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The Bridge, East Pool mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)
The Bridge, East Pool mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

STC418151: The Bridge, East Pool mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo), Burrow, John Charles (1852-1914) / Bridgeman Images

ID: STC418151

The Bridge, East Pool mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

Burrow, John Charles (1852-1914)

The bottom of Cook's Kitchen Engine Shaft, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)
The bottom of Cook's Kitchen Engine Shaft, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

STC418157: The bottom of Cook's Kitchen Engine Shaft, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo), Burrow, John Charles (1852-1914) / Bridgeman Images

ID: STC418157

The bottom of Cook's Kitchen Engine Shaft, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

Burrow, John Charles (1852-1914)

Heave, looking east, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)
Heave, looking east, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

STC418161: Heave, looking east, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo), Burrow, John Charles (1852-1914) / Bridgeman Images

ID: STC418161

Heave, looking east, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

Burrow, John Charles (1852-1914)

Three Resting Soldiers, 1709 (red chalk on paper)
Three Resting Soldiers, 1709 (red chalk on paper)

XIR418319: Three Resting Soldiers, 1709 (red chalk on paper), Watteau, Jean Antoine (1684-1721) / Bridgeman Images

ID: XIR418319

Three Resting Soldiers, 1709 (red chalk on paper)

Watteau, Jean Antoine (1684-1721)

Three Arquebusiers, 1712 (black and red chalk on paper)
Three Arquebusiers, 1712 (black and red chalk on paper)

XIR418342: Three Arquebusiers, 1712 (black and red chalk on paper), Watteau, Jean Antoine (1684-1721) / Bridgeman Images

ID: XIR418342

Three Arquebusiers, 1712 (black and red chalk on paper)

Watteau, Jean Antoine (1684-1721)

A Fine Catch! (w/c on paper)
A Fine Catch! (w/c on paper)

MPG417826: A Fine Catch! (w/c on paper), Wain, Louis (1860-1939) / Bridgeman Images

ID: MPG417826

A Fine Catch! (w/c on paper)

Wain, Louis (1860-1939)

Plan of the Siege of Sebastopol, 1883 (coloured engraving)
Plan of the Siege of Sebastopol, 1883 (coloured engraving)

KWE417913: Plan of the Siege of Sebastopol, 1883 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: KWE417913

Plan of the Siege of Sebastopol, 1883 (coloured engraving)

English School, (19th century)

Alexandria, Egypt, 1883 (engraving)
Alexandria, Egypt, 1883 (engraving)

KWE417927: Alexandria, Egypt, 1883 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE417927

Alexandria, Egypt, 1883 (engraving)

English School, (19th century)

M. Ribot, Charmer of Blue Birds', cover illustration of 'Le Rire Rouge', 21 October, 1916 (lithograph)
M. Ribot, Charmer of Blue Birds', cover illustration of 'Le Rire Rouge', 21 October, 1916 (lithograph)

XIR418455: M. Ribot, Charmer of Blue Birds', cover illustration of 'Le Rire Rouge', 21 October, 1916 (lithograph), Leandre, Charles (1862-1934) / Bridgeman Images

ID: XIR418455

M. Ribot, Charmer of Blue Birds', cover illustration of 'Le Rire Rouge', 21 October, 1916 (lithograph)

Leandre, Charles (1862-1934)

The Stage Medley representing the polite taste of the town & the matchless merits of poet G., Polly Peachum and Captain Macheath, c.1728 (engraving)
The Stage Medley representing the polite taste of the town & the matchless merits of poet G., Polly Peachum and Captain Macheath, c.1728 (engraving)

DEC418502: The Stage Medley representing the polite taste of the town & the matchless merits of poet G., Polly Peachum and Captain Macheath, c.1728 (engraving), English School, (18th century) / Bridgeman Images

ID: DEC418502

The Stage Medley representing the polite taste of the town & the matchless merits of poet G., Polly Peachum and Captain Macheath, c.1728 (engraving)

English School, (18th century)

Marcus Ricci Bellunensis, engraved by Antonio Giovanna Faldoni (1690-c.1770), 1724 (engraving)
Marcus Ricci Bellunensis, engraved by Antonio Giovanna Faldoni (1690-c.1770), 1724 (engraving)

DEC418568: Marcus Ricci Bellunensis, engraved by Antonio Giovanna Faldoni (1690-c.1770), 1724 (engraving), Carriera, Rosalba Giovanna (1675-1757) (after) / Bridgeman Images

ID: DEC418568

Marcus Ricci Bellunensis, engraved by Antonio Giovanna Faldoni (1690-c.1770), 1724 (engraving)

Carriera, Rosalba Giovanna (1675-1757) (after)

George Frideric Handel, Johann Sebastian Bach, Giuseppe Tartini, Johann Joachim Quantz, Christoph Gluck, Nicolo Jomelli, c.1750 (hand-coloured engraving)
George Frideric Handel, Johann Sebastian Bach, Giuseppe Tartini, Johann Joachim Quantz, Christoph Gluck, Nicolo Jomelli, c.1750 (hand-coloured engraving)

DEC418575: George Frideric Handel, Johann Sebastian Bach, Giuseppe Tartini, Johann Joachim Quantz, Christoph Gluck, Nicolo Jomelli, c.1750 (hand-coloured engraving), English School, (18th century) / Bridgeman Images

ID: DEC418575

George Frideric Handel, Johann Sebastian Bach, Giuseppe Tartini, Johann Joachim Quantz, Christoph Gluck, Nicolo Jomelli, c.1750 (hand-coloured engraving)

English School, (18th century)

'Paddling gently over the still waters' at the Island of San Christobal, 1908 (colour litho)
'Paddling gently over the still waters' at the Island of San Christobal, 1908 (colour litho)

DGC418625: 'Paddling gently over the still waters' at the Island of San Christobal, 1908 (colour litho), Hardy, Norman (1864-1914) / Bridgeman Images

ID: DGC418625

'Paddling gently over the still waters' at the Island of San Christobal, 1908 (colour litho)

Hardy, Norman (1864-1914)

Attila on horseback, 1938 (litho)
Attila on horseback, 1938 (litho)

DGC418640: Attila on horseback, 1938 (litho), Seredy, Kate (1896-1975) / Bridgeman Images

ID: DGC418640

Attila on horseback, 1938 (litho)

Seredy, Kate (1896-1975)

Pickering House, Salem, Massachusetts, 1915 (sepia tone intaglio gravure)
Pickering House, Salem, Massachusetts, 1915 (sepia tone intaglio gravure)

DGC418691: Pickering House, Salem, Massachusetts, 1915 (sepia tone intaglio gravure), American School, (20th century) / Bridgeman Images

ID: DGC418691

Pickering House, Salem, Massachusetts, 1915 (sepia tone intaglio gravure)

American School, (20th century)

The arrest of John Brown of Ashford, a Lollard, 1517, engraved by J. & G.P. Nicholls (engraving)
The arrest of John Brown of Ashford, a Lollard, 1517, engraved by J. & G.P. Nicholls (engraving)

STC418710: The arrest of John Brown of Ashford, a Lollard, 1517, engraved by J. & G.P. Nicholls (engraving), Johnston, Alexander (1815-91) (after) / Bridgeman Images

ID: STC418710

The arrest of John Brown of Ashford, a Lollard, 1517, engraved by J. & G.P. Nicholls (engraving)

Johnston, Alexander (1815-91) (after)

The Man Engine at Dolcoath Mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)
The Man Engine at Dolcoath Mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

STC418140: The Man Engine at Dolcoath Mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo), Burrow, John Charles (1852-1914) / Bridgeman Images

ID: STC418140

The Man Engine at Dolcoath Mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

Burrow, John Charles (1852-1914)

Heave, looking west, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)
Heave, looking west, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

STC418160: Heave, looking west, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo), Burrow, John Charles (1852-1914) / Bridgeman Images

ID: STC418160

Heave, looking west, Blue Hills mine, illustration from ''Mongst mines and miners, or Underground Scenes by Flash-Light' by J.C. Burrows and William Thomas, pub. 1893 (sepia photo)

Burrow, John Charles (1852-1914)

Hindu Fakir, from 'India Ancient and Modern', 1867 (colour litho)
Hindu Fakir, from 'India Ancient and Modern', 1867 (colour litho)

STC418223: Hindu Fakir, from 'India Ancient and Modern', 1867 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC418223

Hindu Fakir, from 'India Ancient and Modern', 1867 (colour litho)

Simpson, William 'Crimea' (1823-99)

Bridge over the Sutlej at Wangtoo, from 'India Ancient and Modern', 1867 (colour litho)
Bridge over the Sutlej at Wangtoo, from 'India Ancient and Modern', 1867 (colour litho)

STC418245: Bridge over the Sutlej at Wangtoo, from 'India Ancient and Modern', 1867 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC418245

Bridge over the Sutlej at Wangtoo, from 'India Ancient and Modern', 1867 (colour litho)

Simpson, William 'Crimea' (1823-99)

Marine (oil on canvas)
Marine (oil on canvas)

XIR418343: Marine (oil on canvas), Koekkoek, Johannes Hermanus (1778-1851) / Bridgeman Images

ID: XIR418343

Marine (oil on canvas)

Koekkoek, Johannes Hermanus (1778-1851)

Characters making music in front of a palace, 1672 (oil on canvas)
Characters making music in front of a palace, 1672 (oil on canvas)

XIR418365: Characters making music in front of a palace, 1672 (oil on canvas), Janssens, Hieronymus (1624-93) / Bridgeman Images

ID: XIR418365

Characters making music in front of a palace, 1672 (oil on canvas)

Janssens, Hieronymus (1624-93)

Salon Caricatures of the Paris Salon of 1868, from the magazine 'Le Charivari', 31 May, 1868 (litho)
Salon Caricatures of the Paris Salon of 1868, from the magazine 'Le Charivari', 31 May, 1868 (litho)

REV418402: Salon Caricatures of the Paris Salon of 1868, from the magazine 'Le Charivari', 31 May, 1868 (litho), Cham (Amedee Charles Henri de Noe) (1818-79) / Bridgeman Images

ID: REV418402

Salon Caricatures of the Paris Salon of 1868, from the magazine 'Le Charivari', 31 May, 1868 (litho)

Cham (Amedee Charles Henri de Noe) (1818-79)

Caricature of artists entering work to be exhibited at the Paris Salon of 1881, from the magazine 'La Caricature' no.69, 23 April, 1881 (litho)
Caricature of artists entering work to be exhibited at the Paris Salon of 1881, from the magazine 'La Caricature' no.69, 23 April, 1881 (litho)

REV418403: Caricature of artists entering work to be exhibited at the Paris Salon of 1881, from the magazine 'La Caricature' no.69, 23 April, 1881 (litho), Bac, Ferdinand Sigismund (1859-1952) / Bridgeman Images

ID: REV418403

Caricature of artists entering work to be exhibited at the Paris Salon of 1881, from the magazine 'La Caricature' no.69, 23 April, 1881 (litho)

Bac, Ferdinand Sigismund (1859-1952)

Flowers for Thomas Carlyle House (oil on canvas)
Flowers for Thomas Carlyle House (oil on canvas)

MIG416616: Flowers for Thomas Carlyle House (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: MIG416616

Flowers for Thomas Carlyle House (oil on canvas)

Sutton, Philip (b.1928)

Sir John Gilbert, 1876 (sepia photo)
Sir John Gilbert, 1876 (sepia photo)

SED416809: Sir John Gilbert, 1876 (sepia photo), Elliott & Fry Studio (fl.1860-90) / Bridgeman Images

ID: SED416809

Sir John Gilbert, 1876 (sepia photo)

Elliott & Fry Studio (fl.1860-90)

Cafe owners, 1910 (b/w photo)
Cafe owners, 1910 (b/w photo)

SED416815: Cafe owners, 1910 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: SED416815

Cafe owners, 1910 (b/w photo)

French Photographer, (20th century)

Children with their nanny, 1895 (sepia photo)
Children with their nanny, 1895 (sepia photo)

SED416842: Children with their nanny, 1895 (sepia photo), French Photographer, (19th century) / Bridgeman Images

ID: SED416842

Children with their nanny, 1895 (sepia photo)

French Photographer, (19th century)

Student of Canterbury University, 1939 (oil on canvas on board)
Student of Canterbury University, 1939 (oil on canvas on board)

TEP416867: Student of Canterbury University, 1939 (oil on canvas on board), Coe, James (1917-2003) / Bridgeman Images

ID: TEP416867

Student of Canterbury University, 1939 (oil on canvas on board)

Coe, James (1917-2003)

Full Cry (oil on canvas)
Full Cry (oil on canvas)

CH416887: Full Cry (oil on canvas), Sartorius, John Nost (1759-1828) / Bridgeman Images

ID: CH416887

Full Cry (oil on canvas)

Sartorius, John Nost (1759-1828)

Lunch, Cap d'Antibes (oil on canvas)
Lunch, Cap d'Antibes (oil on canvas)

MPG416281: Lunch, Cap d'Antibes (oil on canvas), Vezelay, Paule (1892-1984) / Bridgeman Images

ID: MPG416281

Lunch, Cap d'Antibes (oil on canvas)

Vezelay, Paule (1892-1984)

Unknown man, called Oliver Goldsmith, c.1730 (oil on canvas)
Unknown man, called Oliver Goldsmith, c.1730 (oil on canvas)

HEH416329: Unknown man, called Oliver Goldsmith, c.1730 (oil on canvas), English School, (18th century) / Bridgeman Images

ID: HEH416329

Unknown man, called Oliver Goldsmith, c.1730 (oil on canvas)

English School, (18th century)

Portrait of a man, c.1490 (tempera on panel)
Portrait of a man, c.1490 (tempera on panel)

HEH416357: Portrait of a man, c.1490 (tempera on panel), Ghirlandaio, Domenico (1449-94) (attr.to) / Bridgeman Images

ID: HEH416357

Portrait of a man, c.1490 (tempera on panel)

Ghirlandaio, Domenico (1449-94) (attr.to)

Woman with a spaniel, c.1749 (oil on canvas)
Woman with a spaniel, c.1749 (oil on canvas)

HEH416389: Woman with a spaniel, c.1749 (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: HEH416389

Woman with a spaniel, c.1749 (oil on canvas)

Gainsborough, Thomas (1727-88)

View of Swinoujscie, 1840 (w/c on paper)
View of Swinoujscie, 1840 (w/c on paper)

SKD416544: View of Swinoujscie, 1840 (w/c on paper), Dahl, Johan Christian (1788-1857) / Bridgeman Images

ID: SKD416544

View of Swinoujscie, 1840 (w/c on paper)

Dahl, Johan Christian (1788-1857)

Portrait of a man (w/c on vellum)
Portrait of a man (w/c on vellum)

CH416554: Portrait of a man (w/c on vellum), English School, (17th century) / Bridgeman Images

ID: CH416554

Portrait of a man (w/c on vellum)

English School, (17th century)


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