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David, King of Scots, dispenses Justice, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
David, King of Scots, dispenses Justice, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363652: David, King of Scots, dispenses Justice, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Prater, Ernest (fl.1885-1937) / Bridgeman Images

The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363655: The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Prater, Ernest (fl.1885-1937) / Bridgeman Images

The last stand of De Montfort at Evesham, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
The last stand of De Montfort at Evesham, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363671: The last stand of De Montfort at Evesham, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Woodville, Richard Caton II (1856-1927) (after) / Bridgeman Images

A group of women receive a lesson in boot repairing from a cobbler at Scaynes Hill Women's Insititute, Sussex, 1914-1918 (b/w photo)
A group of women receive a lesson in boot repairing from a cobbler at Scaynes Hill Women's Insititute, Sussex, 1914-1918 (b/w photo)

STC361008: A group of women receive a lesson in boot repairing from a cobbler at Scaynes Hill Women's Insititute, Sussex, 1914-1918 (b/w photo), S. & G. (early 20th century) / Bridgeman Images

Hydraulically operated dye house, carpet factory, 1923 (b/w photo)
Hydraulically operated dye house, carpet factory, 1923 (b/w photo)

CMT356730: Hydraulically operated dye house, carpet factory, 1923 (b/w photo), English Photographer, (20th century) / Bridgeman Images

The finishing room, Axminster section, carpet factory, 1923 (b/w photo)
The finishing room, Axminster section, carpet factory, 1923 (b/w photo)

CMT356733: The finishing room, Axminster section, carpet factory, 1923 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356776: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356779: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356782: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356794: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356863: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356866: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

Carpet design (w/c on paper)
Carpet design (w/c on paper)

CMT356872: Carpet design (w/c on paper), English School, (20th century) / Bridgeman Images

The Flower Book: XXXV. Meadow Sweet, 1905 (litho with gouache on paper)
The Flower Book: XXXV. Meadow Sweet, 1905 (litho with gouache on paper)

PNH356931: The Flower Book: XXXV. Meadow Sweet, 1905 (litho with gouache on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Christ Stilling the Waves (coloured chalks on paper) (pair to 430972)
Christ Stilling the Waves (coloured chalks on paper) (pair to 430972)

PNH356958: Christ Stilling the Waves (coloured chalks on paper) (pair to 430972), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

The palace of King Solomon (pencil on paper)
The palace of King Solomon (pencil on paper)

PNH356976: The palace of King Solomon (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Head, 1885 (pencil on paper)
Head, 1885 (pencil on paper)

NGW405352: Head, 1885 (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Plan of the 'Temple of Serapis' or Macellum at Pozzuoli (engraving)
Plan of the 'Temple of Serapis' or Macellum at Pozzuoli (engraving)

DGC405755: Plan of the 'Temple of Serapis' or Macellum at Pozzuoli (engraving), English School, (18th century) (after) / Bridgeman Images

Scene Champetre, 1894 (oil on canvas)
Scene Champetre, 1894 (oil on canvas)

CH401446: Scene Champetre, 1894 (oil on canvas), Lebasque, Henri (1865-1937) / Bridgeman Images

Robinson Crusoe in his storeroom, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho)
Robinson Crusoe in his storeroom, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho)

STC405587: Robinson Crusoe in his storeroom, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho), English School, (19th century) / Bridgeman Images

London to York - Time's Up Gentlemen (oil on canvas)
London to York - Time's Up Gentlemen (oil on canvas)

CH401469: London to York - Time's Up Gentlemen (oil on canvas), Sadler, Walter Dendy (1854-1923) / Bridgeman Images

Captured heavy 16.4cm flat track gun of the latest design, south west of Pargny (b/w photo)
Captured heavy 16.4cm flat track gun of the latest design, south west of Pargny (b/w photo)

STC406140: Captured heavy 16.4cm flat track gun of the latest design, south west of Pargny (b/w photo), German Photographer, (20th Century) / Bridgeman Images

The Present Age, 1767, published in 1749 (engraving)
The Present Age, 1767, published in 1749 (engraving)

XJF406265: The Present Age, 1767, published in 1749 (engraving), Boitard, Louis Philippe (fl.1738-63) / Bridgeman Images

John Thomas Quekett (litho)
John Thomas Quekett (litho)

XJF406272: John Thomas Quekett (litho), English School, (19th century) / Bridgeman Images

Coastal Scene (oil on paper)
Coastal Scene (oil on paper)

CH401703: Coastal Scene (oil on paper), Bierstadt, Albert (1830-1902) / Bridgeman Images

The dry dock, Barcelona, from 'The Spanish and American Illustration', engraved by Manchon, 1872 (engraving) (later colouration)
The dry dock, Barcelona, from 'The Spanish and American Illustration', engraved by Manchon, 1872 (engraving) (later colouration)

TRK406649: The dry dock, Barcelona, from 'The Spanish and American Illustration', engraved by Manchon, 1872 (engraving) (later colouration), Unknown Artist, (19th century) / Bridgeman Images

Ex-Voto to Priapus from the Roman fort of Burgodunum (engraving)
Ex-Voto to Priapus from the Roman fort of Burgodunum (engraving)

DGC405760: Ex-Voto to Priapus from the Roman fort of Burgodunum (engraving), English School, (18th century) (after) / Bridgeman Images

Double phallus from the lintel of a vomitorium (exit passage) at the Nimes (Colonia Nemausus) amphitheatre (engraving)
Double phallus from the lintel of a vomitorium (exit passage) at the Nimes (Colonia Nemausus) amphitheatre (engraving)

DGC405766: Double phallus from the lintel of a vomitorium (exit passage) at the Nimes (Colonia Nemausus) amphitheatre (engraving), English School, (19th century) / Bridgeman Images

Italian prisoners bring their wounded comrades to an aid station at Tolmin (b/w photo)
Italian prisoners bring their wounded comrades to an aid station at Tolmin (b/w photo)

STC406154: Italian prisoners bring their wounded comrades to an aid station at Tolmin (b/w photo), German Photographer, (20th Century) / Bridgeman Images

Torpedo ship in rough sea (b/w photo)
Torpedo ship in rough sea (b/w photo)

STC406163: Torpedo ship in rough sea (b/w photo), German Photographer, (20th Century) / Bridgeman Images

Italian prisoners at Tolmin led back through their own positions on the first day of battle, 24th October 1917 (b/w photo)
Italian prisoners at Tolmin led back through their own positions on the first day of battle, 24th October 1917 (b/w photo)

STC406190: Italian prisoners at Tolmin led back through their own positions on the first day of battle, 24th October 1917 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

Christian Friedrich, Baron Stockmar, engraved by Thomas Fairland (litho)
Christian Friedrich, Baron Stockmar, engraved by Thomas Fairland (litho)

XJF406221: Christian Friedrich, Baron Stockmar, engraved by Thomas Fairland (litho), Winterhalter, Franz Xaver (1806-73) (after) / Bridgeman Images

The Keystone Kops being chased by two trams (photo)
The Keystone Kops being chased by two trams (photo)

XJF406248: The Keystone Kops being chased by two trams (photo), American Photographer, (20th century) / Bridgeman Images

Typographic composing new machine, from 'Artistic Illustration', engraved by W. Meyer studio, 1885 (engraving) (later colouration)
Typographic composing new machine, from 'Artistic Illustration', engraved by W. Meyer studio, 1885 (engraving) (later colouration)

TRK406643: Typographic composing new machine, from 'Artistic Illustration', engraved by W. Meyer studio, 1885 (engraving) (later colouration), German School, (19th century) / Bridgeman Images

Knitting Monk (oil on canvas)
Knitting Monk (oil on canvas)

AKV406793: Knitting Monk (oil on canvas), Spitzweg, Carl (1808-85) / Bridgeman Images

The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper)
The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper)

CH401757: The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper), Ginner, Charles Isaac (1878-1952) / Bridgeman Images


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