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Baby's Head, 1930s (bronze)
Baby's Head, 1930s (bronze)

LMG876263: Baby's Head, 1930s (bronze), Bayley, Thomas (1893-1966) / Bridgeman Images

Vue de la fontaine et du Marché au blea Leyden, c.1895 (photochrom)
Vue de la fontaine et du Marché au blea Leyden, c.1895 (photochrom)

STC876299: Vue de la fontaine et du Marché au blea Leyden, c.1895 (photochrom), Belgian School, (19th century) / Bridgeman Images

Het Hof, Hotel du Gouvernement à Bois-le-Duc, c.1895 (photochrom)
Het Hof, Hotel du Gouvernement à Bois-le-Duc, c.1895 (photochrom)

STC876309: Het Hof, Hotel du Gouvernement à Bois-le-Duc, c.1895 (photochrom), Belgian School, (19th century) / Bridgeman Images

Detail of the central panel of the Adoration of the Magi, 1510 (oil on panel)
Detail of the central panel of the Adoration of the Magi, 1510 (oil on panel)

XIR897523: Detail of the central panel of the Adoration of the Magi, 1510 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

A wooded river landscape with a rock in the left foreground, c.1800 (graphite & black chalk with w/c on cream laid paper)
A wooded river landscape with a rock in the left foreground, c.1800 (graphite & black chalk with w/c on cream laid paper)

XCK877327: A wooded river landscape with a rock in the left foreground, c.1800 (graphite & black chalk with w/c on cream laid paper) , Monro, Thomas (1759-1833) / Bridgeman Images

Mountain Landscape (oil on laminate cardboard)
Mountain Landscape (oil on laminate cardboard)

XCK877334: Mountain Landscape (oil on laminate cardboard), English School, (19th century) / Bridgeman Images

Cottage, c.1850 (oil on wood-pulp board, mounted on canvas)
Cottage, c.1850 (oil on wood-pulp board, mounted on canvas)

XCK877376: Cottage, c.1850 (oil on wood-pulp board, mounted on canvas), Constable, Lionel (1828-87) / Bridgeman Images

Wooded Landscape (verso), after 1830 (oil on wood-pulp board)
Wooded Landscape (verso), after 1830 (oil on wood-pulp board)

XCK877386: Wooded Landscape (verso), after 1830 (oil on wood-pulp board), Churchyard, Thomas (1798-1865) / Bridgeman Images

Golfing, 1992 (oil on canvas)
Golfing, 1992 (oil on canvas)

XPG877693: Golfing, 1992 (oil on canvas), Gribble, Paul / Bridgeman Images

At the Regatta (oil on canvas)
At the Regatta (oil on canvas)

XPG877718: At the Regatta (oil on canvas), Gribble, Paul / Bridgeman Images

Stow Horse Fair (oil on canvas)
Stow Horse Fair (oil on canvas)

XPG877730: Stow Horse Fair (oil on canvas), Gribble, Paul / Bridgeman Images

A Cautious Approach (oil on canvas)
A Cautious Approach (oil on canvas)

XPG877737: A Cautious Approach (oil on canvas), Gribble, Paul / Bridgeman Images

Woman porters, Empress of Scotland Cruise, Madras, 1925-26 (b/w photo)
Woman porters, Empress of Scotland Cruise, Madras, 1925-26 (b/w photo)

SXT877764: Woman porters, Empress of Scotland Cruise, Madras, 1925-26 (b/w photo), Pollard, Harry (1880-1968) / Bridgeman Images

Portrait of a couple with dogs (b/w photo)
Portrait of a couple with dogs (b/w photo)

SXT877770: Portrait of a couple with dogs (b/w photo), English Photographer / Bridgeman Images

African village (b/w photo)
African village (b/w photo)

SXT877784: African village (b/w photo), English Photographer / Bridgeman Images

The Rowing Team (oil on canvas)
The Rowing Team (oil on canvas)

XPG877713: The Rowing Team (oil on canvas), Gribble, Paul / Bridgeman Images

Paddling (oil on canvas)
Paddling (oil on canvas)

XPG877734: Paddling (oil on canvas), Gribble, Paul / Bridgeman Images

Hera as a Bird, 2012 (oil on panel)
Hera as a Bird, 2012 (oil on panel)

HFO878245: Hera as a Bird, 2012 (oil on panel), Flockhart, Helen (b.1963) / Bridgeman Images

Saturday Morning, 2012 (oil on cardboard)
Saturday Morning, 2012 (oil on cardboard)

HFO878251: Saturday Morning, 2012 (oil on cardboard), Flockhart, Helen (b.1963) / Bridgeman Images

The Battle-Field of Gettysburg, c.1867 (litho)
The Battle-Field of Gettysburg, c.1867 (litho)

FLP878329: The Battle-Field of Gettysburg, c.1867 (litho), Rosenthal, Louis N. (c.1824-after 1900) / Bridgeman Images

Theatre of Dionysus, Athens (b/w photo)
Theatre of Dionysus, Athens (b/w photo)

JAA878430: Theatre of Dionysus, Athens (b/w photo), Austin, James / Bridgeman Images

Hosios Loukas (b/w photo)
Hosios Loukas (b/w photo)

JAA878452: Hosios Loukas (b/w photo), Austin, James / Bridgeman Images

Theatre, Delphi (b/w photo)
Theatre, Delphi (b/w photo)

JAA878459: Theatre, Delphi (b/w photo), Austin, James / Bridgeman Images

Tholos, Delphi (b/w photo)
Tholos, Delphi (b/w photo)

JAA878466: Tholos, Delphi (b/w photo), Austin, James / Bridgeman Images

Delos (b/w photo)
Delos (b/w photo)

JAA878524: Delos (b/w photo), Austin, James / Bridgeman Images

Delos (b/w photo)
Delos (b/w photo)

JAA878529: Delos (b/w photo), Austin, James / Bridgeman Images

Anton Pavlovich Chekhov,  1860 - 1904.  Russian physician, dramaturge and author.  From Plays by Anton Tchekoff,  published 1923.
Anton Pavlovich Chekhov,  1860 - 1904.  Russian physician, dramaturge and author.  From Plays by Anton Tchekoff,  published 1923.

KWE878541: Anton Pavlovich Chekhov, 1860 - 1904. Russian physician, dramaturge and author. From Plays by Anton Tchekoff, published 1923., Unknown photographer, (20th century) / Bridgeman Images

John Wogan Festing, 1837 –1902.  English clergyman who became the Bishop of St Albans.  From The Strand Magazine published 1897.
John Wogan Festing, 1837 –1902.  English clergyman who became the Bishop of St Albans.  From The Strand Magazine published 1897.

KWE878560: John Wogan Festing, 1837 –1902. English clergyman who became the Bishop of St Albans. From The Strand Magazine published 1897., English School, (19th century) / Bridgeman Images

Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing.  From The Strand Magazine published 1897.
Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing.  From The Strand Magazine published 1897.

KWE878566: Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing. From The Strand Magazine published 1897., Cruikshank, George (1792-1878) / Bridgeman Images

Early representation of the Divining Rod, showing a figure with a diving rod above ground searching for water, coal or gold and the miners below ground toiling to find coal.  From The Strand Magazine published 1897.
Early representation of the Divining Rod, showing a figure with a diving rod above ground searching for water, coal or gold and the miners below ground toiling to find coal.  From The Strand Magazine published 1897.

KWE878575: Early representation of the Divining Rod, showing a figure with a diving rod above ground searching for water, coal or gold and the miners below ground toiling to find coal. From The Strand Magazine published 1897., English School, (19th century) / Bridgeman Images

Sir Charles Villiers Stanford, 1852 –1924.   Irish composer, music teacher and conductor.  From The Strand Magazine published 1897.
Sir Charles Villiers Stanford, 1852 –1924.   Irish composer, music teacher and conductor.  From The Strand Magazine published 1897.

KWE878595: Sir Charles Villiers Stanford, 1852 –1924. Irish composer, music teacher and conductor. From The Strand Magazine published 1897., English School, (19th century) / Bridgeman Images

The First Presbyterian Church, Miami, Florida, United States of America in the late 19th century. The church, founded by The Reverend Henry Keigwin in 1896, started in a rough board restaurant before services moved to a tent. From The Strand Magazine published 1897.
The First Presbyterian Church, Miami, Florida, United States of America in the late 19th century. The church, founded by The Reverend Henry Keigwin in 1896, started in a rough board restaurant before services moved to a tent. From The Strand Magazine published 1897.

KWE878599: The First Presbyterian Church, Miami, Florida, United States of America in the late 19th century. The church, founded by The Reverend Henry Keigwin in 1896, started in a rough board restaurant before services moved to a tent. From The Strand Magazine published 1897., English School, (19th century) / Bridgeman Images

The 10th century folk tale of Hatto, who was the Archbishop of Mainz, and what happened in the Mouse Tower, illustration from 'The Strand Magazine', 1897 (litho)
The 10th century folk tale of Hatto, who was the Archbishop of Mainz, and what happened in the Mouse Tower, illustration from 'The Strand Magazine', 1897 (litho)

KWE878613: The 10th century folk tale of Hatto, who was the Archbishop of Mainz, and what happened in the Mouse Tower, illustration from 'The Strand Magazine', 1897 (litho) , English School, (19th century) / Bridgeman Images

Reading a book, Plate 7, Book 11, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)
Reading a book, Plate 7, Book 11, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)

STC875320: Reading a book, Plate 7, Book 11, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut), Jesser, Hilda (1894-1985) / Bridgeman Images

Design for winter dresses, Plate 7, Book 4, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)
Design for winter dresses, Plate 7, Book 4, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)

STC875374: Design for winter dresses, Plate 7, Book 4, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut), Rix, Felice (1893-1967) / Bridgeman Images

Gentleman removing his hat to greet a lady, Plate 10, Book 6, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)
Gentleman removing his hat to greet a lady, Plate 10, Book 6, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut)

STC875388: Gentleman removing his hat to greet a lady, Plate 10, Book 6, illustration from 'Wiener Werkstatte Mode 1914/15', pub. Eduard Kosmack, Vienna, 1914-1915 (hand-coloured linocut), Lendeke, Otto (fl.1914-15) / Bridgeman Images


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