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Johan de Witt, from 'Crabb's Historical Dictionary', published 1825 (litho)
Johan de Witt, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE309130: Johan de Witt, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

Shipping in an Estuary by a Village with a City in the Distance (pen & ink with wash on paper)
Shipping in an Estuary by a Village with a City in the Distance (pen & ink with wash on paper)

LST309379: Shipping in an Estuary by a Village with a City in the Distance (pen & ink with wash on paper), Verrijk, Theodor (Dirk) (1734-86) / Bridgeman Images

The Church Militant and Triumphant, detail of the secular authorities with Santa Maria del Fiore in the background, from the Spanish Chapel, c.1369 (fresco) (detail of 31612)
The Church Militant and Triumphant, detail of the secular authorities with Santa Maria del Fiore in the background, from the Spanish Chapel, c.1369 (fresco) (detail of 31612)

BAT309486: The Church Militant and Triumphant, detail of the secular authorities with Santa Maria del Fiore in the background, from the Spanish Chapel, c.1369 (fresco) (detail of 31612), Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

MS 1-2005, fol. 152r: A Rabbit Funeral Procession, marginal decoration from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)
MS 1-2005, fol. 152r: A Rabbit Funeral Procession, marginal decoration from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)

FIT309722: MS 1-2005, fol. 152r: A Rabbit Funeral Procession, marginal decoration from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum), English School, (14th century) / Bridgeman Images

The Seaforth Highlanders rout the enemy (colour litho)
The Seaforth Highlanders rout the enemy (colour litho)

STC309825: The Seaforth Highlanders rout the enemy (colour litho), Stott, W.R.S. (1878-1939) / Bridgeman Images

The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)
The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)

XYC309861: The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309870: 'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309882: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Carved Jaguar bone, from Tomb 7, Monte ALban, Oaxaca, Post Classic period (bone)
Carved Jaguar bone, from Tomb 7, Monte ALban, Oaxaca, Post Classic period (bone)

JPC310139: Carved Jaguar bone, from Tomb 7, Monte ALban, Oaxaca, Post Classic period (bone), Mixtec (c.1300-1521) / Bridgeman Images

Totonac statuette with a smiling face, from Veracruz state, Late Classic period (stone)
Totonac statuette with a smiling face, from Veracruz state, Late Classic period (stone)

JPC310144: Totonac statuette with a smiling face, from Veracruz state, Late Classic period (stone), Pre-Columbian / Bridgeman Images

Copan Hieroglyphic Statue (photo)
Copan Hieroglyphic Statue (photo)

JPC310174: Copan Hieroglyphic Statue (photo), Mayan / Bridgeman Images

King Pacal Stela 1/2 (stone)
King Pacal Stela 1/2 (stone)

JPC310202: King Pacal Stela 1/2 (stone), Mayan / Bridgeman Images

Plaques from a wooden chest depicting Jesus Christ between two scenes with Adam, 10th-11th century (wood & ivory)
Plaques from a wooden chest depicting Jesus Christ between two scenes with Adam, 10th-11th century (wood & ivory)

XIR280123: Plaques from a wooden chest depicting Jesus Christ between two scenes with Adam, 10th-11th century (wood & ivory), Byzantine School / Bridgeman Images

Maniac, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum, c.1818 (pencil on paper)
Maniac, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum, c.1818 (pencil on paper)

CHT280156: Maniac, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum, c.1818 (pencil on paper), Gabriel, Georges Francois (1775-1846) / Bridgeman Images

The Danish Royal Family, from 'The Year 1912', published London, 1913 (b/w photo)
The Danish Royal Family, from 'The Year 1912', published London, 1913 (b/w photo)

KWE280477: The Danish Royal Family, from 'The Year 1912', published London, 1913 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho)
Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho)

KWE285303: Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho), Pickersgill, Henry William (1782-1875) (after) / Bridgeman Images

Marie Francois Xavier Bichat, engraved by H. Cook, from 'The National Portrait Gallery, Volume III', published c.1820 (litho)
Marie Francois Xavier Bichat, engraved by H. Cook, from 'The National Portrait Gallery, Volume III', published c.1820 (litho)

KWE285324: Marie Francois Xavier Bichat, engraved by H. Cook, from 'The National Portrait Gallery, Volume III', published c.1820 (litho), Vigneron, Pierre Roch (1789-1872) (after) / Bridgeman Images

James Johnson, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)
James Johnson, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

KWE285347: James Johnson, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho), Wood, John (1801-70) (after) / Bridgeman Images

Sir Thomas Fowell Buxton, engraved by W.Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)
Sir Thomas Fowell Buxton, engraved by W.Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

KWE285359: Sir Thomas Fowell Buxton, engraved by W.Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho), Briggs, Henry Perronet (1792-1844) (after) / Bridgeman Images

Giovanni da Udine, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Giovanni da Udine, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285389: Giovanni da Udine, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285392: Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Jan Baptist Weenix, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Jan Baptist Weenix, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285401: Jan Baptist Weenix, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Leonard Bramer, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Leonard Bramer, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285413: Leonard Bramer, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Ludolf Backhuysen I, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Ludolf Backhuysen I, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285416: Ludolf Backhuysen I, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285425: Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

Anthonis Mor van Dashorst, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Anthonis Mor van Dashorst, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285428: Anthonis Mor van Dashorst, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

'Boss' cigar box label, early 20th century (litho) (b/w photo)
'Boss' cigar box label, early 20th century (litho) (b/w photo)

CHT286989: 'Boss' cigar box label, early 20th century (litho) (b/w photo), French School, (20th century) / Bridgeman Images

E-F,from an Alphabet based on Nursery Rhymes (colour engraving)
E-F,from an Alphabet based on Nursery Rhymes (colour engraving)

XCF280545: E-F,from an Alphabet based on Nursery Rhymes (colour engraving), Crane, Walter (1845-1915) / Bridgeman Images

Hesperia, 1922 (colour lithograph)
Hesperia, 1922 (colour lithograph)

XCF280548: Hesperia, 1922 (colour lithograph), Mauzan, Luciano Achille (1883-1952) / Bridgeman Images

Ivory Mirror Case, c.1360-70 (ivory)
Ivory Mirror Case, c.1360-70 (ivory)

XCF280577: Ivory Mirror Case, c.1360-70 (ivory), German School, (14th century) / Bridgeman Images

Robert Treat Paine, engraved by James Barton Longacre (1794-1869) (engraving)
Robert Treat Paine, engraved by James Barton Longacre (1794-1869) (engraving)

KWE280645: Robert Treat Paine, engraved by James Barton Longacre (1794-1869) (engraving), Savage, Edward (1761-1817) (after) / Bridgeman Images

Signature of Daniel Boone (litho)
Signature of Daniel Boone (litho)

KWE280652: Signature of Daniel Boone (litho), American School / Bridgeman Images

Signature of James Fenire Cooper (litho)
Signature of James Fenire Cooper (litho)

KWE280667: Signature of James Fenire Cooper (litho), American School, (19th century) / Bridgeman Images

George Washington on his mission to Ohio in 1754, from 'Life and Times of Washington', Volume I, published 1857 (litho)
George Washington on his mission to Ohio in 1754, from 'Life and Times of Washington', Volume I, published 1857 (litho)

KWE280676: George Washington on his mission to Ohio in 1754, from 'Life and Times of Washington', Volume I, published 1857 (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images


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