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The Lion turned old. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
The Lion turned old. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

GIA4781238: The Lion turned old. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images

Horoscope. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
Horoscope. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

GIA4781451: Horoscope. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images

The Monkey and the Leopard. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
The Monkey and the Leopard. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

GIA4781551: The Monkey and the Leopard. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images

Portrait of Grand Duchess Maria Alexandrovna of Russia (1853-1920), 1861-1865 (photograph)
Portrait of Grand Duchess Maria Alexandrovna of Russia (1853-1920), 1861-1865 (photograph)

FIA5411203: Portrait of Grand Duchess Maria Alexandrovna of Russia (1853-1920), 1861-1865 (photograph), Russian Photographer, (19th century) / Bridgeman Images

Leon Tolstoi (1828-1910) with his wife Sophie (1844-1919), on the first anniversary of their son's death, 1895 (photo)
Leon Tolstoi (1828-1910) with his wife Sophie (1844-1919), on the first anniversary of their son's death, 1895 (photo)

FIA5411442: Leon Tolstoi (1828-1910) with his wife Sophie (1844-1919), on the first anniversary of their son's death, 1895 (photo), Russian Photographer, (19th century) / Bridgeman Images

La fiancee du roi de Garbe - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.
La fiancee du roi de Garbe - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.

GIA4783191: La fiancee du roi de Garbe - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard., Choffard, Pierre Philippe (1730-1809) / Bridgeman Images

Richard Minulto - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.
Richard Minulto - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.

GIA4783346: Richard Minulto - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard., Choffard, Pierre Philippe (1730-1809) / Bridgeman Images

Belphegor - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.
Belphegor - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard.

GIA4783371: Belphegor - in “” Tales et nouvelles en vers”” by Jean La Fontaine. 1776. Illustration by P.P. Choffard., Choffard, Pierre Philippe (1730-1809) / Bridgeman Images

Portrait of Giacomo Meyerbeer (1791-1864), German composer. Drawing by Albert Rosenthal, 1888.
Portrait of Giacomo Meyerbeer (1791-1864), German composer. Drawing by Albert Rosenthal, 1888.

GIA4789691: Portrait of Giacomo Meyerbeer (1791-1864), German composer. Drawing by Albert Rosenthal, 1888., Rosenthal, Albert (1863-1939) / Bridgeman Images

France, Ile-de-France, Paris (75): Dunlop tyre tests on a horse cart in the yard of a barracks, 1935
France, Ile-de-France, Paris (75): Dunlop tyre tests on a horse cart in the yard of a barracks, 1935

LUX4790295: France, Ile-de-France, Paris (75): Dunlop tyre tests on a horse cart in the yard of a barracks, 1935, Unknown photographer, (20th century) / Bridgeman Images

Provisions of flowers: in “” Flora Françoise, or a brief description of all the plants that grow naturally in France, arranged according to a new method of analysis to which we attach the quotation of their less equivocal virtues in medicine and their usefulness in the arts”” by Jean-Baptiste (Jean Baptiste) Lamarck (1744-1829) edition of the 19 th century colorizes.
Provisions of flowers: in “” Flora Françoise, or a brief description of all the plants that grow naturally in France, arranged according to a new method of analysis to which we attach the quotation of their less equivocal virtues in medicine and their usefulness in the arts”” by Jean-Baptiste (Jean Baptiste) Lamarck (1744-1829) edition of the 19 th century colorizes.

GIA4790430: Provisions of flowers: in “” Flora Françoise, or a brief description of all the plants that grow naturally in France, arranged according to a new method of analysis to which we attach the quotation of their less equivocal virtues in medicine and their usefulness in the arts”” by Jean-Baptiste (Jean Baptiste) Lamarck (1744-1829) edition of the 19 th century colorizes., Unknown Artist, (19th century) / Bridgeman Images

Rudolf Virchow (Virchov) (1821-1902), German doctor and politician.
Rudolf Virchow (Virchov) (1821-1902), German doctor and politician.

GIA4791056: Rudolf Virchow (Virchov) (1821-1902), German doctor and politician., Unknown Artist, (19th century) / Bridgeman Images

The sea eveque, imaginary fish and marine monster by Ulisse Aldrovandi (1522-1605), “Monstrorum Historiae””, Bologna 1642
The sea eveque, imaginary fish and marine monster by Ulisse Aldrovandi (1522-1605), “Monstrorum Historiae””, Bologna 1642

GIA4791406: The sea eveque, imaginary fish and marine monster by Ulisse Aldrovandi (1522-1605), “Monstrorum Historiae””, Bologna 1642, Aldrovandi, Ulisse (1522-1605) / Bridgeman Images

Representation of a dragon from India. Xilography taken from Sebastien Munster's Universal Cosmography. Bale, 1558.
Representation of a dragon from India. Xilography taken from Sebastien Munster's Universal Cosmography. Bale, 1558.

GIA4791854: Representation of a dragon from India. Xilography taken from Sebastien Munster's Universal Cosmography. Bale, 1558., German School, (16th century) / Bridgeman Images

Different types of human monsters: a man with the head of a duck, a man with the body of a lion and another with palm hands. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: a man with the head of a duck, a man with the body of a lion and another with palm hands. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792060: Different types of human monsters: a man with the head of a duck, a man with the body of a lion and another with palm hands. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

representation of a marine monster near the Tristan da Cunha archipelago. Detail of the Atlas of Urbano Monte, 16th century
representation of a marine monster near the Tristan da Cunha archipelago. Detail of the Atlas of Urbano Monte, 16th century

GIA4792121: representation of a marine monster near the Tristan da Cunha archipelago. Detail of the Atlas of Urbano Monte, 16th century, Italian School, (16th century) / Bridgeman Images

Eneide de Virgil (70 BC-19 BC), the Trojan heros Enee and his companions cross a sea full of siren. Xylography by Sebastian Brant (1458-1521). Strasbourg, 1502
Eneide de Virgil (70 BC-19 BC), the Trojan heros Enee and his companions cross a sea full of siren. Xylography by Sebastian Brant (1458-1521). Strasbourg, 1502

GIA4792326: Eneide de Virgil (70 BC-19 BC), the Trojan heros Enee and his companions cross a sea full of siren. Xylography by Sebastian Brant (1458-1521). Strasbourg, 1502, German School, (16th century) / Bridgeman Images

Fascist Italy: Duce Benito Mussolini during the laying of the foundation stone of the Luce Film Institute. Rome 10/11/1937
Fascist Italy: Duce Benito Mussolini during the laying of the foundation stone of the Luce Film Institute. Rome 10/11/1937

GIA4792389: Fascist Italy: Duce Benito Mussolini during the laying of the foundation stone of the Luce Film Institute. Rome 10/11/1937, Italian Photographer, (20th century) / Bridgeman Images

The acquaiolo: the water carrier in Sicily, he went from house to house to distribute water to the inhabitants. Engraving of the 19th century
The acquaiolo: the water carrier in Sicily, he went from house to house to distribute water to the inhabitants. Engraving of the 19th century

GIA4792434: The acquaiolo: the water carrier in Sicily, he went from house to house to distribute water to the inhabitants. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

A peasant from the Camastra region in Sicily.
A peasant from the Camastra region in Sicily.

GIA4792482: A peasant from the Camastra region in Sicily., Unknown Artist, (19th century) / Bridgeman Images

Two young women of the people, inhabiting Palermo. Sicily engraving of the 19th century
Two young women of the people, inhabiting Palermo. Sicily engraving of the 19th century

GIA4792613: Two young women of the people, inhabiting Palermo. Sicily engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Advertising for Pink pills: miracle pills for pale and weakened people. They regenerate blood and tone the nerves. 1904 approx.
Advertising for Pink pills: miracle pills for pale and weakened people. They regenerate blood and tone the nerves. 1904 approx.

GIA4792921: Advertising for Pink pills: miracle pills for pale and weakened people. They regenerate blood and tone the nerves. 1904 approx., French School, (20th century) / Bridgeman Images

Representation of a scene of the piece “” Prologue d'Amphitryon”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” Prologue d'Amphitryon”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793334: Representation of a scene of the piece “” Prologue d'Amphitryon”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Santa Pelagia, frontispiece of the score of the oratorio by Alessandro Stradella (1644 - 1682) Italian composer. Modena 1688.
Santa Pelagia, frontispiece of the score of the oratorio by Alessandro Stradella (1644 - 1682) Italian composer. Modena 1688.

GIA4793406: Santa Pelagia, frontispiece of the score of the oratorio by Alessandro Stradella (1644 - 1682) Italian composer. Modena 1688., Italian School, (17th century) / Bridgeman Images

Scene 8 of Act II of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 8 of Act II of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793599: Scene 8 of Act II of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

The cook and her admirer in the kitchen, cleaning a goose  illustration for Paris, Soyons, France, Europe, 19th century
The cook and her admirer in the kitchen, cleaning a goose  illustration for Paris, Soyons, France, Europe, 19th century

LZT5490508: The cook and her admirer in the kitchen, cleaning a goose illustration for Paris, Soyons, France, Europe, 19th century, Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

Types Algerians Girl Ouled Nails, Neurdein brothers 1860 1890 ©LisztCollection/Leemage
Types Algerians Girl Ouled Nails, Neurdein brothers 1860 1890 ©LisztCollection/Leemage

LZT5490576: Types Algerians Girl Ouled Nails, Neurdein brothers 1860 1890 ©LisztCollection/Leemage , Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Biskra, Hotel de Ville, Algiers, Neurdein brothers 1860 1890 ©LisztCollection/Leemage
Biskra, Hotel de Ville, Algiers, Neurdein brothers 1860 1890 ©LisztCollection/Leemage

LZT5491120: Biskra, Hotel de Ville, Algiers, Neurdein brothers 1860 1890 ©LisztCollection/Leemage , Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Algiers Court Moorish Palace Archbishop, Neurdein brothers 1860 1890 ©LisztCollection/Leemage
Algiers Court Moorish Palace Archbishop, Neurdein brothers 1860 1890 ©LisztCollection/Leemage

LZT5491169: Algiers Court Moorish Palace Archbishop, Neurdein brothers 1860 1890 ©LisztCollection/Leemage , Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Honore Daumier (French, 1808-1879), Comte J.-Jerome Simeon, 1835, lithograph
Honore Daumier (French, 1808-1879), Comte J.-Jerome Simeon, 1835, lithograph

LZT5492598: Honore Daumier (French, 1808-1879), Comte J.-Jerome Simeon, 1835, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Musique pyrothecnique, Charivarique et Diabolique, 1838, lithograph on newsprint
Honore Daumier (French, 1808-1879), Musique pyrothecnique, Charivarique et Diabolique, 1838, lithograph on newsprint

LZT5492635: Honore Daumier (French, 1808-1879), Musique pyrothecnique, Charivarique et Diabolique, 1838, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), La Visite electorale, 1843, lithograph on newsprint
Honore Daumier (French, 1808-1879), La Visite electorale, 1843, lithograph on newsprint

LZT5492831: Honore Daumier (French, 1808-1879), La Visite electorale, 1843, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), L'Escompte d'un billet, 1844, lithograph
Honore Daumier (French, 1808-1879), L'Escompte d'un billet, 1844, lithograph

LZT5492890: Honore Daumier (French, 1808-1879), L'Escompte d'un billet, 1844, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), A la porte Saint-Martin, 1846, lithograph on newsprint
Honore Daumier (French, 1808-1879), A la porte Saint-Martin, 1846, lithograph on newsprint

LZT5492973: Honore Daumier (French, 1808-1879), A la porte Saint-Martin, 1846, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Au Cafe d'Aguesseau, 1846, lithograph
Honore Daumier (French, 1808-1879), Au Cafe d'Aguesseau, 1846, lithograph

LZT5493027: Honore Daumier (French, 1808-1879), Au Cafe d'Aguesseau, 1846, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Quand le crime ne donne pas, 1848, lithograph
Honore Daumier (French, 1808-1879), Quand le crime ne donne pas, 1848, lithograph

LZT5493058: Honore Daumier (French, 1808-1879), Quand le crime ne donne pas, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images


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