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Arrest of Mrs Emmeline Pankhurst in Victoria Street, 13th February 1908 (b/w photo)
Arrest of Mrs Emmeline Pankhurst in Victoria Street, 13th February 1908 (b/w photo)

MOL227409: Arrest of Mrs Emmeline Pankhurst in Victoria Street, 13th February 1908 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: MOL227409

Arrest of Mrs Emmeline Pankhurst in Victoria Street, 13th February 1908 (b/w photo)

English Photographer, (20th century)

A Street in Lahore, from 'Voyage in India', engraved by Louis Henri de Rudder (1807-81) 1842 (tinted litho)
A Street in Lahore, from 'Voyage in India', engraved by Louis Henri de Rudder (1807-81) 1842 (tinted litho)

STC228030: A Street in Lahore, from 'Voyage in India', engraved by Louis Henri de Rudder (1807-81) 1842 (tinted litho), Soltykoff, A. (19th century) (after) / Bridgeman Images

ID: STC228030

A Street in Lahore, from 'Voyage in India', engraved by Louis Henri de Rudder (1807-81) 1842 (tinted litho)

Soltykoff, A. (19th century) (after)

A Market Scene with Fruit and Vegetable Sellers (oil on canvas)
A Market Scene with Fruit and Vegetable Sellers (oil on canvas)

RAF228133: A Market Scene with Fruit and Vegetable Sellers (oil on canvas), Valkenborch, Frederick van (1570-1623) / Bridgeman Images

ID: RAF228133

A Market Scene with Fruit and Vegetable Sellers (oil on canvas)

Valkenborch, Frederick van (1570-1623)

A Still Life with an Earthenware Jug and Hare (oil on panel)
A Still Life with an Earthenware Jug and Hare (oil on panel)

RAF228141: A Still Life with an Earthenware Jug and Hare (oil on panel), Steenwyck, Harmen van (1612-56) / Bridgeman Images

ID: RAF228141

A Still Life with an Earthenware Jug and Hare (oil on panel)

Steenwyck, Harmen van (1612-56)

Dressing table, First Empire Style (wood)
Dressing table, First Empire Style (wood)

XIR228243: Dressing table, First Empire Style (wood), French School, (19th century) / Bridgeman Images

ID: XIR228243

Dressing table, First Empire Style (wood)

French School, (19th century)

View of Buenos Aires, from Volume 14 of 'A General COllection of the Best and Most Interesting Voyages and Travels in all Parts of the World' by John Pinkerton, published 1813 (engraving) (b/w photo)
View of Buenos Aires, from Volume 14 of 'A General COllection of the Best and Most Interesting Voyages and Travels in all Parts of the World' by John Pinkerton, published 1813 (engraving) (b/w photo)

TRV227710: View of Buenos Aires, from Volume 14 of 'A General COllection of the Best and Most Interesting Voyages and Travels in all Parts of the World' by John Pinkerton, published 1813 (engraving) (b/w photo), Byrne, John (1785-1847) / Bridgeman Images

ID: TRV227710

View of Buenos Aires, from Volume 14 of 'A General COllection of the Best and Most Interesting Voyages and Travels in all Parts of the World' by John Pinkerton, published 1813 (engraving) (b/w photo)

Byrne, John (1785-1847)

Titlepage of 'Portraits or the Game and Wild Animals of Southern Africa' by Harris, engraved by Frank Howard, published 1840 (litho) (b/w photo)
Titlepage of 'Portraits or the Game and Wild Animals of Southern Africa' by Harris, engraved by Frank Howard, published 1840 (litho) (b/w photo)

TRV227728: Titlepage of 'Portraits or the Game and Wild Animals of Southern Africa' by Harris, engraved by Frank Howard, published 1840 (litho) (b/w photo), Harris, William Cornwallis (1807-48) (after) / Bridgeman Images

ID: TRV227728

Titlepage of 'Portraits or the Game and Wild Animals of Southern Africa' by Harris, engraved by Frank Howard, published 1840 (litho) (b/w photo)

Harris, William Cornwallis (1807-48) (after)

Interior of one of the canopic coffins, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (beaten gold) (see also 227991-2)
Interior of one of the canopic coffins, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (beaten gold) (see also 227991-2)

XBP227990: Interior of one of the canopic coffins, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (beaten gold) (see also 227991-2), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XBP227990

Interior of one of the canopic coffins, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (beaten gold) (see also 227991-2)

Egyptian 18th Dynasty (c.1567-1320 BC)

Figure seated on the Banks of the Arno (oil on canvas)
Figure seated on the Banks of the Arno (oil on canvas)

RAF228105: Figure seated on the Banks of the Arno (oil on canvas), Marlow, William (1740-1813) / Bridgeman Images

ID: RAF228105

Figure seated on the Banks of the Arno (oil on canvas)

Marlow, William (1740-1813)

Model Goblet, 1706 (silver)
Model Goblet, 1706 (silver)

BOO228314: Model Goblet, 1706 (silver), Russian School, (18th century) / Bridgeman Images

ID: BOO228314

Model Goblet, 1706 (silver)

Russian School, (18th century)

The Virgin, right hand panel from the Annunciation (oil on panel) (see also 228515)
The Virgin, right hand panel from the Annunciation (oil on panel) (see also 228515)

XIR228514: The Virgin, right hand panel from the Annunciation (oil on panel) (see also 228515), Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: XIR228514

The Virgin, right hand panel from the Annunciation (oil on panel) (see also 228515)

Lotto, Lorenzo (c.1480-1556)

The Royal Family at Buckingham Palace after the Coronation of King George VI (1895-1952) from 'The Sketch', 19th May 1937 (b/w photo)
The Royal Family at Buckingham Palace after the Coronation of King George VI (1895-1952) from 'The Sketch', 19th May 1937 (b/w photo)

HJA247929: The Royal Family at Buckingham Palace after the Coronation of King George VI (1895-1952) from 'The Sketch', 19th May 1937 (b/w photo), Wrightson, Hay (d.1975) / Bridgeman Images

ID: HJA247929

The Royal Family at Buckingham Palace after the Coronation of King George VI (1895-1952) from 'The Sketch', 19th May 1937 (b/w photo)

Wrightson, Hay (d.1975)

Inlaid figurine of the god Nefertum (bronze)
Inlaid figurine of the god Nefertum (bronze)

HSC247992: Inlaid figurine of the god Nefertum (bronze), Egyptian, Late Period (715-332 BC) / Bridgeman Images

ID: HSC247992

Inlaid figurine of the god Nefertum (bronze)

Egyptian, Late Period (715-332 BC)

A hammam in Paris, c.1900 (b/w photo)
A hammam in Paris, c.1900 (b/w photo)

LRS248107: A hammam in Paris, c.1900 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: LRS248107

A hammam in Paris, c.1900 (b/w photo)

French Photographer, (20th century)

Untitled Drawing, 1918 (pencil and ink on paper)
Untitled Drawing, 1918 (pencil and ink on paper)

CCL248186: Untitled Drawing, 1918 (pencil and ink on paper), Eluard, Paul (1895-1952) / Bridgeman Images

ID: CCL248186

Untitled Drawing, 1918 (pencil and ink on paper)

Eluard, Paul (1895-1952)

Tomb of Julienne Le Be, after drawings by Charles Le Brun (1619-90), c.1668-90 (marble and stucco)
Tomb of Julienne Le Be, after drawings by Charles Le Brun (1619-90), c.1668-90 (marble and stucco)

CLG248195: Tomb of Julienne Le Be, after drawings by Charles Le Brun (1619-90), c.1668-90 (marble and stucco), Collignon, Jean (d. 1702) / Bridgeman Images

ID: CLG248195

Tomb of Julienne Le Be, after drawings by Charles Le Brun (1619-90), c.1668-90 (marble and stucco)

Collignon, Jean (d. 1702)

Fragment with a lion-headed hieroglyph, Late Period (painted limestone)
Fragment with a lion-headed hieroglyph, Late Period (painted limestone)

HSC249008: Fragment with a lion-headed hieroglyph, Late Period (painted limestone), Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

ID: HSC249008

Fragment with a lion-headed hieroglyph, Late Period (painted limestone)

Egyptian 26th Dynasty (664-525 BC)

Taking of Ciudad Rodrigo on 19th January 1812, published 1818 (aquatint)
Taking of Ciudad Rodrigo on 19th January 1812, published 1818 (aquatint)

NAM249057: Taking of Ciudad Rodrigo on 19th January 1812, published 1818 (aquatint), Heath, William (1795-1840) (after) / Bridgeman Images

ID: NAM249057

Taking of Ciudad Rodrigo on 19th January 1812, published 1818 (aquatint)

Heath, William (1795-1840) (after)

J.P. Morgan Building, Wall Street, New York City (gelatin silver photo)
J.P. Morgan Building, Wall Street, New York City (gelatin silver photo)

NYH249107: J.P. Morgan Building, Wall Street, New York City (gelatin silver photo), Hall, G.P. & Son (1876-1914) / Bridgeman Images

ID: NYH249107

J.P. Morgan Building, Wall Street, New York City (gelatin silver photo)

Hall, G.P. & Son (1876-1914)

Portrait of Dorothea Dix (1802-87), c.1840 (sepia photo)
Portrait of Dorothea Dix (1802-87), c.1840 (sepia photo)

SLS249115: Portrait of Dorothea Dix (1802-87), c.1840 (sepia photo), American Photographer, (19th century) / Bridgeman Images

ID: SLS249115

Portrait of Dorothea Dix (1802-87), c.1840 (sepia photo)

American Photographer, (19th century)

New Orleans, c.1905 (b/w photo)
New Orleans, c.1905 (b/w photo)

SLS249127: New Orleans, c.1905 (b/w photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images

ID: SLS249127

New Orleans, c.1905 (b/w photo)

Beals, Jessie Tarbox (1871-1942)

German civilians and soldiers in Berlin, 1919 (b/w photo)
German civilians and soldiers in Berlin, 1919 (b/w photo)

SLS249151: German civilians and soldiers in Berlin, 1919 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

ID: SLS249151

German civilians and soldiers in Berlin, 1919 (b/w photo)

German Photographer, (20th Century)

View of the Chateau, rebuilt in 1227 by St. Louis and strengthened in 16th century by Bartolommeo (photo)
View of the Chateau, rebuilt in 1227 by St. Louis and strengthened in 16th century by Bartolommeo (photo)

XIR249218: View of the Chateau, rebuilt in 1227 by St. Louis and strengthened in 16th century by Bartolommeo (photo), French School / Bridgeman Images

ID: XIR249218

View of the Chateau, rebuilt in 1227 by St. Louis and strengthened in 16th century by Bartolommeo (photo)

French School

The Crowd at the Entrance to Jerusalem, from a series of Scenes of the New Testament (fresco)
The Crowd at the Entrance to Jerusalem, from a series of Scenes of the New Testament (fresco)

XAL249260: The Crowd at the Entrance to Jerusalem, from a series of Scenes of the New Testament (fresco), Barna da Siena (fl.1350-55) / Bridgeman Images

ID: XAL249260

The Crowd at the Entrance to Jerusalem, from a series of Scenes of the New Testament (fresco)

Barna da Siena (fl.1350-55)

Louisiana Purchase Exposition at the World's Fair, 1904 (b/w photo)
Louisiana Purchase Exposition at the World's Fair, 1904 (b/w photo)

SLS249126: Louisiana Purchase Exposition at the World's Fair, 1904 (b/w photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images

ID: SLS249126

Louisiana Purchase Exposition at the World's Fair, 1904 (b/w photo)

Beals, Jessie Tarbox (1871-1942)

New Orleans, c.1905 (b/w photo)
New Orleans, c.1905 (b/w photo)

SLS249135: New Orleans, c.1905 (b/w photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images

ID: SLS249135

New Orleans, c.1905 (b/w photo)

Beals, Jessie Tarbox (1871-1942)

Frances Kellor and Mary Dreier seated in an early automobile, c.1910 (b/w photo)
Frances Kellor and Mary Dreier seated in an early automobile, c.1910 (b/w photo)

SLS249147: Frances Kellor and Mary Dreier seated in an early automobile, c.1910 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: SLS249147

Frances Kellor and Mary Dreier seated in an early automobile, c.1910 (b/w photo)

American Photographer, (20th century)

View of the main staircase, 1519-46 (photo)
View of the main staircase, 1519-46 (photo)

XIR249213: View of the main staircase, 1519-46 (photo), French School, (16th century) / Bridgeman Images

ID: XIR249213

View of the main staircase, 1519-46 (photo)

French School, (16th century)

Moses and the Brazen Serpent, 1356-67 (fresco)
Moses and the Brazen Serpent, 1356-67 (fresco)

XAL249249: Moses and the Brazen Serpent, 1356-67 (fresco), Bartolo di Fredi, also Manfredi de Battilori (1330-1410) / Bridgeman Images

ID: XAL249249

Moses and the Brazen Serpent, 1356-67 (fresco)

Bartolo di Fredi, also Manfredi de Battilori (1330-1410)

The Solipsist, 1938 (gouache on plywood)
The Solipsist, 1938 (gouache on plywood)

IMJ249521: The Solipsist, 1938 (gouache on plywood), Evans, Merlyn Oliver (1910-73) / Bridgeman Images

ID: IMJ249521

The Solipsist, 1938 (gouache on plywood)

Evans, Merlyn Oliver (1910-73)

Old British Camp in Bulstrode Park, 1860 (w/c over graphite on paper)
Old British Camp in Bulstrode Park, 1860 (w/c over graphite on paper)

XYC249788: Old British Camp in Bulstrode Park, 1860 (w/c over graphite on paper), Fripp, George Arthur (1813-96) / Bridgeman Images

ID: XYC249788

Old British Camp in Bulstrode Park, 1860 (w/c over graphite on paper)

Fripp, George Arthur (1813-96)

Madame Morandi in the role of Camille, from Act I Scene 2 of 'Horatii' by Pierre Corneille (1606-84) engraved by Pierre Maleuvre (1740-1803) (lithograph)
Madame Morandi in the role of Camille, from Act I Scene 2 of 'Horatii' by Pierre Corneille (1606-84) engraved by Pierre Maleuvre (1740-1803) (lithograph)

XIR249892: Madame Morandi in the role of Camille, from Act I Scene 2 of 'Horatii' by Pierre Corneille (1606-84) engraved by Pierre Maleuvre (1740-1803) (lithograph), Garneray, Louis Ambroise (1783-1857) (after) / Bridgeman Images

ID: XIR249892

Madame Morandi in the role of Camille, from Act I Scene 2 of 'Horatii' by Pierre Corneille (1606-84) engraved by Pierre Maleuvre (1740-1803) (lithograph)

Garneray, Louis Ambroise (1783-1857) (after)

View of the church of San Simeone Piccolo on the Grand Canal, from the railway station, built in 1718-38 (photo)
View of the church of San Simeone Piccolo on the Grand Canal, from the railway station, built in 1718-38 (photo)

SQ249068: View of the church of San Simeone Piccolo on the Grand Canal, from the railway station, built in 1718-38 (photo), Scalfarotto, Giovanni Antonio (c.1700-64) / Bridgeman Images

ID: SQ249068

View of the church of San Simeone Piccolo on the Grand Canal, from the railway station, built in 1718-38 (photo)

Scalfarotto, Giovanni Antonio (c.1700-64)

Electro-static plate machine, after a design by Jan Ingenhousz (1730-99)
Electro-static plate machine, after a design by Jan Ingenhousz (1730-99)

TRI249104: Electro-static plate machine, after a design by Jan Ingenhousz (1730-99), English School, (19th century) / Bridgeman Images

ID: TRI249104

Electro-static plate machine, after a design by Jan Ingenhousz (1730-99)

English School, (19th century)

New Orleans, c.1905 (b/w photo)
New Orleans, c.1905 (b/w photo)

SLS249129: New Orleans, c.1905 (b/w photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images

ID: SLS249129

New Orleans, c.1905 (b/w photo)

Beals, Jessie Tarbox (1871-1942)

Church at Neuve Eglise, Belgium, destroyed during World War One, 1919 (b/w photo)
Church at Neuve Eglise, Belgium, destroyed during World War One, 1919 (b/w photo)

SLS249143: Church at Neuve Eglise, Belgium, destroyed during World War One, 1919 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: SLS249143

Church at Neuve Eglise, Belgium, destroyed during World War One, 1919 (b/w photo)

American Photographer, (20th century)


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