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A Hospital Ward, Cranwell, 1928-30 (b/w photo)
A Hospital Ward, Cranwell, 1928-30 (b/w photo)

SXT884255: A Hospital Ward, Cranwell, 1928-30 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Sir Charles Napier, 1849 (etching)
Sir Charles Napier, 1849 (etching)

XJF884258: Sir Charles Napier, 1849 (etching), English School, (19th century) / Bridgeman Images

Landing of Louis Phillipe in England, 19th Century (engraving)
Landing of Louis Phillipe in England, 19th Century (engraving)

XJF884263: Landing of Louis Phillipe in England, 19th Century (engraving), English School, (19th century) / Bridgeman Images

The Reverend G. T Perks, President of the Wesleyan Methodist Conference, 1873 (engraving)
The Reverend G. T Perks, President of the Wesleyan Methodist Conference, 1873 (engraving)

XJF884273: The Reverend G. T Perks, President of the Wesleyan Methodist Conference, 1873 (engraving), English School, (19th century) / Bridgeman Images

Whitefield, engraved by Trotter after Russell, 1783 (engraving)
Whitefield, engraved by Trotter after Russell, 1783 (engraving)

XJF884274: Whitefield, engraved by Trotter after Russell, 1783 (engraving), English School, (18th century) / Bridgeman Images

The Shrine of Saint Thomas at Meliapore, 1667 (engraving)
The Shrine of Saint Thomas at Meliapore, 1667 (engraving)

XJF884275: The Shrine of Saint Thomas at Meliapore, 1667 (engraving), Kircher, Athanasius (1602-80) / Bridgeman Images

An Exhibition of Wild Beasts or the Macaroni in distress, 1774 (mezzotint)
An Exhibition of Wild Beasts or the Macaroni in distress, 1774 (mezzotint)

XJF884277: An Exhibition of Wild Beasts or the Macaroni in distress, 1774 (mezzotint), English School, (18th century) / Bridgeman Images

Illustrations of Algonquin dress, engraving from Voyages of Sieur de Champlain by Samuel de Champlain (ca 1574-1635),  17th century (engraving)
Illustrations of Algonquin dress, engraving from Voyages of Sieur de Champlain by Samuel de Champlain (ca 1574-1635),  17th century (engraving)

XJF884285: Illustrations of Algonquin dress, engraving from Voyages of Sieur de Champlain by Samuel de Champlain (ca 1574-1635), 17th century (engraving), Champlain, Samuel de (1567-1635) / Bridgeman Images

Ferdinand Magellan, 19th Century (engraving)
Ferdinand Magellan, 19th Century (engraving)

XJF884286: Ferdinand Magellan, 19th Century (engraving), English School, (19th century) / Bridgeman Images

Converte Angliam, or It is a foolish Sheep that makes the Wolf her Confessor, 19th Century (engraving)
Converte Angliam, or It is a foolish Sheep that makes the Wolf her Confessor, 19th Century (engraving)

XJF884304: Converte Angliam, or It is a foolish Sheep that makes the Wolf her Confessor, 19th Century (engraving), English School, (19th century) / Bridgeman Images

The Marriage of Henrietta and Charles, engraved by G. Vertue after Van Dyck, 1742 (engraving)
The Marriage of Henrietta and Charles, engraved by G. Vertue after Van Dyck, 1742 (engraving)

XJF884306: The Marriage of Henrietta and Charles, engraved by G. Vertue after Van Dyck, 1742 (engraving), English School, (18th century) / Bridgeman Images

King Charles I, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving)
King Charles I, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving)

XJF884307: King Charles I, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving), English School, (19th century) / Bridgeman Images

Landing of the Princess Henrietta, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving)
Landing of the Princess Henrietta, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving)

XJF884308: Landing of the Princess Henrietta, illustration taken from John Cassell's Illustrated History of England, 1857 (engraving), English School, (19th century) / Bridgeman Images

morbo sublati postulata a Rege, illustration taken from
morbo sublati postulata a Rege, illustration taken from

XJF884313: morbo sublati postulata a Rege, illustration taken from "Brevis narratio eorvm qvae in Florida Americae provicia Gallis acciderunt" 1591 (engraving), Le Moyne, Jacques (de Morgues) (1533-88) / Bridgeman Images

John Davies, (1569-1626) 1631 (engraving)
John Davies, (1569-1626) 1631 (engraving)

XJF884368: John Davies, (1569-1626) 1631 (engraving) / Bridgeman Images

Scene from 'The Vicar of Wakefield' by Oliver Goldsmith, 1766 (engraving)
Scene from 'The Vicar of Wakefield' by Oliver Goldsmith, 1766 (engraving)

XJF884372: Scene from 'The Vicar of Wakefield' by Oliver Goldsmith, 1766 (engraving) / Bridgeman Images

Ptolemaeus and Astronomia, 1512 (engraving)
Ptolemaeus and Astronomia, 1512 (engraving)

XJF884419: Ptolemaeus and Astronomia, 1512 (engraving), Anonymous / Bridgeman Images

DGC884528: "Her Guardian Angel", (stereograph), American School, (19th century) / Bridgeman Images

Movement Study, c.1930 (b/w photo)
Movement Study, c.1930 (b/w photo)

DGC884531: Movement Study, c.1930 (b/w photo), Koppitz, Rudolph (1884 - 1936) / Bridgeman Images

Lieutenant James Reese Europe and Band, illustration from 'Two colored women with the American Expeditionary Forces' by Addie W. Hunton and Kathryn M. Johnson, c.1920 (litho)
Lieutenant James Reese Europe and Band, illustration from 'Two colored women with the American Expeditionary Forces' by Addie W. Hunton and Kathryn M. Johnson, c.1920 (litho)

NYL884554: Lieutenant James Reese Europe and Band, illustration from 'Two colored women with the American Expeditionary Forces' by Addie W. Hunton and Kathryn M. Johnson, c.1920 (litho), American School, (20th century) / Bridgeman Images

Nocturne, 1952 (oil on canvas)
Nocturne, 1952 (oil on canvas)

XIR884559: Nocturne, 1952 (oil on canvas), Manessier, Alfred (1911-93) / Bridgeman Images

Hotel des Invalides, Paris (engraving)
Hotel des Invalides, Paris (engraving)

XJF884563: Hotel des Invalides, Paris (engraving), French School / Bridgeman Images

The Populace Compelling Louis XVI to Adopt the 'Red Cap', 1792 (engraving)
The Populace Compelling Louis XVI to Adopt the 'Red Cap', 1792 (engraving)

XJF884575: The Populace Compelling Louis XVI to Adopt the 'Red Cap', 1792 (engraving), English School, (18th century) / Bridgeman Images

St John the Evangelist at Patmos (oil on canvas)
St John the Evangelist at Patmos (oil on canvas)

XIR884580: St John the Evangelist at Patmos (oil on canvas), Ortolano (Giovanni Battista Benvenuti) (c.1488-c.1525) / Bridgeman Images

The Alarmists and the Alarmed, 1848 (colour litho)
The Alarmists and the Alarmed, 1848 (colour litho)

CHT884590: The Alarmists and the Alarmed, 1848 (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

Grand Master of the Order of the Star of Notre-Dame, in the costume of his country, from 'Recueil de Tous Les Costumes des Ordres Religieux et Militaires', published 1785 (coloured engraving)
Grand Master of the Order of the Star of Notre-Dame, in the costume of his country, from 'Recueil de Tous Les Costumes des Ordres Religieux et Militaires', published 1785 (coloured engraving)

CHT884602: Grand Master of the Order of the Star of Notre-Dame, in the costume of his country, from 'Recueil de Tous Les Costumes des Ordres Religieux et Militaires', published 1785 (coloured engraving), Bar, J. C. (fl.1785) (after) / Bridgeman Images

Negro governor of the Gorée district, 1796 (coloured engraving)
Negro governor of the Gorée district, 1796 (coloured engraving)

CHT884607: Negro governor of the Gorée district, 1796 (coloured engraving), Grasset de Saint-Sauveur, Jacques (1757-1810) (after) / Bridgeman Images

Foundry, drawing for the 'Description des Arts et Métiers', by L. Simonneau, which inspired Diderot for the Encyclopédie (litho)
Foundry, drawing for the 'Description des Arts et Métiers', by L. Simonneau, which inspired Diderot for the Encyclopédie (litho)

CHT884629: Foundry, drawing for the 'Description des Arts et Métiers', by L. Simonneau, which inspired Diderot for the Encyclopédie (litho), French School, (18th century) / Bridgeman Images

Scene from 'Headlong Hall' by Thomas Loue Peacock, 1815 (engraving)
Scene from 'Headlong Hall' by Thomas Loue Peacock, 1815 (engraving)

XJF884374: Scene from 'Headlong Hall' by Thomas Loue Peacock, 1815 (engraving) / Bridgeman Images

Double portrait of Quilira (engraving)
Double portrait of Quilira (engraving)

REV884381: Double portrait of Quilira (engraving), French School, (18th century) / Bridgeman Images

The French Consular Triumvirate, 1800 (engraving)
The French Consular Triumvirate, 1800 (engraving)

REV884389: The French Consular Triumvirate, 1800 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le Coupe-Gorge Effrayant (engraving)
Le Coupe-Gorge Effrayant (engraving)

REV884400: Le Coupe-Gorge Effrayant (engraving), Voltz, Johann Michael (1784-1858) / Bridgeman Images

Décor ano du XVIII siecle (engraving)
Décor ano du XVIII siecle (engraving)

REV884403: Décor ano du XVIII siecle (engraving), French School, (18th century) / Bridgeman Images

Grotesques, 1637 (engraving)
Grotesques, 1637 (engraving)

REV884404: Grotesques, 1637 (engraving), Dutch School, (17th century) / Bridgeman Images

Noël, The Marseillaise in a Boot, cover illustration from 'L'Eclipse' magazine, 26th December 1868 (litho)
Noël, The Marseillaise in a Boot, cover illustration from 'L'Eclipse' magazine, 26th December 1868 (litho)

REV884410: Noël, The Marseillaise in a Boot, cover illustration from 'L'Eclipse' magazine, 26th December 1868 (litho), Gill, Andre (1840-85) / Bridgeman Images


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