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A Map Showing the Passage of the Shadow of the Moon Over England on 22 April 1715, engraved by John Senex, 1715 (engraving) (b/w photo)
A Map Showing the Passage of the Shadow of the Moon Over England on 22 April 1715, engraved by John Senex, 1715 (engraving) (b/w photo)

XJF133397: A Map Showing the Passage of the Shadow of the Moon Over England on 22 April 1715, engraved by John Senex, 1715 (engraving) (b/w photo), English School, (18th century) / Bridgeman Images

Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho)
Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho)

STC133480: Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho), Brunelleschi, Umberto (1879-1949) (after) / Bridgeman Images

The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

STC133525: The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Stephanoff, James (1788-1874) (after) / Bridgeman Images

King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

STC133533: King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Wild, Charles (1781-1835) (after) / Bridgeman Images

Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho)
Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho)

STC133603: Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

Ida Lvovna Rubinstein (c.1885-1960) in The Martyr of St. Sebastian, c.1911-22 (colour litho)
Ida Lvovna Rubinstein (c.1885-1960) in The Martyr of St. Sebastian, c.1911-22 (colour litho)

STC133608: Ida Lvovna Rubinstein (c.1885-1960) in The Martyr of St. Sebastian, c.1911-22 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

Pretty Sisters, 1899 (pencil and w/c on paper)
Pretty Sisters, 1899 (pencil and w/c on paper)

FLF133752: Pretty Sisters, 1899 (pencil and w/c on paper), Smith, Carlton Alfred (1853-1946) / Bridgeman Images

Home Coming - After a Long  Absence, 1998 (w/c on paper)
Home Coming - After a Long  Absence, 1998 (w/c on paper)

SPA133817: Home Coming - After a Long Absence, 1998 (w/c on paper), Panchal, Shanti / Bridgeman Images

Map No.5 Showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)
Map No.5 Showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

XJF133935: Map No.5 Showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo), Adams, Robert (1540-95) (after) / Bridgeman Images

Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)
Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

XJF133936: Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo), Adams, Robert (1540-95) (after) / Bridgeman Images

Be Mine Only Mine, Valentine card, c.1830 (colour litho on paper)
Be Mine Only Mine, Valentine card, c.1830 (colour litho on paper)

REV133955: Be Mine Only Mine, Valentine card, c.1830 (colour litho on paper), English School, (19th century) / Bridgeman Images

Valentine card depicting flowers, c.1840 (colour litho on paper)
Valentine card depicting flowers, c.1840 (colour litho on paper)

REV133957: Valentine card depicting flowers, c.1840 (colour litho on paper), English School, (19th century) / Bridgeman Images

Friendship, Valentine card, c.1870 (colour litho on paper)
Friendship, Valentine card, c.1870 (colour litho on paper)

REV133958: Friendship, Valentine card, c.1870 (colour litho on paper), English School, (19th century) / Bridgeman Images

Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, 1731 (engraving)
Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, 1731 (engraving)

STC133990: Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

KWE134076: Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images

Westminster from Waterloo Bridge, incorporating the Shot Tower, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 14208)
Westminster from Waterloo Bridge, incorporating the Shot Tower, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 14208)

STC134085: Westminster from Waterloo Bridge, incorporating the Shot Tower, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 14208), Boys, Thomas Shotter (1803-74) / Bridgeman Images

Prometheus Tortured by A vulture, 1731 (engraving)
Prometheus Tortured by A vulture, 1731 (engraving)

STC134100: Prometheus Tortured by A vulture, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Memnon's Statue, 1731 (engraving)
Memnon's Statue, 1731 (engraving)

STC134116: Memnon's Statue, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving)
Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving)

STC134135: Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Meleager Presents the Boar's Head to Atalanta, 1731 (engraving)
Meleager Presents the Boar's Head to Atalanta, 1731 (engraving)

STC134138: Meleager Presents the Boar's Head to Atalanta, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Map of Great Britain, France and Spain, 1473 (engraving)
Map of Great Britain, France and Spain, 1473 (engraving)

XJF134226: Map of Great Britain, France and Spain, 1473 (engraving), Benincasa, Grazioso (fl.1468) / Bridgeman Images

Fishing Near Godalming, 1858 (oil on board)
Fishing Near Godalming, 1858 (oil on board)

PFA134421: Fishing Near Godalming, 1858 (oil on board), Niemann, Edmund John (1813-76) / Bridgeman Images

Portrait of Kate Dickens, wife of the artist (oil on canvas)
Portrait of Kate Dickens, wife of the artist (oil on canvas)

MAA134444: Portrait of Kate Dickens, wife of the artist (oil on canvas), Perugini, Charles Edward (1839-1918) / Bridgeman Images

The Temple of Venus and Rome, Rome, 1840 (oil on paper laid on cardboard)
The Temple of Venus and Rome, Rome, 1840 (oil on paper laid on cardboard)

XYC134473: The Temple of Venus and Rome, Rome, 1840 (oil on paper laid on cardboard), Lear, Edward (1812-88) / Bridgeman Images

William Augustus, Duke of Cumberland (1721-65), 1732 (oil on canvas)
William Augustus, Duke of Cumberland (1721-65), 1732 (oil on canvas)

XYC134475: William Augustus, Duke of Cumberland (1721-65), 1732 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)
Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)

STC134518: Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho), Clark, John Heaviside (1770-1863) (after) / Bridgeman Images

Portrait of James Brydges, first Duke of Chandos (1673-1744), engraved by Burnet Reading (fl. 1776-1822) (engraving) (b/w photo)
Portrait of James Brydges, first Duke of Chandos (1673-1744), engraved by Burnet Reading (fl. 1776-1822) (engraving) (b/w photo)

XJF134619: Portrait of James Brydges, first Duke of Chandos (1673-1744), engraved by Burnet Reading (fl. 1776-1822) (engraving) (b/w photo), Dahl, Michael (1656-1743) (after) / Bridgeman Images

Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving) (b/w photo)
Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving) (b/w photo)

XJF134637: Portrait of John Talbot, first Earl of Shrewsbury (c.1388-1453) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)
Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)

STC134643: Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

Marguerite d'Anjou (1429-82) engraved by Ride, 1787 (coloured engraving)
Marguerite d'Anjou (1429-82) engraved by Ride, 1787 (coloured engraving)

STC134645: Marguerite d'Anjou (1429-82) engraved by Ride, 1787 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)
Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)

STC134652: Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

Miss Glyn as Isabella and Mr Hoskins as Lucio, Act I Scene 4, in Measure for Measure, by William Shakespeare (1564-1616) from a daguerreotype by Paine of Islington (engraving)
Miss Glyn as Isabella and Mr Hoskins as Lucio, Act I Scene 4, in Measure for Measure, by William Shakespeare (1564-1616) from a daguerreotype by Paine of Islington (engraving)

STC134771: Miss Glyn as Isabella and Mr Hoskins as Lucio, Act I Scene 4, in Measure for Measure, by William Shakespeare (1564-1616) from a daguerreotype by Paine of Islington (engraving), English School, (19th century) / Bridgeman Images

Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving)
Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving)

STC134784: Miss Glyn as Cleopatra, Act II Scene 5, in Antony and Cleopatra by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by Paine of Islington (engraving), English School, (19th century) / Bridgeman Images

Royal signatory pages, from the Register of Members at the Royal Institution (see also 134928)
Royal signatory pages, from the Register of Members at the Royal Institution (see also 134928)

TRI134929: Royal signatory pages, from the Register of Members at the Royal Institution (see also 134928) / Bridgeman Images

Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas)
Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas)

XAB134950: Portrait of Konstantin Apollonovich Savitsky (1844-1905), 1902 (oil on canvas), Grandkovsky, Nikolai Karlovich (1864-1907) / Bridgeman Images

The Application, 1893 (oil on canvas)
The Application, 1893 (oil on canvas)

XAB134953: The Application, 1893 (oil on canvas), Kishinevsky, Solomon Yakovlevich (1863-1941) / Bridgeman Images


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