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Memento Mori (vellum)
Memento Mori (vellum)

HKL275305: Memento Mori (vellum), German School / Bridgeman Images

ID: HKL275305

Memento Mori (vellum)

German School

Map of Candia, 1630 (engraving)
Map of Candia, 1630 (engraving)

HKL275317: Map of Candia, 1630 (engraving), Italian School, (17th century) / Bridgeman Images

ID: HKL275317

Map of Candia, 1630 (engraving)

Italian School, (17th century)

Amaryllis Carnarvonia, from 'Flora eller Pragtblomster', by J.E.C. Walter, 1835 (hand-coloured engraving)
Amaryllis Carnarvonia, from 'Flora eller Pragtblomster', by J.E.C. Walter, 1835 (hand-coloured engraving)

HKL275320: Amaryllis Carnarvonia, from 'Flora eller Pragtblomster', by J.E.C. Walter, 1835 (hand-coloured engraving), Danish School, (19th century) / Bridgeman Images

ID: HKL275320

Amaryllis Carnarvonia, from 'Flora eller Pragtblomster', by J.E.C. Walter, 1835 (hand-coloured engraving)

Danish School, (19th century)

Portrait of Jemima Countess of Sandwich, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)
Portrait of Jemima Countess of Sandwich, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

XJF275514: Portrait of Jemima Countess of Sandwich, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho), English School, (19th century) / Bridgeman Images

ID: XJF275514

Portrait of Jemima Countess of Sandwich, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

English School, (19th century)

Countess of Kildare, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)
Countess of Kildare, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

XJF275517: Countess of Kildare, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho), English School, (19th century) / Bridgeman Images

ID: XJF275517

Countess of Kildare, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

English School, (19th century)

Modern Nursing, 1795 (litho)
Modern Nursing, 1795 (litho)

XJF270076: Modern Nursing, 1795 (litho), English School, (18th century) / Bridgeman Images

ID: XJF270076

Modern Nursing, 1795 (litho)

English School, (18th century)

The Sand Pitts, Hampstead Heath (oil on panel)
The Sand Pitts, Hampstead Heath (oil on panel)

AGN270289: The Sand Pitts, Hampstead Heath (oil on panel), Linnell, John (1792-1882) / Bridgeman Images

ID: AGN270289

The Sand Pitts, Hampstead Heath (oil on panel)

Linnell, John (1792-1882)

Large Carved Lignaloes Bush Cup and Stand (eagle wood) (see also 272199)
Large Carved Lignaloes Bush Cup and Stand (eagle wood) (see also 272199)

HSC270293: Large Carved Lignaloes Bush Cup and Stand (eagle wood) (see also 272199), Chinese School, Ming Dynasty (1368-1644) / Bridgeman Images

ID: HSC270293

Large Carved Lignaloes Bush Cup and Stand (eagle wood) (see also 272199)

Chinese School, Ming Dynasty (1368-1644)

Fauns and Nymphs (oil on panel)
Fauns and Nymphs (oil on panel)

MNT270305: Fauns and Nymphs (oil on panel), Torrentius, Jan Symoonisz. (1589-1644) / Bridgeman Images

ID: MNT270305

Fauns and Nymphs (oil on panel)

Torrentius, Jan Symoonisz. (1589-1644)

Rear view of an Ushabti figure for Hor-Khebi, Late Dynastic Period, late 25th-early 26th Dynasty, c.700-600 BC (faience) (see 270353 for front)
Rear view of an Ushabti figure for Hor-Khebi, Late Dynastic Period, late 25th-early 26th Dynasty, c.700-600 BC (faience) (see 270353 for front)

HSC270353: Rear view of an Ushabti figure for Hor-Khebi, Late Dynastic Period, late 25th-early 26th Dynasty, c.700-600 BC (faience) (see 270353 for front), Egyptian / Bridgeman Images

ID: HSC270353

Rear view of an Ushabti figure for Hor-Khebi, Late Dynastic Period, late 25th-early 26th Dynasty, c.700-600 BC (faience) (see 270353 for front)

Egyptian

Rear view of a statue of Isis Fortuna, Hellenistic, 1st century BC-1st century AD (bronze) (see 270388 for front view)
Rear view of a statue of Isis Fortuna, Hellenistic, 1st century BC-1st century AD (bronze) (see 270388 for front view)

HSC270387: Rear view of a statue of Isis Fortuna, Hellenistic, 1st century BC-1st century AD (bronze) (see 270388 for front view), Greek / Bridgeman Images

ID: HSC270387

Rear view of a statue of Isis Fortuna, Hellenistic, 1st century BC-1st century AD (bronze) (see 270388 for front view)

Greek

Handle, early 5th century BC (bronze) (see also 270394)
Handle, early 5th century BC (bronze) (see also 270394)

HSC270393: Handle, early 5th century BC (bronze) (see also 270394), Etruscan, (5th century BC) / Bridgeman Images

ID: HSC270393

Handle, early 5th century BC (bronze) (see also 270394)

Etruscan, (5th century BC)

View of the West facade, begun 1386 (photo)
View of the West facade, begun 1386 (photo)

STF270416: View of the West facade, begun 1386 (photo), Italian School, (14th century) / Bridgeman Images

ID: STF270416

View of the West facade, begun 1386 (photo)

Italian School, (14th century)

Tabernacle, Campo Santo (photo)
Tabernacle, Campo Santo (photo)

STF270419: Tabernacle, Campo Santo (photo), Italian School, (14th century) / Bridgeman Images

ID: STF270419

Tabernacle, Campo Santo (photo)

Italian School, (14th century)

Russian Ambassador at the 1922 Conference of Genoa, cover illustration of 'Le Cri de Paris', 1922 (colour litho)
Russian Ambassador at the 1922 Conference of Genoa, cover illustration of 'Le Cri de Paris', 1922 (colour litho)

CHT274922: Russian Ambassador at the 1922 Conference of Genoa, cover illustration of 'Le Cri de Paris', 1922 (colour litho), George-Edward (Teddy) (b.1866) / Bridgeman Images

ID: CHT274922

Russian Ambassador at the 1922 Conference of Genoa, cover illustration of 'Le Cri de Paris', 1922 (colour litho)

George-Edward (Teddy) (b.1866)

Daguerre discovers the light sensitivity of silver iodide in 1831 (engraving) (b/w photo)
Daguerre discovers the light sensitivity of silver iodide in 1831 (engraving) (b/w photo)

CHT274937: Daguerre discovers the light sensitivity of silver iodide in 1831 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT274937

Daguerre discovers the light sensitivity of silver iodide in 1831 (engraving) (b/w photo)

French School, (19th century)

View of the Cathedral of Notre-Dame in Paris and the River Seine, c.1853 (b/w photo)
View of the Cathedral of Notre-Dame in Paris and the River Seine, c.1853 (b/w photo)

CHT274946: View of the Cathedral of Notre-Dame in Paris and the River Seine, c.1853 (b/w photo), Le Secq, Henri Jean-Louis (1818-82) / Bridgeman Images

ID: CHT274946

View of the Cathedral of Notre-Dame in Paris and the River Seine, c.1853 (b/w photo)

Le Secq, Henri Jean-Louis (1818-82)

The Entry of Napoleon into Paris on 20th March 1815 (colour litho)
The Entry of Napoleon into Paris on 20th March 1815 (colour litho)

CHT274998: The Entry of Napoleon into Paris on 20th March 1815 (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT274998

The Entry of Napoleon into Paris on 20th March 1815 (colour litho)

French School, (19th century)

Venus in the Borghese Gardens, c.1653 (etching) (b/w photo)
Venus in the Borghese Gardens, c.1653 (etching) (b/w photo)

XJF275575: Venus in the Borghese Gardens, c.1653 (etching) (b/w photo), Perrier, Francois (Bourguignon) (1590-1650) (after) / Bridgeman Images

ID: XJF275575

Venus in the Borghese Gardens, c.1653 (etching) (b/w photo)

Perrier, Francois (Bourguignon) (1590-1650) (after)

Map of Sussex, 26th March 1805 (hand coloured engraving)
Map of Sussex, 26th March 1805 (hand coloured engraving)

XCF275036: Map of Sussex, 26th March 1805 (hand coloured engraving), Cary, John (c.1754-1835) (after) / Bridgeman Images

ID: XCF275036

Map of Sussex, 26th March 1805 (hand coloured engraving)

Cary, John (c.1754-1835) (after)

Portrait of The Marquis of Vieu Ville, from 'Characters Illustrious in British History, 1815 (litho)
Portrait of The Marquis of Vieu Ville, from 'Characters Illustrious in British History, 1815 (litho)

XJF275092: Portrait of The Marquis of Vieu Ville, from 'Characters Illustrious in British History, 1815 (litho), English School, (19th century) / Bridgeman Images

ID: XJF275092

Portrait of The Marquis of Vieu Ville, from 'Characters Illustrious in British History, 1815 (litho)

English School, (19th century)

Portrait of Sir Philip Stapleton, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)
Portrait of Sir Philip Stapleton, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

XJF275095: Portrait of Sir Philip Stapleton, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho), English School, (19th century) / Bridgeman Images

ID: XJF275095

Portrait of Sir Philip Stapleton, from 'Characters Illustrious in British History', by Richard Earlom and Charles Turner, 1815 (litho)

English School, (19th century)

Monk Kneeling, from a book on pyrotechnics, 1598 (engraving)
Monk Kneeling, from a book on pyrotechnics, 1598 (engraving)

HKL275307: Monk Kneeling, from a book on pyrotechnics, 1598 (engraving), Boillot, Joseph (c.1546-1603) / Bridgeman Images

ID: HKL275307

Monk Kneeling, from a book on pyrotechnics, 1598 (engraving)

Boillot, Joseph (c.1546-1603)

Death dancing round a man in his study, from 'Bibliomanen', published 1921-23 (litho)
Death dancing round a man in his study, from 'Bibliomanen', published 1921-23 (litho)

HKL275335: Death dancing round a man in his study, from 'Bibliomanen', published 1921-23 (litho), Steiner-Prag, Hugo (1880-1945) / Bridgeman Images

ID: HKL275335

Death dancing round a man in his study, from 'Bibliomanen', published 1921-23 (litho)

Steiner-Prag, Hugo (1880-1945)

View at Lloyd's after a Stormy Night, 1824 (coloured etching)
View at Lloyd's after a Stormy Night, 1824 (coloured etching)

XCF276415: View at Lloyd's after a Stormy Night, 1824 (coloured etching), Dighton, Richard (1795-1880) (after) / Bridgeman Images

ID: XCF276415

View at Lloyd's after a Stormy Night, 1824 (coloured etching)

Dighton, Richard (1795-1880) (after)

Ruth, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)
Ruth, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)

IL281092: Ruth, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: IL281092

Ruth, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)

Copping, Harold (1863-1932)

Bavella, Corsica, c.1868 (pen & ink with wash on paper)
Bavella, Corsica, c.1868 (pen & ink with wash on paper)

XYC281147: Bavella, Corsica, c.1868 (pen & ink with wash on paper), Lear, Edward (1812-88) / Bridgeman Images

ID: XYC281147

Bavella, Corsica, c.1868 (pen & ink with wash on paper)

Lear, Edward (1812-88)

A Nymph drawing her Bow on a Youth, 1780 (oil on copper)
A Nymph drawing her Bow on a Youth, 1780 (oil on copper)

XCF276473: A Nymph drawing her Bow on a Youth, 1780 (oil on copper), Kauffman, Angelica (1741-1807) / Bridgeman Images

ID: XCF276473

A Nymph drawing her Bow on a Youth, 1780 (oil on copper)

Kauffman, Angelica (1741-1807)

The Beach at Dover (oil on panel)
The Beach at Dover (oil on panel)

UCL281339: The Beach at Dover (oil on panel), Russell, Walter Westley (1867-1949) / Bridgeman Images

ID: UCL281339

The Beach at Dover (oil on panel)

Russell, Walter Westley (1867-1949)

Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285387: Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285387

Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Death comes to the Merchant, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)
Death comes to the Merchant, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)

KWE278033: Death comes to the Merchant, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: KWE278033

Death comes to the Merchant, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)

Holbein the Younger, Hans (1497/8-1543) (after)

Hans Bol, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Hans Bol, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285402: Hans Bol, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285402

Hans Bol, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Simon Vouet, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Simon Vouet, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285426: Simon Vouet, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285426

Simon Vouet, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

English side table, 17th-18th century (wood)
English side table, 17th-18th century (wood)

MFR278281: English side table, 17th-18th century (wood), English School / Bridgeman Images

ID: MFR278281

English side table, 17th-18th century (wood)

English School

Trial plate for colours developed by Simon Feilner, 1775 (moulded porcelain, painted in enamels)
Trial plate for colours developed by Simon Feilner, 1775 (moulded porcelain, painted in enamels)

FIT278733: Trial plate for colours developed by Simon Feilner, 1775 (moulded porcelain, painted in enamels), German School, (18th century) / Bridgeman Images

ID: FIT278733

Trial plate for colours developed by Simon Feilner, 1775 (moulded porcelain, painted in enamels)

German School, (18th century)

Basin with family crest, 1420-80 (tin-glazed earthenware and copper lustre)
Basin with family crest, 1420-80 (tin-glazed earthenware and copper lustre)

FIT278755: Basin with family crest, 1420-80 (tin-glazed earthenware and copper lustre), Spanish School, (15th century) / Bridgeman Images

ID: FIT278755

Basin with family crest, 1420-80 (tin-glazed earthenware and copper lustre)

Spanish School, (15th century)


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