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Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330270: Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330270

Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

French School, (19th century)

When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330309: When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Valerio, Theodore (1819-79) / Bridgeman Images

ID: LSE4330309

When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Valerio, Theodore (1819-79)

Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330364: Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bassot, Ferdinand (1843-1900) / Bridgeman Images

ID: LSE4330364

Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bassot, Ferdinand (1843-1900)

Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330456: Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Houssot, Louis (1824-1890) / Bridgeman Images

ID: LSE4330456

Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Houssot, Louis (1824-1890)

Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330560: Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330560

Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330566: Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330566

Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330595: Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330595

Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.
Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.

XEE4134722: Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134722

Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.

Unknown Artist, (19th century)

Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo)
Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo)

XEE4134756: Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4134756

Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo)

French School, (20th century)

Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo)
Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo)

XEE4134770: Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4134770

Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo)

French School, (20th century)

La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo)
La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo)

XEE4134797: La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4134797

La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo)

French School, (20th century)

La Correze, Le Limousin, France, 1910 (chromo)
La Correze, Le Limousin, France, 1910 (chromo)

XEE4134870: La Correze, Le Limousin, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4134870

La Correze, Le Limousin, France, 1910 (chromo)

French School, (20th century)

Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo)
Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo)

XEE4134951: Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4134951

Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo)

French School, (20th century)

THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900.
THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900.

XEE4135237: THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135237

THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900.

Unknown Artist, (19th century)

Illustration for Il Torvatore by Verdi, end of 19th century (chromo)
Illustration for Il Torvatore by Verdi, end of 19th century (chromo)

XEE4135265: Illustration for Il Torvatore by Verdi, end of 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135265

Illustration for Il Torvatore by Verdi, end of 19th century (chromo)

Unknown Artist, (19th century)

Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp-
Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp-

XEE4135277: Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp- "Le Pelerin" February 20, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135277

Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp- "Le Pelerin" February 20, 1898 (engraving)

Unknown Artist, (19th century)

Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)
Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)

XEE4135327: Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving), Anonymous / Bridgeman Images

ID: XEE4135327

Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)

Anonymous

Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330702: Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330702

Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330723: You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330723

You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.
The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

LSE4330807: The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection., Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

ID: LSE4330807

The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

Bertall, Charles Albert d'Arnoux (1820-82)

The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330972: The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330972

The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

French School, (19th century)

The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331020: The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331020

The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331077: Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: LSE4331077

Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)

Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331105: Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Delort, Charles Edouard (1841-95) / Bridgeman Images

ID: LSE4331105

Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Delort, Charles Edouard (1841-95)

The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331170: The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Weber, Theodore (1838-1907) / Bridgeman Images

ID: LSE4331170

The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Weber, Theodore (1838-1907)

Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332056: Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Burnand, Eugene (1850-1921) / Bridgeman Images

ID: LSE4332056

Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Burnand, Eugene (1850-1921)

Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332134: Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332134

Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332217: Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4332217

Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332305: Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

ID: LSE4332305

Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

Pranishnikoff, Ivan (1841-1909)

Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332360: Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Barclay, (19th century) / Bridgeman Images

ID: LSE4332360

Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Barclay, (19th century)

Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332429: Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Sirouy, Achille (1834-1904) / Bridgeman Images

ID: LSE4332429

Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Sirouy, Achille (1834-1904)

Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection.
Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection.

LSE4332576: Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection., Barclay, (19th century) / Bridgeman Images

ID: LSE4332576

Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection.

Barclay, (19th century)

A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332726: A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

ID: LSE4332726

A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Pranishnikoff, Ivan (1841-1909)

Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332736: Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Mellery, Xavier (1845-1921) / Bridgeman Images

ID: LSE4332736

Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Mellery, Xavier (1845-1921)

The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332745: The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Mellery, Xavier (1845-1921) / Bridgeman Images

ID: LSE4332745

The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Mellery, Xavier (1845-1921)

The staff of the Societe Anonymous des Automobiles
The staff of the Societe Anonymous des Automobiles

LSE4332909: The staff of the Societe Anonymous des Automobiles "BOLIDE", in front of the entrance to the store located avenue de la Grande-Armee (Grande Armee). Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

ID: LSE4332909

The staff of the Societe Anonymous des Automobiles "BOLIDE", in front of the entrance to the store located avenue de la Grande-Armee (Grande Armee). Postcard beginning XXth century.

French Photographer, (20th century)


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