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Tenth son of Jonas Smith- Eleuthera, Bahamas, 1999 (drybrush, pencil and watercolour on paper)
Tenth son of Jonas Smith- Eleuthera, Bahamas, 1999 (drybrush, pencil and watercolour on paper)

GG345312: Tenth son of Jonas Smith- Eleuthera, Bahamas, 1999 (drybrush, pencil and watercolour on paper), Young, Stephen Scott (b.1957) / Bridgeman Images

The Prodigal Son window (stained glass)
The Prodigal Son window (stained glass)

XPC345143: The Prodigal Son window (stained glass), French School, (13th century) / Bridgeman Images

Navigators mistake a whale's back for an island, after a miniature in Richard de Fournival's 'Bestiarire d'Amour', from 'Science and Literature in the Middle Ages', by Paul Lacroix, 1878 (litho)
Navigators mistake a whale's back for an island, after a miniature in Richard de Fournival's 'Bestiarire d'Amour', from 'Science and Literature in the Middle Ages', by Paul Lacroix, 1878 (litho)

KWE345516: Navigators mistake a whale's back for an island, after a miniature in Richard de Fournival's 'Bestiarire d'Amour', from 'Science and Literature in the Middle Ages', by Paul Lacroix, 1878 (litho), English School, (19th century) / Bridgeman Images

Unconquerable (colour litho)
Unconquerable (colour litho)

KWE345529: Unconquerable (colour litho), Rackham, Arthur (1867-1939) (after) / Bridgeman Images

Map showing approximately the semicircular foothold of the Australians and New Zealanders above ANZAC Cove in July 1915, from 'The Great World War: A History', volume III, 1916 (litho)
Map showing approximately the semicircular foothold of the Australians and New Zealanders above ANZAC Cove in July 1915, from 'The Great World War: A History', volume III, 1916 (litho)

KWE345538: Map showing approximately the semicircular foothold of the Australians and New Zealanders above ANZAC Cove in July 1915, from 'The Great World War: A History', volume III, 1916 (litho), English School, (20th century) / Bridgeman Images

Half bred Shepherd Dog with hostile intentions, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)
Half bred Shepherd Dog with hostile intentions, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)

KWE345565: Half bred Shepherd Dog with hostile intentions, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho), Mr. A. May (fl. 1870s) / Bridgeman Images

The Caravan - An Arab Encampment at Edfou, c.1861 (watercolour over pencil heightened with white)
The Caravan - An Arab Encampment at Edfou, c.1861 (watercolour over pencil heightened with white)

PNH345626: The Caravan - An Arab Encampment at Edfou, c.1861 (watercolour over pencil heightened with white), Lewis, John Frederick (1804-76) / Bridgeman Images

Map of East Africa at the beginning of the war, from 'The Great War: A History', volume III, 1916 (colour litho)
Map of East Africa at the beginning of the war, from 'The Great War: A History', volume III, 1916 (colour litho)

KWE345545: Map of East Africa at the beginning of the war, from 'The Great War: A History', volume III, 1916 (colour litho), English School, (20th century) / Bridgeman Images

Tourists on camel's back, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)
Tourists on camel's back, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)

GDG345744: Tourists on camel's back, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving), German School, (19th century) / Bridgeman Images

Jesus in the Garden of Gethsemane, detail of a Renaissance altarpiece (painted and gilded wood)
Jesus in the Garden of Gethsemane, detail of a Renaissance altarpiece (painted and gilded wood)

REV345864: Jesus in the Garden of Gethsemane, detail of a Renaissance altarpiece (painted and gilded wood), Spanish School, (16th century) / Bridgeman Images

Tomba Remaggi Bargagliotti, detail, 1920 (stone)
Tomba Remaggi Bargagliotti, detail, 1920 (stone)

BCT345757: Tomba Remaggi Bargagliotti, detail, 1920 (stone), Razeti, Domenico (1870-1926) / Bridgeman Images

Palazzo Spinola, Genoa, Italy (photo)
Palazzo Spinola, Genoa, Italy (photo)

BCT345791: Palazzo Spinola, Genoa, Italy (photo), Brancati, Jacopo / Bridgeman Images

Nativity, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood)
Nativity, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood)

REV345846: Nativity, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood), Spanish School / Bridgeman Images

Adoration of the Magi, Epiphany Triptych, detail, c.1540 (oil on panel) (see also 345852)
Adoration of the Magi, Epiphany Triptych, detail, c.1540 (oil on panel) (see also 345852)

REV345853: Adoration of the Magi, Epiphany Triptych, detail, c.1540 (oil on panel) (see also 345852), Coecke van Aelst, Pieter (1502-50) (studio of) / Bridgeman Images

Nativity, detail of a Renaissance altarpiece (painted and gilded wood)
Nativity, detail of a Renaissance altarpiece (painted and gilded wood)

REV345863: Nativity, detail of a Renaissance altarpiece (painted and gilded wood), Spanish School, (16th century) / Bridgeman Images

A Belgian warrior battling with a German eagle, 1915 (litho)
A Belgian warrior battling with a German eagle, 1915 (litho)

KWE345532: A Belgian warrior battling with a German eagle, 1915 (litho), Crane, Walter (1845-1915) (after) / Bridgeman Images

General Sir Ian Hamilton and General Henry Gouraud in Gallipoli, from 'The Great War: A History', volume III, 1916 (litho)
General Sir Ian Hamilton and General Henry Gouraud in Gallipoli, from 'The Great War: A History', volume III, 1916 (litho)

KWE345554: General Sir Ian Hamilton and General Henry Gouraud in Gallipoli, from 'The Great War: A History', volume III, 1916 (litho), English School, (20th century) / Bridgeman Images

Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)
Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho)

KWE345566: Half bred Shepherd Dog caressing his master, from Charles Darwin's 'The Expression of the Emotions in Man and Animals', 1872 (litho), Mr. A. May (fl. 1870s) / Bridgeman Images

Exterior view, Umayyad Mosque, Damascus, Syria, 1862 (b/w photo) (see also 345703)
Exterior view, Umayyad Mosque, Damascus, Syria, 1862 (b/w photo) (see also 345703)

GDG345702: Exterior view, Umayyad Mosque, Damascus, Syria, 1862 (b/w photo) (see also 345703), Bedford, Francis (1816-94) / Bridgeman Images

Fellaheen girl wearing a ceremonial dress, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)
Fellaheen girl wearing a ceremonial dress, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)

GDG345709: Fellaheen girl wearing a ceremonial dress, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving), French School, (19th century) / Bridgeman Images

Woman wearing kabbab, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)
Woman wearing kabbab, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)

GDG345715: Woman wearing kabbab, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving), French School, (19th century) / Bridgeman Images

Jewish family of Jerusalem, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)
Jewish family of Jerusalem, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)

GDG345731: Jewish family of Jerusalem, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving), French School, (19th century) / Bridgeman Images

Women of Tripoli, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)
Women of Tripoli, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving)

GDG345735: Women of Tripoli, from 'La Syrie d'aujourd'hui. Voyages dans la Phenicie, le Liban et la Judee. 1875-1880' of Louis Charles Emile Lortet, 1884 (b/w engraving), French School, (19th century) / Bridgeman Images

Mufti house, Qa'a, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)
Mufti house, Qa'a, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)

GDG345753: Mufti house, Qa'a, from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving), French School, (19th century) / Bridgeman Images

Piazza de Ferrari, Genoa, Italy (photo)
Piazza de Ferrari, Genoa, Italy (photo)

BCT345789: Piazza de Ferrari, Genoa, Italy (photo), Brancati, Jacopo / Bridgeman Images

St. Martin of Tours, late 14th century-early 15th century (painted & gilded wood)
St. Martin of Tours, late 14th century-early 15th century (painted & gilded wood)

REV345861: St. Martin of Tours, late 14th century-early 15th century (painted & gilded wood), Spanish School / Bridgeman Images

Molluscs, illustration from 'Life in Pond and Stream', 1943 (colour litho)
Molluscs, illustration from 'Life in Pond and Stream', 1943 (colour litho)

IL340176: Molluscs, illustration from 'Life in Pond and Stream', 1943 (colour litho), Ennion, Eric (1900-81) / Bridgeman Images

Detail of a Sarcophagus (stone)
Detail of a Sarcophagus (stone)

MAE340504: Detail of a Sarcophagus (stone), Spanish School / Bridgeman Images

The Madonna and Child at a marble parapet (tempera on panel)
The Madonna and Child at a marble parapet (tempera on panel)

CH340783: The Madonna and Child at a marble parapet (tempera on panel), Crivelli, Carlo (c.1430/35-1495) / Bridgeman Images

The Grape Gatherers (oil on canvas)
The Grape Gatherers (oil on canvas)

LMG340790: The Grape Gatherers (oil on canvas), Brangwyn, Frank (1867-1956) / Bridgeman Images

Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II, Duke of Brittany and Marguerite of Foix, detail of Temperance, 1502-07 (plaster cast from marble) (b/w photo)
Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II, Duke of Brittany and Marguerite of Foix, detail of Temperance, 1502-07 (plaster cast from marble) (b/w photo)

XIR345894: Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II, Duke of Brittany and Marguerite of Foix, detail of Temperance, 1502-07 (plaster cast from marble) (b/w photo), Colombe, Michel (1430-1512) / Bridgeman Images

Jacquemart-Andre Museum, Dining room, c.1910-20 (photo)
Jacquemart-Andre Museum, Dining room, c.1910-20 (photo)

XIR345980: Jacquemart-Andre Museum, Dining room, c.1910-20 (photo), Giraudon, studio (1912-53) / Bridgeman Images

Bust of Louis de France (1661-1711) Monseigneur le Dauphin, known as Le Grand Dauphin, 1679 (marble)
Bust of Louis de France (1661-1711) Monseigneur le Dauphin, known as Le Grand Dauphin, 1679 (marble)

XIR346014: Bust of Louis de France (1661-1711) Monseigneur le Dauphin, known as Le Grand Dauphin, 1679 (marble), Coysevox, Antoine (1640-1720) / Bridgeman Images

Death mask of Victor Hugo, 1885 (bronze)
Death mask of Victor Hugo, 1885 (bronze)

XIR346066: Death mask of Victor Hugo, 1885 (bronze), Dalou, Aime Jules (1838-1902) / Bridgeman Images

Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b/w photo)
Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b/w photo)

XIR346073: Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b/w photo), French School / Bridgeman Images

Heloise taking the veil, illustration from 'Lettres d'Heloise et d'Abelard', volume I, page 39, engraved by Remi Delvaux (1748-1823) 1795 (engraving) (b/w photo)
Heloise taking the veil, illustration from 'Lettres d'Heloise et d'Abelard', volume I, page 39, engraved by Remi Delvaux (1748-1823) 1795 (engraving) (b/w photo)

XIR346151: Heloise taking the veil, illustration from 'Lettres d'Heloise et d'Abelard', volume I, page 39, engraved by Remi Delvaux (1748-1823) 1795 (engraving) (b/w photo), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images


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