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Illustration for Le Rire (colour litho)
Illustration for Le Rire (colour litho)

LLM2796013: Illustration for Le Rire (colour litho), Faivre, Jules Abel (1867-1945) / Bridgeman Images

ID: LLM2796013

Illustration for Le Rire (colour litho)

Faivre, Jules Abel (1867-1945)

Illustration for Quality Street (colour litho)
Illustration for Quality Street (colour litho)

LLM2794572: Illustration for Quality Street (colour litho), Thomson, Hugh (1860-1920) / Bridgeman Images

ID: LLM2794572

Illustration for Quality Street (colour litho)

Thomson, Hugh (1860-1920)

Blenkinsop's Locomotive (1812) (b/w photo)
Blenkinsop's Locomotive (1812) (b/w photo)

LLM2794603: Blenkinsop's Locomotive (1812) (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM2794603

Blenkinsop's Locomotive (1812) (b/w photo)

English Photographer, (20th century)

Drum Horse of the 1st Life Guards (colour litho)
Drum Horse of the 1st Life Guards (colour litho)

LLM2794616: Drum Horse of the 1st Life Guards (colour litho), Holloway, Edgar Alfred (1870-1941) (after) / Bridgeman Images

ID: LLM2794616

Drum Horse of the 1st Life Guards (colour litho)

Holloway, Edgar Alfred (1870-1941) (after)

An Auxiliary at a Ferry on the Tyne (colour litho)
An Auxiliary at a Ferry on the Tyne (colour litho)

LLM2794627: An Auxiliary at a Ferry on the Tyne (colour litho), Forestier, Amedee (1854-1930) (after) / Bridgeman Images

ID: LLM2794627

An Auxiliary at a Ferry on the Tyne (colour litho)

Forestier, Amedee (1854-1930) (after)

A Standard-Bearer in the Field (colour litho)
A Standard-Bearer in the Field (colour litho)

LLM2794636: A Standard-Bearer in the Field (colour litho), Forestier, Amedee (1854-1930) (after) / Bridgeman Images

ID: LLM2794636

A Standard-Bearer in the Field (colour litho)

Forestier, Amedee (1854-1930) (after)

Marlborough College, Virtute Studio Ludo, By Courage, Studiousness And Recreation (colour litho)
Marlborough College, Virtute Studio Ludo, By Courage, Studiousness And Recreation (colour litho)

LLM2794665: Marlborough College, Virtute Studio Ludo, By Courage, Studiousness And Recreation (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM2794665

Marlborough College, Virtute Studio Ludo, By Courage, Studiousness And Recreation (colour litho)

English School, (20th century)

Reading School, Ars Mercede Viget, Art Flourishes By Its Recompense (colour litho)
Reading School, Ars Mercede Viget, Art Flourishes By Its Recompense (colour litho)

LLM2794674: Reading School, Ars Mercede Viget, Art Flourishes By Its Recompense (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM2794674

Reading School, Ars Mercede Viget, Art Flourishes By Its Recompense (colour litho)

English School, (20th century)

Wolverhampton School, Schol Grammat Wvlfren Hantvnens (colour litho)
Wolverhampton School, Schol Grammat Wvlfren Hantvnens (colour litho)

LLM2794694: Wolverhampton School, Schol Grammat Wvlfren Hantvnens (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM2794694

Wolverhampton School, Schol Grammat Wvlfren Hantvnens (colour litho)

English School, (20th century)

The
The

LLM2794709: The "Commissioner's Walk," Edinburgh (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794709

The "Commissioner's Walk," Edinburgh (b/w photo)

English photographer, (19th century) (after)

Burns Monument, Kay Park, Kilmarnock (b/w photo)
Burns Monument, Kay Park, Kilmarnock (b/w photo)

LLM2794728: Burns Monument, Kay Park, Kilmarnock (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794728

Burns Monument, Kay Park, Kilmarnock (b/w photo)

English photographer, (19th century) (after)

Bannockburn, from Stirling Castle (b/w photo)
Bannockburn, from Stirling Castle (b/w photo)

LLM2794742: Bannockburn, from Stirling Castle (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794742

Bannockburn, from Stirling Castle (b/w photo)

English photographer, (19th century) (after)

Iona (b/w photo)
Iona (b/w photo)

LLM2794752: Iona (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794752

Iona (b/w photo)

English photographer, (19th century) (after)

Arbroath, The Protection Wall (b/w photo)
Arbroath, The Protection Wall (b/w photo)

LLM2794762: Arbroath, The Protection Wall (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794762

Arbroath, The Protection Wall (b/w photo)

English photographer, (19th century) (after)

Inverness, from the River (b/w photo)
Inverness, from the River (b/w photo)

LLM2794767: Inverness, from the River (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794767

Inverness, from the River (b/w photo)

English photographer, (19th century) (after)

College Green, Dublin, with the Grattan Statue (b/w photo)
College Green, Dublin, with the Grattan Statue (b/w photo)

LLM2794772: College Green, Dublin, with the Grattan Statue (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794772

College Green, Dublin, with the Grattan Statue (b/w photo)

English photographer, (19th century) (after)

The Custom House, Dublin (b/w photo)
The Custom House, Dublin (b/w photo)

LLM2794776: The Custom House, Dublin (b/w photo), English photographer, (19th century) (after) / Bridgeman Images

ID: LLM2794776

The Custom House, Dublin (b/w photo)

English photographer, (19th century) (after)

Three Bishops have been here this Forenoon (colour litho)
Three Bishops have been here this Forenoon (colour litho)

LLM2794848: Three Bishops have been here this Forenoon (colour litho), Brock, Charles Edmund (1870-1938) (after) / Bridgeman Images

ID: LLM2794848

Three Bishops have been here this Forenoon (colour litho)

Brock, Charles Edmund (1870-1938) (after)

His grace, at going saluted all round, which Mother took delightedlie (colour litho)
His grace, at going saluted all round, which Mother took delightedlie (colour litho)

LLM2794866: His grace, at going saluted all round, which Mother took delightedlie (colour litho), Brock, Charles Edmund (1870-1938) (after) / Bridgeman Images

ID: LLM2794866

His grace, at going saluted all round, which Mother took delightedlie (colour litho)

Brock, Charles Edmund (1870-1938) (after)

One fine morning we set sail (colour litho)
One fine morning we set sail (colour litho)

LLM2794886: One fine morning we set sail (colour litho), Hassall, John (1868-1948) / Bridgeman Images

ID: LLM2794886

One fine morning we set sail (colour litho)

Hassall, John (1868-1948)

The last word in battleships, a super-dreadnought (colour litho)
The last word in battleships, a super-dreadnought (colour litho)

LLM2794900: The last word in battleships, a super-dreadnought (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM2794900

The last word in battleships, a super-dreadnought (colour litho)

English School, (20th century)

LLM2794919: "How comes it now, my husband," said she, "O how comes it that I have lost your love?" (litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM2794919

"How comes it now, my husband," said she, "O how comes it that I have lost your love?" (litho)

Copping, Harold (1863-1932)

LLM2794928: "Justice, Most Royal Duke!" (litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM2794928

"Justice, Most Royal Duke!" (litho)

Copping, Harold (1863-1932)

Illustration for Tam O'Shanter by Robert Burns (colour litho)
Illustration for Tam O'Shanter by Robert Burns (colour litho)

LLM2794952: Illustration for Tam O'Shanter by Robert Burns (colour litho), Cruikshank, George (1792-1878) (after) / Bridgeman Images

ID: LLM2794952

Illustration for Tam O'Shanter by Robert Burns (colour litho)

Cruikshank, George (1792-1878) (after)

Illustration for Tam O'Shanter by Robert Burns (colour litho)
Illustration for Tam O'Shanter by Robert Burns (colour litho)

LLM2794958: Illustration for Tam O'Shanter by Robert Burns (colour litho), Cruikshank, George (1792-1878) (after) / Bridgeman Images

ID: LLM2794958

Illustration for Tam O'Shanter by Robert Burns (colour litho)

Cruikshank, George (1792-1878) (after)

LLM2794984: "He took the boy upon his knee, and told him stories of the dear, brave Falcon" (colour litho), Farmer, Emily (1826-1905) / Bridgeman Images

ID: LLM2794984

"He took the boy upon his knee, and told him stories of the dear, brave Falcon" (colour litho)

Farmer, Emily (1826-1905)

LLM2794988: "The foremast broke off close to the deck" (colour litho), Austin, Henry (fl. 20th century) / Bridgeman Images

ID: LLM2794988

"The foremast broke off close to the deck" (colour litho)

Austin, Henry (fl. 20th century)

The Golden Gate, from the Garden of Gethsemane (colour litho)
The Golden Gate, from the Garden of Gethsemane (colour litho)

LLM2795013: The Golden Gate, from the Garden of Gethsemane (colour litho), Fulleylove, John (1847-1908) / Bridgeman Images

ID: LLM2795013

The Golden Gate, from the Garden of Gethsemane (colour litho)

Fulleylove, John (1847-1908)

Sunrise from the Mount of Olives (colour litho)
Sunrise from the Mount of Olives (colour litho)

LLM2795019: Sunrise from the Mount of Olives (colour litho), Fulleylove, John (1847-1908) / Bridgeman Images

ID: LLM2795019

Sunrise from the Mount of Olives (colour litho)

Fulleylove, John (1847-1908)

Interior of the Dome of the Rock (Mosque of Omar), from the South East (colour litho)
Interior of the Dome of the Rock (Mosque of Omar), from the South East (colour litho)

LLM2795040: Interior of the Dome of the Rock (Mosque of Omar), from the South East (colour litho), Fulleylove, John (1847-1908) / Bridgeman Images

ID: LLM2795040

Interior of the Dome of the Rock (Mosque of Omar), from the South East (colour litho)

Fulleylove, John (1847-1908)

The Church of the Nativity at Bethlehem, from a Garden on the opposite Hill (colour litho)
The Church of the Nativity at Bethlehem, from a Garden on the opposite Hill (colour litho)

LLM2795048: The Church of the Nativity at Bethlehem, from a Garden on the opposite Hill (colour litho), Fulleylove, John (1847-1908) / Bridgeman Images

ID: LLM2795048

The Church of the Nativity at Bethlehem, from a Garden on the opposite Hill (colour litho)

Fulleylove, John (1847-1908)

The Judean Desert and the Dead Sea, from the highest point of the Mount of Olives (colour litho)
The Judean Desert and the Dead Sea, from the highest point of the Mount of Olives (colour litho)

LLM2795059: The Judean Desert and the Dead Sea, from the highest point of the Mount of Olives (colour litho), Fulleylove, John (1847-1908) / Bridgeman Images

ID: LLM2795059

The Judean Desert and the Dead Sea, from the highest point of the Mount of Olives (colour litho)

Fulleylove, John (1847-1908)

Governor's Quarters, HM Prison, Wormwood Scrubs (b/w photo)
Governor's Quarters, HM Prison, Wormwood Scrubs (b/w photo)

LLM2795083: Governor's Quarters, HM Prison, Wormwood Scrubs (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM2795083

Governor's Quarters, HM Prison, Wormwood Scrubs (b/w photo)

English Photographer, (20th century)

Physical Training, Fencing (b/w photo)
Physical Training, Fencing (b/w photo)

LLM2795118: Physical Training, Fencing (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM2795118

Physical Training, Fencing (b/w photo)

English Photographer, (20th century)

The Donkey (colour litho)
The Donkey (colour litho)

LLM2795437: The Donkey (colour litho), French School, (19th century) / Bridgeman Images

ID: LLM2795437

The Donkey (colour litho)

French School, (19th century)

Mechanics (colour litho)
Mechanics (colour litho)

LLM2795446: Mechanics (colour litho), French School, (19th century) / Bridgeman Images

ID: LLM2795446

Mechanics (colour litho)

French School, (19th century)


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