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Jockey Mounting (oil on canvas)
Jockey Mounting (oil on canvas)

BSA266158: Jockey Mounting (oil on canvas), Alken, Samuel Henry (1810-94) / Bridgeman Images

ID: BSA266158

Jockey Mounting (oil on canvas)

Alken, Samuel Henry (1810-94)

Tsar Nicholas II seated with Grand Duke Nicholas (litho)
Tsar Nicholas II seated with Grand Duke Nicholas (litho)

KWE268306: Tsar Nicholas II seated with Grand Duke Nicholas (litho), Russian School, (20th century) / Bridgeman Images

ID: KWE268306

Tsar Nicholas II seated with Grand Duke Nicholas (litho)

Russian School, (20th century)

Albert Smith (1816-60) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Albert Smith (1816-60) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266623: Albert Smith (1816-60) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266623

Albert Smith (1816-60) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

View of the Tower of London from the River Thames, c.1840 (litho)
View of the Tower of London from the River Thames, c.1840 (litho)

GHL267907: View of the Tower of London from the River Thames, c.1840 (litho), Patten, Edmund (fl.1794-1808) (after) / Bridgeman Images

ID: GHL267907

View of the Tower of London from the River Thames, c.1840 (litho)

Patten, Edmund (fl.1794-1808) (after)

Matthew Talbot Baines (1799-1860) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Matthew Talbot Baines (1799-1860) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266345: Matthew Talbot Baines (1799-1860) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266345

Matthew Talbot Baines (1799-1860) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Thomas Slingsby Duncombe (1796-1861) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Thomas Slingsby Duncombe (1796-1861) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266378: Thomas Slingsby Duncombe (1796-1861) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266378

Thomas Slingsby Duncombe (1796-1861) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Portrait of the Composer Michail Ippolitov-Ivanov (1859-1935) 1934 (oil on canvas)
Portrait of the Composer Michail Ippolitov-Ivanov (1859-1935) 1934 (oil on canvas)

XAB266194: Portrait of the Composer Michail Ippolitov-Ivanov (1859-1935) 1934 (oil on canvas), Shemyakin, Michail Fyodorovich (1875-1944) / Bridgeman Images

ID: XAB266194

Portrait of the Composer Michail Ippolitov-Ivanov (1859-1935) 1934 (oil on canvas)

Shemyakin, Michail Fyodorovich (1875-1944)

Mosque of Sultan Hassan, 1848 (coloured engraving)
Mosque of Sultan Hassan, 1848 (coloured engraving)

XCF266022: Mosque of Sultan Hassan, 1848 (coloured engraving), Roberts, David (1796-1864) / Bridgeman Images

ID: XCF266022

Mosque of Sultan Hassan, 1848 (coloured engraving)

Roberts, David (1796-1864)

Portrait of Thomas Vicary (d.1561) (oil on panel) (b/w photo)
Portrait of Thomas Vicary (d.1561) (oil on panel) (b/w photo)

XJF265596: Portrait of Thomas Vicary (d.1561) (oil on panel) (b/w photo), English School, (16th century) / Bridgeman Images

ID: XJF265596

Portrait of Thomas Vicary (d.1561) (oil on panel) (b/w photo)

English School, (16th century)

Pictures in the Fire! Review of the Season, from 'The Tomahawk', August 24th 1867 (litho)
Pictures in the Fire! Review of the Season, from 'The Tomahawk', August 24th 1867 (litho)

XJF268004: Pictures in the Fire! Review of the Season, from 'The Tomahawk', August 24th 1867 (litho), Morgan, Matthew "Matt" Somerville (1839-90) (after) / Bridgeman Images

ID: XJF268004

Pictures in the Fire! Review of the Season, from 'The Tomahawk', August 24th 1867 (litho)

Morgan, Matthew "Matt" Somerville (1839-90) (after)

Horse's Rear (pencil on paper)
Horse's Rear (pencil on paper)

XJF268631: Horse's Rear (pencil on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XJF268631

Horse's Rear (pencil on paper)

Rubens, Peter Paul (1577-1640)

Colin Court at the stain removers, 1814 (coloured engraving)
Colin Court at the stain removers, 1814 (coloured engraving)

XIR269597: Colin Court at the stain removers, 1814 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR269597

Colin Court at the stain removers, 1814 (coloured engraving)

French School, (19th century)

Entrance of the Harbour of Rio de Janeiro (litho) (b/w print)
Entrance of the Harbour of Rio de Janeiro (litho) (b/w print)

XJF268632: Entrance of the Harbour of Rio de Janeiro (litho) (b/w print), English School, (19th century) / Bridgeman Images

ID: XJF268632

Entrance of the Harbour of Rio de Janeiro (litho) (b/w print)

English School, (19th century)

Wadela Plateau (Abyssinian Horsemen), engraved by J.Ferguson (lithograph)
Wadela Plateau (Abyssinian Horsemen), engraved by J.Ferguson (lithograph)

XJF265822: Wadela Plateau (Abyssinian Horsemen), engraved by J.Ferguson (lithograph), Holmes, Richard Rivington (1835-1911) (after) / Bridgeman Images

ID: XJF265822

Wadela Plateau (Abyssinian Horsemen), engraved by J.Ferguson (lithograph)

Holmes, Richard Rivington (1835-1911) (after)

Plan of the Bay and Harbour of Rio de Janeiro on the coast of Brazil, 1794 (litho)
Plan of the Bay and Harbour of Rio de Janeiro on the coast of Brazil, 1794 (litho)

XJF268635: Plan of the Bay and Harbour of Rio de Janeiro on the coast of Brazil, 1794 (litho), French School, (18th century) / Bridgeman Images

ID: XJF268635

Plan of the Bay and Harbour of Rio de Janeiro on the coast of Brazil, 1794 (litho)

French School, (18th century)

Mademoiselle George, 1825 (lithograph)
Mademoiselle George, 1825 (lithograph)

XIR266948: Mademoiselle George, 1825 (lithograph), Chery, Philippe (1759-1838) (after) / Bridgeman Images

ID: XIR266948

Mademoiselle George, 1825 (lithograph)

Chery, Philippe (1759-1838) (after)

Indian Sparrow-Hawk (pen & ink & w/c on paper)
Indian Sparrow-Hawk (pen & ink & w/c on paper)

XJF266080: Indian Sparrow-Hawk (pen & ink & w/c on paper), English School / Bridgeman Images

ID: XJF266080

Indian Sparrow-Hawk (pen & ink & w/c on paper)

English School

Encedi, from Volume II of 'The Holy Land' engraved by Louis Haghe (1806-85) published in London, 1842 (colour litho)
Encedi, from Volume II of 'The Holy Land' engraved by Louis Haghe (1806-85) published in London, 1842 (colour litho)

XCF266033: Encedi, from Volume II of 'The Holy Land' engraved by Louis Haghe (1806-85) published in London, 1842 (colour litho), Roberts, David (1796-1864) (after) / Bridgeman Images

ID: XCF266033

Encedi, from Volume II of 'The Holy Land' engraved by Louis Haghe (1806-85) published in London, 1842 (colour litho)

Roberts, David (1796-1864) (after)

Aqueduct at Rio, from 'Bresil, Colombie et Guyanes',by Ferdinand Denis and Cesar Famin (engraving)
Aqueduct at Rio, from 'Bresil, Colombie et Guyanes',by Ferdinand Denis and Cesar Famin (engraving)

XJF268681: Aqueduct at Rio, from 'Bresil, Colombie et Guyanes',by Ferdinand Denis and Cesar Famin (engraving), French School, (19th century) / Bridgeman Images

ID: XJF268681

Aqueduct at Rio, from 'Bresil, Colombie et Guyanes',by Ferdinand Denis and Cesar Famin (engraving)

French School, (19th century)

Stage Coach Outside a Tavern, Bath 1819 (oil on canvas)
Stage Coach Outside a Tavern, Bath 1819 (oil on canvas)

XCF268617: Stage Coach Outside a Tavern, Bath 1819 (oil on canvas), Maggs, J.C. (1819-96) / Bridgeman Images

ID: XCF268617

Stage Coach Outside a Tavern, Bath 1819 (oil on canvas)

Maggs, J.C. (1819-96)

No.70 Ennismore Gardens, South Kensington, from 'The Building News', 23rd July 1886 (litho)
No.70 Ennismore Gardens, South Kensington, from 'The Building News', 23rd July 1886 (litho)

XJF268033: No.70 Ennismore Gardens, South Kensington, from 'The Building News', 23rd July 1886 (litho), English School, (19th century) (after) / Bridgeman Images

ID: XJF268033

No.70 Ennismore Gardens, South Kensington, from 'The Building News', 23rd July 1886 (litho)

English School, (19th century) (after)

Title page of the 'Pastorale' by Pierre Danican Philidor (1681-1731) 1697 (engraving) (b/w photo)
Title page of the 'Pastorale' by Pierre Danican Philidor (1681-1731) 1697 (engraving) (b/w photo)

XIR266961: Title page of the 'Pastorale' by Pierre Danican Philidor (1681-1731) 1697 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

ID: XIR266961

Title page of the 'Pastorale' by Pierre Danican Philidor (1681-1731) 1697 (engraving) (b/w photo)

French School, (17th century)

Study of Worshippers and Dancers with Calf, for the Cave of the Golden Calf (graphite) (see 265073 for verso)
Study of Worshippers and Dancers with Calf, for the Cave of the Golden Calf (graphite) (see 265073 for verso)

XYC265074: Study of Worshippers and Dancers with Calf, for the Cave of the Golden Calf (graphite) (see 265073 for verso), Gore, Spencer Frederick (1878-1914) / Bridgeman Images

ID: XYC265074

Study of Worshippers and Dancers with Calf, for the Cave of the Golden Calf (graphite) (see 265073 for verso)

Gore, Spencer Frederick (1878-1914)

Departure of a Stagecoach from St. Petersburg Station, 1848 (w/c & ink on paper)
Departure of a Stagecoach from St. Petersburg Station, 1848 (w/c & ink on paper)

XAB266335: Departure of a Stagecoach from St. Petersburg Station, 1848 (w/c & ink on paper), Premazzi, Luigi (Ludwig Osipovich) (1814-91) / Bridgeman Images

ID: XAB266335

Departure of a Stagecoach from St. Petersburg Station, 1848 (w/c & ink on paper)

Premazzi, Luigi (Ludwig Osipovich) (1814-91)

Horses in a Thunderstorm, 1823 (oil on panel)
Horses in a Thunderstorm, 1823 (oil on panel)

XYC265053: Horses in a Thunderstorm, 1823 (oil on panel), Woodward, Thomas (1801-52) / Bridgeman Images

ID: XYC265053

Horses in a Thunderstorm, 1823 (oil on panel)

Woodward, Thomas (1801-52)

Study for a Decorative Panel: Geometric Figures, for the Cave of the Golden Calf (graphite) (see 265079 for recto)
Study for a Decorative Panel: Geometric Figures, for the Cave of the Golden Calf (graphite) (see 265079 for recto)

XYC265080: Study for a Decorative Panel: Geometric Figures, for the Cave of the Golden Calf (graphite) (see 265079 for recto), Gore, Spencer Frederick (1878-1914) / Bridgeman Images

ID: XYC265080

Study for a Decorative Panel: Geometric Figures, for the Cave of the Golden Calf (graphite) (see 265079 for recto)

Gore, Spencer Frederick (1878-1914)

Portrait of the Marshal of the Soviet Union, Ivan Konev (1897-1973), 1945 (oil on canvas)
Portrait of the Marshal of the Soviet Union, Ivan Konev (1897-1973), 1945 (oil on canvas)

XAB266175: Portrait of the Marshal of the Soviet Union, Ivan Konev (1897-1973), 1945 (oil on canvas), Yakovlev, Vassily Nikolayevich (1893-1953) / Bridgeman Images

ID: XAB266175

Portrait of the Marshal of the Soviet Union, Ivan Konev (1897-1973), 1945 (oil on canvas)

Yakovlev, Vassily Nikolayevich (1893-1953)

The Austrian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 20th May 1900 (lithograph)
The Austrian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 20th May 1900 (lithograph)

XIR267152: The Austrian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 20th May 1900 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR267152

The Austrian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 20th May 1900 (lithograph)

French School, (20th century)

Portrait of George Moore (1852-1933) c.1920 (pastel on paper)
Portrait of George Moore (1852-1933) c.1920 (pastel on paper)

XCF267488: Portrait of George Moore (1852-1933) c.1920 (pastel on paper), Tonks, Henry (1862-1937) / Bridgeman Images

ID: XCF267488

Portrait of George Moore (1852-1933) c.1920 (pastel on paper)

Tonks, Henry (1862-1937)

Fort on the Yamuna River, India (pencil & watercolour on paper)
Fort on the Yamuna River, India (pencil & watercolour on paper)

XJF265876: Fort on the Yamuna River, India (pencil & watercolour on paper), Orme, William (fl.1794-1819) / Bridgeman Images

ID: XJF265876

Fort on the Yamuna River, India (pencil & watercolour on paper)

Orme, William (fl.1794-1819)

Ms 479 fol.53 St. Mark, from 'The Gospels of the Abbey of Cysoing' (vellum)
Ms 479 fol.53 St. Mark, from 'The Gospels of the Abbey of Cysoing' (vellum)

XIR269521: Ms 479 fol.53 St. Mark, from 'The Gospels of the Abbey of Cysoing' (vellum), French School, (12th century) / Bridgeman Images

ID: XIR269521

Ms 479 fol.53 St. Mark, from 'The Gospels of the Abbey of Cysoing' (vellum)

French School, (12th century)

Portrait of Charles Lamb (1775-1834) 1826 (oil on canvas)
Portrait of Charles Lamb (1775-1834) 1826 (oil on canvas)

XCF268090: Portrait of Charles Lamb (1775-1834) 1826 (oil on canvas), English School, (19th century) / Bridgeman Images

ID: XCF268090

Portrait of Charles Lamb (1775-1834) 1826 (oil on canvas)

English School, (19th century)

Berger's House, Valparaiso, 1834 (pencil & watercolour on paper)
Berger's House, Valparaiso, 1834 (pencil & watercolour on paper)

XJF265856: Berger's House, Valparaiso, 1834 (pencil & watercolour on paper), Martens, Conrad (1801-78) / Bridgeman Images

ID: XJF265856

Berger's House, Valparaiso, 1834 (pencil & watercolour on paper)

Martens, Conrad (1801-78)

Calcutta, engraved by R.Dawson after a photograph by Francis Frith (1822-98), c.1860 (engraving)
Calcutta, engraved by R.Dawson after a photograph by Francis Frith (1822-98), c.1860 (engraving)

XJF265880: Calcutta, engraved by R.Dawson after a photograph by Francis Frith (1822-98), c.1860 (engraving), Frith, Francis (1822-98) (after) / Bridgeman Images

ID: XJF265880

Calcutta, engraved by R.Dawson after a photograph by Francis Frith (1822-98), c.1860 (engraving)

Frith, Francis (1822-98) (after)

Market Place, engraved by Daniel Havell (1785-1826) 1820 (engraving)
Market Place, engraved by Daniel Havell (1785-1826) 1820 (engraving)

XJF265890: Market Place, engraved by Daniel Havell (1785-1826) 1820 (engraving), Vidal, Emeric Essex (1791-1861) (after) / Bridgeman Images

ID: XJF265890

Market Place, engraved by Daniel Havell (1785-1826) 1820 (engraving)

Vidal, Emeric Essex (1791-1861) (after)

Christian Church of St. George at Lud (Ancient Lydda)29th March 1839, from Volume II of 'The Holy Land'; by Louis Haghe (1806-85) published in London, 1842 (colour litho)
Christian Church of St. George at Lud (Ancient Lydda)29th March 1839, from Volume II of 'The Holy Land'; by Louis Haghe (1806-85) published in London, 1842 (colour litho)

XCF266034: Christian Church of St. George at Lud (Ancient Lydda)29th March 1839, from Volume II of 'The Holy Land'; by Louis Haghe (1806-85) published in London, 1842 (colour litho), Roberts, David (1796-1864) (after) / Bridgeman Images

ID: XCF266034

Christian Church of St. George at Lud (Ancient Lydda)29th March 1839, from Volume II of 'The Holy Land'; by Louis Haghe (1806-85) published in London, 1842 (colour litho)

Roberts, David (1796-1864) (after)


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