing Large Hat, Possibly George Hanger, Walking at the Corner of Bond Street and Piccadilly, There He Meets the Gaze of a Fashionably Dressed Young Woman, a Prostitute(?), Also Wearing a Large Hat and a Bustled Skirt.
Street Walkers, En Sanguine Engraving 1786, a Well Dressed Man Wearing Large Hat, Possibly George Hanger, Walking at the Corner of Bond Street and Piccadilly, There He Meets the Gaze of a Fashionably Dressed Young Woman, a Prostitute(?), Also Wearing a Large Hat and a Bustled Skirt.

LZT1012631: Street Walkers, En Sanguine Engraving 1786, a Well Dressed Man Wearing Large Hat, Possibly George Hanger, Walking at the Corner of Bond Street and Piccadilly, There He Meets the Gaze of a Fashionably Dressed Young Woman, a Prostitute(?), Also Wearing a Large Hat and a Bustled Skirt. / Bridgeman Images

ID: LZT1012631

Street Walkers, En Sanguine Engraving 1786, a Well Dressed Man Wearing Large Hat, Possibly George Hanger, Walking at the Corner of Bond Street and Piccadilly, There He Meets the Gaze of a Fashionably Dressed Young Woman, a Prostitute(?), Also Wearing a Large Hat and a Bustled Skirt.

Saint Catharine and St. George, Engraving 1791, Potemkin Addressing a Man Identified As Sweden with His Back to Catherine II As She Suggestively Mounts St. George Who is Dressed As a Knight Representing George III.
Saint Catharine and St. George, Engraving 1791, Potemkin Addressing a Man Identified As Sweden with His Back to Catherine II As She Suggestively Mounts St. George Who is Dressed As a Knight Representing George III.

LZT1012577: Saint Catharine and St. George, Engraving 1791, Potemkin Addressing a Man Identified As Sweden with His Back to Catherine II As She Suggestively Mounts St. George Who is Dressed As a Knight Representing George III. / Bridgeman Images

ID: LZT1012577

Saint Catharine and St. George, Engraving 1791, Potemkin Addressing a Man Identified As Sweden with His Back to Catherine II As She Suggestively Mounts St. George Who is Dressed As a Knight Representing George III.

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.
The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012634

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

Gillray, James (1757-1815)

Manchester Bull-Hunt, Engraving 1819 Sept.(?), a Bull, with the Head of John Bull, Tossing a Member of the Manchester Yeomanry and Attacking a Magistrate. Behind the Bull is a Group of Reformers Lead by Henry Hunt Holding a Paper Inscribed Coron[Er's] Inquest.
Manchester Bull-Hunt, Engraving 1819 Sept.(?), a Bull, with the Head of John Bull, Tossing a Member of the Manchester Yeomanry and Attacking a Magistrate. Behind the Bull is a Group of Reformers Lead by Henry Hunt Holding a Paper Inscribed Coron[Er's] Inquest.

LZT1012591: Manchester Bull-Hunt, Engraving 1819 Sept.(?), a Bull, with the Head of John Bull, Tossing a Member of the Manchester Yeomanry and Attacking a Magistrate. Behind the Bull is a Group of Reformers Lead by Henry Hunt Holding a Paper Inscribed Coron[Er's] Inquest. / Bridgeman Images

ID: LZT1012591

Manchester Bull-Hunt, Engraving 1819 Sept.(?), a Bull, with the Head of John Bull, Tossing a Member of the Manchester Yeomanry and Attacking a Magistrate. Behind the Bull is a Group of Reformers Lead by Henry Hunt Holding a Paper Inscribed Coron[Er's] Inquest.

A New Way to Pay the National-Debt, Cartoon Shows King George III and Queen Charlotte Standing Before the Treasury, Moneybags Under Their Arms, Their Pockets Overflowing and Bursting with Coins (Funds from the Treasury to Cover Royal Debts), William Pitt, His Pockets Full of Coins, Hands the King Another Moneybag Taken from an Overflowing Wheelbarrow; the Prince of Wales, George IV, Stands to the Right Looking Destitute; a Quadriplegic Sits on the Ground to the Left with an Overturned and Empty Hat Between the Stubs of His Legs, which Are Fitted with Prostheses.
A New Way to Pay the National-Debt, Cartoon Shows King George III and Queen Charlotte Standing Before the Treasury, Moneybags Under Their Arms, Their Pockets Overflowing and Bursting with Coins (Funds from the Treasury to Cover Royal Debts), William Pitt, His Pockets Full of Coins, Hands the King Another Moneybag Taken from an Overflowing Wheelbarrow; the Prince of Wales, George IV, Stands to the Right Looking Destitute; a Quadriplegic Sits on the Ground to the Left with an Overturned and Empty Hat Between the Stubs of His Legs, which Are Fitted with Prostheses.

LZT1012653: A New Way to Pay the National-Debt, Cartoon Shows King George III and Queen Charlotte Standing Before the Treasury, Moneybags Under Their Arms, Their Pockets Overflowing and Bursting with Coins (Funds from the Treasury to Cover Royal Debts), William Pitt, His Pockets Full of Coins, Hands the King Another Moneybag Taken from an Overflowing Wheelbarrow; the Prince of Wales, George IV, Stands to the Right Looking Destitute; a Quadriplegic Sits on the Ground to the Left with an Overturned and Empty Hat Between the Stubs of His Legs, which Are Fitted with Prostheses. / Bridgeman Images

ID: LZT1012653

A New Way to Pay the National-Debt, Cartoon Shows King George III and Queen Charlotte Standing Before the Treasury, Moneybags Under Their Arms, Their Pockets Overflowing and Bursting with Coins (Funds from the Treasury to Cover Royal Debts), William Pitt, His Pockets Full of Coins, Hands the King Another Moneybag Taken from an Overflowing Wheelbarrow; the Prince of Wales, George IV, Stands to the Right Looking Destitute; a Quadriplegic Sits on the Ground to the Left with an Overturned and Empty Hat Between the Stubs of His Legs, which Are Fitted with Prostheses.


Back to top