Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497570 Search Results

Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving)
Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving)

XJF283123: Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving), English School / Bridgeman Images

Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo)
Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo)

XJF283129: Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo), English School / Bridgeman Images

Bear Hunt, engraved by J.C. McRea, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho)
Bear Hunt, engraved by J.C. McRea, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho)

KWE282135: Bear Hunt, engraved by J.C. McRea, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho), White, G. (19th century) (after) / Bridgeman Images

Midnight in September, engraved by G. Ulman, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho)
Midnight in September, engraved by G. Ulman, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho)

KWE282150: Midnight in September, engraved by G. Ulman, from 'Arctic Explorations in the Years 1853, 54, 55', Volume I, by Doctor Elisha Kent Kane (1820-57) published Philadelphia, 1856 (litho), Hamilton, James (1819-78) (after) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Mulatto Boy (w/c on paper)
A Mulatto Boy (w/c on paper)

AGN282302: A Mulatto Boy (w/c on paper), Hunt, William Henry (1790-1864) / Bridgeman Images

Still Life, fruit on a dish, 1829 (oil on panel)
Still Life, fruit on a dish, 1829 (oil on panel)

FIT282807: Still Life, fruit on a dish, 1829 (oil on panel), Nicholson, William (1781-1844) / Bridgeman Images

At Close Quarters with the Buffalo, illustration from 'The Romance of Canada' (colour litho)
At Close Quarters with the Buffalo, illustration from 'The Romance of Canada' (colour litho)

IL283074: At Close Quarters with the Buffalo, illustration from 'The Romance of Canada' (colour litho), Stott, W.R.S. (1878-1939) / Bridgeman Images

Armilla depicting the Crucifixion, from the Rhein-Maas area, c.1170-80 (copper, gilt & enamel)
Armilla depicting the Crucifixion, from the Rhein-Maas area, c.1170-80 (copper, gilt & enamel)

GNM282642: Armilla depicting the Crucifixion, from the Rhein-Maas area, c.1170-80 (copper, gilt & enamel), German School, (12th century) / Bridgeman Images

Book Casket (wood & bronze)
Book Casket (wood & bronze)

GNM282662: Book Casket (wood & bronze), Lombard School, (9th century) / Bridgeman Images

Crook of a bishop's staff, from Limoges (copper, gilt and enamel)
Crook of a bishop's staff, from Limoges (copper, gilt and enamel)

GNM282684: Crook of a bishop's staff, from Limoges (copper, gilt and enamel), French School, (13th century) / Bridgeman Images

The Charwoman and The Flower-Girl, illustrations from 'Wonderful London' by Almey St.John Adcock, 1935 (b/w photo)
The Charwoman and The Flower-Girl, illustrations from 'Wonderful London' by Almey St.John Adcock, 1935 (b/w photo)

XJF283172: The Charwoman and The Flower-Girl, illustrations from 'Wonderful London' by Almey St.John Adcock, 1935 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Painted Crucifix, c.1325-35 (tempera on panel)
Painted Crucifix, c.1325-35 (tempera on panel)

ALM283404: Painted Crucifix, c.1325-35 (tempera on panel), Florentine School, (14th century) / Bridgeman Images

Landscape (Capriccio) c.1780 (oil on canvas)
Landscape (Capriccio) c.1780 (oil on canvas)

ALM283465: Landscape (Capriccio) c.1780 (oil on canvas), Italian School, (18th century) / Bridgeman Images

Bathing Tents, St. Malo, 1907 (oil on panel)
Bathing Tents, St. Malo, 1907 (oil on panel)

ALM283477: Bathing Tents, St. Malo, 1907 (oil on panel), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images

Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper)
Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper)

ALM283483: Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper), La Farge or Lafarge, John (1835-1910) / Bridgeman Images

Portrait of Gilbert Eliot (engraving)
Portrait of Gilbert Eliot (engraving)

XJF283141: Portrait of Gilbert Eliot (engraving), English School, (19th century) / Bridgeman Images

George Morland, 1805 (litho)
George Morland, 1805 (litho)

XYC283246: George Morland, 1805 (litho), Smith, John Raphael (1752-1812) / Bridgeman Images

Portrait of Theodore Jacobson, 1742 (oil on canvas)
Portrait of Theodore Jacobson, 1742 (oil on canvas)

ALM283418: Portrait of Theodore Jacobson, 1742 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Connecticut Bridge, 1910 (pastel on paper board)
Connecticut Bridge, 1910 (pastel on paper board)

ALM283459: Connecticut Bridge, 1910 (pastel on paper board), Shinn, Everett (1876-1953) / Bridgeman Images

Super Soft (etching)
Super Soft (etching)

BES307285: Super Soft (etching), Easton, Bella / Bridgeman Images

Party Plumage (oil on panel)
Party Plumage (oil on panel)

BES307281: Party Plumage (oil on panel), Easton, Bella / Bridgeman Images

Cross designed by Antonio de Macerata
Cross designed by Antonio de Macerata

XCF307314: Cross designed by Antonio de Macerata, English School / Bridgeman Images

A View of London from St. Paul's to the Custom House, 1837 (w/c on paper)
A View of London from St. Paul's to the Custom House, 1837 (w/c on paper)

XCF307324: A View of London from St. Paul's to the Custom House, 1837 (w/c on paper), Yates, Gideon (fl.1825-37) / Bridgeman Images

Map of Cochin, India (ink on paper)
Map of Cochin, India (ink on paper)

XCF307358: Map of Cochin, India (ink on paper), English School / Bridgeman Images

The Wonder of Windsor: The Artist, Poet, Fiddler, Here We See, And all is Tweedle-dum and Tweedle-dee, c.1841 (litho)
The Wonder of Windsor: The Artist, Poet, Fiddler, Here We See, And all is Tweedle-dum and Tweedle-dee, c.1841 (litho)

XJF307379: The Wonder of Windsor: The Artist, Poet, Fiddler, Here We See, And all is Tweedle-dum and Tweedle-dee, c.1841 (litho), Hunt, Charles (Snr.) (1803-77) / Bridgeman Images

Dream on Dream House (oil on linen)
Dream on Dream House (oil on linen)

BES307276: Dream on Dream House (oil on linen), Easton, Bella / Bridgeman Images

Melbourne Tyres (etching)
Melbourne Tyres (etching)

BES307283: Melbourne Tyres (etching), Easton, Bella / Bridgeman Images

Front cover of the magazine 'Popular Wireless', 3 June, 1922 (colour litho)
Front cover of the magazine 'Popular Wireless', 3 June, 1922 (colour litho)

XCF307304: Front cover of the magazine 'Popular Wireless', 3 June, 1922 (colour litho), English School, (20th century) / Bridgeman Images

View of the Temple, St. Paul's, and Blackfriars Bridge, from Maltby's Shot Manufactory, 1760 (w/c on paper)
View of the Temple, St. Paul's, and Blackfriars Bridge, from Maltby's Shot Manufactory, 1760 (w/c on paper)

XCF307330: View of the Temple, St. Paul's, and Blackfriars Bridge, from Maltby's Shot Manufactory, 1760 (w/c on paper), English School, (18th century) / Bridgeman Images

Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)
Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)

XCF307365: Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum), Spanish School, (16th century) / Bridgeman Images

Procession of a bride going home to her husband, engraved by N. Parr (engraving)
Procession of a bride going home to her husband, engraved by N. Parr (engraving)

XJF307380: Procession of a bride going home to her husband, engraved by N. Parr (engraving), Chinese School, (18th century) / Bridgeman Images

The Giraffes with the Arabs who brought them over to this country, Zoological Gardens, Regent's Park, 1836 (litho)
The Giraffes with the Arabs who brought them over to this country, Zoological Gardens, Regent's Park, 1836 (litho)

XJF307387: The Giraffes with the Arabs who brought them over to this country, Zoological Gardens, Regent's Park, 1836 (litho), Scharf, George the Elder (1788-1860) / Bridgeman Images

Leaf XXVII and Leaf XXVIII, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing) 88:ink rubbing of Mao Huijian's copy of the famous Yubei tablet attributed to the legendary ruler Yu (founder of the Xia Dynasty 1989 BC) with interpretation/translation, colophon dated 1666. Stone engraving is located in the temple of Confucius in Xi'an (Shaanxi). The fanciful characters are a variant form of chongshu-tadpole script and are believed to be of mystical/Taoist origin. Mao Huijian's interpretation includes each large character is in kaishu-standard script;
Leaf XXVII and Leaf XXVIII, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing) 88:ink rubbing of Mao Huijian's copy of the famous Yubei tablet attributed to the legendary ruler Yu (founder of the Xia Dynasty 1989 BC) with interpretation/translation, colophon dated 1666. Stone engraving is located in the temple of Confucius in Xi'an (Shaanxi). The fanciful characters are a variant form of chongshu-tadpole script and are believed to be of mystical/Taoist origin. Mao Huijian's interpretation includes each large character is in kaishu-standard script;

FZA307577: Leaf XXVII and Leaf XXVIII, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing) 88:ink rubbing of Mao Huijian's copy of the famous Yubei tablet attributed to the legendary ruler Yu (founder of the Xia Dynasty 1989 BC) with interpretation/translation, colophon dated 1666. Stone engraving is located in the temple of Confucius in Xi'an (Shaanxi). The fanciful characters are a variant form of chongshu-tadpole script and are believed to be of mystical/Taoist origin. Mao Huijian's interpretation includes each large character is in kaishu-standard script;, Chinese School / Bridgeman Images

Dancer in Louis XVI costume (oil on panel)
Dancer in Louis XVI costume (oil on panel)

XIR307589: Dancer in Louis XVI costume (oil on panel), Schall, Jean-Frederic (1752-1825) / Bridgeman Images

Leaf V and Leaf VI, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing)
Leaf V and Leaf VI, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing)

FZA307566: Leaf V and Leaf VI, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing), Chinese School / Bridgeman Images


Back to top