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The Immaculee conceived Mary illuminated, above her the divine triangle symbol of the Holy Trinity. Painting by Francesco Scaramuzza (after 1803-after 1886) Vicobarone Ziano Piacentino, Church of St. Colombano, Italy
The Immaculee conceived Mary illuminated, above her the divine triangle symbol of the Holy Trinity. Painting by Francesco Scaramuzza (after 1803-after 1886) Vicobarone Ziano Piacentino, Church of St. Colombano, Italy

MRZ5031867: The Immaculee conceived Mary illuminated, above her the divine triangle symbol of the Holy Trinity. Painting by Francesco Scaramuzza (after 1803-after 1886) Vicobarone Ziano Piacentino, Church of St. Colombano, Italy / Bridgeman Images

ID: MRZ5031867

The Immaculee conceived Mary illuminated, above her the divine triangle symbol of the Holy Trinity. Painting by Francesco Scaramuzza (after 1803-after 1886) Vicobarone Ziano Piacentino, Church of St. Colombano, Italy

Portrait of Germain Sommeiller (1815-1871), French engineer: director of the piercing of Mont Cenis
Portrait of Germain Sommeiller (1815-1871), French engineer: director of the piercing of Mont Cenis

XEE5031905: Portrait of Germain Sommeiller (1815-1871), French engineer: director of the piercing of Mont Cenis / Bridgeman Images

ID: XEE5031905

Portrait of Germain Sommeiller (1815-1871), French engineer: director of the piercing of Mont Cenis

View of Saint Mark's Square (San Marco) in Venice Painting by Giorgio de Chirico (1888-1978) BNL Collection
View of Saint Mark's Square (San Marco) in Venice Painting by Giorgio de Chirico (1888-1978) BNL Collection

MRZ5031918: View of Saint Mark's Square (San Marco) in Venice Painting by Giorgio de Chirico (1888-1978) BNL Collection, Chirico, Giorgio de (1888-1978) / Bridgeman Images

ID: MRZ5031918

View of Saint Mark's Square (San Marco) in Venice Painting by Giorgio de Chirico (1888-1978) BNL Collection

Chirico, Giorgio de (1888-1978)

Portrait of young peasant in traditional costume and scarf Painting by Ubaldo Oppi (1889-1942) 20th century Collection BNL
Portrait of young peasant in traditional costume and scarf Painting by Ubaldo Oppi (1889-1942) 20th century Collection BNL

MRZ5031928: Portrait of young peasant in traditional costume and scarf Painting by Ubaldo Oppi (1889-1942) 20th century Collection BNL / Bridgeman Images

ID: MRZ5031928

Portrait of young peasant in traditional costume and scarf Painting by Ubaldo Oppi (1889-1942) 20th century Collection BNL

Portrait of Brother Paolo Sarpi (1552-1623), of the Order of the Servites of Mary, Venetian statesman and historian
Portrait of Brother Paolo Sarpi (1552-1623), of the Order of the Servites of Mary, Venetian statesman and historian

XEE5031935: Portrait of Brother Paolo Sarpi (1552-1623), of the Order of the Servites of Mary, Venetian statesman and historian / Bridgeman Images

ID: XEE5031935

Portrait of Brother Paolo Sarpi (1552-1623), of the Order of the Servites of Mary, Venetian statesman and historian

Portrait of PIETRO ANGELO SECCHI (1818-1878), Italian Jesuit and astronomer
Portrait of PIETRO ANGELO SECCHI (1818-1878), Italian Jesuit and astronomer

XEE5031947: Portrait of PIETRO ANGELO SECCHI (1818-1878), Italian Jesuit and astronomer / Bridgeman Images

ID: XEE5031947

Portrait of PIETRO ANGELO SECCHI (1818-1878), Italian Jesuit and astronomer

Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy
Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy

MRZ5031952: Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy / Bridgeman Images

ID: MRZ5031952

Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy

Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy
Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy

MRZ5031964: Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy / Bridgeman Images

ID: MRZ5031964

Gothic architecture: overview of the cathedral (Duomo or Dome) of Milan. 14th-15th century Italy

ALOYS SENEFELDER (1771-1834), German printer
ALOYS SENEFELDER (1771-1834), German printer

XEE5031973: ALOYS SENEFELDER (1771-1834), German printer / Bridgeman Images

ID: XEE5031973

ALOYS SENEFELDER (1771-1834), German printer

Frontispice of “Elemens (Elements) of botanical “” (1694) by Joseph Pitton de Tournefort (1656-1708), French botanist. You can see the king's garden (present-day Jardin des plantes) with in the background the natural history cabinet and on the right the botanical school where Tournfort taught
Frontispice of “Elemens (Elements) of botanical “” (1694) by Joseph Pitton de Tournefort (1656-1708), French botanist. You can see the king's garden (present-day Jardin des plantes) with in the background the natural history cabinet and on the right the botanical school where Tournfort taught

XEE5031984: Frontispice of “Elemens (Elements) of botanical “” (1694) by Joseph Pitton de Tournefort (1656-1708), French botanist. You can see the king's garden (present-day Jardin des plantes) with in the background the natural history cabinet and on the right the botanical school where Tournfort taught / Bridgeman Images

ID: XEE5031984

Frontispice of “Elemens (Elements) of botanical “” (1694) by Joseph Pitton de Tournefort (1656-1708), French botanist. You can see the king's garden (present-day Jardin des plantes) with in the background the natural history cabinet and on the right the botanical school where Tournfort taught

Gothic style: view of a window with low relief depicting the prophetess Deborah by Giuseppe Riccardi. 1787. Cathedral (dome or duomo) of Milan Italy
Gothic style: view of a window with low relief depicting the prophetess Deborah by Giuseppe Riccardi. 1787. Cathedral (dome or duomo) of Milan Italy

MRZ5031995: Gothic style: view of a window with low relief depicting the prophetess Deborah by Giuseppe Riccardi. 1787. Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

ID: MRZ5031995

Gothic style: view of a window with low relief depicting the prophetess Deborah by Giuseppe Riccardi. 1787. Cathedral (dome or duomo) of Milan Italy

Portrait of Ernst-Heinrich Weber (1795-1878) German anatomist and physiologist
Portrait of Ernst-Heinrich Weber (1795-1878) German anatomist and physiologist

XEE5032109: Portrait of Ernst-Heinrich Weber (1795-1878) German anatomist and physiologist / Bridgeman Images

ID: XEE5032109

Portrait of Ernst-Heinrich Weber (1795-1878) German anatomist and physiologist

Architecture: statue of St. Mark by Donato Carabelli (1811). Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: statue of St. Mark by Donato Carabelli (1811). Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032202: Architecture: statue of St. Mark by Donato Carabelli (1811). Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

ID: MRZ5032202

Architecture: statue of St. Mark by Donato Carabelli (1811). Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032270: Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

ID: MRZ5032270

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

Chapel Casotti - Calcagni: view of the frescoes by Pietro Desani (1595-1657). 1642 Tempio della Beata Vergine della Ghiara Reggio Emilia, Italy
Chapel Casotti - Calcagni: view of the frescoes by Pietro Desani (1595-1657). 1642 Tempio della Beata Vergine della Ghiara Reggio Emilia, Italy

MPH5032505: Chapel Casotti - Calcagni: view of the frescoes by Pietro Desani (1595-1657). 1642 Tempio della Beata Vergine della Ghiara Reggio Emilia, Italy / Bridgeman Images

ID: MPH5032505

Chapel Casotti - Calcagni: view of the frescoes by Pietro Desani (1595-1657). 1642 Tempio della Beata Vergine della Ghiara Reggio Emilia, Italy

Pieta. The seven founders of the Order of the Brothers Servants of Saint Mary. Painting by Giovan (Giovanni) Battista Crespi dit Il Cerano (circa 1575-1632). Church of Santa Maria dei served, Guastalla. Italy
Pieta. The seven founders of the Order of the Brothers Servants of Saint Mary. Painting by Giovan (Giovanni) Battista Crespi dit Il Cerano (circa 1575-1632). Church of Santa Maria dei served, Guastalla. Italy

MPH5032516: Pieta. The seven founders of the Order of the Brothers Servants of Saint Mary. Painting by Giovan (Giovanni) Battista Crespi dit Il Cerano (circa 1575-1632). Church of Santa Maria dei served, Guastalla. Italy / Bridgeman Images

ID: MPH5032516

Pieta. The seven founders of the Order of the Brothers Servants of Saint Mary. Painting by Giovan (Giovanni) Battista Crespi dit Il Cerano (circa 1575-1632). Church of Santa Maria dei served, Guastalla. Italy

Piazza del Duomo, 1930. Painting by Giuseppe Graziosi (1879-1942). Museo Civico, Modene. Rights reserved.
Piazza del Duomo, 1930. Painting by Giuseppe Graziosi (1879-1942). Museo Civico, Modene. Rights reserved.

MPH5032556: Piazza del Duomo, 1930. Painting by Giuseppe Graziosi (1879-1942). Museo Civico, Modene. Rights reserved. / Bridgeman Images

ID: MPH5032556

Piazza del Duomo, 1930. Painting by Giuseppe Graziosi (1879-1942). Museo Civico, Modene. Rights reserved.

17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the capture of Chateau de Crevacuore (1617). Palazzo Taffini d'Acceglio, Savigliano (Cuneo).
17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the capture of Chateau de Crevacuore (1617). Palazzo Taffini d'Acceglio, Savigliano (Cuneo).

MPH5032574: 17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the capture of Chateau de Crevacuore (1617). Palazzo Taffini d'Acceglio, Savigliano (Cuneo). / Bridgeman Images

ID: MPH5032574

17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the capture of Chateau de Crevacuore (1617). Palazzo Taffini d'Acceglio, Savigliano (Cuneo).

Exploits of Amedeo VIII of Savoy (1383-1451) (Amedee VIII then antipope Felix V) Frescoes by Isidoro Bianchi (1581-1662), 17th century Castello Rivoli Piemont Italy
Exploits of Amedeo VIII of Savoy (1383-1451) (Amedee VIII then antipope Felix V) Frescoes by Isidoro Bianchi (1581-1662), 17th century Castello Rivoli Piemont Italy

MPH5032588: Exploits of Amedeo VIII of Savoy (1383-1451) (Amedee VIII then antipope Felix V) Frescoes by Isidoro Bianchi (1581-1662), 17th century Castello Rivoli Piemont Italy / Bridgeman Images

ID: MPH5032588

Exploits of Amedeo VIII of Savoy (1383-1451) (Amedee VIII then antipope Felix V) Frescoes by Isidoro Bianchi (1581-1662), 17th century Castello Rivoli Piemont Italy

Ducal Palace (Palazzo ducale) of Modena (Modene) in Italy. Anonymous painting of the second half of the 18th century. Museo Civico, Modene.
Ducal Palace (Palazzo ducale) of Modena (Modene) in Italy. Anonymous painting of the second half of the 18th century. Museo Civico, Modene.

MPH5032591: Ducal Palace (Palazzo ducale) of Modena (Modene) in Italy. Anonymous painting of the second half of the 18th century. Museo Civico, Modene. / Bridgeman Images

ID: MPH5032591

Ducal Palace (Palazzo ducale) of Modena (Modene) in Italy. Anonymous painting of the second half of the 18th century. Museo Civico, Modene.

Polyptych of Giotto di Bondone (1267-1337) or the school of Giotto, known as “Santa Maria degli Angeli” (1330-1333) because it comes from a church of the same name in Bologna. From left to right: Saint Peter, Archangel Gabriel, Madonna on the throne with the child Jesus, Saint Michael and Saint Paul. Pinacoteca Nazionale, Bologna.
Polyptych of Giotto di Bondone (1267-1337) or the school of Giotto, known as “Santa Maria degli Angeli” (1330-1333) because it comes from a church of the same name in Bologna. From left to right: Saint Peter, Archangel Gabriel, Madonna on the throne with the child Jesus, Saint Michael and Saint Paul. Pinacoteca Nazionale, Bologna.

MPH5032614: Polyptych of Giotto di Bondone (1267-1337) or the school of Giotto, known as “Santa Maria degli Angeli” (1330-1333) because it comes from a church of the same name in Bologna. From left to right: Saint Peter, Archangel Gabriel, Madonna on the throne with the child Jesus, Saint Michael and Saint Paul. Pinacoteca Nazionale, Bologna., Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: MPH5032614

Polyptych of Giotto di Bondone (1267-1337) or the school of Giotto, known as “Santa Maria degli Angeli” (1330-1333) because it comes from a church of the same name in Bologna. From left to right: Saint Peter, Archangel Gabriel, Madonna on the throne with the child Jesus, Saint Michael and Saint Paul. Pinacoteca Nazionale, Bologna.

Giotto (Giotto di Bondone) (c.1266-1337)

Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene.
Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene.

MPH5032646: Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene. / Bridgeman Images

ID: MPH5032646

Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene.

Mercato in Piazza Grande a Modena (March on Piazza Grande a Modene) (oil on canvas)
Mercato in Piazza Grande a Modena (March on Piazza Grande a Modene) (oil on canvas)

MPH5032706: Mercato in Piazza Grande a Modena (March on Piazza Grande a Modene) (oil on canvas), Cappelli, Evaristo (1868-1951) / Bridgeman Images

ID: MPH5032706

Mercato in Piazza Grande a Modena (March on Piazza Grande a Modene) (oil on canvas)

Cappelli, Evaristo (1868-1951)

Agony. Anonymous painting. (Inv. N. 248). Galleria Estense, Modene.
Agony. Anonymous painting. (Inv. N. 248). Galleria Estense, Modene.

MPH5032784: Agony. Anonymous painting. (Inv. N. 248). Galleria Estense, Modene. / Bridgeman Images

ID: MPH5032784

Agony. Anonymous painting. (Inv. N. 248). Galleria Estense, Modene.

The apostle Saint Barthelemy. Anonymous 12th century fresco placed in a niche. Villa Aldini, former Monastere di Santa Maria al Monte, Bologna
The apostle Saint Barthelemy. Anonymous 12th century fresco placed in a niche. Villa Aldini, former Monastere di Santa Maria al Monte, Bologna

MPH5032789: The apostle Saint Barthelemy. Anonymous 12th century fresco placed in a niche. Villa Aldini, former Monastere di Santa Maria al Monte, Bologna / Bridgeman Images

ID: MPH5032789

The apostle Saint Barthelemy. Anonymous 12th century fresco placed in a niche. Villa Aldini, former Monastere di Santa Maria al Monte, Bologna

Portrait of Cardinal Giuseppe Albani (1750-1834). Anonymous painting. Pinacoteca Civica, Forli.
Portrait of Cardinal Giuseppe Albani (1750-1834). Anonymous painting. Pinacoteca Civica, Forli.

MPH5032798: Portrait of Cardinal Giuseppe Albani (1750-1834). Anonymous painting. Pinacoteca Civica, Forli. / Bridgeman Images

ID: MPH5032798

Portrait of Cardinal Giuseppe Albani (1750-1834). Anonymous painting. Pinacoteca Civica, Forli.

Portrait of Ercole II d'Este (1508-1559) (Hercules II) standing in armor. Detail. Painting by Girolamo da Carpi (around 1501-1556) Galleria Estense, Modena, Italy.
Portrait of Ercole II d'Este (1508-1559) (Hercules II) standing in armor. Detail. Painting by Girolamo da Carpi (around 1501-1556) Galleria Estense, Modena, Italy.

MPH5032808: Portrait of Ercole II d'Este (1508-1559) (Hercules II) standing in armor. Detail. Painting by Girolamo da Carpi (around 1501-1556) Galleria Estense, Modena, Italy. / Bridgeman Images

ID: MPH5032808

Portrait of Ercole II d'Este (1508-1559) (Hercules II) standing in armor. Detail. Painting by Girolamo da Carpi (around 1501-1556) Galleria Estense, Modena, Italy.

Madonna has the Child and Angels, Saint George and Michael. Painting by Dosso Dossi (Giovanni di Niccolo Luteri) (v.1490-1542) 16th century Galleria Estense, Modene; Italy
Madonna has the Child and Angels, Saint George and Michael. Painting by Dosso Dossi (Giovanni di Niccolo Luteri) (v.1490-1542) 16th century Galleria Estense, Modene; Italy

MPH5032816: Madonna has the Child and Angels, Saint George and Michael. Painting by Dosso Dossi (Giovanni di Niccolo Luteri) (v.1490-1542) 16th century Galleria Estense, Modene; Italy / Bridgeman Images

ID: MPH5032816

Madonna has the Child and Angels, Saint George and Michael. Painting by Dosso Dossi (Giovanni di Niccolo Luteri) (v.1490-1542) 16th century Galleria Estense, Modene; Italy

Portrait of Henry Morton Stanley (1841 - 1904).
Portrait of Henry Morton Stanley (1841 - 1904).

JAB5034064: Portrait of Henry Morton Stanley (1841 - 1904). / Bridgeman Images

ID: JAB5034064

Portrait of Henry Morton Stanley (1841 - 1904).

Symbolic representation of the evangelists: Saint Luke (in the form of the bull), Saint Mark (the lion), Saint John (eagle) and Saint Matthew Fresco by the master of the redeemer (maestro del redentore) decorating the vaults, 14th century Verona, church of San Fermo
Symbolic representation of the evangelists: Saint Luke (in the form of the bull), Saint Mark (the lion), Saint John (eagle) and Saint Matthew Fresco by the master of the redeemer (maestro del redentore) decorating the vaults, 14th century Verona, church of San Fermo

MPH5034075: Symbolic representation of the evangelists: Saint Luke (in the form of the bull), Saint Mark (the lion), Saint John (eagle) and Saint Matthew Fresco by the master of the redeemer (maestro del redentore) decorating the vaults, 14th century Verona, church of San Fermo / Bridgeman Images

ID: MPH5034075

Symbolic representation of the evangelists: Saint Luke (in the form of the bull), Saint Mark (the lion), Saint John (eagle) and Saint Matthew Fresco by the master of the redeemer (maestro del redentore) decorating the vaults, 14th century Verona, church of San Fermo

Portrait of Jose Maria (Jose-Maria) by Heredia (1842-1905), French poet. Sd. engraving of the 19th century.
Portrait of Jose Maria (Jose-Maria) by Heredia (1842-1905), French poet. Sd. engraving of the 19th century.

JAB5034090: Portrait of Jose Maria (Jose-Maria) by Heredia (1842-1905), French poet. Sd. engraving of the 19th century. / Bridgeman Images

ID: JAB5034090

Portrait of Jose Maria (Jose-Maria) by Heredia (1842-1905), French poet. Sd. engraving of the 19th century.

Portrait of the French tenor Gilbert Duprez, lyric singer - engraving of 1858.
Portrait of the French tenor Gilbert Duprez, lyric singer - engraving of 1858.

JAB5034096: Portrait of the French tenor Gilbert Duprez, lyric singer - engraving of 1858. / Bridgeman Images

ID: JAB5034096

Portrait of the French tenor Gilbert Duprez, lyric singer - engraving of 1858.

Pala Bertoni: “” Madonna has the child”” Painting on wood by the master of Pala Bertoni. The altarpiece was sponsored by the lord of Faenza Galeotto Manfredi (1440-1488) Pinacoteca Comunale, Faenza
Pala Bertoni: “” Madonna has the child”” Painting on wood by the master of Pala Bertoni. The altarpiece was sponsored by the lord of Faenza Galeotto Manfredi (1440-1488) Pinacoteca Comunale, Faenza

MPH5034120: Pala Bertoni: “” Madonna has the child”” Painting on wood by the master of Pala Bertoni. The altarpiece was sponsored by the lord of Faenza Galeotto Manfredi (1440-1488) Pinacoteca Comunale, Faenza / Bridgeman Images

ID: MPH5034120

Pala Bertoni: “” Madonna has the child”” Painting on wood by the master of Pala Bertoni. The altarpiece was sponsored by the lord of Faenza Galeotto Manfredi (1440-1488) Pinacoteca Comunale, Faenza

Portrait of Cardinal Giulio (Jules) Alberoni (1664-1752). Cardinal and Spanish politician of Italian origin. Engraving of the 19th century.
Portrait of Cardinal Giulio (Jules) Alberoni (1664-1752). Cardinal and Spanish politician of Italian origin. Engraving of the 19th century.

JAB5034125: Portrait of Cardinal Giulio (Jules) Alberoni (1664-1752). Cardinal and Spanish politician of Italian origin. Engraving of the 19th century. / Bridgeman Images

ID: JAB5034125

Portrait of Cardinal Giulio (Jules) Alberoni (1664-1752). Cardinal and Spanish politician of Italian origin. Engraving of the 19th century.

Frontispice de “” Second part””, novel by Jules Verne, 1900, published by Hetzel editions under the general title “” Extraordinary Voyages””.
Frontispice de “” Second part””, novel by Jules Verne, 1900, published by Hetzel editions under the general title “” Extraordinary Voyages””.

JAB5034164: Frontispice de “” Second part””, novel by Jules Verne, 1900, published by Hetzel editions under the general title “” Extraordinary Voyages””. / Bridgeman Images

ID: JAB5034164

Frontispice de “” Second part””, novel by Jules Verne, 1900, published by Hetzel editions under the general title “” Extraordinary Voyages””.

Portrait of Alexandre DUMAS (son) French writer (1824-1895).
Portrait of Alexandre DUMAS (son) French writer (1824-1895).

JAB5034231: Portrait of Alexandre DUMAS (son) French writer (1824-1895). / Bridgeman Images

ID: JAB5034231

Portrait of Alexandre DUMAS (son) French writer (1824-1895).


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