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2497595 Search Results

The reception room at the Hotel Majestic, 1902 (silver gelatin print)
The reception room at the Hotel Majestic, 1902 (silver gelatin print)

MNY380672: The reception room at the Hotel Majestic, 1902 (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

The Hotel Margaret, Brooklyn, 1907 (silver gelatin print)
The Hotel Margaret, Brooklyn, 1907 (silver gelatin print)

MNY380682: The Hotel Margaret, Brooklyn, 1907 (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

The Hotel Metropolitan at Broadway and 27th Street, New York, c.1900 (silver gelatin print)
The Hotel Metropolitan at Broadway and 27th Street, New York, c.1900 (silver gelatin print)

MNY380686: The Hotel Metropolitan at Broadway and 27th Street, New York, c.1900 (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

The pastry department at Sherry's restaurant, New York, 1902 (silver gelatin print)
The pastry department at Sherry's restaurant, New York, 1902 (silver gelatin print)

MNY380767: The pastry department at Sherry's restaurant, New York, 1902 (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

William Balfour Baikie (engraving)
William Balfour Baikie (engraving)

XJF384073: William Balfour Baikie (engraving), English School, (19th century) / Bridgeman Images

Poster advertising 'The Enchanted Domain' exhibition at the Royal Albert Gallery and the Exe gallery, Exeter, 1967 (colour litho)
Poster advertising 'The Enchanted Domain' exhibition at the Royal Albert Gallery and the Exe gallery, Exeter, 1967 (colour litho)

JSC383713: Poster advertising 'The Enchanted Domain' exhibition at the Royal Albert Gallery and the Exe gallery, Exeter, 1967 (colour litho), Maddox, Conroy (1912-2005) / Bridgeman Images

One-man Band, c.1940 (pen & ink on paper)
One-man Band, c.1940 (pen & ink on paper)

JSC383734: One-man Band, c.1940 (pen & ink on paper), Banting, John (1902-72) / Bridgeman Images

Handwriting and signature of Robert Burns, 1787 (pen & ink on paper)
Handwriting and signature of Robert Burns, 1787 (pen & ink on paper)

KDC384146: Handwriting and signature of Robert Burns, 1787 (pen & ink on paper), Burns, Robert (1759-96) / Bridgeman Images

Out of Reach 3500 BC/ AD 1980, 1980 (mixed media)
Out of Reach 3500 BC/ AD 1980, 1980 (mixed media)

JSC383777: Out of Reach 3500 BC/ AD 1980, 1980 (mixed media), Burt, Lawrence W. (b.1925) / Bridgeman Images

Bushmen attacking enemies with spears and arrows (litho)
Bushmen attacking enemies with spears and arrows (litho)

KDC384259: Bushmen attacking enemies with spears and arrows (litho), Lefman, (fl.1871) / Bridgeman Images

Major Esterhazy court-martialled, reading the decision, illustration from the illustrated supplement of Le Petit Journal, 23rd January, 1898 (lithograph)
Major Esterhazy court-martialled, reading the decision, illustration from the illustrated supplement of Le Petit Journal, 23rd January, 1898 (lithograph)

XIR384582: Major Esterhazy court-martialled, reading the decision, illustration from the illustrated supplement of Le Petit Journal, 23rd January, 1898 (lithograph), French School, (19th century) / Bridgeman Images

Needle Money, illustration from 'Punch Magazine', December 1849 (engraving) (for pair see 384762)
Needle Money, illustration from 'Punch Magazine', December 1849 (engraving) (for pair see 384762)

LIS384761: Needle Money, illustration from 'Punch Magazine', December 1849 (engraving) (for pair see 384762), English School, (19th century) / Bridgeman Images

Temple of Fortuna Muliebre, 1833 (etching with brown wash)
Temple of Fortuna Muliebre, 1833 (etching with brown wash)

STC384839: Temple of Fortuna Muliebre, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Santo Stefano Rotondo, 1833 (etching with brown wash)
Santo Stefano Rotondo, 1833 (etching with brown wash)

STC384812: Santo Stefano Rotondo, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Vatican seen from the Caffe de la Promenade, 1833 (etching with brown wash)
The Vatican seen from the Caffe de la Promenade, 1833 (etching with brown wash)

STC384887: The Vatican seen from the Caffe de la Promenade, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Temple of Minerva Medica, 1833 (etching with brown wash)
The Temple of Minerva Medica, 1833 (etching with brown wash)

STC384974: The Temple of Minerva Medica, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The emergence of the emmisarium of Lake Albano, 1833 (etching with brown wash)
The emergence of the emmisarium of Lake Albano, 1833 (etching with brown wash)

STC384991: The emergence of the emmisarium of Lake Albano, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Chiesa Stella di Maris (photo)
Chiesa Stella di Maris (photo)

PPH385004: Chiesa Stella di Maris (photo), Busiri Vici, Michele (1894-1981) / Bridgeman Images

Ponte Sisto, 1833 (etching with brown wash)
Ponte Sisto, 1833 (etching with brown wash)

STC384880: Ponte Sisto, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The old Porta Nomentana, 1833 (etching with brown wash)
The old Porta Nomentana, 1833 (etching with brown wash)

STC384895: The old Porta Nomentana, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Vestibule of the Palazzo Barberini, 1833 (etching with brown wash)
Vestibule of the Palazzo Barberini, 1833 (etching with brown wash)

STC384940: Vestibule of the Palazzo Barberini, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The underground building of the Neophyte Dominican Nuns. Arco dei Pantani, 1833 (etching with brown wash)
The underground building of the Neophyte Dominican Nuns. Arco dei Pantani, 1833 (etching with brown wash)

STC384953: The underground building of the Neophyte Dominican Nuns. Arco dei Pantani, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Water tower of the Acqua Julia, 1833 (etching with brown wash)
Water tower of the Acqua Julia, 1833 (etching with brown wash)

STC384963: Water tower of the Acqua Julia, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Villa d'Este, 1833 (etching with brown wash)
The Villa d'Este, 1833 (etching with brown wash)

STC384976: The Villa d'Este, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Praetorian Reservoir, 1833 (etching with brown wash)
The Praetorian Reservoir, 1833 (etching with brown wash)

STC384988: The Praetorian Reservoir, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Ninfeo Bergantino, 1833 (etching with brown wash)
The Ninfeo Bergantino, 1833 (etching with brown wash)

STC384992: The Ninfeo Bergantino, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Henry Wentworth Monk, 1858 (oil on canvas)
Henry Wentworth Monk, 1858 (oil on canvas)

NUM384725: Henry Wentworth Monk, 1858 (oil on canvas), Hughes, Arthur (1832-1915) / Bridgeman Images

The Basilica of St. Paul, built on the tomb in the Cemetery of Lucina, 1833 (etching with brown wash)
The Basilica of St. Paul, built on the tomb in the Cemetery of Lucina, 1833 (etching with brown wash)

STC384807: The Basilica of St. Paul, built on the tomb in the Cemetery of Lucina, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Arch of Drusus, 1833 (etching with brown wash)
The Arch of Drusus, 1833 (etching with brown wash)

STC384849: The Arch of Drusus, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Piazza del Popolo Obelisk, from the Circus Maximus, 1833 (etching with brown wash)
The Piazza del Popolo Obelisk, from the Circus Maximus, 1833 (etching with brown wash)

STC384854: The Piazza del Popolo Obelisk, from the Circus Maximus, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Acqua Claudia, 1833 (etching with brown wash)
The Acqua Claudia, 1833 (etching with brown wash)

STC384890: The Acqua Claudia, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Porta Ostiensis or San Paolo, built by Honorius, 1833 (etching with brown wash)
The Porta Ostiensis or San Paolo, built by Honorius, 1833 (etching with brown wash)

STC384903: The Porta Ostiensis or San Paolo, built by Honorius, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Tomb of Pompey, 1833 (etching with brown wash)
The Tomb of Pompey, 1833 (etching with brown wash)

STC384913: The Tomb of Pompey, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Gardens Vestibule of the Palazzo Caetani all'Orso, 1833 (etching with brown wash)
The Gardens Vestibule of the Palazzo Caetani all'Orso, 1833 (etching with brown wash)

STC384941: The Gardens Vestibule of the Palazzo Caetani all'Orso, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Portico of the Villa Maecenas, 1833 (etching with brown wash)
Portico of the Villa Maecenas, 1833 (etching with brown wash)

STC384979: Portico of the Villa Maecenas, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Emissarium of Lake Albano, 1833 (etching with brown wash)
Emissarium of Lake Albano, 1833 (etching with brown wash)

STC384990: Emissarium of Lake Albano, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images


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