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Catherine Mumford (engraving)
Catherine Mumford (engraving)

STC619600: Catherine Mumford (engraving), English School, (19th century) / Bridgeman Images

Luther before the Diet at Worms, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Luther before the Diet at Worms, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619614: Luther before the Diet at Worms, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Wicliffe before the Convocation at Oxford, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Wicliffe before the Convocation at Oxford, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619630: Wicliffe before the Convocation at Oxford, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Luther entering the Augustinian convent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Luther entering the Augustinian convent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619646: Luther entering the Augustinian convent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Luther at the Casement, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Luther at the Casement, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619656: Luther at the Casement, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

A Gala-Day in Nuremberg: Time, Sixteenth Century, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
A Gala-Day in Nuremberg: Time, Sixteenth Century, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619681: A Gala-Day in Nuremberg: Time, Sixteenth Century, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

A Field-preaching near Ghent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
A Field-preaching near Ghent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619716: A Field-preaching near Ghent, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

The Countess of Reux visiting De Bray and La Grange in Prison, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
The Countess of Reux visiting De Bray and La Grange in Prison, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619720: The Countess of Reux visiting De Bray and La Grange in Prison, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Building, equipping and launching of a galley, plate XXIV (pencil & watercolour on paper)
Building, equipping and launching of a galley, plate XXIV (pencil & watercolour on paper)

XIR619825: Building, equipping and launching of a galley, plate XXIV (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Profile of an inside and outside fully completed vessel, illustration from the 'Atlas de Colbert', plate38 (pencil & watercolour on paper)
Profile of an inside and outside fully completed vessel, illustration from the 'Atlas de Colbert', plate38 (pencil & watercolour on paper)

XIR619834: Profile of an inside and outside fully completed vessel, illustration from the 'Atlas de Colbert', plate38 (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Cross-section of a vessel with its floor plates, illustration from the 'Atlas de Colbert', plate 11 (pencil & watercolour on paper)
Cross-section of a vessel with its floor plates, illustration from the 'Atlas de Colbert', plate 11 (pencil & watercolour on paper)

XIR619845: Cross-section of a vessel with its floor plates, illustration from the 'Atlas de Colbert', plate 11 (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Profile of a vessel, illustration from the 'Atlas de Colbert', plate 22 (pencil & watercolour on paper)
Profile of a vessel, illustration from the 'Atlas de Colbert', plate 22 (pencil & watercolour on paper)

XIR619855: Profile of a vessel, illustration from the 'Atlas de Colbert', plate 22 (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Inhabited Moon
Inhabited Moon

SW20229: Inhabited Moon, Dufaut, Prefete (1923-2012) / Bridgeman Images

Harvesting Guinea Fowl
Harvesting Guinea Fowl

SW20240: Harvesting Guinea Fowl, Obin, Telemaque (20th century) / Bridgeman Images

The Baptism of the Bandits
The Baptism of the Bandits

SW20252: The Baptism of the Bandits, Gilvan, (20th century) / Bridgeman Images

Detail of a child's dress (quilted silk satin)
Detail of a child's dress (quilted silk satin)

FMB619975: Detail of a child's dress (quilted silk satin) , English School, (18th century) / Bridgeman Images

Madonna and Child (oil on canvas)
Madonna and Child (oil on canvas)

STM620178: Madonna and Child (oil on canvas), Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) / Bridgeman Images

Untitled (Self-Portrait), 1978 (w/c & graphite on paper with tape)
Untitled (Self-Portrait), 1978 (w/c & graphite on paper with tape)

STM620213: Untitled (Self-Portrait), 1978 (w/c & graphite on paper with tape), Roth, Dieter (1930-98) / Bridgeman Images

Ruins of the Temple of the Tiburtine Sibyl at Tivoli (pen & brown ink with grey brown wash on white paper)
Ruins of the Temple of the Tiburtine Sibyl at Tivoli (pen & brown ink with grey brown wash on white paper)

CTS615241: Ruins of the Temple of the Tiburtine Sibyl at Tivoli (pen & brown ink with grey brown wash on white paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

'Et in Arcadia Ego...' (pen & brown ink with brown wash over black chalk on paper)
'Et in Arcadia Ego...' (pen & brown ink with brown wash over black chalk on paper)

CTS615260: 'Et in Arcadia Ego...' (pen & brown ink with brown wash over black chalk on paper), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

Mountainous landscape with a castello and other buildings by a river; a man hurrying a woman, at the right, c.1540 (pen & brown ink on white paper)
Mountainous landscape with a castello and other buildings by a river; a man hurrying a woman, at the right, c.1540 (pen & brown ink on white paper)

CTS615273: Mountainous landscape with a castello and other buildings by a river; a man hurrying a woman, at the right, c.1540 (pen & brown ink on white paper), Campagnola, Domenico (fl.1517-62) / Bridgeman Images

Soldiers, front cover of the 'DuPont Magazine', April 1918 (colour litho)
Soldiers, front cover of the 'DuPont Magazine', April 1918 (colour litho)

HGL615297: Soldiers, front cover of the 'DuPont Magazine', April 1918 (colour litho), American School, (20th century) / Bridgeman Images

Travelling Companion - Craftsman Luggage, front cover of the 'DuPont Magazine', July 1919 (colour litho)
Travelling Companion - Craftsman Luggage, front cover of the 'DuPont Magazine', July 1919 (colour litho)

HGL615307: Travelling Companion - Craftsman Luggage, front cover of the 'DuPont Magazine', July 1919 (colour litho), American School, (20th century) / Bridgeman Images

Skyscrapers, front cover of the 'DuPont Magazine', March 1929 (litho)
Skyscrapers, front cover of the 'DuPont Magazine', March 1929 (litho)

HGL615336: Skyscrapers, front cover of the 'DuPont Magazine', March 1929 (litho), American School, (20th century) / Bridgeman Images

Why Not Use the Oil, Uncle?, front cover of the 'Morse Dry Dock Dial', October 1922 (colour litho)
Why Not Use the Oil, Uncle?, front cover of the 'Morse Dry Dock Dial', October 1922 (colour litho)

HGL615450: Why Not Use the Oil, Uncle?, front cover of the 'Morse Dry Dock Dial', October 1922 (colour litho), American School, (20th century) / Bridgeman Images

A Night Scene on No. 2 Dock, front cover of the 'Morse Dry Dock Dial', May 1923 (colour litho)
A Night Scene on No. 2 Dock, front cover of the 'Morse Dry Dock Dial', May 1923 (colour litho)

HGL615456: A Night Scene on No. 2 Dock, front cover of the 'Morse Dry Dock Dial', May 1923 (colour litho), American School, (20th century) / Bridgeman Images

Two Hybrid 'Peliagoniums', 1828 (w/c with some bodycolour on vellum)
Two Hybrid 'Peliagoniums', 1828 (w/c with some bodycolour on vellum)

FIT615550: Two Hybrid 'Peliagoniums', 1828 (w/c with some bodycolour on vellum), D'Orleans, Louise (1812-52) / Bridgeman Images

Cameroon mask, probably from the Bangangte in the western part of the Cameroon grasslands (wood with encrusted pigmentation) (front view, see also 74999)
Cameroon mask, probably from the Bangangte in the western part of the Cameroon grasslands (wood with encrusted pigmentation) (front view, see also 74999)

BCC11171: Cameroon mask, probably from the Bangangte in the western part of the Cameroon grasslands (wood with encrusted pigmentation) (front view, see also 74999) / Bridgeman Images

Zodiac sign Scorpio and Aermancy (prophecy by air or from birds), detail of rose window (with some 19th century restoration)
Zodiac sign Scorpio and Aermancy (prophecy by air or from birds), detail of rose window (with some 19th century restoration)

XPC11498: Zodiac sign Scorpio and Aermancy (prophecy by air or from birds), detail of rose window (with some 19th century restoration) / Bridgeman Images

Cactus Ambiguus, 1812 (w/c & bodycolour over graphite on vellum)
Cactus Ambiguus, 1812 (w/c & bodycolour over graphite on vellum)

FIT615584: Cactus Ambiguus, 1812 (w/c & bodycolour over graphite on vellum), Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

Annemone, Hemerocale and Iris (graphite, w/c & bodycolour on vellum)
Annemone, Hemerocale and Iris (graphite, w/c & bodycolour on vellum)

FIT615606: Annemone, Hemerocale and Iris (graphite, w/c & bodycolour on vellum), Bessa, Pancrace (1772-1835) / Bridgeman Images

Noisette Rose, 1823 (w/c & bodycolour with some gum Arabic, over traces of graphite outline on prepared vellum)
Noisette Rose, 1823 (w/c & bodycolour with some gum Arabic, over traces of graphite outline on prepared vellum)

FIT615612: Noisette Rose, 1823 (w/c & bodycolour with some gum Arabic, over traces of graphite outline on prepared vellum), Esmenard, Nathalie d' (fl.1822-34) / Bridgeman Images

Flowers with Plums and Raspberries on Their Branches (w/c & bodycolour on vellum)
Flowers with Plums and Raspberries on Their Branches (w/c & bodycolour on vellum)

FIT615625: Flowers with Plums and Raspberries on Their Branches (w/c & bodycolour on vellum), Riche, Adele (1791-1878) / Bridgeman Images

Westminster Palace, St. Stephen's Hall (interior) by P.T.Cameron, published by Vacher and Son, 1860
Westminster Palace, St. Stephen's Hall (interior) by P.T.Cameron, published by Vacher and Son, 1860

GHL13875: Westminster Palace, St. Stephen's Hall (interior) by P.T.Cameron, published by Vacher and Son, 1860 / Bridgeman Images

BT14251: "Liberty Catalogue", 1930s; ready to wear frocks and jumper - with fabric sample; fashion; design; illustration; dress; crepe; crape; / Bridgeman Images

Snow Queen, 1975
Snow Queen, 1975

ECD14396: Snow Queen, 1975, Anderson, Sue (fl.1975) / Bridgeman Images


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