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Portrait of a Lady (before cleaning) (oil on panel) (see 130358)
Portrait of a Lady (before cleaning) (oil on panel) (see 130358)

AGN130357: Portrait of a Lady (before cleaning) (oil on panel) (see 130358), Boltraffio, Giovanni Antonio (1467-1516) / Bridgeman Images

ID: AGN130357

Portrait of a Lady (before cleaning) (oil on panel) (see 130358)

Boltraffio, Giovanni Antonio (1467-1516)

Leda and the Swan (oil on board)
Leda and the Swan (oil on board)

AGN130384: Leda and the Swan (oil on board), Conder, Charles Edward (1868-1909) / Bridgeman Images

ID: AGN130384

Leda and the Swan (oil on board)

Conder, Charles Edward (1868-1909)

Dolbadern Castle, North Wales (watercolour on paper)
Dolbadern Castle, North Wales (watercolour on paper)

AGN130377: Dolbadern Castle, North Wales (watercolour on paper), Varley, John (1778-1842) / Bridgeman Images

ID: AGN130377

Dolbadern Castle, North Wales (watercolour on paper)

Varley, John (1778-1842)

Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)
Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)

STC132743: Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132743

Plan of the Temple of Solomon, Jerusalem, from 'Entwurf einer historischen Architektur', 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Fairhead, County Antrim, Northern Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Fairhead, County Antrim, Northern Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131088: Fairhead, County Antrim, Northern Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131088

Fairhead, County Antrim, Northern Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Court of King's College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)
Court of King's College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

STC132779: Court of King's College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC132779

Court of King's College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Fitzroy Square, London (oil on panel)
Fitzroy Square, London (oil on panel)

PFA131669: Fitzroy Square, London (oil on panel), Rowe, George James (1780-1883) / Bridgeman Images

ID: PFA131669

Fitzroy Square, London (oil on panel)

Rowe, George James (1780-1883)

Memnon's Statue, 1731 (engraving)
Memnon's Statue, 1731 (engraving)

STC134116: Memnon's Statue, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134116

Memnon's Statue, 1731 (engraving)

Picart, Bernard (1673-1733)

Eagle Mountain, Killeries, Connemara, County Galway, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Eagle Mountain, Killeries, Connemara, County Galway, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131488: Eagle Mountain, Killeries, Connemara, County Galway, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131488

Eagle Mountain, Killeries, Connemara, County Galway, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Poster advertising 'Lhara Creme de Cacao', Digon (colour litho)
Poster advertising 'Lhara Creme de Cacao', Digon (colour litho)

SNG130226: Poster advertising 'Lhara Creme de Cacao', Digon (colour litho), French School, (19th century) / Bridgeman Images

ID: SNG130226

Poster advertising 'Lhara Creme de Cacao', Digon (colour litho)

French School, (19th century)

Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

KWE134076: Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images

ID: KWE134076

Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

Hopwood, William (1784-1853)

Still Life of Hanging Flowers (oil on panel)
Still Life of Hanging Flowers (oil on panel)

RAF132060: Still Life of Hanging Flowers (oil on panel), Mignon, Abraham (1640-79) / Bridgeman Images

ID: RAF132060

Still Life of Hanging Flowers (oil on panel)

Mignon, Abraham (1640-79)

Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)
Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)

STC134652: Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC134652

Attack on Boulogne-Sur-Mer, engraved by Jean Baptiste Morret (fl. 1790-1820) 1788 (engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho)
Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho)

STC133380: Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho), English School, (19th century) / Bridgeman Images

ID: STC133380

Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho)

English School, (19th century)

Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)
Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)

STC134518: Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho), Clark, John Heaviside (1770-1863) (after) / Bridgeman Images

ID: STC134518

Mexican Lizard Catcher, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)

Clark, John Heaviside (1770-1863) (after)

The Grocer's Dog (oil on panel)
The Grocer's Dog (oil on panel)

PFA131193: The Grocer's Dog (oil on panel), Ronner-Knip, Henriette (1821-1909) / Bridgeman Images

ID: PFA131193

The Grocer's Dog (oil on panel)

Ronner-Knip, Henriette (1821-1909)

Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving)
Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving)

STC134135: Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134135

Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 (engraving)

Picart, Bernard (1673-1733)

Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132828: Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132828

Atrium of a Palace, in Genes, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

Bath Abbey (w/c on paper)
Bath Abbey (w/c on paper)

NWP132618: Bath Abbey (w/c on paper), Nattes, John Claude (c.1765-1822) / Bridgeman Images

ID: NWP132618

Bath Abbey (w/c on paper)

Nattes, John Claude (c.1765-1822)

Old Baal's Bridge, Limerick, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Old Baal's Bridge, Limerick, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131152: Old Baal's Bridge, Limerick, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131152

Old Baal's Bridge, Limerick, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

The Ottoman Scribe (w/c on paper)
The Ottoman Scribe (w/c on paper)

BNM131980: The Ottoman Scribe (w/c on paper), Dominici, Antonio de (c.1730-c.1800) / Bridgeman Images

ID: BNM131980

The Ottoman Scribe (w/c on paper)

Dominici, Antonio de (c.1730-c.1800)

Waterford, Ireland, engraved by W. Taylor (engraving)
Waterford, Ireland, engraved by W. Taylor (engraving)

KWE131469: Waterford, Ireland, engraved by W. Taylor (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131469

Waterford, Ireland, engraved by W. Taylor (engraving)

Bartlett, William Henry (1809-54) (after)

Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho)
Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho)

STC133603: Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC133603

Costume for a female puppet, from La Boutique Fantastique, 1917 (colour litho)

Bakst, Leon (1866-1924)

The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

STC133525: The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Stephanoff, James (1788-1874) (after) / Bridgeman Images

ID: STC133525

The Old Guard Chamber, The Round Tower, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

Stephanoff, James (1788-1874) (after)

Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)
Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)

STC134643: Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

ID: STC134643

Portrait of Marguerite de Valois (1492-1549), 1787 (coloured engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847)

'Mr Tappertit Makes a Speech', from 'Barnaby Rudge' by Charles Dickens (1812-70) (engraving)
'Mr Tappertit Makes a Speech', from 'Barnaby Rudge' by Charles Dickens (1812-70) (engraving)

ABC130666: 'Mr Tappertit Makes a Speech', from 'Barnaby Rudge' by Charles Dickens (1812-70) (engraving), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images

ID: ABC130666

'Mr Tappertit Makes a Speech', from 'Barnaby Rudge' by Charles Dickens (1812-70) (engraving)

Browne, Hablot Knight (Phiz) (1815-92)

Black Peter, 1950s (engraving)
Black Peter, 1950s (engraving)

NAT133869: Black Peter, 1950s (engraving), Dutch School, (20th century) / Bridgeman Images

ID: NAT133869

Black Peter, 1950s (engraving)

Dutch School, (20th century)

Portrait of Louis Pasteur (1822-95), French Scientist (oil on canvas) (see 130064-6)
Portrait of Louis Pasteur (1822-95), French Scientist (oil on canvas) (see 130064-6)

BAL130067: Portrait of Louis Pasteur (1822-95), French Scientist (oil on canvas) (see 130064-6), Italian School, (20th century) / Bridgeman Images

ID: BAL130067

Portrait of Louis Pasteur (1822-95), French Scientist (oil on canvas) (see 130064-6)

Italian School, (20th century)

Standing Male Nude (oil on canvas)
Standing Male Nude (oil on canvas)

PFA131172: Standing Male Nude (oil on canvas), Russian School, (20th century) / Bridgeman Images

ID: PFA131172

Standing Male Nude (oil on canvas)

Russian School, (20th century)

Damascus Display Cabinet (wood, carved glass and mother of pearl inlay)
Damascus Display Cabinet (wood, carved glass and mother of pearl inlay)

BNM131991: Damascus Display Cabinet (wood, carved glass and mother of pearl inlay), Syrian School, (20th century) / Bridgeman Images

ID: BNM131991

Damascus Display Cabinet (wood, carved glass and mother of pearl inlay)

Syrian School, (20th century)

Gerhard Domagk (1895-1964), German scientist (oil on canvas) (see 130064,66-67)
Gerhard Domagk (1895-1964), German scientist (oil on canvas) (see 130064,66-67)

BAL130065: Gerhard Domagk (1895-1964), German scientist (oil on canvas) (see 130064,66-67), Italian School, (20th century) / Bridgeman Images

ID: BAL130065

Gerhard Domagk (1895-1964), German scientist (oil on canvas) (see 130064,66-67)

Italian School, (20th century)

The Holy Family with the Infant St. John the Baptist, c.1670 (oil on canvas)
The Holy Family with the Infant St. John the Baptist, c.1670 (oil on canvas)

TWC62742: The Holy Family with the Infant St. John the Baptist, c.1670 (oil on canvas), Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

ID: TWC62742

The Holy Family with the Infant St. John the Baptist, c.1670 (oil on canvas)

Murillo, Bartolome Esteban (1618-82)

The Virgin and Child, c.1500-25 (oil on oak panel)
The Virgin and Child, c.1500-25 (oil on oak panel)

TWC62731: The Virgin and Child, c.1500-25 (oil on oak panel), Master of the Magdalen Legend, (16th c.) (after) / Bridgeman Images

ID: TWC62731

The Virgin and Child, c.1500-25 (oil on oak panel)

Master of the Magdalen Legend, (16th c.) (after)

Angel, from the treasures of the Pope's reliquary, silver and silver-gilt, by Pietro Giovanni Anastasio Vitale (1426-39)
Angel, from the treasures of the Pope's reliquary, silver and silver-gilt, by Pietro Giovanni Anastasio Vitale (1426-39)

LEE62660: Angel, from the treasures of the Pope's reliquary, silver and silver-gilt, by Pietro Giovanni Anastasio Vitale (1426-39), Lees, David / Bridgeman Images

ID: LEE62660

Angel, from the treasures of the Pope's reliquary, silver and silver-gilt, by Pietro Giovanni Anastasio Vitale (1426-39)

Lees, David

A Golden Pheasant and a Trogon (w/c & gouache)
A Golden Pheasant and a Trogon (w/c & gouache)

RAF63862: A Golden Pheasant and a Trogon (w/c & gouache), Panhuts, L.F.A. (1763-1844) / Bridgeman Images

ID: RAF63862

A Golden Pheasant and a Trogon (w/c & gouache)

Panhuts, L.F.A. (1763-1844)

Winter Landscape (tempera on leather)
Winter Landscape (tempera on leather)

FIT63156: Winter Landscape (tempera on leather), Filippi, Paolo de (1755-1830) (attr.) / Bridgeman Images

ID: FIT63156

Winter Landscape (tempera on leather)

Filippi, Paolo de (1755-1830) (attr.)


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