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Exit of Turkish Ambassador Mehmet Effendi from the Sublime Porte after the audience granted by King Louis XV on 21/03/1721 (oil on canvas)
Exit of Turkish Ambassador Mehmet Effendi from the Sublime Porte after the audience granted by King Louis XV on 21/03/1721 (oil on canvas)

JLJ4659150: Exit of Turkish Ambassador Mehmet Effendi from the Sublime Porte after the audience granted by King Louis XV on 21/03/1721 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images

ID: JLJ4659150

Exit of Turkish Ambassador Mehmet Effendi from the Sublime Porte after the audience granted by King Louis XV on 21/03/1721 (oil on canvas)

Martin, Pierre-Denis (1663-1742)

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.
The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

TEC4659556: The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993., Garnier, Tony (1869-1948) / Bridgeman Images

ID: TEC4659556

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

Garnier, Tony (1869-1948)

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.
The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

TEC4659588: The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993., Garnier, Tony (1869-1948) / Bridgeman Images

ID: TEC4659588

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

Garnier, Tony (1869-1948)

Greek Art: “” Athena of the Piree””” Bronze sculpture. 350 BC. Athenes National Archaeological Museum
Greek Art: “” Athena of the Piree””” Bronze sculpture. 350 BC. Athenes National Archaeological Museum

LRI4659731: Greek Art: “” Athena of the Piree””” Bronze sculpture. 350 BC. Athenes National Archaeological Museum, Greek school, (4th century BC) / Bridgeman Images

ID: LRI4659731

Greek Art: “” Athena of the Piree””” Bronze sculpture. 350 BC. Athenes National Archaeological Museum

Greek school, (4th century BC)

Angel has the rope and purse instruments of the Passion of Christ, detail, 17th century (oil on canvas)
Angel has the rope and purse instruments of the Passion of Christ, detail, 17th century (oil on canvas)

JLJ4659764: Angel has the rope and purse instruments of the Passion of Christ, detail, 17th century (oil on canvas), Vouet, Simon (1590-1649) / Bridgeman Images

ID: JLJ4659764

Angel has the rope and purse instruments of the Passion of Christ, detail, 17th century (oil on canvas)

Vouet, Simon (1590-1649)

City Sergeant Uniform of member of the police forces under the Monarchy of July (1830-1848) 19th century (engraving)
City Sergeant Uniform of member of the police forces under the Monarchy of July (1830-1848) 19th century (engraving)

JLJ4659916: City Sergeant Uniform of member of the police forces under the Monarchy of July (1830-1848) 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4659916

City Sergeant Uniform of member of the police forces under the Monarchy of July (1830-1848) 19th century (engraving)

French School, (19th century)

The Dubourg family Mr and Mrs Dubourg and their daughters: Victoria, wife of the artist, and Charlotte represented in mourning, 1878 (oil on canvas)
The Dubourg family Mr and Mrs Dubourg and their daughters: Victoria, wife of the artist, and Charlotte represented in mourning, 1878 (oil on canvas)

JLJ4659957: The Dubourg family Mr and Mrs Dubourg and their daughters: Victoria, wife of the artist, and Charlotte represented in mourning, 1878 (oil on canvas), Fantin-Latour, Henri (1836-1904) / Bridgeman Images

ID: JLJ4659957

The Dubourg family Mr and Mrs Dubourg and their daughters: Victoria, wife of the artist, and Charlotte represented in mourning, 1878 (oil on canvas)

Fantin-Latour, Henri (1836-1904)

Villa Poiret in Mezy sur Seine (Les Yvelines). Construction 1924, architect Rob Stevens Mallet (1886-1945). Built for designer Paul Poiret.Photography 2000.
Villa Poiret in Mezy sur Seine (Les Yvelines). Construction 1924, architect Rob Stevens Mallet (1886-1945). Built for designer Paul Poiret.Photography 2000.

TEC4660213: Villa Poiret in Mezy sur Seine (Les Yvelines). Construction 1924, architect Rob Stevens Mallet (1886-1945). Built for designer Paul Poiret.Photography 2000., Mallet-Stevens, Robert (1886-1945) / Bridgeman Images

ID: TEC4660213

Villa Poiret in Mezy sur Seine (Les Yvelines). Construction 1924, architect Rob Stevens Mallet (1886-1945). Built for designer Paul Poiret.Photography 2000.

Mallet-Stevens, Robert (1886-1945)

Players in a Cabaret, 19th century (oil on canvas)
Players in a Cabaret, 19th century (oil on canvas)

JLJ4660224: Players in a Cabaret, 19th century (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: JLJ4660224

Players in a Cabaret, 19th century (oil on canvas)

Boilly, Louis Leopold (1761-1845)

Fantastic bird. Drawing comes from a Chinese vase, 1735 (drawing)
Fantastic bird. Drawing comes from a Chinese vase, 1735 (drawing)

JLJ4660390: Fantastic bird. Drawing comes from a Chinese vase, 1735 (drawing), Fraisse, Jean Antoine (fl.1733-40) / Bridgeman Images

ID: JLJ4660390

Fantastic bird. Drawing comes from a Chinese vase, 1735 (drawing)

Fraisse, Jean Antoine (fl.1733-40)

Roman Art: marble column base with low relief representing a sacrifice scene. 40-30 BC. Civita Castellana, Cathedrale
Roman Art: marble column base with low relief representing a sacrifice scene. 40-30 BC. Civita Castellana, Cathedrale

LRI4660428: Roman Art: marble column base with low relief representing a sacrifice scene. 40-30 BC. Civita Castellana, Cathedrale, Roman, (1st century BC) / Bridgeman Images

ID: LRI4660428

Roman Art: marble column base with low relief representing a sacrifice scene. 40-30 BC. Civita Castellana, Cathedrale

Roman, (1st century BC)

View of Porte Neuve and Galerie du Louvre around 1640 Entrée du Louvre on the banks of the Seine, 1640 (oil on canvas)
View of Porte Neuve and Galerie du Louvre around 1640 Entrée du Louvre on the banks of the Seine, 1640 (oil on canvas)

JLJ4649549: View of Porte Neuve and Galerie du Louvre around 1640 Entrée du Louvre on the banks of the Seine, 1640 (oil on canvas), Verwer, Abraham de (b.c.1585-1650) / Bridgeman Images

ID: JLJ4649549

View of Porte Neuve and Galerie du Louvre around 1640 Entrée du Louvre on the banks of the Seine, 1640 (oil on canvas)

Verwer, Abraham de (b.c.1585-1650)

Saw from the Polada bog, Lonato. Bronze Age. (wood and stone)
Saw from the Polada bog, Lonato. Bronze Age. (wood and stone)

LRI4649588: Saw from the Polada bog, Lonato. Bronze Age. (wood and stone), Prehistoric / Bridgeman Images

ID: LRI4649588

Saw from the Polada bog, Lonato. Bronze Age. (wood and stone)

Prehistoric

Pierced shell used as a whistle, from the Cavern of the White sands (Arene Candide). Middle Neolithic, Stone Age.
Pierced shell used as a whistle, from the Cavern of the White sands (Arene Candide). Middle Neolithic, Stone Age.

LRI4649699: Pierced shell used as a whistle, from the Cavern of the White sands (Arene Candide). Middle Neolithic, Stone Age., Prehistoric / Bridgeman Images

ID: LRI4649699

Pierced shell used as a whistle, from the Cavern of the White sands (Arene Candide). Middle Neolithic, Stone Age.

Prehistoric

Portrait of Anne Geyssans de Clermont-Chatte (Clermont Chatte), Abbess of Chelles (d. 1789) (oil on canvas)
Portrait of Anne Geyssans de Clermont-Chatte (Clermont Chatte), Abbess of Chelles (d. 1789) (oil on canvas)

JLJ4649735: Portrait of Anne Geyssans de Clermont-Chatte (Clermont Chatte), Abbess of Chelles (d. 1789) (oil on canvas), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

ID: JLJ4649735

Portrait of Anne Geyssans de Clermont-Chatte (Clermont Chatte), Abbess of Chelles (d. 1789) (oil on canvas)

Nattier, Jean-Marc (1685-1766)

Procession of the States General to Versailles, Anonymous, 1789 (engraving)
Procession of the States General to Versailles, Anonymous, 1789 (engraving)

JLJ4649760: Procession of the States General to Versailles, Anonymous, 1789 (engraving), French School, (18th century) / Bridgeman Images

ID: JLJ4649760

Procession of the States General to Versailles, Anonymous, 1789 (engraving)

French School, (18th century)

The palmarium of the garden of plants in Nantes (Loire Atlantique).
The palmarium of the garden of plants in Nantes (Loire Atlantique).

LBY4649799: The palmarium of the garden of plants in Nantes (Loire Atlantique)., Boegly, Luc / Bridgeman Images

ID: LBY4649799

The palmarium of the garden of plants in Nantes (Loire Atlantique).

Boegly, Luc

Ruins of the central tower. 20th century BC (photography)
Ruins of the central tower. 20th century BC (photography)

LRI4650107: Ruins of the central tower. 20th century BC (photography), Nuragic Civilization, Sardinia (1800-1200 BC) / Bridgeman Images

ID: LRI4650107

Ruins of the central tower. 20th century BC (photography)

Nuragic Civilization, Sardinia (1800-1200 BC)

The departure of the Bucentaur to the Venice's Lido for the Ascension Day ceremony (oil on canvas, 1766-1770)
The departure of the Bucentaur to the Venice's Lido for the Ascension Day ceremony (oil on canvas, 1766-1770)

LRI4650191: The departure of the Bucentaur to the Venice's Lido for the Ascension Day ceremony (oil on canvas, 1766-1770), Guardi, Francesco (1712-93) / Bridgeman Images

ID: LRI4650191

The departure of the Bucentaur to the Venice's Lido for the Ascension Day ceremony (oil on canvas, 1766-1770)

Guardi, Francesco (1712-93)

La Cite des Popes, in Avignon (Vaucluse). In 1309, under Pope Clement V (ex archeveque of Bordeaux), Avignon became the residence of the popes, already possessing the countat Venaissin. In total, nine popes, including two schismatics, will succeed in the Popes' Palace and enrich it throughout the pontificates. Both fortress and palace, the papal residence was built between 1334 and 1363. For nearly a century it will be the seat of the Christian of the West. Seven popes and two anti popes succeeded.
La Cite des Popes, in Avignon (Vaucluse). In 1309, under Pope Clement V (ex archeveque of Bordeaux), Avignon became the residence of the popes, already possessing the countat Venaissin. In total, nine popes, including two schismatics, will succeed in the Popes' Palace and enrich it throughout the pontificates. Both fortress and palace, the papal residence was built between 1334 and 1363. For nearly a century it will be the seat of the Christian of the West. Seven popes and two anti popes succeeded.

LBY4650501: La Cite des Popes, in Avignon (Vaucluse). In 1309, under Pope Clement V (ex archeveque of Bordeaux), Avignon became the residence of the popes, already possessing the countat Venaissin. In total, nine popes, including two schismatics, will succeed in the Popes' Palace and enrich it throughout the pontificates. Both fortress and palace, the papal residence was built between 1334 and 1363. For nearly a century it will be the seat of the Christian of the West. Seven popes and two anti popes succeeded., Boegly, Luc / Bridgeman Images

ID: LBY4650501

La Cite des Popes, in Avignon (Vaucluse). In 1309, under Pope Clement V (ex archeveque of Bordeaux), Avignon became the residence of the popes, already possessing the countat Venaissin. In total, nine popes, including two schismatics, will succeed in the Popes' Palace and enrich it throughout the pontificates. Both fortress and palace, the papal residence was built between 1334 and 1363. For nearly a century it will be the seat of the Christian of the West. Seven popes and two anti popes succeeded.

Boegly, Luc

View of the flour market in Vienna, 1760 (painting)
View of the flour market in Vienna, 1760 (painting)

LRI4651047: View of the flour market in Vienna, 1760 (painting), Bellotto, Bernardo (1720-80) / Bridgeman Images

ID: LRI4651047

View of the flour market in Vienna, 1760 (painting)

Bellotto, Bernardo (1720-80)

Dentellieres in Asnieres (oil on canvas)
Dentellieres in Asnieres (oil on canvas)

JLJ4651132: Dentellieres in Asnieres (oil on canvas), Soyer, Paul (1823-1903) / Bridgeman Images

ID: JLJ4651132

Dentellieres in Asnieres (oil on canvas)

Soyer, Paul (1823-1903)

Reading of the Gazette
Reading of the Gazette

JLJ4651388: Reading of the Gazette": old man sleeped in a cafe reading the newspaper "The Gazette" in 1824 (litho), Bellange, Joseph-Louis-Hippolyte (1800-1866) / Bridgeman Images

ID: JLJ4651388

Reading of the Gazette": old man sleeped in a cafe reading the newspaper "The Gazette" in 1824 (litho)

Bellange, Joseph-Louis-Hippolyte (1800-1866)

Portrait of Paul Barras (1755-1829), member of the Executive Board, 19th century (engraving)
Portrait of Paul Barras (1755-1829), member of the Executive Board, 19th century (engraving)

JLJ4651411: Portrait of Paul Barras (1755-1829), member of the Executive Board, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: JLJ4651411

Portrait of Paul Barras (1755-1829), member of the Executive Board, 19th century (engraving)

Unknown Artist, (19th century)

The residence Les Bas Coudrais (1957) in Sceaux (Hauts de Seine).
The residence Les Bas Coudrais (1957) in Sceaux (Hauts de Seine).

LBY4651796: The residence Les Bas Coudrais (1957) in Sceaux (Hauts de Seine)., Boegly, Luc / Bridgeman Images

ID: LBY4651796

The residence Les Bas Coudrais (1957) in Sceaux (Hauts de Seine).

Boegly, Luc

The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.
The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.

LBY4651801: The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005., Boegly, Luc / Bridgeman Images

ID: LBY4651801

The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.

Boegly, Luc

The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.
The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.

LBY4651820: The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005., Boegly, Luc / Bridgeman Images

ID: LBY4651820

The residence Les Bas Coudrais in Sceaux (Hauts de Seine). Construction 1957. Photography 2005.

Boegly, Luc

Shopping centre in Sceaux (Hauts de Seine).
Shopping centre in Sceaux (Hauts de Seine).

LBY4651834: Shopping centre in Sceaux (Hauts de Seine)., Boegly, Luc / Bridgeman Images

ID: LBY4651834

Shopping centre in Sceaux (Hauts de Seine).

Boegly, Luc

Humanity trait of Louis XVI: winter 1784 the king gives the almone to the inhabitants of Versailles, 1784 (oil on canvas)
Humanity trait of Louis XVI: winter 1784 the king gives the almone to the inhabitants of Versailles, 1784 (oil on canvas)

JLJ4651872: Humanity trait of Louis XVI: winter 1784 the king gives the almone to the inhabitants of Versailles, 1784 (oil on canvas), Debucourt, Philibert Louis (1755-1832) / Bridgeman Images

ID: JLJ4651872

Humanity trait of Louis XVI: winter 1784 the king gives the almone to the inhabitants of Versailles, 1784 (oil on canvas)

Debucourt, Philibert Louis (1755-1832)

Study, 18th century (oil on canvas)
Study, 18th century (oil on canvas)

LRI4651898: Study, 18th century (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: LRI4651898

Study, 18th century (oil on canvas)

Fragonard, Jean-Honore (1732-1806)

Representation of Chakravartin, king with wheel symbolizing universal monarch. Amaravati School sculpture (stone)
Representation of Chakravartin, king with wheel symbolizing universal monarch. Amaravati School sculpture (stone)

JLJ4652541: Representation of Chakravartin, king with wheel symbolizing universal monarch. Amaravati School sculpture (stone), Indian School / Bridgeman Images

ID: JLJ4652541

Representation of Chakravartin, king with wheel symbolizing universal monarch. Amaravati School sculpture (stone)

Indian School

French geographic map showing air telegraphic lines. The beginning, 19th century (impression)
French geographic map showing air telegraphic lines. The beginning, 19th century (impression)

JLJ4652558: French geographic map showing air telegraphic lines. The beginning, 19th century (impression), Unknown Artist, (19th century) / Bridgeman Images

ID: JLJ4652558

French geographic map showing air telegraphic lines. The beginning, 19th century (impression)

Unknown Artist, (19th century)

Tepidarium. Women reunited in the part of the warm baths under ancient Rome, 1853 (oil on canvas)
Tepidarium. Women reunited in the part of the warm baths under ancient Rome, 1853 (oil on canvas)

JLJ4652664: Tepidarium. Women reunited in the part of the warm baths under ancient Rome, 1853 (oil on canvas), Chasseriau, Theodore (1819-56) / Bridgeman Images

ID: JLJ4652664

Tepidarium. Women reunited in the part of the warm baths under ancient Rome, 1853 (oil on canvas)

Chasseriau, Theodore (1819-56)

Attic dinos with black ceramic figures representing an aurige. Attributes to the Painter of Gorgona (6th century BC) (ceramic)
Attic dinos with black ceramic figures representing an aurige. Attributes to the Painter of Gorgona (6th century BC) (ceramic)

JLJ4652682: Attic dinos with black ceramic figures representing an aurige. Attributes to the Painter of Gorgona (6th century BC) (ceramic), Greek school, (6th century BC) / Bridgeman Images

ID: JLJ4652682

Attic dinos with black ceramic figures representing an aurige. Attributes to the Painter of Gorgona (6th century BC) (ceramic)

Greek school, (6th century BC)

Greek Art:
Greek Art:

JLJ4652770: Greek Art: "The Aurige of Delphi or Heniokhos" It represents a tank driver, Around 478-467 BC (bronze), Greek school, (5th century BC) / Bridgeman Images

ID: JLJ4652770

Greek Art: "The Aurige of Delphi or Heniokhos" It represents a tank driver, Around 478-467 BC (bronze)

Greek school, (5th century BC)

Greek antiquite: four columns of the temple of Apollo 370 BC. Delphi, Greece (photo)
Greek antiquite: four columns of the temple of Apollo 370 BC. Delphi, Greece (photo)

JLJ4652788: Greek antiquite: four columns of the temple of Apollo 370 BC. Delphi, Greece (photo), Greek school, (4th century BC) / Bridgeman Images

ID: JLJ4652788

Greek antiquite: four columns of the temple of Apollo 370 BC. Delphi, Greece (photo)

Greek school, (4th century BC)


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