1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497596 Search Results

Laying the Foundation Stone of the Royal Exchange, 17th January 1840, 1842 (oil on canvas)
Laying the Foundation Stone of the Royal Exchange, 17th January 1840, 1842 (oil on canvas)

GHA96698: Laying the Foundation Stone of the Royal Exchange, 17th January 1840, 1842 (oil on canvas), English School, (19th century) / Bridgeman Images

ID: GHA96698

Laying the Foundation Stone of the Royal Exchange, 17th January 1840, 1842 (oil on canvas)

English School, (19th century)

Life, 1906 (bronze)
Life, 1906 (bronze)

PWI96749: Life, 1906 (bronze), Matisse, Henri (1869-1954) / Bridgeman Images

ID: PWI96749

Life, 1906 (bronze)

Matisse, Henri (1869-1954)

Madonna and Child Hodigitria, Russian icon, 1502 (tempera on panel)
Madonna and Child Hodigitria, Russian icon, 1502 (tempera on panel)

SRM96615: Madonna and Child Hodigitria, Russian icon, 1502 (tempera on panel), Dionysius, (c.1440-p.1503) (and workshop) / Bridgeman Images

ID: SRM96615

Madonna and Child Hodigitria, Russian icon, 1502 (tempera on panel)

Dionysius, (c.1440-p.1503) (and workshop)

Walk, 1995 (oil on canvas)
Walk, 1995 (oil on canvas)

GHA96696: Walk, 1995 (oil on canvas), Bevan, Oliver (b.1941) / Bridgeman Images

ID: GHA96696

Walk, 1995 (oil on canvas)

Bevan, Oliver (b.1941)

The facade, begun in c.1330 and completed in c.1443 (photo)
The facade, begun in c.1330 and completed in c.1443 (photo)

FTB97066: The facade, begun in c.1330 and completed in c.1443 (photo), Bohm, Francesco Turio / Bridgeman Images

ID: FTB97066

The facade, begun in c.1330 and completed in c.1443 (photo)

Bohm, Francesco Turio

Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving)
Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving)

STC97247: Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving), Dutch School, (16th century) / Bridgeman Images

ID: STC97247

Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving)

Dutch School, (16th century)

His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho)
His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho)

CWA97289: His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho), Ward, Leslie Matthew (Spy) (1851-1922) / Bridgeman Images

ID: CWA97289

His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho)

Ward, Leslie Matthew (Spy) (1851-1922)

Corner of the courtyard of the main temple, Mixtec, 16th century (photo)
Corner of the courtyard of the main temple, Mixtec, 16th century (photo)

MEX97337: Corner of the courtyard of the main temple, Mixtec, 16th century (photo) / Bridgeman Images

ID: MEX97337

Corner of the courtyard of the main temple, Mixtec, 16th century (photo)

The Travelling Performers, 1926 (oil on canvas)
The Travelling Performers, 1926 (oil on canvas)

PWI96986: The Travelling Performers, 1926 (oil on canvas), Tanguy, Yves (1900-55) / Bridgeman Images

ID: PWI96986

The Travelling Performers, 1926 (oil on canvas)

Tanguy, Yves (1900-55)

Rejected Addresses, 1853 (oil on canvas)
Rejected Addresses, 1853 (oil on canvas)

AFR97141: Rejected Addresses, 1853 (oil on canvas), Nicol, Erskine (1825-1904) / Bridgeman Images

ID: AFR97141

Rejected Addresses, 1853 (oil on canvas)

Nicol, Erskine (1825-1904)

Partridge Shooting (oil on canvas)
Partridge Shooting (oil on canvas)

AFR97166: Partridge Shooting (oil on canvas), Wolstenholme, Dean I (1757-1837) / Bridgeman Images

ID: AFR97166

Partridge Shooting (oil on canvas)

Wolstenholme, Dean I (1757-1837)

A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving)
A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving)

STC97246: A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving), Back, George (1796-1878) (after) / Bridgeman Images

ID: STC97246

A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving)

Back, George (1796-1878) (after)

Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)
Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)

STC97225: Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho), Mansion, L. and Eschauzier, St. (19th century) / Bridgeman Images

ID: STC97225

Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)

Mansion, L. and Eschauzier, St. (19th century)

Portrait of James I (1566-1625) after a miniature by Nicholas Hilliard (1547-1619) of 1617, engraved by George Vertue (1684-1756) (engraving)
Portrait of James I (1566-1625) after a miniature by Nicholas Hilliard (1547-1619) of 1617, engraved by George Vertue (1684-1756) (engraving)

XJF97574: Portrait of James I (1566-1625) after a miniature by Nicholas Hilliard (1547-1619) of 1617, engraved by George Vertue (1684-1756) (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

ID: XJF97574

Portrait of James I (1566-1625) after a miniature by Nicholas Hilliard (1547-1619) of 1617, engraved by George Vertue (1684-1756) (engraving)

Dyck, Anthony van (1599-1641) (after)

Virgin and Child Enthroned with Five Angels (oil on panel)
Virgin and Child Enthroned with Five Angels (oil on panel)

MES97850: Virgin and Child Enthroned with Five Angels (oil on panel), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: MES97850

Virgin and Child Enthroned with Five Angels (oil on panel)

Carpaccio, Vittore (c.1460/5-1523/6)

Choosing the Right Hat, 1911 (pochoir print)
Choosing the Right Hat, 1911 (pochoir print)

STC98147: Choosing the Right Hat, 1911 (pochoir print), Masson, G. (20th century) / Bridgeman Images

ID: STC98147

Choosing the Right Hat, 1911 (pochoir print)

Masson, G. (20th century)

Ancestor Statue, African (wood)
Ancestor Statue, African (wood)

PWI98029: Ancestor Statue, African (wood), Unknown Artist / Bridgeman Images

ID: PWI98029

Ancestor Statue, African (wood)

Unknown Artist

Portrait Bust of Sarah Bernhardt (1844-1923) French actress, c.1890 (tinted marble)
Portrait Bust of Sarah Bernhardt (1844-1923) French actress, c.1890 (tinted marble)

PWI98042: Portrait Bust of Sarah Bernhardt (1844-1923) French actress, c.1890 (tinted marble), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: PWI98042

Portrait Bust of Sarah Bernhardt (1844-1923) French actress, c.1890 (tinted marble)

Gerome, Jean Leon (1824-1904)

Christ in Majesty with Four Evangelical Symbols and the Last Supper, c.1200 (fresco)
Christ in Majesty with Four Evangelical Symbols and the Last Supper, c.1200 (fresco)

PWI98057: Christ in Majesty with Four Evangelical Symbols and the Last Supper, c.1200 (fresco), French School, (13th century) / Bridgeman Images

ID: PWI98057

Christ in Majesty with Four Evangelical Symbols and the Last Supper, c.1200 (fresco)

French School, (13th century)

The Adoration of the Magi, column capital (stone)
The Adoration of the Magi, column capital (stone)

PWI98082: The Adoration of the Magi, column capital (stone), French School, (11th century) / Bridgeman Images

ID: PWI98082

The Adoration of the Magi, column capital (stone)

French School, (11th century)

The King of the Turf, 'St. Julien', Driven by Orrin A. Hickok, pub. by Currier and Ives, 1880 (litho)
The King of the Turf, 'St. Julien', Driven by Orrin A. Hickok, pub. by Currier and Ives, 1880 (litho)

STC98433: The King of the Turf, 'St. Julien', Driven by Orrin A. Hickok, pub. by Currier and Ives, 1880 (litho), Leighton, Nicholas Winfield Scott (1848-98) (after) / Bridgeman Images

ID: STC98433

The King of the Turf, 'St. Julien', Driven by Orrin A. Hickok, pub. by Currier and Ives, 1880 (litho)

Leighton, Nicholas Winfield Scott (1848-98) (after)

The Pet Shop, from 'The Book of Shops', 1899 (colour litho)
The Pet Shop, from 'The Book of Shops', 1899 (colour litho)

STC98460: The Pet Shop, from 'The Book of Shops', 1899 (colour litho), Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: STC98460

The Pet Shop, from 'The Book of Shops', 1899 (colour litho)

Bedford, Francis Donkin (1864-1954)

Blue Flowers, 1997 (oil on panel)
Blue Flowers, 1997 (oil on panel)

BAL98652: Blue Flowers, 1997 (oil on panel), Bednorz, Peter (b.1960) / Bridgeman Images

ID: BAL98652

Blue Flowers, 1997 (oil on panel)

Bednorz, Peter (b.1960)

The Baker's Shop, from 'The Book of Shops', 1899 (colour litho)
The Baker's Shop, from 'The Book of Shops', 1899 (colour litho)

STC98463: The Baker's Shop, from 'The Book of Shops', 1899 (colour litho), Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: STC98463

The Baker's Shop, from 'The Book of Shops', 1899 (colour litho)

Bedford, Francis Donkin (1864-1954)

Charle Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano (1803-57) 1850 (litho)
Charle Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano (1803-57) 1850 (litho)

TRI98484: Charle Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano (1803-57) 1850 (litho), Maguire, Thomas Herbert (1821-95) (after) / Bridgeman Images

ID: TRI98484

Charle Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano (1803-57) 1850 (litho)

Maguire, Thomas Herbert (1821-95) (after)

Tomb of Jean Louis Andre Theodore Gericault (1791-1824) (stone and bronze)
Tomb of Jean Louis Andre Theodore Gericault (1791-1824) (stone and bronze)

PWI98566: Tomb of Jean Louis Andre Theodore Gericault (1791-1824) (stone and bronze), Etex, Antoine (1808-88) / Bridgeman Images

ID: PWI98566

Tomb of Jean Louis Andre Theodore Gericault (1791-1824) (stone and bronze)

Etex, Antoine (1808-88)

Winter Stream (oil on canvas)
Winter Stream (oil on canvas)

BAL98619: Winter Stream (oil on canvas), Wansleben, Arthur (1861-1917) / Bridgeman Images

ID: BAL98619

Winter Stream (oil on canvas)

Wansleben, Arthur (1861-1917)

German Street Scene and Church Tower (oil on canvas)
German Street Scene and Church Tower (oil on canvas)

BAL98626: German Street Scene and Church Tower (oil on canvas), Schafter, Henry (fl.1900) / Bridgeman Images

ID: BAL98626

German Street Scene and Church Tower (oil on canvas)

Schafter, Henry (fl.1900)

Knights Duelling on Foot in a Tournament, plate 1 from 'The History of the Nations', engraved by G. Lago (engraving)
Knights Duelling on Foot in a Tournament, plate 1 from 'The History of the Nations', engraved by G. Lago (engraving)

STC98438: Knights Duelling on Foot in a Tournament, plate 1 from 'The History of the Nations', engraved by G. Lago (engraving), Gazzotto, Vincenzo (b.1807) (after) / Bridgeman Images

ID: STC98438

Knights Duelling on Foot in a Tournament, plate 1 from 'The History of the Nations', engraved by G. Lago (engraving)

Gazzotto, Vincenzo (b.1807) (after)

The Contrasts, plate 24 from 'Le Bon Genre', 1811 (engraving)
The Contrasts, plate 24 from 'Le Bon Genre', 1811 (engraving)

STC98448: The Contrasts, plate 24 from 'Le Bon Genre', 1811 (engraving), French School, (19th century) / Bridgeman Images

ID: STC98448

The Contrasts, plate 24 from 'Le Bon Genre', 1811 (engraving)

French School, (19th century)

Mother and Children (oil on canvas)
Mother and Children (oil on canvas)

BAL98672: Mother and Children (oil on canvas), Pothast, Bernard Jean Corneille (1882-1966) / Bridgeman Images

ID: BAL98672

Mother and Children (oil on canvas)

Pothast, Bernard Jean Corneille (1882-1966)

God's People, 1917 (oil on canvas)
God's People, 1917 (oil on canvas)

SRM96650: God's People, 1917 (oil on canvas), Kuznetsov, Vladimir Aleksandrovich (1878-1960) / Bridgeman Images

ID: SRM96650

God's People, 1917 (oil on canvas)

Kuznetsov, Vladimir Aleksandrovich (1878-1960)

The Rest on the Flight into Egypt (oil on panel)
The Rest on the Flight into Egypt (oil on panel)

PWI96950: The Rest on the Flight into Egypt (oil on panel), Memling, Hans (1440-95) (attr.to) / Bridgeman Images

ID: PWI96950

The Rest on the Flight into Egypt (oil on panel)

Memling, Hans (1440-95) (attr.to)

On the Moors, 1912 (oil on canvas)
On the Moors, 1912 (oil on canvas)

AFR97138: On the Moors, 1912 (oil on canvas), Munnings, Alfred (1878-1959) / Bridgeman Images

ID: AFR97138

On the Moors, 1912 (oil on canvas)

Munnings, Alfred (1878-1959)

Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)
Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

CWA97265: Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: CWA97265

Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

English School, (19th century)

The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving)
The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving)

STC97253: The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC97253

The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)


Back to top