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View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132865: View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

ID: STC132865

View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

English School, (19th century)

Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)
Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)

STC133661: Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC133661

Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)

Bakst, Leon (1866-1924)

Head of an Antelope, 1892 (oil on canvas)
Head of an Antelope, 1892 (oil on canvas)

PFA134457: Head of an Antelope, 1892 (oil on canvas), Kuhnert, Wilhelm (1865-1926) / Bridgeman Images

ID: PFA134457

Head of an Antelope, 1892 (oil on canvas)

Kuhnert, Wilhelm (1865-1926)

View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160)
View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160)

STC134087: View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160), Boys, Thomas Shotter (1803-74) / Bridgeman Images

ID: STC134087

View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160)

Boys, Thomas Shotter (1803-74)

The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132723: The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132723

The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

The Deluge, 1731 (engraving)
The Deluge, 1731 (engraving)

STC133993: The Deluge, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC133993

The Deluge, 1731 (engraving)

Picart, Bernard (1673-1733)

Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by William Shakespeare (1564-1616) (engraving)
Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by William Shakespeare (1564-1616) (engraving)

STC134775: Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images

ID: STC134775

Mr Compton as Lance, Act IV Scene II, in Two Gentlemen of Verona, by William Shakespeare (1564-1616) (engraving)

English School, (19th century)

Famille Rose Butter Tub, Cover and Stand, painted with 'The Cherry Pickers', Chinese, Qianlong period, 1736-95 (porcelain)
Famille Rose Butter Tub, Cover and Stand, painted with 'The Cherry Pickers', Chinese, Qianlong period, 1736-95 (porcelain)

PFR133002: Famille Rose Butter Tub, Cover and Stand, painted with 'The Cherry Pickers', Chinese, Qianlong period, 1736-95 (porcelain) / Bridgeman Images

ID: PFR133002

Famille Rose Butter Tub, Cover and Stand, painted with 'The Cherry Pickers', Chinese, Qianlong period, 1736-95 (porcelain)

Palazzo Vermexio, 18th century (photo)
Palazzo Vermexio, 18th century (photo)

JFS133121: Palazzo Vermexio, 18th century (photo) / Bridgeman Images

ID: JFS133121

Palazzo Vermexio, 18th century (photo)

The Fontana del Mascherone (photo)
The Fontana del Mascherone (photo)

JFS134831: The Fontana del Mascherone (photo) / Bridgeman Images

ID: JFS134831

The Fontana del Mascherone (photo)

Detail from the Cathedral Pediment (photo)
Detail from the Cathedral Pediment (photo)

JFS133544: Detail from the Cathedral Pediment (photo) / Bridgeman Images

ID: JFS133544

Detail from the Cathedral Pediment (photo)

Rooftop Sculpture at Villa Palagonia, 18th century (photo)
Rooftop Sculpture at Villa Palagonia, 18th century (photo)

JFS133148: Rooftop Sculpture at Villa Palagonia, 18th century (photo) / Bridgeman Images

ID: JFS133148

Rooftop Sculpture at Villa Palagonia, 18th century (photo)

Christiana Torv, built in 1664 (photo)
Christiana Torv, built in 1664 (photo)

JFS134099: Christiana Torv, built in 1664 (photo) / Bridgeman Images

ID: JFS134099

Christiana Torv, built in 1664 (photo)

Detail from the facade the cathedral of Orbetello, Tuscany, Italy (photo)
Detail from the facade the cathedral of Orbetello, Tuscany, Italy (photo)

JFS134895: Detail from the facade the cathedral of Orbetello, Tuscany, Italy (photo) / Bridgeman Images

ID: JFS134895

Detail from the facade the cathedral of Orbetello, Tuscany, Italy (photo)

The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving)
The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving)

STC134675: The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving), Duplessis-Bertaux, Jean (1747-1819) (after) / Bridgeman Images

ID: STC134675

The Death of Bertrand du Guesclin (1311-80) engraved by Louis Roger, 1786 (coloured engraving)

Duplessis-Bertaux, Jean (1747-1819) (after)

Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC133102: Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC133102

Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)
Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)

PFA131160: Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas), Spohler, Jan Jacob (1811-66) (circle of) / Bridgeman Images

ID: PFA131160

Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)

Spohler, Jan Jacob (1811-66) (circle of)

Detail of the Cathedral Exterior (photo)
Detail of the Cathedral Exterior (photo)

JFS133132: Detail of the Cathedral Exterior (photo) / Bridgeman Images

ID: JFS133132

Detail of the Cathedral Exterior (photo)

Painted Ceiling from the Interior (photo)
Painted Ceiling from the Interior (photo)

JFS134544: Painted Ceiling from the Interior (photo) / Bridgeman Images

ID: JFS134544

Painted Ceiling from the Interior (photo)

LtoR: Sweetmeat Dish, Persia, 13th century; Raqua moulded Stand, Syria, 12th-13th century; Building Maquette, Persia, 12th-13th century (underglaze painted earthenware)
LtoR: Sweetmeat Dish, Persia, 13th century; Raqua moulded Stand, Syria, 12th-13th century; Building Maquette, Persia, 12th-13th century (underglaze painted earthenware)

BNM131962: LtoR: Sweetmeat Dish, Persia, 13th century; Raqua moulded Stand, Syria, 12th-13th century; Building Maquette, Persia, 12th-13th century (underglaze painted earthenware) / Bridgeman Images

ID: BNM131962

LtoR: Sweetmeat Dish, Persia, 13th century; Raqua moulded Stand, Syria, 12th-13th century; Building Maquette, Persia, 12th-13th century (underglaze painted earthenware)

The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving)
The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving)

STC134222: The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving), Freman, G (fl. 17th century) / Bridgeman Images

ID: STC134222

The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving)

Freman, G (fl. 17th century)

The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)

BAT131539: The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco), Vasari, Giorgio (1511-74) and Zuccari, Federico (1540-1609) / Bridgeman Images

ID: BAT131539

The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)

Vasari, Giorgio (1511-74) and Zuccari, Federico (1540-1609)

In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving)
In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving)

STC134214: In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving), French School, (18th century) / Bridgeman Images

ID: STC134214

In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving)

French School, (18th century)

Betty Joel Carpentry Workshops, c.1930-40 (b/w photo)
Betty Joel Carpentry Workshops, c.1930-40 (b/w photo)

STC134090: Betty Joel Carpentry Workshops, c.1930-40 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: STC134090

Betty Joel Carpentry Workshops, c.1930-40 (b/w photo)

English Photographer, (20th century)

Poster advertising 'The Waterbury' (colour lithograph)
Poster advertising 'The Waterbury' (colour lithograph)

SNG130805: Poster advertising 'The Waterbury' (colour lithograph), American School, (19th century) / Bridgeman Images

ID: SNG130805

Poster advertising 'The Waterbury' (colour lithograph)

American School, (19th century)

Sportsman with a Pheasant and other Game (oil on panel)
Sportsman with a Pheasant and other Game (oil on panel)

CH133742: Sportsman with a Pheasant and other Game (oil on panel), Kern, Hermann (1839-1912) / Bridgeman Images

ID: CH133742

Sportsman with a Pheasant and other Game (oil on panel)

Kern, Hermann (1839-1912)

Rievaulx Abbey in the Rye Valley, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins, 1843 (colour litho)
Rievaulx Abbey in the Rye Valley, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins, 1843 (colour litho)

STC130635: Rievaulx Abbey in the Rye Valley, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins, 1843 (colour litho), Richardson, William (fl.1842-77) (after) / Bridgeman Images

ID: STC130635

Rievaulx Abbey in the Rye Valley, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins, 1843 (colour litho)

Richardson, William (fl.1842-77) (after)

The Lover (w/c on paper)
The Lover (w/c on paper)

NWP132604: The Lover (w/c on paper), Fox, George (1851-fl.1889) / Bridgeman Images

ID: NWP132604

The Lover (w/c on paper)

Fox, George (1851-fl.1889)

Portrait of a Girl in a Cap, 1776 (oil on canvas)
Portrait of a Girl in a Cap, 1776 (oil on canvas)

RAF132068: Portrait of a Girl in a Cap, 1776 (oil on canvas), Hone, John Camillus (1745-1836) / Bridgeman Images

ID: RAF132068

Portrait of a Girl in a Cap, 1776 (oil on canvas)

Hone, John Camillus (1745-1836)

View of the Exterior (photo)
View of the Exterior (photo)

JFS134577: View of the Exterior (photo) / Bridgeman Images

ID: JFS134577

View of the Exterior (photo)

Palazzo with Palm Trees (photo)
Palazzo with Palm Trees (photo)

JFS134819: Palazzo with Palm Trees (photo) / Bridgeman Images

ID: JFS134819

Palazzo with Palm Trees (photo)

The Courtyard of Palazzo Beneventano, 1778-88 (photo)
The Courtyard of Palazzo Beneventano, 1778-88 (photo)

JFS133592: The Courtyard of Palazzo Beneventano, 1778-88 (photo) / Bridgeman Images

ID: JFS133592

The Courtyard of Palazzo Beneventano, 1778-88 (photo)

A Kneeling Angel from a Church Roof (photo)
A Kneeling Angel from a Church Roof (photo)

JFS134847: A Kneeling Angel from a Church Roof (photo) / Bridgeman Images

ID: JFS134847

A Kneeling Angel from a Church Roof (photo)

An Award Issued to the Guicciardini-Strozzi Family of the Fattoria di San Gimignano, from the National Federation Consortium for Viticulture, 1939 (colour litho)
An Award Issued to the Guicciardini-Strozzi Family of the Fattoria di San Gimignano, from the National Federation Consortium for Viticulture, 1939 (colour litho)

JFS134803: An Award Issued to the Guicciardini-Strozzi Family of the Fattoria di San Gimignano, from the National Federation Consortium for Viticulture, 1939 (colour litho) / Bridgeman Images

ID: JFS134803

An Award Issued to the Guicciardini-Strozzi Family of the Fattoria di San Gimignano, from the National Federation Consortium for Viticulture, 1939 (colour litho)

Incense Box and Cover (kogo) made by Shirayama Shosai (1853-1923) Japanese (lacquer) (see also 133012)
Incense Box and Cover (kogo) made by Shirayama Shosai (1853-1923) Japanese (lacquer) (see also 133012)

PFR133011: Incense Box and Cover (kogo) made by Shirayama Shosai (1853-1923) Japanese (lacquer) (see also 133012) / Bridgeman Images

ID: PFR133011

Incense Box and Cover (kogo) made by Shirayama Shosai (1853-1923) Japanese (lacquer) (see also 133012)

A Water Fountain comprising a Lion's Head and a Serpent (photo)
A Water Fountain comprising a Lion's Head and a Serpent (photo)

JFS134889: A Water Fountain comprising a Lion's Head and a Serpent (photo) / Bridgeman Images

ID: JFS134889

A Water Fountain comprising a Lion's Head and a Serpent (photo)


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